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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 35 41 it is the complementary color RGB 202 220 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 35 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 35 41 shade: RGB 58 35 36, RGB 75 53 55, RGB 92 71 74, RGB 109 89 93 and RGB 126 107 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 35 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 35 41 shade: RGB 53 35 41, RGB 36 17 22, RGB 19 0 3, RGB 2 0 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 35 41 shade: RGB 52 35 40, RGB 52 35 36 and RGB 52 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 35 41 shade: RGB 52 35 40, RGB 52 35 45, RGB 52 35 50, RGB 50 35 52 and RGB 45 35 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 35 41 shade matches the following richer shades: RGB 52 35 40, RGB 59 28 38, RGB 66 21 36, RGB 73 14 33 and RGB 80 7 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 35 41 shade: RGB 52 35 40, RGB 45 42 43, RGB 38 49 45, RGB 31 56 47 and RGB 24 63 50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 35 41 shade: RGB 52 35 50, RGB 52 35 45, RGB 52 35 40, RGB 52 35 36 and RGB 52 38 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 35 41 shade: RGB 3 2 2, RGB 27 18 21, RGB 52 35 40, RGB 77 51 60 and RGB 102 68 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 35 41 shade: RGB 53 35 41, RGB 52 50 35 and RGB 35 47 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 35 41 shade: RGB 53 35 41, RGB 40 52 35 and RGB 35 40 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 35 41 shade: RGB 53 35 41, RGB 52 50 35, RGB 35 52 46 and RGB 35 37 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 35 41 shade: RGB 53 35 41, RGB 49 52 35, RGB 35 52 46 and RGB 38 35 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 23 / 79

HEX #352329

RGB 53 35 41

HSL 340, 0.2%, 0.17%

LAB 16.1, 9.73, -0.55

 

Complementary color

CMYK 8 / 0 / 3 / 14

HEX #CADCD6

RGB 202 220 214

HSL 160, 0.2%, 0.83%

LAB 86.3, -7.13, 0.87

 

CMYK 0 / 40 / 38 / 77

HEX #3A2324

RGB 58 35 36

HSL 357.39, 0.25%, 0.18%

LAB 16.65, 11.17, 3.88

 

CMYK 0 / 29 / 27 / 71

HEX #4B3537

RGB 75 53 55

HSL 354.55, 0.17%, 0.25%

LAB 24.7, 10.22, 2.63

 

CMYK 0 / 23 / 20 / 64

HEX #5C474A

RGB 92 71 74

HSL 351.43, 0.13%, 0.32%

LAB 32.43, 9.49, 1.63

 

CMYK 0 / 18 / 15 / 57

HEX #6D595D

RGB 109 89 93

HSL 348, 0.1%, 0.39%

LAB 39.89, 8.9, 0.77

 

CMYK 0 / 15 / 11 / 51

HEX #7E6B70

RGB 126 107 112

HSL 344.21, 0.08%, 0.46%

LAB 47.13, 8.41, -0.01

 

CMYK 0 / 34 / 23 / 79

HEX #352329

RGB 53 35 41

HSL 340, 0.2%, 0.17%

LAB 16.1, 9.73, -0.55

 

CMYK 0 / 53 / 39 / 86

HEX #241116

RGB 36 17 22

HSL 344.21, 0.36%, 0.1%

LAB 7.53, 10.73, 0.64

 

CMYK 0 / 100 / 84 / 93

HEX #130003

RGB 19 0 3

HSL 350.53, 1%, 0.04%

LAB 1.31, 6.03, 0.84

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 33 / 23 / 80

HEX #342328

RGB 52 35 40

HSL 342.35, 0.2%, 0.17%

LAB 15.93, 9.07, -0.1

 

CMYK 0 / 33 / 31 / 80

HEX #342324

RGB 52 35 36

HSL 356.47, 0.2%, 0.17%

LAB 15.8, 8.31, 2.55

 

CMYK 0 / 33 / 33 / 80

HEX #342323

RGB 52 35 35

HSL 0, 0.2%, 0.17%

LAB 15.77, 8.13, 3.22

 

CMYK 0 / 33 / 23 / 80

HEX #342328

RGB 52 35 40

HSL 342.35, 0.2%, 0.17%

LAB 15.93, 9.07, -0.1

 

CMYK 0 / 33 / 13 / 80

HEX #34232D

RGB 52 35 45

HSL 324.71, 0.2%, 0.17%

LAB 16.11, 10.1, -3.39

 

CMYK 0 / 33 / 4 / 80

HEX #342332

RGB 52 35 50

HSL 307.06, 0.2%, 0.17%

LAB 16.32, 11.22, -6.63

 

CMYK 4 / 33 / 0 / 80

HEX #322334

RGB 50 35 52

HSL 292.94, 0.2%, 0.17%

LAB 16.15, 10.85, -8.32

 

CMYK 13 / 33 / 0 / 80

HEX #2D2334

RGB 45 35 52

HSL 275.29, 0.2%, 0.17%

LAB 15.53, 8.79, -9.32

 

CMYK 0 / 33 / 23 / 80

HEX #342328

RGB 52 35 40

HSL 342.35, 0.2%, 0.17%

LAB 15.93, 9.07, -0.1

 

CMYK 0 / 53 / 36 / 77

HEX #3B1C26

RGB 59 28 38

HSL 340.65, 0.36%, 0.17%

LAB 14.95, 16.62, 0.03

 

CMYK 0 / 68 / 45 / 74

HEX #421524

RGB 66 21 36

HSL 340, 0.52%, 0.17%

LAB 14.52, 23.47, 1.01

 

CMYK 0 / 81 / 55 / 71

HEX #490E21

RGB 73 14 33

HSL 340.68, 0.68%, 0.17%

LAB 14.63, 29.09, 3.55

 

CMYK 0 / 91 / 61 / 69

HEX #50071F

RGB 80 7 31

HSL 340.27, 0.84%, 0.17%

LAB 15.26, 33.68, 6.13

 

CMYK 0 / 33 / 23 / 80

HEX #342328

RGB 52 35 40

HSL 342.35, 0.2%, 0.17%

LAB 15.93, 9.07, -0.1

 

CMYK 0 / 7 / 4 / 82

HEX #2D2A2B

RGB 45 42 43

HSL 340, 0.03%, 0.17%

LAB 17.41, 1.59, -0.17

 

CMYK 22 / 0 / 8 / 81

HEX #26312D

RGB 38 49 45

HSL 158.18, 0.13%, 0.17%

LAB 19.22, -5.7, 1.01

 

CMYK 45 / 0 / 16 / 78

HEX #1F382F

RGB 31 56 47

HSL 158.4, 0.29%, 0.17%

LAB 21.3, -12.23, 2.59

 

CMYK 62 / 0 / 21 / 75

HEX #183F32

RGB 24 63 50

HSL 160, 0.45%, 0.17%

LAB 23.6, -17.58, 3.84

 

CMYK 0 / 33 / 4 / 80

HEX #342332

RGB 52 35 50

HSL 307.06, 0.2%, 0.17%

LAB 16.32, 11.22, -6.63

 

CMYK 0 / 33 / 13 / 80

HEX #34232D

RGB 52 35 45

HSL 324.71, 0.2%, 0.17%

LAB 16.11, 10.1, -3.39

 

CMYK 0 / 33 / 23 / 80

HEX #342328

RGB 52 35 40

HSL 342.35, 0.2%, 0.17%

LAB 15.93, 9.07, -0.1

 

CMYK 0 / 33 / 31 / 80

HEX #342324

RGB 52 35 36

HSL 356.47, 0.2%, 0.17%

LAB 15.8, 8.31, 2.55

 

CMYK 0 / 27 / 33 / 80

HEX #342623

RGB 52 38 35

HSL 10.59, 0.2%, 0.17%

LAB 16.69, 6.05, 4.53

 

CMYK 0 / 33 / 33 / 99

HEX #030202

RGB 3 2 2

HSL 0, 0.2%, 0.01%

LAB 0.61, 0.26, 0.09

 

CMYK 0 / 33 / 22 / 89

HEX #1B1215

RGB 27 18 21

HSL 340, 0.2%, 0.09%

LAB 6.5, 4.9, -0.32

 

CMYK 0 / 33 / 23 / 80

HEX #342328

RGB 52 35 40

HSL 342.35, 0.2%, 0.17%

LAB 15.93, 9.07, -0.1

 

CMYK 0 / 34 / 22 / 70

HEX #4D333C

RGB 77 51 60

HSL 339.23, 0.2%, 0.25%

LAB 24.55, 13.31, -0.9

 

CMYK 0 / 33 / 23 / 60

HEX #66444F

RGB 102 68 79

HSL 340.59, 0.2%, 0.33%

LAB 32.97, 16.46, -0.63

 

CMYK 0 / 34 / 23 / 79

HEX #352329

RGB 53 35 41

HSL 340, 0.2%, 0.17%

LAB 16.1, 9.73, -0.55

 

CMYK 0 / 4 / 33 / 80

HEX #343223

RGB 52 50 35

HSL 52.94, 0.2%, 0.17%

LAB 20.57, -2.1, 9.89

 

CMYK 33 / 10 / 0 / 80

HEX #232F34

RGB 35 47 52

HSL 197.65, 0.2%, 0.17%

LAB 18.53, -3.61, -4.86

 

CMYK 0 / 34 / 23 / 79

HEX #352329

RGB 53 35 41

HSL 340, 0.2%, 0.17%

LAB 16.1, 9.73, -0.55

 

CMYK 23 / 0 / 33 / 80

HEX #283423

RGB 40 52 35

HSL 102.35, 0.2%, 0.17%

LAB 20.16, -9.03, 9.15

 

CMYK 33 / 23 / 0 / 80

HEX #232834

RGB 35 40 52

HSL 222.35, 0.2%, 0.17%

LAB 16.12, 1.23, -8.51

 

CMYK 0 / 34 / 23 / 79

HEX #352329

RGB 53 35 41

HSL 340, 0.2%, 0.17%

LAB 16.1, 9.73, -0.55

 

CMYK 0 / 4 / 33 / 80

HEX #343223

RGB 52 50 35

HSL 52.94, 0.2%, 0.17%

LAB 20.57, -2.1, 9.89

 

CMYK 33 / 0 / 12 / 80

HEX #23342E

RGB 35 52 46

HSL 158.82, 0.2%, 0.17%

LAB 20.09, -8.57, 1.55

 

CMYK 33 / 29 / 0 / 80

HEX #232534

RGB 35 37 52

HSL 232.94, 0.2%, 0.17%

LAB 15.11, 3.37, -10.06

 

CMYK 0 / 34 / 23 / 79

HEX #352329

RGB 53 35 41

HSL 340, 0.2%, 0.17%

LAB 16.1, 9.73, -0.55

 

CMYK 6 / 0 / 33 / 80

HEX #313423

RGB 49 52 35

HSL 70.59, 0.2%, 0.17%

LAB 20.94, -4.85, 10.35

 

CMYK 33 / 0 / 12 / 80

HEX #23342E

RGB 35 52 46

HSL 158.82, 0.2%, 0.17%

LAB 20.09, -8.57, 1.55

 

CMYK 27 / 33 / 0 / 80

HEX #262334

RGB 38 35 52

HSL 250.59, 0.2%, 0.17%

LAB 14.75, 5.98, -10.59

 

Description

Color code: RGB 53 35 41 | qconv.com Color code: RGB 53 35 41 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 35 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 35 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 23 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 23% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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