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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 30 54 it is the complementary color RGB 202 225 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 30 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 30 54 shade: RGB 58 30 49, RGB 75 48 68, RGB 92 66 87, RGB 109 84 106 and RGB 126 102 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 30 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 30 54 shade: RGB 53 30 54, RGB 36 12 35, RGB 19 0 16, RGB 2 0 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 30 54 shade: RGB 52 29 53, RGB 53 29 47, RGB 53 29 41, RGB 53 29 34 and RGB 53 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 30 54 shade: RGB 52 29 53, RGB 45 29 53, RGB 39 29 53, RGB 33 29 53 and RGB 29 29 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 30 54 shade matches the following richer shades: RGB 52 29 53, RGB 58 22 59, RGB 64 16 66, RGB 70 9 72 and RGB 76 3 79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 30 54 shade: RGB 52 29 53, RGB 46 36 46, RGB 40 42 39, RGB 33 49 33 and RGB 27 55 26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 30 54 shade: RGB 39 29 53, RGB 45 29 53, RGB 51 29 53, RGB 53 29 48 and RGB 53 29 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 30 54 shade: RGB 0 0 0, RGB 26 14 26, RGB 52 29 53, RGB 78 44 79 and RGB 104 58 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 30 54 shade: RGB 53 30 54, RGB 53 33 29 and RGB 29 53 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 30 54 shade: RGB 53 30 54, RGB 53 51 29 and RGB 29 53 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 30 54 shade: RGB 53 30 54, RGB 53 33 29, RGB 30 53 29 and RGB 29 49 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 30 54 shade: RGB 53 30 54, RGB 53 40 29, RGB 30 53 29 and RGB 29 42 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 44 / 0 / 79

HEX #351E36

RGB 53 30 54

HSL 297.5, 0.29%, 0.16%

LAB 15.23, 16, -11.11

 

Complementary color

CMYK 10 / 0 / 11 / 12

HEX #CAE1C9

RGB 202 225 201

HSL 117.5, 0.29%, 0.84%

LAB 87.3, -12.04, 9.16

 

CMYK 0 / 48 / 16 / 77

HEX #3A1E31

RGB 58 30 49

HSL 319.29, 0.32%, 0.17%

LAB 15.75, 16.91, -6.7

 

CMYK 0 / 36 / 9 / 71

HEX #4B3044

RGB 75 48 68

HSL 315.56, 0.22%, 0.24%

LAB 23.76, 15.99, -7.48

 

CMYK 0 / 28 / 5 / 64

HEX #5C4257

RGB 92 66 87

HSL 311.54, 0.16%, 0.31%

LAB 31.49, 15.19, -8.11

 

CMYK 0 / 23 / 3 / 57

HEX #6D546A

RGB 109 84 106

HSL 307.2, 0.13%, 0.38%

LAB 38.95, 14.51, -8.66

 

CMYK 0 / 19 / 1 / 51

HEX #7E667D

RGB 126 102 125

HSL 302.5, 0.11%, 0.45%

LAB 46.2, 13.91, -9.18

 

CMYK 2 / 44 / 0 / 79

HEX #351E36

RGB 53 30 54

HSL 297.5, 0.29%, 0.16%

LAB 15.23, 16, -11.11

 

CMYK 0 / 67 / 3 / 86

HEX #240C23

RGB 36 12 35

HSL 302.5, 0.5%, 0.09%

LAB 6.86, 16.67, -10.33

 

CMYK 0 / 100 / 16 / 93

HEX #130010

RGB 19 0 16

HSL 309.47, 1%, 0.04%

LAB 1.59, 7.99, -4.49

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 2 / 45 / 0 / 79

HEX #341D35

RGB 52 29 53

HSL 297.5, 0.29%, 0.16%

LAB 14.77, 16.05, -11.13

 

CMYK 0 / 45 / 11 / 79

HEX #351D2F

RGB 53 29 47

HSL 315, 0.29%, 0.16%

LAB 14.63, 15.09, -7.04

 

CMYK 0 / 45 / 23 / 79

HEX #351D29

RGB 53 29 41

HSL 330, 0.29%, 0.16%

LAB 14.38, 13.85, -3.1

 

CMYK 0 / 45 / 36 / 79

HEX #351D22

RGB 53 29 34

HSL 347.5, 0.29%, 0.16%

LAB 14.12, 12.57, 1.6

 

CMYK 0 / 45 / 45 / 79

HEX #351D1D

RGB 53 29 29

HSL 0, 0.29%, 0.16%

LAB 13.97, 11.78, 5.01

 

CMYK 2 / 45 / 0 / 79

HEX #341D35

RGB 52 29 53

HSL 297.5, 0.29%, 0.16%

LAB 14.77, 16.05, -11.13

 

CMYK 15 / 45 / 0 / 79

HEX #2D1D35

RGB 45 29 53

HSL 280, 0.29%, 0.16%

LAB 13.79, 13.31, -12.72

 

CMYK 26 / 45 / 0 / 79

HEX #271D35

RGB 39 29 53

HSL 265, 0.29%, 0.16%

LAB 13.03, 11.02, -13.96

 

CMYK 38 / 45 / 0 / 79

HEX #211D35

RGB 33 29 53

HSL 250, 0.29%, 0.16%

LAB 12.35, 8.81, -15.08

 

CMYK 45 / 45 / 0 / 79

HEX #1D1D35

RGB 29 29 53

HSL 240, 0.29%, 0.16%

LAB 11.94, 7.42, -15.75

 

CMYK 2 / 45 / 0 / 79

HEX #341D35

RGB 52 29 53

HSL 297.5, 0.29%, 0.16%

LAB 14.77, 16.05, -11.13

 

CMYK 2 / 63 / 0 / 77

HEX #3A163B

RGB 58 22 59

HSL 298.38, 0.46%, 0.16%

LAB 14.34, 24.04, -15.98

 

CMYK 3 / 76 / 0 / 74

HEX #401042

RGB 64 16 66

HSL 297.6, 0.61%, 0.16%

LAB 14.7, 30.5, -20.27

 

CMYK 3 / 88 / 0 / 72

HEX #460948

RGB 70 9 72

HSL 298.1, 0.78%, 0.16%

LAB 15.3, 35.93, -23.42

 

CMYK 4 / 96 / 0 / 69

HEX #4C034F

RGB 76 3 79

HSL 297.63, 0.93%, 0.16%

LAB 16.34, 40.48, -26.53

 

CMYK 2 / 45 / 0 / 79

HEX #341D35

RGB 52 29 53

HSL 297.5, 0.29%, 0.16%

LAB 14.77, 16.05, -11.13

 

CMYK 0 / 22 / 0 / 82

HEX #2E242E

RGB 46 36 46

HSL 300, 0.12%, 0.16%

LAB 15.7, 6.97, -4.8

 

CMYK 5 / 0 / 7 / 84

HEX #282A27

RGB 40 42 39

HSL 100, 0.04%, 0.16%

LAB 16.77, -1.62, 1.65

 

CMYK 33 / 0 / 33 / 81

HEX #213121

RGB 33 49 33

HSL 120, 0.2%, 0.16%

LAB 18.5, -10.65, 8.14

 

CMYK 51 / 0 / 53 / 78

HEX #1B371A

RGB 27 55 26

HSL 117.93, 0.36%, 0.16%

LAB 20.2, -17.9, 14.92

 

CMYK 26 / 45 / 0 / 79

HEX #271D35

RGB 39 29 53

HSL 265, 0.29%, 0.16%

LAB 13.03, 11.02, -13.96

 

CMYK 15 / 45 / 0 / 79

HEX #2D1D35

RGB 45 29 53

HSL 280, 0.29%, 0.16%

LAB 13.79, 13.31, -12.72

 

CMYK 4 / 45 / 0 / 79

HEX #331D35

RGB 51 29 53

HSL 295, 0.29%, 0.16%

LAB 14.62, 15.65, -11.36

 

CMYK 0 / 45 / 9 / 79

HEX #351D30

RGB 53 29 48

HSL 312.5, 0.29%, 0.16%

LAB 14.67, 15.3, -7.68

 

CMYK 0 / 45 / 23 / 79

HEX #351D29

RGB 53 29 41

HSL 330, 0.29%, 0.16%

LAB 14.38, 13.85, -3.1

 

CMYK 0 / 46 / 0 / 90

HEX #1A0E1A

RGB 26 14 26

HSL 300, 0.3%, 0.08%

LAB 5.49, 7.84, -5.57

 

CMYK 2 / 45 / 0 / 79

HEX #341D35

RGB 52 29 53

HSL 297.5, 0.29%, 0.16%

LAB 14.77, 16.05, -11.13

 

CMYK 1 / 44 / 0 / 69

HEX #4E2C4F

RGB 78 44 79

HSL 298.29, 0.28%, 0.24%

LAB 23.62, 22.06, -15.03

 

CMYK 2 / 45 / 0 / 58

HEX #683A6A

RGB 104 58 106

HSL 297.5, 0.29%, 0.32%

LAB 31.83, 28.49, -19.6

 

CMYK 2 / 44 / 0 / 79

HEX #351E36

RGB 53 30 54

HSL 297.5, 0.29%, 0.16%

LAB 15.23, 16, -11.11

 

CMYK 0 / 38 / 45 / 79

HEX #35211D

RGB 53 33 29

HSL 10, 0.29%, 0.16%

LAB 15.13, 9.03, 6.63

 

CMYK 45 / 0 / 21 / 79

HEX #1D352A

RGB 29 53 42

HSL 152.5, 0.29%, 0.16%

LAB 19.94, -12.48, 4.02

 

CMYK 2 / 44 / 0 / 79

HEX #351E36

RGB 53 30 54

HSL 297.5, 0.29%, 0.16%

LAB 15.23, 16, -11.11

 

CMYK 0 / 4 / 45 / 79

HEX #35331D

RGB 53 51 29

HSL 55, 0.29%, 0.16%

LAB 20.88, -3.19, 14.28

 

CMYK 45 / 0 / 4 / 79

HEX #1D3533

RGB 29 53 51

HSL 175, 0.29%, 0.16%

LAB 20.23, -9.93, -1.7

 

CMYK 2 / 44 / 0 / 79

HEX #351E36

RGB 53 30 54

HSL 297.5, 0.29%, 0.16%

LAB 15.23, 16, -11.11

 

CMYK 0 / 38 / 45 / 79

HEX #35211D

RGB 53 33 29

HSL 10, 0.29%, 0.16%

LAB 15.13, 9.03, 6.63

 

CMYK 43 / 0 / 45 / 79

HEX #1E351D

RGB 30 53 29

HSL 117.5, 0.29%, 0.16%

LAB 19.68, -15.08, 12.36

 

CMYK 45 / 8 / 0 / 79

HEX #1D3135

RGB 29 49 53

HSL 190, 0.29%, 0.16%

LAB 18.86, -6.76, -5.1

 

CMYK 2 / 44 / 0 / 79

HEX #351E36

RGB 53 30 54

HSL 297.5, 0.29%, 0.16%

LAB 15.23, 16, -11.11

 

CMYK 0 / 25 / 45 / 79

HEX #35281D

RGB 53 40 29

HSL 27.5, 0.29%, 0.16%

LAB 17.29, 4.19, 9.56

 

CMYK 43 / 0 / 45 / 79

HEX #1E351D

RGB 30 53 29

HSL 117.5, 0.29%, 0.16%

LAB 19.68, -15.08, 12.36

 

CMYK 45 / 21 / 0 / 79

HEX #1D2A35

RGB 29 42 53

HSL 207.5, 0.29%, 0.16%

LAB 16.38, -2.04, -8.86

 

Description

Color code: RGB 53 30 54 | qconv.com Color code: RGB 53 30 54 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 30 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 30 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 44 magenta, none yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 44% 0% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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