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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 26 53 it is the complementary color RGB 202 229 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 26 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 26 53 shade: RGB 58 26 48, RGB 75 44 67, RGB 92 62 86, RGB 109 80 105 and RGB 126 98 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 26 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 26 53 shade: RGB 53 26 53, RGB 36 8 34, RGB 19 0 15, RGB 2 0 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 26 53 shade: RGB 51 25 51, RGB 51 25 44, RGB 51 25 37, RGB 51 25 30 and RGB 51 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 26 53 shade: RGB 51 25 51, RGB 44 25 51, RGB 37 25 51, RGB 30 25 51 and RGB 25 25 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 26 53 shade matches the following richer shades: RGB 51 25 51, RGB 57 19 57, RGB 64 13 64, RGB 70 7 70 and RGB 76 0 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 26 53 shade: RGB 51 25 51, RGB 45 31 45, RGB 39 38 39, RGB 33 44 33 and RGB 26 50 26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 26 53 shade: RGB 37 25 51, RGB 44 25 51, RGB 51 25 51, RGB 51 25 44 and RGB 51 25 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 26 53 shade: RGB 0 0 0, RGB 24 12 24, RGB 51 25 51, RGB 79 39 79 and RGB 107 52 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 26 53 shade: RGB 53 26 53, RGB 51 30 25 and RGB 25 51 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 26 53 shade: RGB 53 26 53, RGB 51 51 25 and RGB 25 51 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 26 53 shade: RGB 53 26 53, RGB 51 30 25, RGB 25 51 25 and RGB 25 46 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 26 53 shade: RGB 53 26 53, RGB 51 38 25, RGB 25 51 25 and RGB 25 38 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 0 / 79

HEX #351A35

RGB 53 26 53

HSL 300, 0.34%, 0.15%

LAB 14.13, 18.42, -12.1

 

Complementary color

CMYK 12 / 0 / 12 / 10

HEX #CAE5CA

RGB 202 229 202

HSL 120, 0.34%, 0.85%

LAB 88.38, -13.88, 10.18

 

CMYK 0 / 55 / 17 / 77

HEX #3A1A30

RGB 58 26 48

HSL 318.75, 0.38%, 0.16%

LAB 14.69, 19.29, -7.59

 

CMYK 0 / 41 / 11 / 71

HEX #4B2C43

RGB 75 44 67

HSL 315.48, 0.26%, 0.23%

LAB 22.66, 18.37, -8.47

 

CMYK 0 / 33 / 7 / 64

HEX #5C3E56

RGB 92 62 86

HSL 312, 0.19%, 0.3%

LAB 30.38, 17.51, -9.13

 

CMYK 0 / 27 / 4 / 57

HEX #6D5069

RGB 109 80 105

HSL 308.28, 0.15%, 0.37%

LAB 37.86, 16.76, -9.69

 

CMYK 0 / 22 / 2 / 51

HEX #7E627C

RGB 126 98 124

HSL 304.29, 0.13%, 0.44%

LAB 45.12, 16.1, -10.21

 

CMYK 0 / 51 / 0 / 79

HEX #351A35

RGB 53 26 53

HSL 300, 0.34%, 0.15%

LAB 14.13, 18.42, -12.1

 

CMYK 0 / 78 / 6 / 86

HEX #240822

RGB 36 8 34

HSL 304.29, 0.64%, 0.09%

LAB 6, 18.38, -10.89

 

CMYK 0 / 100 / 21 / 93

HEX #13000F

RGB 19 0 15

HSL 312.63, 1%, 0.04%

LAB 1.56, 7.8, -3.98

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 51 / 0 / 80

HEX #331933

RGB 51 25 51

HSL 300, 0.34%, 0.15%

LAB 13.46, 17.86, -11.73

 

CMYK 0 / 51 / 14 / 80

HEX #33192C

RGB 51 25 44

HSL 316.15, 0.34%, 0.15%

LAB 13.11, 16.3, -7.2

 

CMYK 0 / 51 / 27 / 80

HEX #331925

RGB 51 25 37

HSL 332.31, 0.34%, 0.15%

LAB 12.81, 14.91, -2.54

 

CMYK 0 / 51 / 41 / 80

HEX #33191E

RGB 51 25 30

HSL 348.46, 0.34%, 0.15%

LAB 12.56, 13.7, 2.24

 

CMYK 0 / 51 / 51 / 80

HEX #331919

RGB 51 25 25

HSL 0, 0.34%, 0.15%

LAB 12.41, 12.96, 5.7

 

CMYK 0 / 51 / 0 / 80

HEX #331933

RGB 51 25 51

HSL 300, 0.34%, 0.15%

LAB 13.46, 17.86, -11.73

 

CMYK 14 / 51 / 0 / 80

HEX #2C1933

RGB 44 25 51

HSL 283.85, 0.34%, 0.15%

LAB 12.41, 15.19, -13.44

 

CMYK 27 / 51 / 0 / 80

HEX #251933

RGB 37 25 51

HSL 267.69, 0.34%, 0.15%

LAB 11.47, 12.57, -14.99

 

CMYK 41 / 51 / 0 / 80

HEX #1E1933

RGB 30 25 51

HSL 251.54, 0.34%, 0.15%

LAB 10.63, 10.08, -16.36

 

CMYK 51 / 51 / 0 / 80

HEX #191933

RGB 25 25 51

HSL 240, 0.34%, 0.15%

LAB 10.11, 8.41, -17.21

 

CMYK 0 / 51 / 0 / 80

HEX #331933

RGB 51 25 51

HSL 300, 0.34%, 0.15%

LAB 13.46, 17.86, -11.73

 

CMYK 0 / 67 / 0 / 78

HEX #391339

RGB 57 19 57

HSL 300, 0.5%, 0.15%

LAB 13.42, 24.98, -16.02

 

CMYK 0 / 80 / 0 / 75

HEX #400D40

RGB 64 13 64

HSL 300, 0.66%, 0.15%

LAB 14.1, 31.41, -19.81

 

CMYK 0 / 90 / 0 / 73

HEX #460746

RGB 70 7 70

HSL 300, 0.82%, 0.15%

LAB 14.93, 36.23, -22.63

 

CMYK 0 / 100 / 0 / 70

HEX #4C004C

RGB 76 0 76

HSL 300, 1%, 0.15%

LAB 15.79, 40.93, -25.34

 

CMYK 0 / 51 / 0 / 80

HEX #331933

RGB 51 25 51

HSL 300, 0.34%, 0.15%

LAB 13.46, 17.86, -11.73

 

CMYK 0 / 31 / 0 / 82

HEX #2D1F2D

RGB 45 31 45

HSL 300, 0.18%, 0.15%

LAB 13.99, 9.84, -6.68

 

CMYK 0 / 3 / 0 / 85

HEX #272627

RGB 39 38 39

HSL 300, 0.01%, 0.15%

LAB 15.3, 0.7, -0.5

 

CMYK 25 / 0 / 25 / 83

HEX #212C21

RGB 33 44 33

HSL 120, 0.14%, 0.15%

LAB 16.67, -7.5, 5.62

 

CMYK 48 / 0 / 48 / 80

HEX #1A321A

RGB 26 50 26

HSL 120, 0.32%, 0.15%

LAB 18.26, -15.55, 12.41

 

CMYK 27 / 51 / 0 / 80

HEX #251933

RGB 37 25 51

HSL 267.69, 0.34%, 0.15%

LAB 11.47, 12.57, -14.99

 

CMYK 14 / 51 / 0 / 80

HEX #2C1933

RGB 44 25 51

HSL 283.85, 0.34%, 0.15%

LAB 12.41, 15.19, -13.44

 

CMYK 0 / 51 / 0 / 80

HEX #331933

RGB 51 25 51

HSL 300, 0.34%, 0.15%

LAB 13.46, 17.86, -11.73

 

CMYK 0 / 51 / 14 / 80

HEX #33192C

RGB 51 25 44

HSL 316.15, 0.34%, 0.15%

LAB 13.11, 16.3, -7.2

 

CMYK 0 / 51 / 27 / 80

HEX #331925

RGB 51 25 37

HSL 332.31, 0.34%, 0.15%

LAB 12.81, 14.91, -2.54

 

CMYK 0 / 50 / 0 / 91

HEX #180C18

RGB 24 12 24

HSL 300, 0.33%, 0.07%

LAB 4.72, 7.2, -5.15

 

CMYK 0 / 51 / 0 / 80

HEX #331933

RGB 51 25 51

HSL 300, 0.34%, 0.15%

LAB 13.46, 17.86, -11.73

 

CMYK 0 / 51 / 0 / 69

HEX #4F274F

RGB 79 39 79

HSL 300, 0.34%, 0.23%

LAB 22.58, 25.48, -16.64

 

CMYK 0 / 51 / 0 / 58

HEX #6B346B

RGB 107 52 107

HSL 300, 0.35%, 0.31%

LAB 30.98, 33.11, -21.52

 

CMYK 0 / 51 / 0 / 79

HEX #351A35

RGB 53 26 53

HSL 300, 0.34%, 0.15%

LAB 14.13, 18.42, -12.1

 

CMYK 0 / 41 / 51 / 80

HEX #331E19

RGB 51 30 25

HSL 11.54, 0.34%, 0.15%

LAB 13.84, 9.53, 7.66

 

CMYK 51 / 0 / 20 / 80

HEX #193329

RGB 25 51 41

HSL 156.92, 0.34%, 0.15%

LAB 18.95, -12.94, 3.25

 

CMYK 0 / 51 / 0 / 79

HEX #351A35

RGB 53 26 53

HSL 300, 0.34%, 0.15%

LAB 14.13, 18.42, -12.1

 

CMYK 0 / 0 / 51 / 80

HEX #333319

RGB 51 51 25

HSL 60, 0.34%, 0.15%

LAB 20.6, -4.75, 16.45

 

CMYK 51 / 0 / 0 / 80

HEX #193333

RGB 25 51 51

HSL 180, 0.34%, 0.15%

LAB 19.28, -9.96, -3.12

 

CMYK 0 / 51 / 0 / 79

HEX #351A35

RGB 53 26 53

HSL 300, 0.34%, 0.15%

LAB 14.13, 18.42, -12.1

 

CMYK 0 / 41 / 51 / 80

HEX #331E19

RGB 51 30 25

HSL 11.54, 0.34%, 0.15%

LAB 13.84, 9.53, 7.66

 

CMYK 51 / 0 / 51 / 80

HEX #193319

RGB 25 51 25

HSL 120, 0.34%, 0.15%

LAB 18.56, -16.68, 13.44

 

CMYK 51 / 10 / 0 / 80

HEX #192E33

RGB 25 46 51

HSL 191.54, 0.34%, 0.15%

LAB 17.46, -6.75, -5.85

 

CMYK 0 / 51 / 0 / 79

HEX #351A35

RGB 53 26 53

HSL 300, 0.34%, 0.15%

LAB 14.13, 18.42, -12.1

 

CMYK 0 / 25 / 51 / 80

HEX #332619

RGB 51 38 25

HSL 30, 0.34%, 0.15%

LAB 16.31, 3.97, 10.96

 

CMYK 51 / 0 / 51 / 80

HEX #193319

RGB 25 51 25

HSL 120, 0.34%, 0.15%

LAB 18.56, -16.68, 13.44

 

CMYK 51 / 25 / 0 / 80

HEX #192633

RGB 25 38 51

HSL 210, 0.34%, 0.15%

LAB 14.58, -1.26, -10.24

 

Description

Color code: RGB 53 26 53 | qconv.com Color code: RGB 53 26 53 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 26 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 26 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, none yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 0% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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