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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 26 224 it is the complementary color RGB 202 229 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 26 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 26 224 shade: RGB 58 26 219, RGB 75 44 238, RGB 92 62 255, RGB 109 80 255 and RGB 126 98 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 26 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 26 224 shade: RGB 53 26 224, RGB 36 8 205, RGB 19 0 186, RGB 2 0 167 and RGB 0 0 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 26 224 shade: RGB 53 26 223, RGB 106 26 223, RGB 159 26 223, RGB 212 26 223 and RGB 223 26 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 26 224 shade: RGB 53 26 223 and RGB 26 26 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 26 224 shade matches the following richer shades: RGB 53 26 223 and RGB 38 6 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 26 224 shade: RGB 53 26 223, RGB 67 46 203, RGB 82 66 183, RGB 97 86 163 and RGB 111 107 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 26 224 shade: RGB 26 105 223, RGB 26 52 223, RGB 52 26 223, RGB 105 26 223 and RGB 157 26 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 26 224 shade: RGB 35 17 149, RGB 44 21 186, RGB 53 26 223, RGB 82 59 232 and RGB 115 96 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 26 224 shade: RGB 53 26 224, RGB 223 26 157 and RGB 78 223 26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 26 224 shade: RGB 53 26 224, RGB 223 52 26 and RGB 26 223 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 26 224 shade: RGB 53 26 224, RGB 223 26 157, RGB 197 223 26 and RGB 26 223 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 26 224 shade: RGB 53 26 224, RGB 223 26 98, RGB 197 223 26 and RGB 26 223 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 88 / 0 / 12

HEX #351AE0

RGB 53 26 224

HSL 248.18, 0.79%, 0.49%

LAB 31.53, 67.09, -91.52

 

Complementary color

CMYK 12 / 0 / 86 / 10

HEX #CAE51F

RGB 202 229 31

HSL 68.18, 0.79%, 0.51%

LAB 86.35, -30.61, 81.16

 

CMYK 74 / 88 / 0 / 14

HEX #3A1ADB

RGB 58 26 219

HSL 249.95, 0.79%, 0.48%

LAB 31.24, 65.99, -89.12

 

CMYK 68 / 82 / 0 / 7

HEX #4B2CEE

RGB 75 44 238

HSL 249.59, 0.85%, 0.55%

LAB 36.87, 65.65, -90.58

 

CMYK 64 / 76 / 0 / 0

HEX #5C3EFF

RGB 92 62 255

HSL 249.33, 1%, 0.62%

LAB 42.67, 63.94, -90.5

 

CMYK 57 / 69 / 0 / 0

HEX #6D50FF

RGB 109 80 255

HSL 249.94, 1%, 0.66%

LAB 47.25, 56.98, -82.93

 

CMYK 51 / 62 / 0 / 0

HEX #7E62FF

RGB 126 98 255

HSL 250.7, 1%, 0.69%

LAB 52.28, 49.96, -74.66

 

CMYK 76 / 88 / 0 / 12

HEX #351AE0

RGB 53 26 224

HSL 248.18, 0.79%, 0.49%

LAB 31.53, 67.09, -91.52

 

CMYK 82 / 96 / 0 / 20

HEX #2408CD

RGB 36 8 205

HSL 248.53, 0.92%, 0.42%

LAB 26.61, 66, -88.74

 

CMYK 90 / 100 / 0 / 27

HEX #1300BA

RGB 19 0 186

HSL 246.13, 1%, 0.36%

LAB 22.6, 62.64, -84.27

 

CMYK 99 / 100 / 0 / 35

HEX #0200A7

RGB 2 0 167

HSL 240.72, 1%, 0.33%

LAB 19.24, 57.7, -78.47

 

CMYK 100 / 100 / 0 / 42

HEX #000094

RGB 0 0 148

HSL 240, 1%, 0.29%

LAB 16.2, 52.79, -71.9

 

CMYK 76 / 88 / 0 / 13

HEX #351ADF

RGB 53 26 223

HSL 248.22, 0.79%, 0.49%

LAB 31.4, 66.82, -91.16

 

CMYK 52 / 88 / 0 / 13

HEX #6A1ADF

RGB 106 26 223

HSL 264.37, 0.79%, 0.49%

LAB 36.23, 70.41, -83

 

CMYK 29 / 88 / 0 / 13

HEX #9F1ADF

RGB 159 26 223

HSL 280.51, 0.79%, 0.49%

LAB 43.42, 76.54, -70.94

 

CMYK 5 / 88 / 0 / 13

HEX #D41ADF

RGB 212 26 223

HSL 296.65, 0.79%, 0.49%

LAB 51.91, 84.59, -56.78

 

CMYK 0 / 88 / 19 / 13

HEX #DF1AB5

RGB 223 26 181

HSL 312.79, 0.79%, 0.49%

LAB 51.57, 80.75, -32.99

 

CMYK 76 / 88 / 0 / 13

HEX #351ADF

RGB 53 26 223

HSL 248.22, 0.79%, 0.49%

LAB 31.4, 66.82, -91.16

 

CMYK 88 / 88 / 0 / 13

HEX #1A1ADF

RGB 26 26 223

HSL 240, 0.79%, 0.49%

LAB 30.12, 65.97, -93.32

 

CMYK 76 / 88 / 0 / 13

HEX #351ADF

RGB 53 26 223

HSL 248.22, 0.79%, 0.49%

LAB 31.4, 66.82, -91.16

 

CMYK 84 / 98 / 0 / 5

HEX #2606F3

RGB 38 6 243

HSL 248.1, 0.95%, 0.49%

LAB 31.84, 75.75, -101.86

 

CMYK 76 / 88 / 0 / 13

HEX #351ADF

RGB 53 26 223

HSL 248.22, 0.79%, 0.49%

LAB 31.4, 66.82, -91.16

 

CMYK 67 / 77 / 0 / 20

HEX #432ECB

RGB 67 46 203

HSL 248.03, 0.63%, 0.49%

LAB 32.83, 54.03, -77.19

 

CMYK 55 / 64 / 0 / 28

HEX #5242B7

RGB 82 66 183

HSL 248.21, 0.47%, 0.49%

LAB 36.19, 38.93, -59.89

 

CMYK 40 / 47 / 0 / 36

HEX #6156A3

RGB 97 86 163

HSL 248.57, 0.31%, 0.49%

LAB 40.96, 23.88, -40.28

 

CMYK 22 / 25 / 0 / 44

HEX #6F6B8E

RGB 111 107 142

HSL 246.86, 0.14%, 0.49%

LAB 46.77, 9.44, -18.6

 

CMYK 88 / 53 / 0 / 13

HEX #1A69DF

RGB 26 105 223

HSL 215.94, 0.79%, 0.49%

LAB 46.51, 21.86, -66.33

 

CMYK 88 / 77 / 0 / 13

HEX #1A34DF

RGB 26 52 223

HSL 232.08, 0.79%, 0.49%

LAB 33.99, 54.57, -86.89

 

CMYK 77 / 88 / 0 / 13

HEX #341ADF

RGB 52 26 223

HSL 247.92, 0.79%, 0.49%

LAB 31.34, 66.78, -91.26

 

CMYK 53 / 88 / 0 / 13

HEX #691ADF

RGB 105 26 223

HSL 264.06, 0.79%, 0.49%

LAB 36.12, 70.32, -83.19

 

CMYK 30 / 88 / 0 / 13

HEX #9D1ADF

RGB 157 26 223

HSL 279.9, 0.79%, 0.49%

LAB 43.11, 76.27, -71.44

 

CMYK 77 / 89 / 0 / 42

HEX #231195

RGB 35 17 149

HSL 248.18, 0.8%, 0.33%

LAB 19.75, 48.44, -66.54

 

CMYK 76 / 89 / 0 / 27

HEX #2C15BA

RGB 44 21 186

HSL 248.36, 0.8%, 0.41%

LAB 25.61, 58, -79.2

 

CMYK 76 / 88 / 0 / 13

HEX #351ADF

RGB 53 26 223

HSL 248.22, 0.79%, 0.49%

LAB 31.4, 66.82, -91.16

 

CMYK 65 / 75 / 0 / 9

HEX #523BE8

RGB 82 59 232

HSL 247.98, 0.79%, 0.57%

LAB 39.15, 57.72, -83.39

 

CMYK 51 / 59 / 0 / 7

HEX #7360EC

RGB 115 96 236

HSL 248.14, 0.79%, 0.65%

LAB 49.58, 43.54, -68.49

 

CMYK 76 / 88 / 0 / 12

HEX #351AE0

RGB 53 26 224

HSL 248.18, 0.79%, 0.49%

LAB 31.53, 67.09, -91.52

 

CMYK 0 / 88 / 30 / 13

HEX #DF1A9D

RGB 223 26 157

HSL 320.1, 0.79%, 0.49%

LAB 50.52, 77.97, -20.45

 

CMYK 65 / 0 / 88 / 13

HEX #4EDF1A

RGB 78 223 26

HSL 104.16, 0.79%, 0.49%

LAB 78.73, -68.98, 73.33

 

CMYK 76 / 88 / 0 / 12

HEX #351AE0

RGB 53 26 224

HSL 248.18, 0.79%, 0.49%

LAB 31.53, 67.09, -91.52

 

CMYK 0 / 77 / 88 / 13

HEX #DF341A

RGB 223 52 26

HSL 7.92, 0.79%, 0.49%

LAB 49.76, 63.83, 54.24

 

CMYK 88 / 0 / 77 / 13

HEX #1ADF34

RGB 26 223 52

HSL 127.92, 0.79%, 0.49%

LAB 78.02, -74.82, 66

 

CMYK 76 / 88 / 0 / 12

HEX #351AE0

RGB 53 26 224

HSL 248.18, 0.79%, 0.49%

LAB 31.53, 67.09, -91.52

 

CMYK 0 / 88 / 30 / 13

HEX #DF1A9D

RGB 223 26 157

HSL 320.1, 0.79%, 0.49%

LAB 50.52, 77.97, -20.45

 

CMYK 12 / 0 / 88 / 13

HEX #C5DF1A

RGB 197 223 26

HSL 67.92, 0.79%, 0.49%

LAB 84.34, -29.95, 80.26

 

CMYK 88 / 0 / 59 / 13

HEX #1ADF5C

RGB 26 223 92

HSL 140.1, 0.79%, 0.49%

LAB 78.33, -70.96, 50.89

 

CMYK 76 / 88 / 0 / 12

HEX #351AE0

RGB 53 26 224

HSL 248.18, 0.79%, 0.49%

LAB 31.53, 67.09, -91.52

 

CMYK 0 / 88 / 56 / 13

HEX #DF1A62

RGB 223 26 98

HSL 338.07, 0.79%, 0.49%

LAB 48.65, 72.79, 12.58

 

CMYK 12 / 0 / 88 / 13

HEX #C5DF1A

RGB 197 223 26

HSL 67.92, 0.79%, 0.49%

LAB 84.34, -29.95, 80.26

 

CMYK 88 / 0 / 32 / 13

HEX #1ADF97

RGB 26 223 151

HSL 158.07, 0.79%, 0.49%

LAB 79.17, -60.95, 23

 

Description

Color code: RGB 53 26 224 | qconv.com Color code: RGB 53 26 224 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 26 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 26 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 88 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 88% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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