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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 26 196 it is the complementary color RGB 202 229 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 26 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 26 196 shade: RGB 58 26 191, RGB 75 44 210, RGB 92 62 229, RGB 109 80 248 and RGB 126 98 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 26 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 26 196 shade: RGB 53 26 196, RGB 36 8 177, RGB 19 0 158, RGB 2 0 139 and RGB 0 0 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 26 196 shade: RGB 53 26 199, RGB 100 26 199, RGB 146 26 199, RGB 193 26 199 and RGB 199 26 158

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 26 196 shade: RGB 53 26 199 and RGB 26 26 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 26 196 shade matches the following richer shades: RGB 53 26 199 and RGB 41 8 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 26 196 shade: RGB 53 26 199, RGB 66 44 180, RGB 78 62 162, RGB 90 80 144 and RGB 103 98 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 26 196 shade: RGB 26 92 199, RGB 26 46 199, RGB 52 26 199, RGB 98 26 199 and RGB 144 26 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 26 196 shade: RGB 34 16 126, RGB 43 21 162, RGB 53 26 199, RGB 69 39 227 and RGB 100 75 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 26 196 shade: RGB 53 26 196, RGB 199 26 138 and RGB 69 199 26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 26 196 shade: RGB 53 26 196, RGB 199 52 26 and RGB 26 199 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 26 196 shade: RGB 53 26 196, RGB 199 26 138, RGB 173 199 26 and RGB 26 199 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 26 196 shade: RGB 53 26 196, RGB 199 26 86, RGB 173 199 26 and RGB 26 199 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 87 / 0 / 23

HEX #351AC4

RGB 53 26 196

HSL 249.53, 0.77%, 0.44%

LAB 28.06, 59.51, -81.02

 

Complementary color

CMYK 12 / 0 / 74 / 10

HEX #CAE53B

RGB 202 229 59

HSL 69.53, 0.77%, 0.56%

LAB 86.46, -29.67, 74.2

 

CMYK 70 / 86 / 0 / 25

HEX #3A1ABF

RGB 58 26 191

HSL 251.64, 0.76%, 0.43%

LAB 27.85, 58.44, -78.42

 

CMYK 64 / 79 / 0 / 18

HEX #4B2CD2

RGB 75 44 210

HSL 251.2, 0.65%, 0.5%

LAB 33.88, 57.79, -79.5

 

CMYK 60 / 73 / 0 / 10

HEX #5C3EE5

RGB 92 62 229

HSL 250.78, 0.76%, 0.57%

LAB 40.21, 56.49, -79.92

 

CMYK 56 / 68 / 0 / 3

HEX #6D50F8

RGB 109 80 248

HSL 250.36, 0.92%, 0.64%

LAB 46.67, 54.96, -79.98

 

CMYK 51 / 62 / 0 / 0

HEX #7E62FF

RGB 126 98 255

HSL 250.7, 1%, 0.69%

LAB 52.28, 49.96, -74.66

 

CMYK 73 / 87 / 0 / 23

HEX #351AC4

RGB 53 26 196

HSL 249.53, 0.77%, 0.44%

LAB 28.06, 59.51, -81.02

 

CMYK 80 / 95 / 0 / 31

HEX #2408B1

RGB 36 8 177

HSL 249.94, 0.91%, 0.36%

LAB 22.73, 58.81, -78.63

 

CMYK 88 / 100 / 0 / 38

HEX #13009E

RGB 19 0 158

HSL 247.22, 1%, 0.31%

LAB 18.4, 55.58, -74.37

 

CMYK 99 / 100 / 0 / 45

HEX #02008B

RGB 2 0 139

HSL 240.86, 1%, 0.27%

LAB 14.83, 50.45, -68.56

 

CMYK 100 / 100 / 0 / 53

HEX #000078

RGB 0 0 120

HSL 240, 1%, 0.24%

LAB 11.66, 45.35, -61.77

 

CMYK 73 / 87 / 0 / 22

HEX #351AC7

RGB 53 26 199

HSL 249.36, 0.77%, 0.44%

LAB 28.43, 60.34, -82.17

 

CMYK 50 / 87 / 0 / 22

HEX #641AC7

RGB 100 26 199

HSL 265.66, 0.77%, 0.44%

LAB 33.07, 64.17, -74.34

 

CMYK 27 / 87 / 0 / 22

HEX #921AC7

RGB 146 26 199

HSL 281.62, 0.77%, 0.44%

LAB 39.54, 70.07, -63.49

 

CMYK 3 / 87 / 0 / 22

HEX #C11AC7

RGB 193 26 199

HSL 297.92, 0.77%, 0.44%

LAB 47.24, 77.68, -50.68

 

CMYK 0 / 87 / 21 / 22

HEX #C71A9E

RGB 199 26 158

HSL 314.22, 0.77%, 0.44%

LAB 46.11, 73.08, -28.23

 

CMYK 73 / 87 / 0 / 22

HEX #351AC7

RGB 53 26 199

HSL 249.36, 0.77%, 0.44%

LAB 28.43, 60.34, -82.17

 

CMYK 87 / 87 / 0 / 22

HEX #1A1AC7

RGB 26 26 199

HSL 240, 0.77%, 0.44%

LAB 26.97, 59.23, -84.65

 

CMYK 73 / 87 / 0 / 22

HEX #351AC7

RGB 53 26 199

HSL 249.36, 0.77%, 0.44%

LAB 28.43, 60.34, -82.17

 

CMYK 81 / 96 / 0 / 15

HEX #2908D9

RGB 41 8 217

HSL 249.47, 0.93%, 0.44%

LAB 28.52, 69.13, -92.52

 

CMYK 73 / 87 / 0 / 22

HEX #351AC7

RGB 53 26 199

HSL 249.36, 0.77%, 0.44%

LAB 28.43, 60.34, -82.17

 

CMYK 63 / 76 / 0 / 29

HEX #422CB4

RGB 66 44 180

HSL 249.71, 0.61%, 0.44%

LAB 30.05, 48, -68.23

 

CMYK 52 / 62 / 0 / 36

HEX #4E3EA2

RGB 78 62 162

HSL 249.6, 0.45%, 0.44%

LAB 33.29, 34.01, -52.1

 

CMYK 38 / 44 / 0 / 44

HEX #5A5090

RGB 90 80 144

HSL 249.38, 0.29%, 0.44%

LAB 37.71, 20.17, -34.07

 

CMYK 18 / 22 / 0 / 51

HEX #67627E

RGB 103 98 126

HSL 250.71, 0.13%, 0.44%

LAB 42.95, 8.23, -14.91

 

CMYK 87 / 54 / 0 / 22

HEX #1A5CC7

RGB 26 92 199

HSL 217.11, 0.77%, 0.44%

LAB 41.21, 20.94, -61.2

 

CMYK 87 / 77 / 0 / 22

HEX #1A2EC7

RGB 26 46 199

HSL 233.06, 0.77%, 0.44%

LAB 30.15, 49.89, -79.36

 

CMYK 74 / 87 / 0 / 22

HEX #341AC7

RGB 52 26 199

HSL 249.02, 0.77%, 0.44%

LAB 28.36, 60.28, -82.29

 

CMYK 51 / 87 / 0 / 22

HEX #621AC7

RGB 98 26 199

HSL 264.97, 0.77%, 0.44%

LAB 32.83, 63.96, -74.75

 

CMYK 28 / 87 / 0 / 22

HEX #901AC7

RGB 144 26 199

HSL 280.92, 0.77%, 0.44%

LAB 39.23, 69.78, -64.01

 

CMYK 73 / 87 / 0 / 51

HEX #22107E

RGB 34 16 126

HSL 249.82, 0.77%, 0.28%

LAB 16.59, 41.89, -57.36

 

CMYK 73 / 87 / 0 / 36

HEX #2B15A2

RGB 43 21 162

HSL 249.36, 0.77%, 0.36%

LAB 22.51, 51.16, -69.92

 

CMYK 73 / 87 / 0 / 22

HEX #351AC7

RGB 53 26 199

HSL 249.36, 0.77%, 0.44%

LAB 28.43, 60.34, -82.17

 

CMYK 70 / 83 / 0 / 11

HEX #4527E3

RGB 69 39 227

HSL 249.57, 0.77%, 0.52%

LAB 34.52, 64.19, -88.23

 

CMYK 57 / 68 / 0 / 9

HEX #644BE8

RGB 100 75 232

HSL 249.55, 0.77%, 0.6%

LAB 43.61, 51.63, -76.02

 

CMYK 73 / 87 / 0 / 23

HEX #351AC4

RGB 53 26 196

HSL 249.53, 0.77%, 0.44%

LAB 28.06, 59.51, -81.02

 

CMYK 0 / 87 / 31 / 22

HEX #C71A8A

RGB 199 26 138

HSL 321.16, 0.77%, 0.44%

LAB 45.24, 70.72, -17.5

 

CMYK 65 / 0 / 87 / 22

HEX #45C71A

RGB 69 199 26

HSL 105.09, 0.77%, 0.44%

LAB 71, -63.13, 66.57

 

CMYK 73 / 87 / 0 / 23

HEX #351AC4

RGB 53 26 196

HSL 249.53, 0.77%, 0.44%

LAB 28.06, 59.51, -81.02

 

CMYK 0 / 74 / 87 / 22

HEX #C7341A

RGB 199 52 26

HSL 9.02, 0.77%, 0.44%

LAB 45.18, 56.5, 48.69

 

CMYK 87 / 0 / 74 / 22

HEX #1AC734

RGB 26 199 52

HSL 129.02, 0.77%, 0.44%

LAB 70.4, -67.89, 58.45

 

CMYK 73 / 87 / 0 / 23

HEX #351AC4

RGB 53 26 196

HSL 249.53, 0.77%, 0.44%

LAB 28.06, 59.51, -81.02

 

CMYK 0 / 87 / 31 / 22

HEX #C71A8A

RGB 199 26 138

HSL 321.16, 0.77%, 0.44%

LAB 45.24, 70.72, -17.5

 

CMYK 13 / 0 / 87 / 22

HEX #ADC71A

RGB 173 199 26

HSL 69.02, 0.77%, 0.44%

LAB 75.95, -28.5, 72.74

 

CMYK 87 / 0 / 57 / 22

HEX #1AC756

RGB 26 199 86

HSL 140.81, 0.77%, 0.44%

LAB 70.69, -64.23, 44.65

 

CMYK 73 / 87 / 0 / 23

HEX #351AC4

RGB 53 26 196

HSL 249.53, 0.77%, 0.44%

LAB 28.06, 59.51, -81.02

 

CMYK 0 / 87 / 57 / 22

HEX #C71A56

RGB 199 26 86

HSL 339.19, 0.77%, 0.44%

LAB 43.58, 66.08, 12.28

 

CMYK 13 / 0 / 87 / 22

HEX #ADC71A

RGB 173 199 26

HSL 69.02, 0.77%, 0.44%

LAB 75.95, -28.5, 72.74

 

CMYK 87 / 0 / 31 / 22

HEX #1AC78A

RGB 26 199 138

HSL 158.84, 0.77%, 0.44%

LAB 71.49, -54.89, 19.29

 

Description

Color code: RGB 53 26 196 | qconv.com Color code: RGB 53 26 196 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 26 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 26 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 87 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 87% 0% 23% C M Y K

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Provide designers and agencies with accurate color values.

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