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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 252 130 it is the complementary color RGB 202 3 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 252 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 252 130 shade: RGB 58 252 125, RGB 75 255 144, RGB 92 255 163, RGB 109 255 182 and RGB 126 255 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 252 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 252 130 shade: RGB 53 252 130, RGB 36 234 111, RGB 19 216 92, RGB 2 198 73 and RGB 0 180 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 252 130 shade: RGB 54 252 131, RGB 54 252 77, RGB 84 252 54, RGB 138 252 54 and RGB 191 252 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 252 130 shade: RGB 54 252 131, RGB 54 252 184, RGB 54 252 237, RGB 54 213 252 and RGB 54 160 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 252 130 shade matches the following richer shades: RGB 54 252 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 252 130 shade: RGB 54 252 131, RGB 71 235 134, RGB 87 219 138, RGB 104 202 142 and RGB 120 186 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 252 130 shade: RGB 84 252 54, RGB 54 252 77, RGB 54 252 130, RGB 54 252 183 and RGB 54 252 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 252 130 shade: RGB 3 220 87, RGB 13 251 105, RGB 54 252 131, RGB 95 253 156 and RGB 135 253 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 252 130 shade: RGB 53 252 130, RGB 54 137 252 and RGB 252 54 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 252 130 shade: RGB 53 252 130, RGB 130 54 252 and RGB 252 130 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 252 130 shade: RGB 53 252 130, RGB 54 137 252, RGB 252 54 176 and RGB 252 169 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 252 130 shade: RGB 53 252 130, RGB 54 77 252, RGB 252 54 176 and RGB 252 229 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 48 / 1

HEX #35FC82

RGB 53 252 130

HSL 143.22, 0.97%, 0.6%

LAB 87.96, -72.47, 45.05

 

Complementary color

CMYK 0 / 99 / 38 / 21

HEX #CA037D

RGB 202 3 125

HSL 323.22, 0.97%, 0.4%

LAB 44.38, 72.8, -10.79

 

CMYK 77 / 0 / 50 / 1

HEX #3AFC7D

RGB 58 252 125

HSL 140.72, 0.97%, 0.61%

LAB 87.97, -72.65, 47.43

 

CMYK 71 / 0 / 44 / 0

HEX #4BFF90

RGB 75 255 144

HSL 143, 1%, 0.65%

LAB 89.41, -68.44, 40.23

 

CMYK 64 / 0 / 36 / 0

HEX #5CFFA3

RGB 92 255 163

HSL 146.13, 1%, 0.68%

LAB 90.06, -62.39, 31.78

 

CMYK 57 / 0 / 29 / 0

HEX #6DFFB6

RGB 109 255 182

HSL 150, 1%, 0.71%

LAB 90.85, -55.55, 23.34

 

CMYK 51 / 0 / 21 / 0

HEX #7EFFC9

RGB 126 255 201

HSL 154.88, 1%, 0.75%

LAB 91.76, -48.07, 14.98

 

CMYK 79 / 0 / 48 / 1

HEX #35FC82

RGB 53 252 130

HSL 143.22, 0.97%, 0.6%

LAB 87.96, -72.47, 45.05

 

CMYK 85 / 0 / 53 / 8

HEX #24EA6F

RGB 36 234 111

HSL 142.73, 0.83%, 0.53%

LAB 82.04, -71.09, 46.64

 

CMYK 91 / 0 / 57 / 15

HEX #13D85C

RGB 19 216 92

HSL 142.23, 0.84%, 0.46%

LAB 76.08, -69.22, 48.25

 

CMYK 99 / 0 / 63 / 22

HEX #02C649

RGB 2 198 73

HSL 141.73, 0.98%, 0.39%

LAB 70.09, -66.81, 49.79

 

CMYK 100 / 0 / 70 / 29

HEX #00B436

RGB 0 180 54

HSL 138, 1%, 0.35%

LAB 64.09, -63.56, 51.13

 

CMYK 79 / 0 / 48 / 1

HEX #36FC83

RGB 54 252 131

HSL 143.33, 0.97%, 0.6%

LAB 87.99, -72.2, 44.61

 

CMYK 79 / 0 / 69 / 1

HEX #36FC4D

RGB 54 252 77

HSL 126.97, 0.97%, 0.6%

LAB 87.46, -78.66, 67.15

 

CMYK 67 / 0 / 79 / 1

HEX #54FC36

RGB 84 252 54

HSL 110.91, 0.97%, 0.6%

LAB 87.86, -75.7, 75.13

 

CMYK 45 / 0 / 79 / 1

HEX #8AFC36

RGB 138 252 54

HSL 94.55, 0.97%, 0.6%

LAB 89.53, -62.42, 77.29

 

CMYK 24 / 0 / 79 / 1

HEX #BFFC36

RGB 191 252 54

HSL 78.48, 0.97%, 0.6%

LAB 92.12, -44.46, 80.61

 

CMYK 79 / 0 / 48 / 1

HEX #36FC83

RGB 54 252 131

HSL 143.33, 0.97%, 0.6%

LAB 87.99, -72.2, 44.61

 

CMYK 79 / 0 / 27 / 1

HEX #36FCB8

RGB 54 252 184

HSL 159.39, 0.97%, 0.6%

LAB 88.86, -62.33, 19.38

 

CMYK 79 / 0 / 6 / 1

HEX #36FCED

RGB 54 252 237

HSL 175.45, 0.97%, 0.6%

LAB 90.1, -49.39, -6.26

 

CMYK 79 / 15 / 0 / 1

HEX #36D5FC

RGB 54 213 252

HSL 191.82, 0.97%, 0.6%

LAB 79.27, -27.16, -30.49

 

CMYK 79 / 37 / 0 / 1

HEX #36A0FC

RGB 54 160 252

HSL 207.88, 0.97%, 0.6%

LAB 64.12, 1.25, -54.16

 

CMYK 79 / 0 / 48 / 1

HEX #36FC83

RGB 54 252 131

HSL 143.33, 0.97%, 0.6%

LAB 87.99, -72.2, 44.61

 

CMYK 79 / 0 / 48 / 1

HEX #36FC83

RGB 54 252 131

HSL 143.33, 0.97%, 0.6%

LAB 87.99, -72.2, 44.61

 

CMYK 70 / 0 / 43 / 8

HEX #47EB86

RGB 71 235 134

HSL 143.05, 0.8%, 0.6%

LAB 83.17, -63.65, 37.06

 

CMYK 60 / 0 / 37 / 14

HEX #57DB8A

RGB 87 219 138

HSL 143.18, 0.65%, 0.6%

LAB 78.77, -54.06, 29.34

 

CMYK 49 / 0 / 30 / 21

HEX #68CA8E

RGB 104 202 142

HSL 143.27, 0.48%, 0.6%

LAB 74.28, -42.34, 21.28

 

CMYK 35 / 0 / 22 / 27

HEX #78BA92

RGB 120 186 146

HSL 143.64, 0.32%, 0.6%

LAB 70.31, -29.72, 13.74

 

CMYK 67 / 0 / 79 / 1

HEX #54FC36

RGB 84 252 54

HSL 110.91, 0.97%, 0.6%

LAB 87.86, -75.7, 75.13

 

CMYK 79 / 0 / 69 / 1

HEX #36FC4D

RGB 54 252 77

HSL 126.97, 0.97%, 0.6%

LAB 87.46, -78.66, 67.15

 

CMYK 79 / 0 / 48 / 1

HEX #36FC82

RGB 54 252 130

HSL 143.03, 0.97%, 0.6%

LAB 87.98, -72.36, 45.07

 

CMYK 79 / 0 / 27 / 1

HEX #36FCB7

RGB 54 252 183

HSL 159.09, 0.97%, 0.6%

LAB 88.84, -62.55, 19.87

 

CMYK 79 / 0 / 7 / 1

HEX #36FCEB

RGB 54 252 235

HSL 174.85, 0.97%, 0.6%

LAB 90.05, -49.93, -5.3

 

CMYK 99 / 0 / 60 / 14

HEX #03DC57

RGB 3 220 87

HSL 143.23, 0.97%, 0.44%

LAB 77.22, -71.7, 51.79

 

CMYK 95 / 0 / 58 / 2

HEX #0DFB69

RGB 13 251 105

HSL 143.19, 0.97%, 0.52%

LAB 87.05, -78.38, 55.31

 

CMYK 79 / 0 / 48 / 1

HEX #36FC83

RGB 54 252 131

HSL 143.33, 0.97%, 0.6%

LAB 87.99, -72.2, 44.61

 

CMYK 62 / 0 / 38 / 1

HEX #5FFD9C

RGB 95 253 156

HSL 143.16, 0.98%, 0.68%

LAB 89.43, -62.33, 34.45

 

CMYK 47 / 0 / 28 / 1

HEX #87FDB5

RGB 135 253 181

HSL 143.39, 0.97%, 0.76%

LAB 91.12, -48.98, 24.35

 

CMYK 79 / 0 / 48 / 1

HEX #35FC82

RGB 53 252 130

HSL 143.22, 0.97%, 0.6%

LAB 87.96, -72.47, 45.05

 

CMYK 79 / 46 / 0 / 1

HEX #3689FC

RGB 54 137 252

HSL 214.85, 0.97%, 0.6%

LAB 57.75, 14.93, -64.33

 

CMYK 0 / 79 / 77 / 1

HEX #FC3639

RGB 252 54 57

HSL 359.09, 0.97%, 0.6%

LAB 55.71, 72.33, 46.67

 

CMYK 79 / 0 / 48 / 1

HEX #35FC82

RGB 53 252 130

HSL 143.22, 0.97%, 0.6%

LAB 87.96, -72.47, 45.05

 

CMYK 48 / 79 / 0 / 1

HEX #8236FC

RGB 130 54 252

HSL 263.03, 0.97%, 0.6%

LAB 44.82, 70.92, -85.17

 

CMYK 0 / 48 / 79 / 1

HEX #FC8236

RGB 252 130 54

HSL 23.03, 0.97%, 0.6%

LAB 67.22, 41.64, 59.56

 

CMYK 79 / 0 / 48 / 1

HEX #35FC82

RGB 53 252 130

HSL 143.22, 0.97%, 0.6%

LAB 87.96, -72.47, 45.05

 

CMYK 79 / 46 / 0 / 1

HEX #3689FC

RGB 54 137 252

HSL 214.85, 0.97%, 0.6%

LAB 57.75, 14.93, -64.33

 

CMYK 0 / 79 / 30 / 1

HEX #FC36B0

RGB 252 54 176

HSL 323.03, 0.97%, 0.6%

LAB 58.48, 80.71, -18.98

 

CMYK 0 / 33 / 79 / 1

HEX #FCA936

RGB 252 169 54

HSL 34.85, 0.97%, 0.6%

LAB 75.66, 21.56, 67.46

 

CMYK 79 / 0 / 48 / 1

HEX #35FC82

RGB 53 252 130

HSL 143.22, 0.97%, 0.6%

LAB 87.96, -72.47, 45.05

 

CMYK 79 / 69 / 0 / 1

HEX #364DFC

RGB 54 77 252

HSL 233.03, 0.97%, 0.6%

LAB 42.94, 51.74, -88.46

 

CMYK 0 / 79 / 30 / 1

HEX #FC36B0

RGB 252 54 176

HSL 323.03, 0.97%, 0.6%

LAB 58.48, 80.71, -18.98

 

CMYK 0 / 9 / 79 / 1

HEX #FCE536

RGB 252 229 54

HSL 53.03, 0.97%, 0.6%

LAB 90.32, -9.28, 80.66

 

Description

Color code: RGB 53 252 130 | qconv.com Color code: RGB 53 252 130 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 252 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 252 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 48 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 48% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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