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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 251 52 it is the complementary color RGB 202 4 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 251 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 251 52 shade: RGB 58 251 47, RGB 75 255 66, RGB 92 255 85, RGB 109 255 104 and RGB 126 255 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 251 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 251 52 shade: RGB 53 251 52, RGB 36 233 33, RGB 19 215 14, RGB 2 197 0 and RGB 0 179 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 251 52 shade: RGB 51 251 50, RGB 105 251 50, RGB 159 251 50, RGB 213 251 50 and RGB 251 234 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 251 52 shade: RGB 51 251 50, RGB 50 251 103, RGB 50 251 157, RGB 50 251 211 and RGB 50 236 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 251 52 shade matches the following richer shades: RGB 51 251 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 251 52 shade: RGB 51 251 50, RGB 68 234 67, RGB 85 217 84, RGB 101 200 101 and RGB 118 183 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 251 52 shade: RGB 160 251 50, RGB 107 251 50, RGB 53 251 50, RGB 50 251 100 and RGB 50 251 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 251 52 shade: RGB 5 214 4, RGB 11 250 10, RGB 51 251 50, RGB 91 252 91 and RGB 132 252 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 251 52 shade: RGB 53 251 52, RGB 50 214 251 and RGB 251 50 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 251 52 shade: RGB 53 251 52, RGB 50 53 251 and RGB 251 50 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 251 52 shade: RGB 53 251 52, RGB 50 214 251, RGB 247 50 251 and RGB 251 87 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 251 52 shade: RGB 53 251 52, RGB 50 154 251, RGB 247 50 251 and RGB 251 147 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 79 / 2

HEX #35FB34

RGB 53 251 52

HSL 119.7, 0.96%, 0.59%

LAB 87, -80.24, 74.67

 

Complementary color

CMYK 0 / 98 / 0 / 20

HEX #CA04CB

RGB 202 4 203

HSL 299.7, 0.96%, 0.41%

LAB 48.2, 82.26, -51.35

 

CMYK 77 / 0 / 81 / 2

HEX #3AFB2F

RGB 58 251 47

HSL 116.76, 0.96%, 0.58%

LAB 87.05, -79.89, 76.04

 

CMYK 71 / 0 / 74 / 0

HEX #4BFF42

RGB 75 255 66

HSL 117.14, 1%, 0.63%

LAB 88.64, -77.46, 72.23

 

CMYK 64 / 0 / 67 / 0

HEX #5CFF55

RGB 92 255 85

HSL 117.53, 1%, 0.67%

LAB 89.14, -72.9, 66.15

 

CMYK 57 / 0 / 59 / 0

HEX #6DFF68

RGB 109 255 104

HSL 118.01, 1%, 0.7%

LAB 89.75, -67.39, 59.26

 

CMYK 51 / 0 / 52 / 0

HEX #7EFF7B

RGB 126 255 123

HSL 118.64, 1%, 0.74%

LAB 90.5, -61.04, 51.84

 

CMYK 79 / 0 / 79 / 2

HEX #35FB34

RGB 53 251 52

HSL 119.7, 0.96%, 0.59%

LAB 87, -80.24, 74.67

 

CMYK 85 / 0 / 86 / 9

HEX #24E921

RGB 36 233 33

HSL 119.1, 0.82%, 0.52%

LAB 81.16, -77.83, 73.83

 

CMYK 91 / 0 / 93 / 16

HEX #13D70E

RGB 19 215 14

HSL 118.51, 0.88%, 0.45%

LAB 75.31, -74.72, 71.85

 

CMYK 99 / 0 / 100 / 23

HEX #02C500

RGB 2 197 0

HSL 119.39, 1%, 0.39%

LAB 69.43, -70.88, 68.51

 

CMYK 100 / 0 / 100 / 30

HEX #00B300

RGB 0 179 0

HSL 120, 1%, 0.35%

LAB 63.54, -66.08, 63.78

 

CMYK 80 / 0 / 80 / 2

HEX #33FB32

RGB 51 251 50

HSL 119.7, 0.96%, 0.59%

LAB 86.96, -80.58, 75.17

 

CMYK 58 / 0 / 80 / 2

HEX #69FB32

RGB 105 251 50

HSL 103.58, 0.96%, 0.59%

LAB 88.08, -71.13, 76.6

 

CMYK 37 / 0 / 80 / 2

HEX #9FFB32

RGB 159 251 50

HSL 87.46, 0.96%, 0.59%

LAB 90.14, -55.55, 79.24

 

CMYK 15 / 0 / 80 / 2

HEX #D5FB32

RGB 213 251 50

HSL 71.34, 0.96%, 0.59%

LAB 93.18, -35.76, 83.1

 

CMYK 0 / 7 / 80 / 2

HEX #FBEA32

RGB 251 234 50

HSL 54.93, 0.96%, 0.59%

LAB 91.5, -12.29, 82.74

 

CMYK 80 / 0 / 80 / 2

HEX #33FB32

RGB 51 251 50

HSL 119.7, 0.96%, 0.59%

LAB 86.96, -80.58, 75.17

 

CMYK 80 / 0 / 59 / 2

HEX #32FB67

RGB 50 251 103

HSL 135.82, 0.96%, 0.59%

LAB 87.32, -76.14, 56.56

 

CMYK 80 / 0 / 37 / 2

HEX #32FB9D

RGB 50 251 157

HSL 151.94, 0.96%, 0.59%

LAB 88.02, -67.83, 31.92

 

CMYK 80 / 0 / 16 / 2

HEX #32FBD3

RGB 50 251 211

HSL 168.06, 0.96%, 0.59%

LAB 89.1, -56.04, 5.78

 

CMYK 80 / 6 / 0 / 2

HEX #32ECFB

RGB 50 236 251

HSL 184.48, 0.96%, 0.59%

LAB 85.82, -38.73, -19.98

 

CMYK 80 / 0 / 80 / 2

HEX #33FB32

RGB 51 251 50

HSL 119.7, 0.96%, 0.59%

LAB 86.96, -80.58, 75.17

 

CMYK 80 / 0 / 80 / 2

HEX #33FB32

RGB 51 251 50

HSL 119.7, 0.96%, 0.59%

LAB 86.96, -80.58, 75.17

 

CMYK 71 / 0 / 71 / 8

HEX #44EA43

RGB 68 234 67

HSL 119.64, 0.8%, 0.59%

LAB 82.1, -72.06, 65.26

 

CMYK 61 / 0 / 61 / 15

HEX #55D954

RGB 85 217 84

HSL 119.55, 0.64%, 0.59%

LAB 77.4, -61.55, 53.61

 

CMYK 50 / 0 / 50 / 22

HEX #65C865

RGB 101 200 101

HSL 120, 0.47%, 0.59%

LAB 72.9, -49.04, 40.53

 

CMYK 36 / 0 / 36 / 28

HEX #76B776

RGB 118 183 118

HSL 120, 0.31%, 0.59%

LAB 68.77, -33.99, 26.68

 

CMYK 36 / 0 / 80 / 2

HEX #A0FB32

RGB 160 251 50

HSL 87.16, 0.96%, 0.59%

LAB 90.18, -55.22, 79.3

 

CMYK 57 / 0 / 80 / 2

HEX #6BFB32

RGB 107 251 50

HSL 102.99, 0.96%, 0.59%

LAB 88.14, -70.66, 76.68

 

CMYK 79 / 0 / 80 / 2

HEX #35FB32

RGB 53 251 50

HSL 119.1, 0.96%, 0.59%

LAB 86.99, -80.35, 75.2

 

CMYK 80 / 0 / 60 / 2

HEX #32FB64

RGB 50 251 100

HSL 134.93, 0.96%, 0.59%

LAB 87.29, -76.49, 57.82

 

CMYK 80 / 0 / 39 / 2

HEX #32FB9A

RGB 50 251 154

HSL 151.04, 0.96%, 0.59%

LAB 87.97, -68.39, 33.36

 

CMYK 98 / 0 / 98 / 16

HEX #05D604

RGB 5 214 4

HSL 119.71, 0.96%, 0.43%

LAB 74.91, -75.25, 72.51

 

CMYK 96 / 0 / 96 / 2

HEX #0BFA0A

RGB 11 250 10

HSL 119.75, 0.96%, 0.51%

LAB 86.24, -84.43, 81.22

 

CMYK 80 / 0 / 80 / 2

HEX #33FB32

RGB 51 251 50

HSL 119.7, 0.96%, 0.59%

LAB 86.96, -80.58, 75.17

 

CMYK 64 / 0 / 64 / 1

HEX #5BFC5B

RGB 91 252 91

HSL 120, 0.96%, 0.67%

LAB 88.26, -71.55, 62.84

 

CMYK 48 / 0 / 48 / 1

HEX #84FC83

RGB 132 252 131

HSL 119.5, 0.95%, 0.75%

LAB 89.94, -57.28, 47.47

 

CMYK 79 / 0 / 79 / 2

HEX #35FB34

RGB 53 251 52

HSL 119.7, 0.96%, 0.59%

LAB 87, -80.24, 74.67

 

CMYK 80 / 15 / 0 / 2

HEX #32D6FB

RGB 50 214 251

HSL 191.04, 0.96%, 0.59%

LAB 79.46, -28.32, -29.67

 

CMYK 0 / 80 / 47 / 2

HEX #FB3286

RGB 251 50 134

HSL 334.93, 0.96%, 0.59%

LAB 56.6, 77.44, 2.86

 

CMYK 79 / 0 / 79 / 2

HEX #35FB34

RGB 53 251 52

HSL 119.7, 0.96%, 0.59%

LAB 87, -80.24, 74.67

 

CMYK 80 / 79 / 0 / 2

HEX #3235FB

RGB 50 53 251

HSL 239.1, 0.96%, 0.59%

LAB 38.18, 63.87, -95.79

 

CMYK 0 / 80 / 79 / 2

HEX #FB3235

RGB 251 50 53

HSL 359.1, 0.96%, 0.59%

LAB 55.12, 72.97, 48.13

 

CMYK 79 / 0 / 79 / 2

HEX #35FB34

RGB 53 251 52

HSL 119.7, 0.96%, 0.59%

LAB 87, -80.24, 74.67

 

CMYK 80 / 15 / 0 / 2

HEX #32D6FB

RGB 50 214 251

HSL 191.04, 0.96%, 0.59%

LAB 79.46, -28.32, -29.67

 

CMYK 2 / 80 / 0 / 2

HEX #F732FB

RGB 247 50 251

HSL 298.81, 0.96%, 0.59%

LAB 60.8, 90.39, -57.94

 

CMYK 0 / 65 / 80 / 2

HEX #FB5732

RGB 251 87 50

HSL 11.04, 0.96%, 0.59%

LAB 59.49, 60.74, 53.91

 

CMYK 79 / 0 / 79 / 2

HEX #35FB34

RGB 53 251 52

HSL 119.7, 0.96%, 0.59%

LAB 87, -80.24, 74.67

 

CMYK 80 / 39 / 0 / 2

HEX #329AFB

RGB 50 154 251

HSL 208.96, 0.96%, 0.59%

LAB 62.3, 4, -56.52

 

CMYK 2 / 80 / 0 / 2

HEX #F732FB

RGB 247 50 251

HSL 298.81, 0.96%, 0.59%

LAB 60.8, 90.39, -57.94

 

CMYK 0 / 41 / 80 / 2

HEX #FB9332

RGB 251 147 50

HSL 28.96, 0.96%, 0.59%

LAB 70.6, 32.48, 64.26

 

Description

Color code: RGB 53 251 52 | qconv.com Color code: RGB 53 251 52 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 251 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 251 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 79 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 79% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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