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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 248 125 it is the complementary color RGB 202 7 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 248 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 248 125 shade: RGB 58 248 120, RGB 75 255 139, RGB 92 255 158, RGB 109 255 177 and RGB 126 255 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 248 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 248 125 shade: RGB 53 248 125, RGB 36 230 106, RGB 19 212 87, RGB 2 194 68 and RGB 0 176 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 248 125 shade: RGB 53 248 125, RGB 53 248 73, RGB 86 248 53, RGB 139 248 53 and RGB 191 248 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 248 125 shade: RGB 53 248 125, RGB 53 248 177, RGB 53 248 230, RGB 53 213 248 and RGB 53 161 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 248 125 shade matches the following richer shades: RGB 53 248 125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 248 125 shade: RGB 53 248 125, RGB 70 231 129, RGB 87 214 134, RGB 104 197 138 and RGB 121 180 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 248 125 shade: RGB 86 248 53, RGB 53 248 73, RGB 53 248 125, RGB 53 248 176 and RGB 53 248 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 248 125 shade: RGB 8 211 83, RGB 13 246 99, RGB 53 248 125, RGB 93 249 151 and RGB 133 251 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 248 125 shade: RGB 53 248 125, RGB 53 137 248 and RGB 248 53 60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 248 125 shade: RGB 53 248 125, RGB 125 53 248 and RGB 248 125 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 248 125 shade: RGB 53 248 125, RGB 53 137 248, RGB 248 53 176 and RGB 248 163 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 248 125 shade: RGB 53 248 125, RGB 53 79 248, RGB 248 53 176 and RGB 248 222 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 50 / 3

HEX #35F87D

RGB 53 248 125

HSL 142.15, 0.93%, 0.59%

LAB 86.69, -71.91, 45.83

 

Complementary color

CMYK 0 / 97 / 36 / 21

HEX #CA0782

RGB 202 7 130

HSL 322.15, 0.93%, 0.41%

LAB 44.69, 72.92, -13.4

 

CMYK 77 / 0 / 52 / 3

HEX #3AF878

RGB 58 248 120

HSL 139.58, 0.93%, 0.6%

LAB 86.7, -72.06, 48.2

 

CMYK 71 / 0 / 45 / 0

HEX #4BFF8B

RGB 75 255 139

HSL 141.33, 1%, 0.65%

LAB 89.34, -69.25, 42.56

 

CMYK 64 / 0 / 38 / 0

HEX #5CFF9E

RGB 92 255 158

HSL 144.29, 1%, 0.68%

LAB 89.98, -63.27, 34.17

 

CMYK 57 / 0 / 31 / 0

HEX #6DFFB1

RGB 109 255 177

HSL 147.95, 1%, 0.71%

LAB 90.76, -56.52, 25.75

 

CMYK 51 / 0 / 23 / 0

HEX #7EFFC4

RGB 126 255 196

HSL 152.56, 1%, 0.75%

LAB 91.66, -49.09, 17.4

 

CMYK 79 / 0 / 50 / 3

HEX #35F87D

RGB 53 248 125

HSL 142.15, 0.93%, 0.59%

LAB 86.69, -71.91, 45.83

 

CMYK 84 / 0 / 54 / 10

HEX #24E66A

RGB 36 230 106

HSL 141.65, 0.8%, 0.52%

LAB 80.74, -70.53, 47.4

 

CMYK 91 / 0 / 59 / 17

HEX #13D457

RGB 19 212 87

HSL 141.14, 0.84%, 0.45%

LAB 74.77, -68.63, 48.98

 

CMYK 99 / 0 / 65 / 24

HEX #02C244

RGB 2 194 68

HSL 140.63, 0.98%, 0.38%

LAB 68.76, -66.18, 50.45

 

CMYK 100 / 0 / 72 / 31

HEX #00B031

RGB 0 176 49

HSL 136.7, 1%, 0.35%

LAB 62.74, -62.85, 51.66

 

CMYK 79 / 0 / 50 / 3

HEX #35F87D

RGB 53 248 125

HSL 142.15, 0.93%, 0.59%

LAB 86.69, -71.91, 45.83

 

CMYK 79 / 0 / 71 / 3

HEX #35F849

RGB 53 248 73

HSL 126.15, 0.93%, 0.59%

LAB 86.19, -77.93, 67.27

 

CMYK 65 / 0 / 79 / 3

HEX #56F835

RGB 86 248 53

HSL 109.85, 0.93%, 0.59%

LAB 86.69, -74.12, 74.32

 

CMYK 44 / 0 / 79 / 3

HEX #8BF835

RGB 139 248 53

HSL 93.54, 0.93%, 0.59%

LAB 88.39, -60.67, 76.53

 

CMYK 23 / 0 / 79 / 3

HEX #BFF835

RGB 191 248 53

HSL 77.54, 0.93%, 0.59%

LAB 90.99, -42.77, 79.87

 

CMYK 79 / 0 / 50 / 3

HEX #35F87D

RGB 53 248 125

HSL 142.15, 0.93%, 0.59%

LAB 86.69, -71.91, 45.83

 

CMYK 79 / 0 / 29 / 3

HEX #35F8B1

RGB 53 248 177

HSL 158.15, 0.93%, 0.59%

LAB 87.52, -62.44, 21.1

 

CMYK 79 / 0 / 7 / 3

HEX #35F8E6

RGB 53 248 230

HSL 174.46, 0.93%, 0.59%

LAB 88.74, -49.66, -4.63

 

CMYK 79 / 14 / 0 / 3

HEX #35D5F8

RGB 53 213 248

HSL 190.77, 0.93%, 0.59%

LAB 79.11, -28.51, -28.6

 

CMYK 79 / 35 / 0 / 3

HEX #35A1F8

RGB 53 161 248

HSL 206.77, 0.93%, 0.59%

LAB 64.18, -0.85, -51.88

 

CMYK 79 / 0 / 50 / 3

HEX #35F87D

RGB 53 248 125

HSL 142.15, 0.93%, 0.59%

LAB 86.69, -71.91, 45.83

 

CMYK 79 / 0 / 50 / 3

HEX #35F87D

RGB 53 248 125

HSL 142.15, 0.93%, 0.59%

LAB 86.69, -71.91, 45.83

 

CMYK 70 / 0 / 44 / 9

HEX #46E781

RGB 70 231 129

HSL 141.99, 0.77%, 0.59%

LAB 81.86, -63.21, 37.85

 

CMYK 59 / 0 / 37 / 16

HEX #57D686

RGB 87 214 134

HSL 142.2, 0.61%, 0.59%

LAB 77.19, -52.81, 29.29

 

CMYK 47 / 0 / 30 / 23

HEX #68C58A

RGB 104 197 138

HSL 141.94, 0.44%, 0.59%

LAB 72.7, -40.91, 21.25

 

CMYK 33 / 0 / 21 / 29

HEX #79B48F

RGB 121 180 143

HSL 142.37, 0.28%, 0.59%

LAB 68.53, -27.1, 12.88

 

CMYK 65 / 0 / 79 / 3

HEX #56F835

RGB 86 248 53

HSL 109.85, 0.93%, 0.59%

LAB 86.69, -74.12, 74.32

 

CMYK 79 / 0 / 71 / 3

HEX #35F849

RGB 53 248 73

HSL 126.15, 0.93%, 0.59%

LAB 86.19, -77.93, 67.27

 

CMYK 79 / 0 / 50 / 3

HEX #35F87D

RGB 53 248 125

HSL 142.15, 0.93%, 0.59%

LAB 86.69, -71.91, 45.83

 

CMYK 79 / 0 / 29 / 3

HEX #35F8B0

RGB 53 248 176

HSL 157.85, 0.93%, 0.59%

LAB 87.5, -62.66, 21.59

 

CMYK 79 / 0 / 8 / 3

HEX #35F8E4

RGB 53 248 228

HSL 173.85, 0.93%, 0.59%

LAB 88.68, -50.19, -3.67

 

CMYK 96 / 0 / 61 / 17

HEX #08D353

RGB 8 211 83

HSL 142.17, 0.93%, 0.43%

LAB 74.36, -69.31, 50.27

 

CMYK 95 / 0 / 60 / 4

HEX #0DF663

RGB 13 246 99

HSL 142.15, 0.93%, 0.51%

LAB 85.45, -77.64, 56.06

 

CMYK 79 / 0 / 50 / 3

HEX #35F87D

RGB 53 248 125

HSL 142.15, 0.93%, 0.59%

LAB 86.69, -71.91, 45.83

 

CMYK 63 / 0 / 39 / 2

HEX #5DF997

RGB 93 249 151

HSL 142.31, 0.93%, 0.67%

LAB 88.12, -62.07, 35.19

 

CMYK 47 / 0 / 30 / 2

HEX #85FBB0

RGB 133 251 176

HSL 141.86, 0.94%, 0.75%

LAB 90.37, -49.56, 25.86

 

CMYK 79 / 0 / 50 / 3

HEX #35F87D

RGB 53 248 125

HSL 142.15, 0.93%, 0.59%

LAB 86.69, -71.91, 45.83

 

CMYK 79 / 45 / 0 / 3

HEX #3589F8

RGB 53 137 248

HSL 214.15, 0.93%, 0.59%

LAB 57.49, 13.37, -62.56

 

CMYK 0 / 79 / 76 / 3

HEX #F8353C

RGB 248 53 60

HSL 357.85, 0.93%, 0.59%

LAB 54.9, 71.59, 43.94

 

CMYK 79 / 0 / 50 / 3

HEX #35F87D

RGB 53 248 125

HSL 142.15, 0.93%, 0.59%

LAB 86.69, -71.91, 45.83

 

CMYK 50 / 79 / 0 / 3

HEX #7D35F8

RGB 125 53 248

HSL 262.15, 0.93%, 0.59%

LAB 43.78, 69.7, -84.67

 

CMYK 0 / 50 / 79 / 3

HEX #F87D35

RGB 248 125 53

HSL 22.15, 0.93%, 0.59%

LAB 65.66, 42.55, 58.29

 

CMYK 79 / 0 / 50 / 3

HEX #35F87D

RGB 53 248 125

HSL 142.15, 0.93%, 0.59%

LAB 86.69, -71.91, 45.83

 

CMYK 79 / 45 / 0 / 3

HEX #3589F8

RGB 53 137 248

HSL 214.15, 0.93%, 0.59%

LAB 57.49, 13.37, -62.56

 

CMYK 0 / 79 / 29 / 3

HEX #F835B0

RGB 248 53 176

HSL 322.15, 0.93%, 0.59%

LAB 57.69, 80.04, -20.25

 

CMYK 0 / 34 / 79 / 3

HEX #F8A335

RGB 248 163 53

HSL 33.85, 0.93%, 0.59%

LAB 73.81, 23.01, 65.95

 

CMYK 79 / 0 / 50 / 3

HEX #35F87D

RGB 53 248 125

HSL 142.15, 0.93%, 0.59%

LAB 86.69, -71.91, 45.83

 

CMYK 79 / 68 / 0 / 3

HEX #354FF8

RGB 53 79 248

HSL 232, 0.93%, 0.59%

LAB 42.95, 49.16, -86.21

 

CMYK 0 / 79 / 29 / 3

HEX #F835B0

RGB 248 53 176

HSL 322.15, 0.93%, 0.59%

LAB 57.69, 80.04, -20.25

 

CMYK 0 / 10 / 79 / 3

HEX #F8DE35

RGB 248 222 53

HSL 52, 0.93%, 0.59%

LAB 88.19, -7.5, 78.92

 

Description

Color code: RGB 53 248 125 | qconv.com Color code: RGB 53 248 125 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 248 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 248 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 50 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 50% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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