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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 244 99 it is the complementary color RGB 202 11 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 244 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 244 99 shade: RGB 58 244 94, RGB 75 255 113, RGB 92 255 132, RGB 109 255 151 and RGB 126 255 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 244 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 244 99 shade: RGB 53 244 99, RGB 36 226 80, RGB 19 208 61, RGB 2 190 42 and RGB 0 172 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 244 99 shade: RGB 52 244 98, RGB 57 244 52, RGB 109 244 52, RGB 161 244 52 and RGB 213 244 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 244 99 shade: RGB 52 244 98, RGB 52 244 150, RGB 52 244 202, RGB 52 235 244 and RGB 52 183 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 244 99 shade matches the following richer shades: RGB 52 244 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 244 99 shade: RGB 52 244 98, RGB 69 227 107, RGB 86 210 116, RGB 103 192 125 and RGB 121 175 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 244 99 shade: RGB 109 244 52, RGB 58 244 52, RGB 52 244 96, RGB 52 244 148 and RGB 52 244 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 244 99 shade: RGB 11 203 57, RGB 13 242 68, RGB 52 244 98, RGB 91 246 128 and RGB 130 248 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 244 99 shade: RGB 53 244 99, RGB 52 161 244 and RGB 244 52 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 244 99 shade: RGB 53 244 99, RGB 96 52 244 and RGB 244 96 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 244 99 shade: RGB 53 244 99, RGB 52 161 244, RGB 244 52 199 and RGB 244 135 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 244 99 shade: RGB 53 244 99, RGB 52 103 244, RGB 244 52 199 and RGB 244 193 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 59 / 4

HEX #35F463

RGB 53 244 99

HSL 134.45, 0.9%, 0.58%

LAB 85.18, -74.12, 55.84

 

Complementary color

CMYK 0 / 95 / 23 / 21

HEX #CA0B9C

RGB 202 11 156

HSL 314.45, 0.9%, 0.42%

LAB 45.9, 75.41, -27.32

 

CMYK 76 / 0 / 61 / 4

HEX #3AF45E

RGB 58 244 94

HSL 131.61, 0.89%, 0.59%

LAB 85.2, -74.08, 58.02

 

CMYK 71 / 0 / 56 / 0

HEX #4BFF71

RGB 75 255 113

HSL 132.67, 1%, 0.65%

LAB 89.02, -72.92, 54.26

 

CMYK 64 / 0 / 48 / 0

HEX #5CFF84

RGB 92 255 132

HSL 134.72, 1%, 0.68%

LAB 89.61, -67.43, 46.32

 

CMYK 57 / 0 / 41 / 0

HEX #6DFF97

RGB 109 255 151

HSL 137.26, 1%, 0.71%

LAB 90.32, -61.08, 38.16

 

CMYK 51 / 0 / 33 / 0

HEX #7EFFAA

RGB 126 255 170

HSL 140.47, 1%, 0.75%

LAB 91.17, -54, 29.93

 

CMYK 78 / 0 / 59 / 4

HEX #35F463

RGB 53 244 99

HSL 134.45, 0.9%, 0.58%

LAB 85.18, -74.12, 55.84

 

CMYK 84 / 0 / 65 / 11

HEX #24E250

RGB 36 226 80

HSL 133.89, 0.77%, 0.51%

LAB 79.24, -72.48, 57.1

 

CMYK 91 / 0 / 71 / 18

HEX #13D03D

RGB 19 208 61

HSL 133.33, 0.83%, 0.45%

LAB 73.28, -70.25, 58.12

 

CMYK 99 / 0 / 78 / 25

HEX #02BE2A

RGB 2 190 42

HSL 132.77, 0.98%, 0.38%

LAB 67.28, -67.36, 58.65

 

CMYK 100 / 0 / 87 / 33

HEX #00AC17

RGB 0 172 23

HSL 128.02, 1%, 0.34%

LAB 61.28, -63.46, 58.28

 

CMYK 79 / 0 / 60 / 4

HEX #34F462

RGB 52 244 98

HSL 134.38, 0.9%, 0.58%

LAB 85.16, -74.35, 56.24

 

CMYK 77 / 0 / 79 / 4

HEX #39F434

RGB 57 244 52

HSL 118.44, 0.9%, 0.58%

LAB 84.9, -77.72, 72.72

 

CMYK 55 / 0 / 79 / 4

HEX #6DF434

RGB 109 244 52

HSL 102.19, 0.9%, 0.58%

LAB 86.11, -67.69, 74.28

 

CMYK 34 / 0 / 79 / 4

HEX #A1F434

RGB 161 244 52

HSL 85.94, 0.9%, 0.58%

LAB 88.22, -51.98, 77.01

 

CMYK 13 / 0 / 79 / 4

HEX #D5F434

RGB 213 244 52

HSL 69.69, 0.9%, 0.58%

LAB 91.28, -32.51, 80.91

 

CMYK 79 / 0 / 60 / 4

HEX #34F462

RGB 52 244 98

HSL 134.38, 0.9%, 0.58%

LAB 85.16, -74.35, 56.24

 

CMYK 79 / 0 / 39 / 4

HEX #34F496

RGB 52 244 150

HSL 150.63, 0.9%, 0.58%

LAB 85.82, -66.48, 32.51

 

CMYK 79 / 0 / 17 / 4

HEX #34F4CA

RGB 52 244 202

HSL 166.88, 0.9%, 0.58%

LAB 86.85, -55.27, 7.22

 

CMYK 79 / 4 / 0 / 4

HEX #34EBF4

RGB 52 235 244

HSL 182.81, 0.9%, 0.58%

LAB 85.34, -40.16, -17.02

 

CMYK 79 / 25 / 0 / 4

HEX #34B7F4

RGB 52 183 244

HSL 199.06, 0.9%, 0.58%

LAB 70.27, -14.55, -40.14

 

CMYK 79 / 0 / 60 / 4

HEX #34F462

RGB 52 244 98

HSL 134.38, 0.9%, 0.58%

LAB 85.16, -74.35, 56.24

 

CMYK 79 / 0 / 60 / 4

HEX #34F462

RGB 52 244 98

HSL 134.38, 0.9%, 0.58%

LAB 85.16, -74.35, 56.24

 

CMYK 70 / 0 / 53 / 11

HEX #45E36B

RGB 69 227 107

HSL 134.43, 0.74%, 0.58%

LAB 80.33, -65.29, 46.55

 

CMYK 59 / 0 / 45 / 18

HEX #56D274

RGB 86 210 116

HSL 134.52, 0.58%, 0.58%

LAB 75.66, -54.51, 36.45

 

CMYK 46 / 0 / 35 / 25

HEX #67C07D

RGB 103 192 125

HSL 134.83, 0.41%, 0.58%

LAB 70.91, -41.37, 25.71

 

CMYK 31 / 0 / 23 / 31

HEX #79AF86

RGB 121 175 134

HSL 134.44, 0.25%, 0.58%

LAB 66.86, -26.38, 15.47

 

CMYK 55 / 0 / 79 / 4

HEX #6DF434

RGB 109 244 52

HSL 102.19, 0.9%, 0.58%

LAB 86.11, -67.69, 74.28

 

CMYK 76 / 0 / 79 / 4

HEX #3AF434

RGB 58 244 52

HSL 118.13, 0.9%, 0.58%

LAB 84.92, -77.59, 72.74

 

CMYK 79 / 0 / 61 / 4

HEX #34F460

RGB 52 244 96

HSL 133.75, 0.9%, 0.58%

LAB 85.14, -74.58, 57.07

 

CMYK 79 / 0 / 39 / 4

HEX #34F494

RGB 52 244 148

HSL 150, 0.9%, 0.58%

LAB 85.79, -66.85, 33.47

 

CMYK 79 / 0 / 18 / 4

HEX #34F4C7

RGB 52 244 199

HSL 165.94, 0.9%, 0.58%

LAB 86.78, -56, 8.68

 

CMYK 95 / 0 / 72 / 20

HEX #0BCB39

RGB 11 203 57

HSL 134.38, 0.9%, 0.42%

LAB 71.61, -69.55, 57.86

 

CMYK 95 / 0 / 72 / 5

HEX #0DF244

RGB 13 242 68

HSL 134.41, 0.9%, 0.5%

LAB 83.97, -79.62, 66.63

 

CMYK 79 / 0 / 60 / 4

HEX #34F462

RGB 52 244 98

HSL 134.38, 0.9%, 0.58%

LAB 85.16, -74.35, 56.24

 

CMYK 63 / 0 / 48 / 4

HEX #5BF680

RGB 91 246 128

HSL 134.32, 0.9%, 0.66%

LAB 86.85, -65, 44.76

 

CMYK 48 / 0 / 36 / 3

HEX #82F89E

RGB 130 248 158

HSL 134.24, 0.89%, 0.74%

LAB 89.09, -52.19, 33.19

 

CMYK 78 / 0 / 59 / 4

HEX #35F463

RGB 53 244 99

HSL 134.45, 0.9%, 0.58%

LAB 85.18, -74.12, 55.84

 

CMYK 79 / 34 / 0 / 4

HEX #34A1F4

RGB 52 161 244

HSL 205.94, 0.9%, 0.58%

LAB 63.96, -2.37, -50.05

 

CMYK 0 / 79 / 66 / 4

HEX #F43454

RGB 244 52 84

HSL 350, 0.9%, 0.58%

LAB 54.37, 71.78, 29.38

 

CMYK 78 / 0 / 59 / 4

HEX #35F463

RGB 53 244 99

HSL 134.45, 0.9%, 0.58%

LAB 85.18, -74.12, 55.84

 

CMYK 61 / 79 / 0 / 4

HEX #6034F4

RGB 96 52 244

HSL 253.75, 0.9%, 0.58%

LAB 40.37, 65.79, -88.13

 

CMYK 0 / 61 / 79 / 4

HEX #F46034

RGB 244 96 52

HSL 13.75, 0.9%, 0.58%

LAB 59.75, 54.66, 52.82

 

CMYK 78 / 0 / 59 / 4

HEX #35F463

RGB 53 244 99

HSL 134.45, 0.9%, 0.58%

LAB 85.18, -74.12, 55.84

 

CMYK 79 / 34 / 0 / 4

HEX #34A1F4

RGB 52 161 244

HSL 205.94, 0.9%, 0.58%

LAB 63.96, -2.37, -50.05

 

CMYK 0 / 79 / 18 / 4

HEX #F434C7

RGB 244 52 199

HSL 314.06, 0.9%, 0.58%

LAB 57.86, 82.14, -33.32

 

CMYK 0 / 45 / 79 / 4

HEX #F48734

RGB 244 135 52

HSL 25.94, 0.9%, 0.58%

LAB 67.13, 35.91, 59.92

 

CMYK 78 / 0 / 59 / 4

HEX #35F463

RGB 53 244 99

HSL 134.45, 0.9%, 0.58%

LAB 85.18, -74.12, 55.84

 

CMYK 79 / 58 / 0 / 4

HEX #3467F4

RGB 52 103 244

HSL 224.06, 0.9%, 0.58%

LAB 48.21, 32.96, -75.35

 

CMYK 0 / 79 / 18 / 4

HEX #F434C7

RGB 244 52 199

HSL 314.06, 0.9%, 0.58%

LAB 57.86, 82.14, -33.32

 

CMYK 0 / 21 / 79 / 4

HEX #F4C134

RGB 244 193 52

HSL 44.06, 0.9%, 0.58%

LAB 80.53, 5.57, 72.26

 

Description

Color code: RGB 53 244 99 | qconv.com Color code: RGB 53 244 99 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 244 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 244 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 59 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 59% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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