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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 241 9 it is the complementary color RGB 202 14 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 241 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 241 9 shade: RGB 58 241 4, RGB 75 255 23, RGB 92 255 42, RGB 109 255 61 and RGB 126 255 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 241 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 241 9 shade: RGB 53 241 9, RGB 36 223 0, RGB 19 205 0, RGB 2 187 0 and RGB 0 169 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 241 9 shade: RGB 53 241 9, RGB 115 241 9, RGB 178 241 9, RGB 241 241 9 and RGB 241 179 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 241 9 shade: RGB 53 241 9, RGB 9 241 27, RGB 9 241 90, RGB 9 241 153 and RGB 9 241 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 241 9 shade matches the following richer shades: RGB 53 241 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 241 9 shade: RGB 53 241 9, RGB 65 221 29, RGB 78 201 49, RGB 90 181 69 and RGB 103 160 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 241 9 shade: RGB 179 241 9, RGB 117 241 9, RGB 55 241 9, RGB 9 241 24 and RGB 9 241 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 241 9 shade: RGB 35 162 6, RGB 44 201 7, RGB 53 241 9, RGB 82 247 44 and RGB 115 249 84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 241 9 shade: RGB 53 241 9, RGB 9 241 241 and RGB 241 9 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 241 9 shade: RGB 53 241 9, RGB 9 55 241 and RGB 241 9 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 241 9 shade: RGB 53 241 9, RGB 9 241 241, RGB 195 9 241 and RGB 241 9 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 241 9 shade: RGB 53 241 9, RGB 9 171 241, RGB 195 9 241 and RGB 241 78 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 96 / 5

HEX #35F109

RGB 53 241 9

HSL 108.62, 0.93%, 0.49%

LAB 83.8, -78.86, 79.45

 

Complementary color

CMYK 18 / 94 / 0 / 4

HEX #CA0EF6

RGB 202 14 246

HSL 288.62, 0.93%, 0.51%

LAB 51.3, 88.18, -70.82

 

CMYK 76 / 0 / 98 / 5

HEX #3AF104

RGB 58 241 4

HSL 106.33, 0.97%, 0.48%

LAB 83.87, -78.27, 79.95

 

CMYK 71 / 0 / 91 / 0

HEX #4BFF17

RGB 75 255 23

HSL 106.55, 1%, 0.55%

LAB 88.48, -79.4, 81.99

 

CMYK 64 / 0 / 84 / 0

HEX #5CFF2A

RGB 92 255 42

HSL 105.92, 1%, 0.58%

LAB 88.9, -75.64, 79.14

 

CMYK 57 / 0 / 76 / 0

HEX #6DFF3D

RGB 109 255 61

HSL 105.15, 1%, 0.62%

LAB 89.44, -70.93, 74.85

 

CMYK 51 / 0 / 69 / 0

HEX #7EFF50

RGB 126 255 80

HSL 104.23, 1%, 0.66%

LAB 90.11, -65.33, 69.35

 

CMYK 78 / 0 / 96 / 5

HEX #35F109

RGB 53 241 9

HSL 108.62, 0.93%, 0.49%

LAB 83.8, -78.86, 79.45

 

CMYK 84 / 0 / 100 / 13

HEX #24DF00

RGB 36 223 0

HSL 110.31, 1%, 0.44%

LAB 77.96, -75.87, 75.44

 

CMYK 91 / 0 / 100 / 20

HEX #13CD00

RGB 19 205 0

HSL 114.44, 1%, 0.4%

LAB 72.1, -72.26, 70.68

 

CMYK 99 / 0 / 100 / 27

HEX #02BB00

RGB 2 187 0

HSL 119.36, 1%, 0.37%

LAB 66.18, -68.17, 65.9

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 78 / 0 / 96 / 5

HEX #35F109

RGB 53 241 9

HSL 108.62, 0.93%, 0.49%

LAB 83.8, -78.86, 79.45

 

CMYK 52 / 0 / 96 / 5

HEX #73F109

RGB 115 241 9

HSL 92.59, 0.93%, 0.49%

LAB 85.29, -66.4, 81.27

 

CMYK 26 / 0 / 96 / 5

HEX #B2F109

RGB 178 241 9

HSL 76.29, 0.93%, 0.49%

LAB 88.16, -45.7, 84.76

 

CMYK 0 / 0 / 96 / 5

HEX #F1F109

RGB 241 241 9

HSL 60, 0.93%, 0.49%

LAB 92.41, -20.58, 89.86

 

CMYK 0 / 26 / 96 / 5

HEX #F1B309

RGB 241 179 9

HSL 43.97, 0.93%, 0.49%

LAB 76.66, 10.73, 78.39

 

CMYK 78 / 0 / 96 / 5

HEX #35F109

RGB 53 241 9

HSL 108.62, 0.93%, 0.49%

LAB 83.8, -78.86, 79.45

 

CMYK 96 / 0 / 89 / 5

HEX #09F11B

RGB 9 241 27

HSL 124.66, 0.93%, 0.49%

LAB 83.47, -81.75, 76.87

 

CMYK 96 / 0 / 63 / 5

HEX #09F15A

RGB 9 241 90

HSL 140.95, 0.93%, 0.49%

LAB 83.81, -77.34, 58.01

 

CMYK 96 / 0 / 37 / 5

HEX #09F199

RGB 9 241 153

HSL 157.24, 0.93%, 0.49%

LAB 84.62, -67.59, 29.34

 

CMYK 96 / 0 / 11 / 5

HEX #09F1D7

RGB 9 241 215

HSL 173.28, 0.93%, 0.49%

LAB 85.94, -53.11, -0.93

 

CMYK 78 / 0 / 96 / 5

HEX #35F109

RGB 53 241 9

HSL 108.62, 0.93%, 0.49%

LAB 83.8, -78.86, 79.45

 

CMYK 78 / 0 / 96 / 5

HEX #35F109

RGB 53 241 9

HSL 108.62, 0.93%, 0.49%

LAB 83.8, -78.86, 79.45

 

CMYK 71 / 0 / 87 / 13

HEX #41DD1D

RGB 65 221 29

HSL 108.75, 0.77%, 0.49%

LAB 77.83, -70.73, 71.88

 

CMYK 61 / 0 / 76 / 21

HEX #4EC931

RGB 78 201 49

HSL 108.55, 0.61%, 0.49%

LAB 71.97, -60.61, 61.35

 

CMYK 50 / 0 / 62 / 29

HEX #5AB545

RGB 90 181 69

HSL 108.75, 0.45%, 0.49%

LAB 66.25, -48.41, 47.66

 

CMYK 36 / 0 / 44 / 37

HEX #67A05A

RGB 103 160 90

HSL 108.86, 0.28%, 0.49%

LAB 60.57, -32.61, 30.67

 

CMYK 26 / 0 / 96 / 5

HEX #B3F109

RGB 179 241 9

HSL 76.03, 0.93%, 0.49%

LAB 88.22, -45.32, 84.83

 

CMYK 51 / 0 / 96 / 5

HEX #75F109

RGB 117 241 9

HSL 92.07, 0.93%, 0.49%

LAB 85.36, -65.85, 81.36

 

CMYK 77 / 0 / 96 / 5

HEX #37F109

RGB 55 241 9

HSL 108.1, 0.93%, 0.49%

LAB 83.83, -78.6, 79.49

 

CMYK 96 / 0 / 90 / 5

HEX #09F118

RGB 9 241 24

HSL 123.88, 0.93%, 0.49%

LAB 83.46, -81.84, 77.33

 

CMYK 96 / 0 / 64 / 5

HEX #09F156

RGB 9 241 86

HSL 139.91, 0.93%, 0.49%

LAB 83.78, -77.78, 59.62

 

CMYK 78 / 0 / 96 / 36

HEX #23A206

RGB 35 162 6

HSL 108.85, 0.93%, 0.33%

LAB 58.24, -58.17, 58.78

 

CMYK 78 / 0 / 97 / 21

HEX #2CC907

RGB 44 201 7

HSL 108.56, 0.93%, 0.41%

LAB 71.09, -68.58, 69.24

 

CMYK 78 / 0 / 96 / 5

HEX #35F109

RGB 53 241 9

HSL 108.62, 0.93%, 0.49%

LAB 83.8, -78.86, 79.45

 

CMYK 67 / 0 / 82 / 3

HEX #52F72C

RGB 82 247 44

HSL 108.77, 0.93%, 0.57%

LAB 86.25, -75.03, 76.22

 

CMYK 54 / 0 / 66 / 2

HEX #73F954

RGB 115 249 84

HSL 108.73, 0.93%, 0.65%

LAB 87.99, -65.73, 65.5

 

CMYK 78 / 0 / 96 / 5

HEX #35F109

RGB 53 241 9

HSL 108.62, 0.93%, 0.49%

LAB 83.8, -78.86, 79.45

 

CMYK 96 / 0 / 0 / 5

HEX #09F1F1

RGB 9 241 241

HSL 180, 0.93%, 0.49%

LAB 86.66, -45.88, -13.5

 

CMYK 0 / 96 / 39 / 5

HEX #F10994

RGB 241 9 148

HSL 324.05, 0.93%, 0.49%

LAB 52.99, 82.63, -11.02

 

CMYK 78 / 0 / 96 / 5

HEX #35F109

RGB 53 241 9

HSL 108.62, 0.93%, 0.49%

LAB 83.8, -78.86, 79.45

 

CMYK 96 / 77 / 0 / 5

HEX #0937F1

RGB 9 55 241

HSL 228.1, 0.93%, 0.49%

LAB 36.25, 58.43, -93.38

 

CMYK 0 / 96 / 77 / 5

HEX #F10937

RGB 241 9 55

HSL 348.1, 0.93%, 0.49%

LAB 50.89, 76.98, 42.02

 

CMYK 78 / 0 / 96 / 5

HEX #35F109

RGB 53 241 9

HSL 108.62, 0.93%, 0.49%

LAB 83.8, -78.86, 79.45

 

CMYK 96 / 0 / 0 / 5

HEX #09F1F1

RGB 9 241 241

HSL 180, 0.93%, 0.49%

LAB 86.66, -45.88, -13.5

 

CMYK 19 / 96 / 0 / 5

HEX #C309F1

RGB 195 9 241

HSL 288.1, 0.93%, 0.49%

LAB 49.68, 86.8, -70.7

 

CMYK 0 / 96 / 96 / 5

HEX #F10909

RGB 241 9 9

HSL 0, 0.93%, 0.49%

LAB 50.59, 76.15, 62.13

 

CMYK 78 / 0 / 96 / 5

HEX #35F109

RGB 53 241 9

HSL 108.62, 0.93%, 0.49%

LAB 83.8, -78.86, 79.45

 

CMYK 96 / 29 / 0 / 5

HEX #09ABF1

RGB 9 171 241

HSL 198.1, 0.93%, 0.49%

LAB 66.16, -11.64, -44.97

 

CMYK 19 / 96 / 0 / 5

HEX #C309F1

RGB 195 9 241

HSL 288.1, 0.93%, 0.49%

LAB 49.68, 86.8, -70.7

 

CMYK 0 / 68 / 96 / 5

HEX #F14E09

RGB 241 78 9

HSL 17.84, 0.93%, 0.49%

LAB 56.26, 60.25, 65.09

 

Description

Color code: RGB 53 241 9 | qconv.com Color code: RGB 53 241 9 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 241 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 241 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 96 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 96% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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