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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 241 45 it is the complementary color RGB 202 14 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 241 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 241 45 shade: RGB 58 241 40, RGB 75 255 59, RGB 92 255 78, RGB 109 255 97 and RGB 126 255 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 241 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 241 45 shade: RGB 53 241 45, RGB 36 223 26, RGB 19 205 7, RGB 2 187 0 and RGB 0 169 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 241 45 shade: RGB 52 242 44, RGB 105 242 44, RGB 159 242 44, RGB 212 242 44 and RGB 242 218 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 241 45 shade: RGB 52 242 44, RGB 44 242 89, RGB 44 242 143, RGB 44 242 196 and RGB 44 234 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 241 45 shade matches the following richer shades: RGB 52 242 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 241 45 shade: RGB 52 242 44, RGB 69 223 62, RGB 85 205 80, RGB 102 187 99 and RGB 119 169 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 241 45 shade: RGB 159 242 44, RGB 107 242 44, RGB 54 242 44, RGB 44 242 87 and RGB 44 242 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 241 45 shade: RGB 19 191 12, RGB 23 230 15, RGB 52 242 44, RGB 89 244 83 and RGB 127 246 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 241 45 shade: RGB 53 241 45, RGB 44 212 242 and RGB 242 44 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 241 45 shade: RGB 53 241 45, RGB 44 54 242 and RGB 242 44 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 241 45 shade: RGB 53 241 45, RGB 44 212 242, RGB 232 44 242 and RGB 242 74 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 241 45 shade: RGB 53 241 45, RGB 44 153 242, RGB 232 44 242 and RGB 242 133 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 81 / 5

HEX #35F12D

RGB 53 241 45

HSL 117.55, 0.88%, 0.56%

LAB 83.89, -77.74, 73.62

 

Complementary color

CMYK 4 / 93 / 0 / 18

HEX #CA0ED2

RGB 202 14 210

HSL 297.55, 0.88%, 0.44%

LAB 48.91, 82.46, -54.25

 

CMYK 76 / 0 / 83 / 5

HEX #3AF128

RGB 58 241 40

HSL 114.63, 0.88%, 0.55%

LAB 83.95, -77.32, 74.9

 

CMYK 71 / 0 / 77 / 0

HEX #4BFF3B

RGB 75 255 59

HSL 115.1, 1%, 0.62%

LAB 88.61, -77.91, 74.35

 

CMYK 64 / 0 / 69 / 0

HEX #5CFF4E

RGB 92 255 78

HSL 115.25, 1%, 0.65%

LAB 89.09, -73.49, 68.7

 

CMYK 57 / 0 / 62 / 0

HEX #6DFF61

RGB 109 255 97

HSL 115.44, 1%, 0.69%

LAB 89.69, -68.11, 62.12

 

CMYK 51 / 0 / 55 / 0

HEX #7EFF74

RGB 126 255 116

HSL 115.68, 1%, 0.73%

LAB 90.42, -61.88, 54.92

 

CMYK 78 / 0 / 81 / 5

HEX #35F12D

RGB 53 241 45

HSL 117.55, 0.88%, 0.56%

LAB 83.89, -77.74, 73.62

 

CMYK 84 / 0 / 88 / 13

HEX #24DF1A

RGB 36 223 26

HSL 116.95, 0.79%, 0.49%

LAB 78.01, -75.3, 72.42

 

CMYK 91 / 0 / 97 / 20

HEX #13CD07

RGB 19 205 7

HSL 116.36, 0.93%, 0.42%

LAB 72.11, -72.13, 69.95

 

CMYK 99 / 0 / 100 / 27

HEX #02BB00

RGB 2 187 0

HSL 119.36, 1%, 0.37%

LAB 66.18, -68.17, 65.9

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 79 / 0 / 82 / 5

HEX #34F22C

RGB 52 242 44

HSL 117.58, 0.88%, 0.56%

LAB 84.18, -78.2, 74.13

 

CMYK 57 / 0 / 82 / 5

HEX #69F22C

RGB 105 242 44

HSL 101.52, 0.88%, 0.56%

LAB 85.35, -68.39, 75.62

 

CMYK 34 / 0 / 82 / 5

HEX #9FF22C

RGB 159 242 44

HSL 85.15, 0.88%, 0.56%

LAB 87.51, -52.18, 78.38

 

CMYK 12 / 0 / 82 / 5

HEX #D4F22C

RGB 212 242 44

HSL 69.09, 0.88%, 0.56%

LAB 90.64, -32.25, 82.31

 

CMYK 0 / 10 / 82 / 5

HEX #F2DA2C

RGB 242 218 44

HSL 52.73, 0.88%, 0.56%

LAB 86.6, -8.29, 79.79

 

CMYK 79 / 0 / 82 / 5

HEX #34F22C

RGB 52 242 44

HSL 117.58, 0.88%, 0.56%

LAB 84.18, -78.2, 74.13

 

CMYK 82 / 0 / 63 / 5

HEX #2CF259

RGB 44 242 89

HSL 133.64, 0.88%, 0.56%

LAB 84.36, -75.6, 59.1

 

CMYK 82 / 0 / 41 / 5

HEX #2CF28F

RGB 44 242 143

HSL 150, 0.88%, 0.56%

LAB 85.01, -67.85, 34.91

 

CMYK 82 / 0 / 19 / 5

HEX #2CF2C4

RGB 44 242 196

HSL 166.06, 0.88%, 0.56%

LAB 86.02, -56.63, 9.15

 

CMYK 82 / 3 / 0 / 5

HEX #2CEAF2

RGB 44 234 242

HSL 182.42, 0.88%, 0.56%

LAB 84.89, -40.92, -16.66

 

CMYK 79 / 0 / 82 / 5

HEX #34F22C

RGB 52 242 44

HSL 117.58, 0.88%, 0.56%

LAB 84.18, -78.2, 74.13

 

CMYK 79 / 0 / 82 / 5

HEX #34F22C

RGB 52 242 44

HSL 117.58, 0.88%, 0.56%

LAB 84.18, -78.2, 74.13

 

CMYK 69 / 0 / 72 / 13

HEX #45DF3E

RGB 69 223 62

HSL 117.39, 0.72%, 0.56%

LAB 78.69, -68.8, 63.55

 

CMYK 59 / 0 / 61 / 20

HEX #55CD50

RGB 85 205 80

HSL 117.6, 0.56%, 0.56%

LAB 73.66, -57.67, 51.11

 

CMYK 45 / 0 / 47 / 27

HEX #66BB63

RGB 102 187 99

HSL 117.95, 0.39%, 0.56%

LAB 68.94, -43.65, 36.61

 

CMYK 30 / 0 / 31 / 34

HEX #77A975

RGB 119 169 117

HSL 117.69, 0.23%, 0.56%

LAB 64.63, -27.15, 21.67

 

CMYK 34 / 0 / 82 / 5

HEX #9FF22C

RGB 159 242 44

HSL 85.15, 0.88%, 0.56%

LAB 87.51, -52.18, 78.38

 

CMYK 56 / 0 / 82 / 5

HEX #6BF22C

RGB 107 242 44

HSL 100.91, 0.88%, 0.56%

LAB 85.41, -67.89, 75.7

 

CMYK 78 / 0 / 82 / 5

HEX #36F22C

RGB 54 242 44

HSL 116.97, 0.88%, 0.56%

LAB 84.21, -77.95, 74.17

 

CMYK 82 / 0 / 64 / 5

HEX #2CF257

RGB 44 242 87

HSL 133.03, 0.88%, 0.56%

LAB 84.34, -75.81, 59.9

 

CMYK 82 / 0 / 42 / 5

HEX #2CF28C

RGB 44 242 140

HSL 149.09, 0.88%, 0.56%

LAB 84.96, -68.38, 36.34

 

CMYK 90 / 0 / 94 / 25

HEX #13BF0C

RGB 19 191 12

HSL 117.65, 0.88%, 0.4%

LAB 67.6, -68.15, 65.68

 

CMYK 90 / 0 / 93 / 10

HEX #17E60F

RGB 23 230 15

HSL 117.77, 0.88%, 0.48%

LAB 80.07, -78.52, 75.7

 

CMYK 79 / 0 / 82 / 5

HEX #34F22C

RGB 52 242 44

HSL 117.58, 0.88%, 0.56%

LAB 84.18, -78.2, 74.13

 

CMYK 64 / 0 / 66 / 4

HEX #59F453

RGB 89 244 83

HSL 117.76, 0.88%, 0.64%

LAB 85.73, -70.05, 63.25

 

CMYK 48 / 0 / 50 / 4

HEX #7FF67A

RGB 127 246 122

HSL 117.58, 0.87%, 0.72%

LAB 87.89, -57.45, 49.13

 

CMYK 78 / 0 / 81 / 5

HEX #35F12D

RGB 53 241 45

HSL 117.55, 0.88%, 0.56%

LAB 83.89, -77.74, 73.62

 

CMYK 82 / 12 / 0 / 5

HEX #2CD4F2

RGB 44 212 242

HSL 189.09, 0.88%, 0.56%

LAB 78.48, -30.66, -26.38

 

CMYK 0 / 82 / 45 / 5

HEX #F22C85

RGB 242 44 133

HSL 333.03, 0.88%, 0.56%

LAB 54.42, 76.56, 0.09

 

CMYK 78 / 0 / 81 / 5

HEX #35F12D

RGB 53 241 45

HSL 117.55, 0.88%, 0.56%

LAB 83.89, -77.74, 73.62

 

CMYK 82 / 78 / 0 / 5

HEX #2C36F2

RGB 44 54 242

HSL 236.97, 0.88%, 0.56%

LAB 37.09, 60.34, -92.54

 

CMYK 0 / 82 / 78 / 5

HEX #F22C36

RGB 242 44 54

HSL 356.97, 0.88%, 0.56%

LAB 52.89, 72, 44.75

 

CMYK 78 / 0 / 81 / 5

HEX #35F12D

RGB 53 241 45

HSL 117.55, 0.88%, 0.56%

LAB 83.89, -77.74, 73.62

 

CMYK 82 / 12 / 0 / 5

HEX #2CD4F2

RGB 44 212 242

HSL 189.09, 0.88%, 0.56%

LAB 78.48, -30.66, -26.38

 

CMYK 4 / 82 / 0 / 5

HEX #E82CF2

RGB 232 44 242

HSL 296.97, 0.88%, 0.56%

LAB 57.43, 87.66, -58.45

 

CMYK 0 / 69 / 82 / 5

HEX #F24A2C

RGB 242 74 44

HSL 9.09, 0.88%, 0.56%

LAB 56.04, 62.66, 52.96

 

CMYK 78 / 0 / 81 / 5

HEX #35F12D

RGB 53 241 45

HSL 117.55, 0.88%, 0.56%

LAB 83.89, -77.74, 73.62

 

CMYK 82 / 37 / 0 / 5

HEX #2C99F2

RGB 44 153 242

HSL 206.97, 0.88%, 0.56%

LAB 61.42, 0.79, -52.99

 

CMYK 4 / 82 / 0 / 5

HEX #E82CF2

RGB 232 44 242

HSL 296.97, 0.88%, 0.56%

LAB 57.43, 87.66, -58.45

 

CMYK 0 / 45 / 82 / 5

HEX #F2852C

RGB 242 133 44

HSL 26.97, 0.88%, 0.56%

LAB 66.39, 35.88, 62.31

 

Description

Color code: RGB 53 241 45 | qconv.com Color code: RGB 53 241 45 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 241 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 241 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 81 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 81% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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