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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 239 78 it is the complementary color RGB 202 16 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 239 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 53 239 78: RGB 58 239 73, RGB 75 255 92, RGB 92 255 111, RGB 109 255 130 and RGB 126 255 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 239 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 53 239 78: RGB 53 239 78, RGB 36 221 59, RGB 19 203 40, RGB 2 185 21 and RGB 0 167 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 67 / 6

HEX #35EF4E

RGB 53 239 78

HSL 128.06, 0.85%, 0.57%

LAB 83.46, -74.8, 62.54

 

Complementary color

CMYK 0 / 92 / 12 / 21

HEX #CA10B1

RGB 202 16 177

HSL 308.06, 0.85%, 0.43%

LAB 47.11, 77.55, -37.92

 

CMYK 76 / 0 / 69 / 6

HEX #3AEF49

RGB 58 239 73

HSL 124.97, 0.85%, 0.58%

LAB 83.5, -74.6, 64.49

 

CMYK 71 / 0 / 64 / 0

HEX #4BFF5C

RGB 75 255 92

HSL 125.67, 1%, 0.65%

LAB 88.82, -75.28, 62.96

 

CMYK 64 / 0 / 56 / 0

HEX #5CFF6F

RGB 92 255 111

HSL 126.99, 1%, 0.68%

LAB 89.37, -70.2, 55.65

 

CMYK 57 / 0 / 49 / 0

HEX #6DFF82

RGB 109 255 130

HSL 128.63, 1%, 0.71%

LAB 90.04, -64.22, 47.89

 

CMYK 51 / 0 / 42 / 0

HEX #7EFF95

RGB 126 255 149

HSL 130.7, 1%, 0.75%

LAB 90.84, -57.45, 39.91

 

CMYK 78 / 0 / 67 / 6

HEX #35EF4E

RGB 53 239 78

HSL 128.06, 0.85%, 0.57%

LAB 83.46, -74.8, 62.54

 

CMYK 84 / 0 / 73 / 13

HEX #24DD3B

RGB 36 221 59

HSL 127.46, 0.73%, 0.5%

LAB 77.52, -72.92, 63.24

 

CMYK 91 / 0 / 80 / 20

HEX #13CB28

RGB 19 203 40

HSL 126.85, 0.83%, 0.44%

LAB 71.56, -70.37, 63.36

 

CMYK 99 / 0 / 89 / 27

HEX #02B915

RGB 2 185 21

HSL 126.23, 0.98%, 0.37%

LAB 65.57, -67.08, 62.48

 

CMYK 100 / 0 / 99 / 35

HEX #00A702

RGB 0 167 2

HSL 120.72, 1%, 0.33%

LAB 59.56, -62.72, 60.3

 

CMYK 78 / 0 / 67 / 6

HEX #35EF4E

RGB 53 239 78

HSL 128.06, 0.85%, 0.57%

LAB 83.46, -74.8, 62.54

 

CMYK 78 / 0 / 55 / 7

HEX #34EE6C

RGB 52 238 108

HSL 138.06, 0.85%, 0.57%

LAB 83.42, -71.2, 49.75

 

CMYK 78 / 0 / 42 / 7

HEX #34EE8B

RGB 52 238 139

HSL 148.06, 0.85%, 0.57%

LAB 83.83, -66.38, 35.38

 

CMYK 78 / 0 / 29 / 7

HEX #34EEAA

RGB 52 238 170

HSL 158.06, 0.85%, 0.57%

LAB 84.37, -60.31, 20.35

 

CMYK 78 / 0 / 16 / 7

HEX #34EEC9

RGB 52 238 201

HSL 168.06, 0.85%, 0.57%

LAB 85.05, -53.1, 5.15

 

CMYK 78 / 0 / 67 / 6

HEX #35EF4E

RGB 53 239 78

HSL 128.06, 0.85%, 0.57%

LAB 83.46, -74.8, 62.54

 

CMYK 77 / 0 / 69 / 86

HEX #08230B

RGB 8 35 11

HSL 126.67, 0.63%, 0.08%

LAB 11.12, -16.73, 11.69

 

CMYK 78 / 0 / 67 / 66

HEX #13561C

RGB 19 86 28

HSL 128.06, 0.64%, 0.21%

LAB 31.53, -33.8, 27.26

 

CMYK 78 / 0 / 67 / 46

HEX #1E892D

RGB 30 137 45

HSL 128.41, 0.64%, 0.33%

LAB 49.93, -48.48, 39.73

 

CMYK 78 / 0 / 68 / 26

HEX #2ABC3D

RGB 42 188 61

HSL 127.81, 0.63%, 0.45%

LAB 67.12, -61.99, 51.68

 

CMYK 78 / 0 / 67 / 6

HEX #35EF4E

RGB 53 239 78

HSL 128.06, 0.85%, 0.57%

LAB 83.46, -74.8, 62.54

 

CMYK 78 / 26 / 0 / 7

HEX #34B0EE

RGB 52 176 238

HSL 200, 0.85%, 0.57%

LAB 67.99, -12.83, -40.43

 

CMYK 0 / 78 / 58 / 7

HEX #EE3465

RGB 238 52 101

HSL 344.19, 0.85%, 0.57%

LAB 53.57, 71.15, 17.98

 

CMYK 78 / 0 / 67 / 6

HEX #35EF4E

RGB 53 239 78

HSL 128.06, 0.85%, 0.57%

LAB 83.46, -74.8, 62.54

 

CMYK 68 / 78 / 0 / 7

HEX #4D34EE

RGB 77 52 238

HSL 248.06, 0.85%, 0.57%

LAB 38.21, 62.34, -88.36

 

CMYK 0 / 68 / 78 / 7

HEX #EE4D34

RGB 238 77 52

HSL 8.06, 0.85%, 0.57%

LAB 55.82, 60.49, 48.58

 

CMYK 78 / 0 / 67 / 6

HEX #35EF4E

RGB 53 239 78

HSL 128.06, 0.85%, 0.57%

LAB 83.46, -74.8, 62.54

 

CMYK 78 / 26 / 0 / 7

HEX #34B0EE

RGB 52 176 238

HSL 200, 0.85%, 0.57%

LAB 67.99, -12.83, -40.43

 

CMYK 0 / 78 / 11 / 7

HEX #EE34D5

RGB 238 52 213

HSL 308.06, 0.85%, 0.57%

LAB 57.5, 82.74, -41.94

 

CMYK 0 / 52 / 78 / 7

HEX #EE7234

RGB 238 114 52

HSL 20, 0.85%, 0.57%

LAB 62.05, 44.11, 54.75

 

CMYK 78 / 0 / 67 / 6

HEX #35EF4E

RGB 53 239 78

HSL 128.06, 0.85%, 0.57%

LAB 83.46, -74.8, 62.54

 

CMYK 78 / 50 / 0 / 7

HEX #3478EE

RGB 52 120 238

HSL 218.06, 0.85%, 0.57%

LAB 52.22, 20.08, -65.51

 

CMYK 0 / 78 / 11 / 7

HEX #EE34D5

RGB 238 52 213

HSL 308.06, 0.85%, 0.57%

LAB 57.5, 82.74, -41.94

 

CMYK 0 / 29 / 78 / 7

HEX #EEAA34

RGB 238 170 52

HSL 38.06, 0.85%, 0.57%

LAB 74.3, 15.08, 66.35

 

Description

Color code: RGB 53 239 78 | qconv.com Color code: RGB 53 239 78 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 239 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 239 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 67 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 67% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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