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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 239 59 it is the complementary color RGB 202 16 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 239 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 239 59 shade: RGB 58 239 54, RGB 75 255 73, RGB 92 255 92, RGB 109 255 111 and RGB 126 255 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 239 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 239 59 shade: RGB 53 239 59, RGB 36 221 40, RGB 19 203 21, RGB 2 185 2 and RGB 0 167 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 239 59 shade: RGB 52 239 58, RGB 96 239 52, RGB 147 239 52, RGB 197 239 52 and RGB 239 230 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 239 59 shade: RGB 52 239 58, RGB 52 239 108, RGB 52 239 159, RGB 52 239 209 and RGB 52 218 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 239 59 shade matches the following richer shades: RGB 52 239 58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 239 59 shade: RGB 52 239 58, RGB 70 221 75, RGB 88 203 91, RGB 105 185 108 and RGB 123 168 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 239 59 shade: RGB 148 239 52, RGB 99 239 52, RGB 52 239 55, RGB 52 239 105 and RGB 52 239 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 239 59 shade: RGB 16 193 21, RGB 19 231 26, RGB 52 239 58, RGB 90 242 95 and RGB 128 245 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 239 59 shade: RGB 53 239 59, RGB 52 198 239 and RGB 239 52 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 239 59 shade: RGB 53 239 59, RGB 55 52 239 and RGB 239 55 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 239 59 shade: RGB 53 239 59, RGB 52 198 239, RGB 239 52 235 and RGB 239 93 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 239 59 shade: RGB 53 239 59, RGB 52 142 239, RGB 239 52 235 and RGB 239 148 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 75 / 6

HEX #35EF3B

RGB 53 239 59

HSL 121.94, 0.85%, 0.57%

LAB 83.34, -76.33, 69.11

 

Complementary color

CMYK 0 / 92 / 3 / 21

HEX #CA10C4

RGB 202 16 196

HSL 301.94, 0.85%, 0.43%

LAB 48.15, 80.18, -47.38

 

CMYK 76 / 0 / 77 / 6

HEX #3AEF36

RGB 58 239 54

HSL 118.7, 0.85%, 0.57%

LAB 83.39, -76, 70.71

 

CMYK 71 / 0 / 71 / 0

HEX #4BFF49

RGB 75 255 73

HSL 119.34, 1%, 0.64%

LAB 88.68, -76.95, 69.94

 

CMYK 64 / 0 / 64 / 0

HEX #5CFF5C

RGB 92 255 92

HSL 120, 1%, 0.68%

LAB 89.19, -72.25, 63.47

 

CMYK 57 / 0 / 56 / 0

HEX #6DFF6F

RGB 109 255 111

HSL 120.82, 1%, 0.71%

LAB 89.82, -66.62, 56.3

 

CMYK 51 / 0 / 49 / 0

HEX #7EFF82

RGB 126 255 130

HSL 121.86, 1%, 0.75%

LAB 90.58, -60.15, 48.69

 

CMYK 78 / 0 / 75 / 6

HEX #35EF3B

RGB 53 239 59

HSL 121.94, 0.85%, 0.57%

LAB 83.34, -76.33, 69.11

 

CMYK 84 / 0 / 82 / 13

HEX #24DD28

RGB 36 221 40

HSL 121.3, 0.73%, 0.5%

LAB 77.42, -74.14, 68.87

 

CMYK 91 / 0 / 90 / 20

HEX #13CB15

RGB 19 203 21

HSL 120.65, 0.83%, 0.44%

LAB 71.49, -71.24, 67.63

 

CMYK 99 / 0 / 99 / 27

HEX #02B902

RGB 2 185 2

HSL 120, 0.98%, 0.37%

LAB 65.53, -67.58, 65.13

 

CMYK 100 / 0 / 100 / 35

HEX #00A700

RGB 0 167 0

HSL 120, 1%, 0.33%

LAB 59.56, -62.77, 60.59

 

CMYK 78 / 0 / 76 / 6

HEX #34EF3A

RGB 52 239 58

HSL 121.93, 0.85%, 0.57%

LAB 83.32, -76.52, 69.4

 

CMYK 60 / 0 / 78 / 6

HEX #60EF34

RGB 96 239 52

HSL 105.88, 0.85%, 0.57%

LAB 84.21, -69.13, 72.36

 

CMYK 38 / 0 / 78 / 6

HEX #93EF34

RGB 147 239 52

HSL 89.52, 0.85%, 0.57%

LAB 86.1, -54.7, 74.81

 

CMYK 18 / 0 / 78 / 6

HEX #C5EF34

RGB 197 239 52

HSL 73.48, 0.85%, 0.57%

LAB 88.85, -36.53, 78.34

 

CMYK 0 / 4 / 78 / 6

HEX #EFE634

RGB 239 230 52

HSL 57.11, 0.85%, 0.57%

LAB 89.48, -15.25, 80.06

 

CMYK 78 / 0 / 76 / 6

HEX #34EF3A

RGB 52 239 58

HSL 121.93, 0.85%, 0.57%

LAB 83.32, -76.52, 69.4

 

CMYK 78 / 0 / 55 / 6

HEX #34EF6C

RGB 52 239 108

HSL 137.97, 0.85%, 0.57%

LAB 83.73, -71.52, 50.12

 

CMYK 78 / 0 / 33 / 6

HEX #34EF9F

RGB 52 239 159

HSL 154.33, 0.85%, 0.57%

LAB 84.47, -62.96, 26.13

 

CMYK 78 / 0 / 13 / 6

HEX #34EFD1

RGB 52 239 209

HSL 170.37, 0.85%, 0.57%

LAB 85.54, -51.48, 1.67

 

CMYK 78 / 9 / 0 / 6

HEX #34DAEF

RGB 52 218 239

HSL 186.74, 0.85%, 0.57%

LAB 80.24, -33.78, -22.09

 

CMYK 78 / 0 / 76 / 6

HEX #34EF3A

RGB 52 239 58

HSL 121.93, 0.85%, 0.57%

LAB 83.32, -76.52, 69.4

 

CMYK 78 / 0 / 76 / 6

HEX #34EF3A

RGB 52 239 58

HSL 121.93, 0.85%, 0.57%

LAB 83.32, -76.52, 69.4

 

CMYK 68 / 0 / 66 / 13

HEX #46DD4B

RGB 70 221 75

HSL 121.99, 0.69%, 0.57%

LAB 78.18, -66.85, 58.12

 

CMYK 57 / 0 / 55 / 20

HEX #58CB5B

RGB 88 203 91

HSL 121.57, 0.53%, 0.57%

LAB 73.25, -54.92, 45.65

 

CMYK 43 / 0 / 42 / 27

HEX #69B96C

RGB 105 185 108

HSL 122.25, 0.36%, 0.57%

LAB 68.59, -40.55, 31.58

 

CMYK 27 / 0 / 26 / 34

HEX #7BA87D

RGB 123 168 125

HSL 122.67, 0.21%, 0.57%

LAB 64.72, -23.89, 17.46

 

CMYK 38 / 0 / 78 / 6

HEX #94EF34

RGB 148 239 52

HSL 89.2, 0.85%, 0.57%

LAB 86.14, -54.37, 74.87

 

CMYK 59 / 0 / 78 / 6

HEX #63EF34

RGB 99 239 52

HSL 104.92, 0.85%, 0.57%

LAB 84.29, -68.44, 72.47

 

CMYK 78 / 0 / 77 / 6

HEX #34EF37

RGB 52 239 55

HSL 120.96, 0.85%, 0.57%

LAB 83.3, -76.71, 70.3

 

CMYK 78 / 0 / 56 / 6

HEX #34EF69

RGB 52 239 105

HSL 137.01, 0.85%, 0.57%

LAB 83.7, -71.91, 51.44

 

CMYK 78 / 0 / 35 / 6

HEX #34EF9B

RGB 52 239 155

HSL 153.05, 0.85%, 0.57%

LAB 84.4, -63.76, 28.08

 

CMYK 92 / 0 / 89 / 24

HEX #10C115

RGB 16 193 21

HSL 121.69, 0.85%, 0.41%

LAB 68.24, -68.63, 64.83

 

CMYK 92 / 0 / 89 / 9

HEX #13E71A

RGB 19 231 26

HSL 121.98, 0.85%, 0.49%

LAB 80.38, -78.72, 74.41

 

CMYK 78 / 0 / 76 / 6

HEX #34EF3A

RGB 52 239 58

HSL 121.93, 0.85%, 0.57%

LAB 83.32, -76.52, 69.4

 

CMYK 63 / 0 / 61 / 5

HEX #5AF25F

RGB 90 242 95

HSL 121.97, 0.85%, 0.65%

LAB 85.25, -67.98, 57.83

 

CMYK 48 / 0 / 46 / 4

HEX #80F584

RGB 128 245 132

HSL 122.05, 0.85%, 0.73%

LAB 87.76, -55.46, 44.23

 

CMYK 78 / 0 / 75 / 6

HEX #35EF3B

RGB 53 239 59

HSL 121.94, 0.85%, 0.57%

LAB 83.34, -76.33, 69.11

 

CMYK 78 / 17 / 0 / 6

HEX #34C6EF

RGB 52 198 239

HSL 193.16, 0.85%, 0.57%

LAB 74.41, -24, -31

 

CMYK 0 / 78 / 48 / 6

HEX #EF347C

RGB 239 52 124

HSL 336.9, 0.85%, 0.57%

LAB 54.3, 73.1, 5.23

 

CMYK 78 / 0 / 75 / 6

HEX #35EF3B

RGB 53 239 59

HSL 121.94, 0.85%, 0.57%

LAB 83.34, -76.33, 69.11

 

CMYK 77 / 78 / 0 / 6

HEX #3734EF

RGB 55 52 239

HSL 240.96, 0.85%, 0.57%

LAB 36.93, 61.01, -91.09

 

CMYK 0 / 77 / 78 / 6

HEX #EF3734

RGB 239 55 52

HSL 0.96, 0.85%, 0.57%

LAB 53.31, 68.24, 46.09

 

CMYK 78 / 0 / 75 / 6

HEX #35EF3B

RGB 53 239 59

HSL 121.94, 0.85%, 0.57%

LAB 83.34, -76.33, 69.11

 

CMYK 78 / 17 / 0 / 6

HEX #34C6EF

RGB 52 198 239

HSL 193.16, 0.85%, 0.57%

LAB 74.41, -24, -31

 

CMYK 0 / 78 / 2 / 6

HEX #EF34EB

RGB 239 52 235

HSL 301.28, 0.85%, 0.57%

LAB 58.79, 86.08, -52.3

 

CMYK 0 / 61 / 78 / 6

HEX #EF5D34

RGB 239 93 52

HSL 13.16, 0.85%, 0.57%

LAB 58.44, 54.24, 51.26

 

CMYK 78 / 0 / 75 / 6

HEX #35EF3B

RGB 53 239 59

HSL 121.94, 0.85%, 0.57%

LAB 83.34, -76.33, 69.11

 

CMYK 78 / 41 / 0 / 6

HEX #348EEF

RGB 52 142 239

HSL 211.12, 0.85%, 0.57%

LAB 58.33, 6.96, -56.24

 

CMYK 0 / 78 / 2 / 6

HEX #EF34EB

RGB 239 52 235

HSL 301.28, 0.85%, 0.57%

LAB 58.79, 86.08, -52.3

 

CMYK 0 / 38 / 78 / 6

HEX #EF9434

RGB 239 148 52

HSL 30.8, 0.85%, 0.57%

LAB 69.31, 27.12, 61.75

 

Description

Color code: RGB 53 239 59 | qconv.com Color code: RGB 53 239 59 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 239 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 239 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 75 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 75% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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