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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 236 145 it is the complementary color RGB 202 19 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 236 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 236 145 shade: RGB 58 236 140, RGB 75 254 159, RGB 92 255 178, RGB 109 255 197 and RGB 126 255 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 236 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 236 145 shade: RGB 53 236 145, RGB 36 218 126, RGB 19 200 107, RGB 2 182 88 and RGB 0 164 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 236 145 shade: RGB 54 236 146, RGB 54 236 97, RGB 61 236 54, RGB 110 236 54 and RGB 159 236 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 236 145 shade: RGB 54 236 146, RGB 54 236 195, RGB 54 229 236, RGB 54 180 236 and RGB 54 131 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 236 145 shade matches the following richer shades: RGB 54 236 146 and RGB 37 254 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 236 145 shade: RGB 54 236 146, RGB 72 219 146, RGB 90 201 146, RGB 108 183 146 and RGB 125 165 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 236 145 shade: RGB 60 236 54, RGB 54 236 97, RGB 54 236 145, RGB 54 236 194 and RGB 54 230 236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 236 145 shade: RGB 18 190 105, RGB 21 228 125, RGB 54 236 146, RGB 92 240 166 and RGB 130 243 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 236 145 shade: RGB 53 236 145, RGB 54 109 236 and RGB 236 73 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 236 145 shade: RGB 53 236 145, RGB 145 54 236 and RGB 236 145 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 236 145 shade: RGB 53 236 145, RGB 54 109 236, RGB 236 54 145 and RGB 236 182 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 236 145 shade: RGB 53 236 145, RGB 54 54 236, RGB 236 54 145 and RGB 236 236 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 39 / 7

HEX #35EC91

RGB 53 236 145

HSL 150.16, 0.83%, 0.57%

LAB 83.33, -64.48, 31.72

 

Complementary color

CMYK 0 / 91 / 46 / 21

HEX #CA136E

RGB 202 19 110

HSL 330.16, 0.83%, 0.43%

LAB 44.44, 69.78, -1.41

 

CMYK 75 / 0 / 41 / 7

HEX #3AEC8C

RGB 58 236 140

HSL 147.64, 0.82%, 0.58%

LAB 83.33, -64.8, 34.24

 

CMYK 70 / 0 / 37 / 0

HEX #4BFE9F

RGB 75 254 159

HSL 148.16, 0.99%, 0.65%

LAB 89.34, -65.5, 32.75

 

CMYK 64 / 0 / 30 / 0

HEX #5CFFB2

RGB 92 255 178

HSL 151.66, 1%, 0.68%

LAB 90.33, -59.55, 24.58

 

CMYK 57 / 0 / 23 / 0

HEX #6DFFC5

RGB 109 255 197

HSL 156.16, 1%, 0.71%

LAB 91.14, -52.51, 16.08

 

CMYK 51 / 0 / 15 / 0

HEX #7EFFD8

RGB 126 255 216

HSL 161.86, 1%, 0.75%

LAB 92.09, -44.87, 7.73

 

CMYK 78 / 0 / 39 / 7

HEX #35EC91

RGB 53 236 145

HSL 150.16, 0.83%, 0.57%

LAB 83.33, -64.48, 31.72

 

CMYK 83 / 0 / 42 / 15

HEX #24DA7E

RGB 36 218 126

HSL 149.67, 0.72%, 0.5%

LAB 77.3, -63.36, 33.34

 

CMYK 91 / 0 / 47 / 22

HEX #13C86B

RGB 19 200 107

HSL 149.17, 0.83%, 0.43%

LAB 71.22, -61.79, 35.06

 

CMYK 99 / 0 / 52 / 29

HEX #02B658

RGB 2 182 88

HSL 148.67, 0.98%, 0.36%

LAB 65.1, -59.73, 36.87

 

CMYK 100 / 0 / 58 / 36

HEX #00A445

RGB 0 164 69

HSL 145.24, 1%, 0.32%

LAB 58.96, -56.85, 38.75

 

CMYK 77 / 0 / 38 / 7

HEX #36EC92

RGB 54 236 146

HSL 150.33, 0.83%, 0.57%

LAB 83.36, -64.18, 31.26

 

CMYK 77 / 0 / 59 / 7

HEX #36EC61

RGB 54 236 97

HSL 134.18, 0.83%, 0.57%

LAB 82.72, -71.72, 53.87

 

CMYK 74 / 0 / 77 / 7

HEX #3DEC36

RGB 61 236 54

HSL 117.69, 0.83%, 0.57%

LAB 82.51, -74.68, 69.89

 

CMYK 53 / 0 / 77 / 7

HEX #6EEC36

RGB 110 236 54

HSL 101.54, 0.83%, 0.57%

LAB 83.74, -64.54, 71.49

 

CMYK 33 / 0 / 77 / 7

HEX #9FEC36

RGB 159 236 54

HSL 85.38, 0.83%, 0.57%

LAB 85.82, -49.3, 74.19

 

CMYK 77 / 0 / 38 / 7

HEX #36EC92

RGB 54 236 146

HSL 150.33, 0.83%, 0.57%

LAB 83.36, -64.18, 31.26

 

CMYK 77 / 0 / 17 / 7

HEX #36ECC3

RGB 54 236 195

HSL 166.48, 0.83%, 0.57%

LAB 84.34, -53.57, 7.28

 

CMYK 77 / 3 / 0 / 7

HEX #36E5EC

RGB 54 229 236

HSL 182.31, 0.83%, 0.57%

LAB 83.38, -39.58, -15.75

 

CMYK 77 / 24 / 0 / 7

HEX #36B4EC

RGB 54 180 236

HSL 198.46, 0.83%, 0.57%

LAB 69.1, -15.45, -37.6

 

CMYK 77 / 44 / 0 / 7

HEX #3683EC

RGB 54 131 236

HSL 214.62, 0.83%, 0.57%

LAB 55.15, 12.74, -59.67

 

CMYK 77 / 0 / 38 / 7

HEX #36EC92

RGB 54 236 146

HSL 150.33, 0.83%, 0.57%

LAB 83.36, -64.18, 31.26

 

CMYK 85 / 0 / 43 / 0

HEX #25FE92

RGB 37 254 146

HSL 150.14, 0.99%, 0.57%

LAB 88.62, -71.93, 38.13

 

CMYK 77 / 0 / 38 / 7

HEX #36EC92

RGB 54 236 146

HSL 150.33, 0.83%, 0.57%

LAB 83.36, -64.18, 31.26

 

CMYK 67 / 0 / 33 / 14

HEX #48DB92

RGB 72 219 146

HSL 150.2, 0.67%, 0.57%

LAB 78.53, -55.35, 24.83

 

CMYK 55 / 0 / 27 / 21

HEX #5AC992

RGB 90 201 146

HSL 150.27, 0.51%, 0.57%

LAB 73.56, -44.5, 18.09

 

CMYK 41 / 0 / 20 / 28

HEX #6CB792

RGB 108 183 146

HSL 150.4, 0.34%, 0.57%

LAB 68.85, -31.81, 11.6

 

CMYK 24 / 0 / 12 / 35

HEX #7DA591

RGB 125 165 145

HSL 150, 0.18%, 0.57%

LAB 64.41, -17.84, 5.96

 

CMYK 75 / 0 / 77 / 7

HEX #3CEC36

RGB 60 236 54

HSL 118.02, 0.83%, 0.57%

LAB 82.5, -74.82, 69.87

 

CMYK 77 / 0 / 59 / 7

HEX #36EC61

RGB 54 236 97

HSL 134.18, 0.83%, 0.57%

LAB 82.72, -71.72, 53.87

 

CMYK 77 / 0 / 39 / 7

HEX #36EC91

RGB 54 236 145

HSL 150, 0.83%, 0.57%

LAB 83.35, -64.37, 31.74

 

CMYK 77 / 0 / 18 / 7

HEX #36ECC2

RGB 54 236 194

HSL 166.15, 0.83%, 0.57%

LAB 84.31, -53.81, 7.77

 

CMYK 77 / 3 / 0 / 7

HEX #36E6EC

RGB 54 230 236

HSL 181.98, 0.83%, 0.57%

LAB 83.67, -40.04, -15.32

 

CMYK 91 / 0 / 45 / 25

HEX #12BE69

RGB 18 190 105

HSL 150.35, 0.83%, 0.41%

LAB 68, -58.79, 31.95

 

CMYK 91 / 0 / 45 / 11

HEX #15E47D

RGB 21 228 125

HSL 150.14, 0.83%, 0.49%

LAB 80.25, -67.93, 37.63

 

CMYK 77 / 0 / 38 / 7

HEX #36EC92

RGB 54 236 146

HSL 150.33, 0.83%, 0.57%

LAB 83.36, -64.18, 31.26

 

CMYK 62 / 0 / 31 / 6

HEX #5CF0A6

RGB 92 240 166

HSL 150, 0.83%, 0.65%

LAB 85.68, -56.06, 24.33

 

CMYK 47 / 0 / 23 / 5

HEX #82F3BB

RGB 130 243 187

HSL 150.27, 0.82%, 0.73%

LAB 88.18, -44.81, 17.17

 

CMYK 78 / 0 / 39 / 7

HEX #35EC91

RGB 53 236 145

HSL 150.16, 0.83%, 0.57%

LAB 83.33, -64.48, 31.72

 

CMYK 77 / 54 / 0 / 7

HEX #366DEC

RGB 54 109 236

HSL 221.87, 0.83%, 0.57%

LAB 49.23, 26.46, -69.22

 

CMYK 0 / 69 / 77 / 7

HEX #EC4936

RGB 236 73 54

HSL 6.26, 0.83%, 0.57%

LAB 54.93, 61.43, 46.53

 

CMYK 78 / 0 / 39 / 7

HEX #35EC91

RGB 53 236 145

HSL 150.16, 0.83%, 0.57%

LAB 83.33, -64.48, 31.72

 

CMYK 39 / 77 / 0 / 7

HEX #9136EC

RGB 145 54 236

HSL 270, 0.83%, 0.57%

LAB 45.24, 69.27, -75.42

 

CMYK 0 / 39 / 77 / 7

HEX #EC9136

RGB 236 145 54

HSL 30, 0.83%, 0.57%

LAB 68.28, 27.53, 59.83

 

CMYK 78 / 0 / 39 / 7

HEX #35EC91

RGB 53 236 145

HSL 150.16, 0.83%, 0.57%

LAB 83.33, -64.48, 31.72

 

CMYK 77 / 54 / 0 / 7

HEX #366DEC

RGB 54 109 236

HSL 221.87, 0.83%, 0.57%

LAB 49.23, 26.46, -69.22

 

CMYK 0 / 77 / 39 / 7

HEX #EC3691

RGB 236 54 145

HSL 330, 0.83%, 0.57%

LAB 54.57, 73.68, -6.97

 

CMYK 0 / 23 / 77 / 7

HEX #ECB636

RGB 236 182 54

HSL 42.2, 0.83%, 0.57%

LAB 77.01, 7.98, 68.07

 

CMYK 78 / 0 / 39 / 7

HEX #35EC91

RGB 53 236 145

HSL 150.16, 0.83%, 0.57%

LAB 83.33, -64.48, 31.72

 

CMYK 77 / 77 / 0 / 7

HEX #3636EC

RGB 54 54 236

HSL 240, 0.83%, 0.57%

LAB 36.89, 59.06, -89.46

 

CMYK 0 / 77 / 39 / 7

HEX #EC3691

RGB 236 54 145

HSL 330, 0.83%, 0.57%

LAB 54.57, 73.68, -6.97

 

CMYK 0 / 0 / 77 / 7

HEX #ECEC36

RGB 236 236 54

HSL 60, 0.83%, 0.57%

LAB 90.82, -19.35, 80.6

 

Description

Color code: RGB 53 236 145 | qconv.com Color code: RGB 53 236 145 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 236 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 236 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 39 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 39% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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