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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 234 67 it is the complementary color RGB 202 21 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 234 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 234 67 shade: RGB 58 234 62, RGB 75 252 81, RGB 92 255 100, RGB 109 255 119 and RGB 126 255 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 234 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 234 67 shade: RGB 53 234 67, RGB 36 216 48, RGB 19 198 29, RGB 2 180 10 and RGB 0 162 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 234 67 shade: RGB 52 234 66, RGB 87 234 52, RGB 136 234 52, RGB 185 234 52 and RGB 234 233 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 234 67 shade: RGB 52 234 66, RGB 52 234 115, RGB 52 234 164, RGB 52 234 213 and RGB 52 205 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 234 67 shade matches the following richer shades: RGB 52 234 66 and RGB 34 252 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 234 67 shade: RGB 52 234 66, RGB 70 216 81, RGB 88 197 97, RGB 106 179 112 and RGB 125 161 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 234 67 shade: RGB 137 234 52, RGB 88 234 52, RGB 52 234 64, RGB 52 234 113 and RGB 52 234 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 234 67 shade: RGB 19 184 32, RGB 23 221 39, RGB 52 234 66, RGB 89 238 101 and RGB 127 242 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 234 67 shade: RGB 53 234 67, RGB 52 185 234 and RGB 234 52 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 234 67 shade: RGB 53 234 67, RGB 64 52 234 and RGB 234 64 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 234 67 shade: RGB 53 234 67, RGB 52 185 234, RGB 234 52 222 and RGB 234 100 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 234 67 shade: RGB 53 234 67, RGB 52 131 234, RGB 234 52 222 and RGB 234 155 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 71 / 8

HEX #35EA43

RGB 53 234 67

HSL 124.64, 0.81%, 0.56%

LAB 81.84, -74.25, 64.92

 

Complementary color

CMYK 0 / 90 / 7 / 21

HEX #CA15BC

RGB 202 21 188

HSL 304.64, 0.81%, 0.44%

LAB 47.91, 78.42, -43.1

 

CMYK 75 / 0 / 74 / 8

HEX #3AEA3E

RGB 58 234 62

HSL 121.36, 0.81%, 0.57%

LAB 81.89, -73.96, 66.72

 

CMYK 70 / 0 / 68 / 1

HEX #4BFC51

RGB 75 252 81

HSL 122.03, 0.97%, 0.64%

LAB 87.83, -75.37, 66.17

 

CMYK 64 / 0 / 61 / 0

HEX #5CFF64

RGB 92 255 100

HSL 122.94, 1%, 0.68%

LAB 89.26, -71.44, 60.27

 

CMYK 57 / 0 / 53 / 0

HEX #6DFF77

RGB 109 255 119

HSL 124.11, 1%, 0.71%

LAB 89.91, -65.66, 52.82

 

CMYK 51 / 0 / 46 / 0

HEX #7EFF8A

RGB 126 255 138

HSL 125.58, 1%, 0.75%

LAB 90.68, -59.06, 45.03

 

CMYK 77 / 0 / 71 / 8

HEX #35EA43

RGB 53 234 67

HSL 124.64, 0.81%, 0.56%

LAB 81.84, -74.25, 64.92

 

CMYK 83 / 0 / 78 / 15

HEX #24D830

RGB 36 216 48

HSL 124, 0.71%, 0.49%

LAB 75.88, -72.24, 65.19

 

CMYK 90 / 0 / 85 / 22

HEX #13C61D

RGB 19 198 29

HSL 123.35, 0.82%, 0.43%

LAB 69.91, -69.53, 64.66

 

CMYK 99 / 0 / 94 / 29

HEX #02B40A

RGB 2 180 10

HSL 122.7, 0.98%, 0.36%

LAB 63.9, -66.03, 62.81

 

CMYK 100 / 0 / 100 / 36

HEX #00A200

RGB 0 162 0

HSL 120, 1%, 0.32%

LAB 57.89, -61.38, 59.24

 

CMYK 78 / 0 / 72 / 8

HEX #34EA42

RGB 52 234 66

HSL 124.62, 0.81%, 0.56%

LAB 81.82, -74.45, 65.24

 

CMYK 63 / 0 / 78 / 8

HEX #57EA34

RGB 87 234 52

HSL 108.46, 0.81%, 0.56%

LAB 82.44, -69.48, 70.61

 

CMYK 42 / 0 / 78 / 8

HEX #88EA34

RGB 136 234 52

HSL 92.31, 0.81%, 0.56%

LAB 84.14, -56.32, 72.8

 

CMYK 21 / 0 / 78 / 8

HEX #B9EA34

RGB 185 234 52

HSL 76.15, 0.81%, 0.56%

LAB 86.71, -38.93, 76.11

 

CMYK 0 / 0 / 78 / 8

HEX #EAE934

RGB 234 233 52

HSL 59.67, 0.81%, 0.56%

LAB 89.87, -18.79, 80.25

 

CMYK 78 / 0 / 72 / 8

HEX #34EA42

RGB 52 234 66

HSL 124.62, 0.81%, 0.56%

LAB 81.82, -74.45, 65.24

 

CMYK 78 / 0 / 51 / 8

HEX #34EA73

RGB 52 234 115

HSL 140.77, 0.81%, 0.56%

LAB 82.28, -68.91, 45.1

 

CMYK 78 / 0 / 30 / 8

HEX #34EAA4

RGB 52 234 164

HSL 156.92, 0.81%, 0.56%

LAB 83.05, -60.09, 21.62

 

CMYK 78 / 0 / 9 / 8

HEX #34EAD5

RGB 52 234 213

HSL 173.08, 0.81%, 0.56%

LAB 84.16, -48.35, -2.45

 

CMYK 78 / 12 / 0 / 8

HEX #34CDEA

RGB 52 205 234

HSL 189.56, 0.81%, 0.56%

LAB 76.27, -29.07, -25.46

 

CMYK 78 / 0 / 72 / 8

HEX #34EA42

RGB 52 234 66

HSL 124.62, 0.81%, 0.56%

LAB 81.82, -74.45, 65.24

 

CMYK 87 / 0 / 80 / 1

HEX #22FC33

RGB 34 252 51

HSL 124.68, 0.97%, 0.56%

LAB 87.09, -82.38, 74.96

 

CMYK 78 / 0 / 72 / 8

HEX #34EA42

RGB 52 234 66

HSL 124.62, 0.81%, 0.56%

LAB 81.82, -74.45, 65.24

 

CMYK 68 / 0 / 63 / 15

HEX #46D851

RGB 70 216 81

HSL 124.52, 0.65%, 0.56%

LAB 76.68, -64.58, 53.99

 

CMYK 55 / 0 / 51 / 23

HEX #58C561

RGB 88 197 97

HSL 124.95, 0.48%, 0.56%

LAB 71.47, -51.82, 40.62

 

CMYK 41 / 0 / 37 / 30

HEX #6AB370

RGB 106 179 112

HSL 124.93, 0.32%, 0.56%

LAB 66.88, -36.93, 27.25

 

CMYK 22 / 0 / 21 / 37

HEX #7DA17F

RGB 125 161 127

HSL 123.33, 0.16%, 0.56%

LAB 62.83, -19.28, 13.74

 

CMYK 41 / 0 / 78 / 8

HEX #89EA34

RGB 137 234 52

HSL 91.98, 0.81%, 0.56%

LAB 84.18, -56, 72.86

 

CMYK 62 / 0 / 78 / 8

HEX #58EA34

RGB 88 234 52

HSL 108.13, 0.81%, 0.56%

LAB 82.47, -69.27, 70.64

 

CMYK 78 / 0 / 73 / 8

HEX #34EA40

RGB 52 234 64

HSL 123.96, 0.81%, 0.56%

LAB 81.81, -74.61, 65.93

 

CMYK 78 / 0 / 52 / 8

HEX #34EA71

RGB 52 234 113

HSL 140.11, 0.81%, 0.56%

LAB 82.25, -69.2, 46.01

 

CMYK 78 / 0 / 31 / 8

HEX #34EAA1

RGB 52 234 161

HSL 155.93, 0.81%, 0.56%

LAB 82.99, -60.72, 23.09

 

CMYK 90 / 0 / 83 / 28

HEX #13B820

RGB 19 184 32

HSL 124.73, 0.81%, 0.4%

LAB 65.38, -65.39, 59.81

 

CMYK 90 / 0 / 82 / 13

HEX #17DD27

RGB 23 221 39

HSL 124.85, 0.81%, 0.48%

LAB 77.31, -75.23, 68.97

 

CMYK 78 / 0 / 72 / 8

HEX #34EA42

RGB 52 234 66

HSL 124.62, 0.81%, 0.56%

LAB 81.82, -74.45, 65.24

 

CMYK 63 / 0 / 58 / 7

HEX #59EE65

RGB 89 238 101

HSL 124.83, 0.81%, 0.64%

LAB 84.08, -66.14, 53.86

 

CMYK 48 / 0 / 44 / 5

HEX #7FF287

RGB 127 242 135

HSL 124.17, 0.82%, 0.72%

LAB 86.88, -54.11, 41.67

 

CMYK 77 / 0 / 71 / 8

HEX #35EA43

RGB 53 234 67

HSL 124.64, 0.81%, 0.56%

LAB 81.84, -74.25, 64.92

 

CMYK 78 / 21 / 0 / 8

HEX #34B9EA

RGB 52 185 234

HSL 196.15, 0.81%, 0.56%

LAB 70.43, -18.96, -34.45

 

CMYK 0 / 78 / 52 / 8

HEX #EA3471

RGB 234 52 113

HSL 339.89, 0.81%, 0.56%

LAB 53.1, 70.94, 10

 

CMYK 77 / 0 / 71 / 8

HEX #35EA43

RGB 53 234 67

HSL 124.64, 0.81%, 0.56%

LAB 81.84, -74.25, 64.92

 

CMYK 73 / 78 / 0 / 8

HEX #4034EA

RGB 64 52 234

HSL 243.96, 0.81%, 0.56%

LAB 36.9, 60.12, -88.28

 

CMYK 0 / 73 / 78 / 8

HEX #EA4034

RGB 234 64 52

HSL 3.96, 0.81%, 0.56%

LAB 53.39, 63.94, 45.88

 

CMYK 77 / 0 / 71 / 8

HEX #35EA43

RGB 53 234 67

HSL 124.64, 0.81%, 0.56%

LAB 81.84, -74.25, 64.92

 

CMYK 78 / 21 / 0 / 8

HEX #34B9EA

RGB 52 185 234

HSL 196.15, 0.81%, 0.56%

LAB 70.43, -18.96, -34.45

 

CMYK 0 / 78 / 5 / 8

HEX #EA34DE

RGB 234 52 222

HSL 303.96, 0.81%, 0.56%

LAB 57.29, 83.21, -47.42

 

CMYK 0 / 57 / 78 / 8

HEX #EA6434

RGB 234 100 52

HSL 15.82, 0.81%, 0.56%

LAB 58.84, 49.31, 51.39

 

CMYK 77 / 0 / 71 / 8

HEX #35EA43

RGB 53 234 67

HSL 124.64, 0.81%, 0.56%

LAB 81.84, -74.25, 64.92

 

CMYK 78 / 44 / 0 / 8

HEX #3483EA

RGB 52 131 234

HSL 213.96, 0.81%, 0.56%

LAB 54.97, 11.79, -58.84

 

CMYK 0 / 78 / 5 / 8

HEX #EA34DE

RGB 234 52 222

HSL 303.96, 0.81%, 0.56%

LAB 57.29, 83.21, -47.42

 

CMYK 0 / 34 / 78 / 8

HEX #EA9B34

RGB 234 155 52

HSL 33.96, 0.81%, 0.56%

LAB 70.3, 21.34, 62.46

 

Description

Color code: RGB 53 234 67 | qconv.com Color code: RGB 53 234 67 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 234 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 234 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 71 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 71% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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