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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 231 156 it is the complementary color RGB 202 24 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 231 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 231 156 shade: RGB 58 231 151, RGB 75 249 170, RGB 92 255 189, RGB 109 255 208 and RGB 126 255 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 231 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 231 156 shade: RGB 53 231 156, RGB 36 213 137, RGB 19 195 118, RGB 2 177 99 and RGB 0 159 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 231 156 shade: RGB 54 231 157, RGB 54 231 109, RGB 54 231 61, RGB 95 231 54 and RGB 143 231 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 231 156 shade: RGB 54 231 157, RGB 54 231 205, RGB 54 211 231, RGB 54 163 231 and RGB 54 115 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 231 156 shade matches the following richer shades: RGB 54 231 157 and RGB 36 250 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 231 156 shade: RGB 54 231 157, RGB 72 213 154, RGB 90 195 151, RGB 109 177 148 and RGB 127 159 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 231 156 shade: RGB 54 231 60, RGB 54 231 107, RGB 54 231 155, RGB 54 231 202 and RGB 54 214 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 231 156 shade: RGB 21 182 114, RGB 26 219 137, RGB 54 231 157, RGB 91 236 175 and RGB 128 240 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 231 156 shade: RGB 53 231 156, RGB 54 96 231 and RGB 231 84 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 231 156 shade: RGB 53 231 156, RGB 155 54 231 and RGB 231 155 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 231 156 shade: RGB 53 231 156, RGB 54 96 231, RGB 231 54 131 and RGB 231 190 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 231 156 shade: RGB 53 231 156, RGB 66 54 231, RGB 231 54 131 and RGB 220 231 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 32 / 9

HEX #35E79C

RGB 53 231 156

HSL 154.72, 0.79%, 0.56%

LAB 82.01, -60.53, 24.33

 

Complementary color

CMYK 0 / 88 / 51 / 21

HEX #CA1863

RGB 202 24 99

HSL 334.72, 0.79%, 0.44%

LAB 44.39, 68.12, 5.37

 

CMYK 75 / 0 / 35 / 9

HEX #3AE797

RGB 58 231 151

HSL 152.25, 0.78%, 0.57%

LAB 81.99, -60.93, 26.89

 

CMYK 70 / 0 / 32 / 2

HEX #4BF9AA

RGB 75 249 170

HSL 152.76, 0.94%, 0.64%

LAB 88.04, -61.56, 25.46

 

CMYK 64 / 0 / 26 / 0

HEX #5CFFBD

RGB 92 255 189

HSL 155.71, 1%, 0.68%

LAB 90.54, -57.32, 19.27

 

CMYK 57 / 0 / 18 / 0

HEX #6DFFD0

RGB 109 255 208

HSL 160.68, 1%, 0.71%

LAB 91.38, -50.14, 10.76

 

CMYK 51 / 0 / 11 / 0

HEX #7EFFE3

RGB 126 255 227

HSL 166.98, 1%, 0.75%

LAB 92.35, -42.39, 2.42

 

CMYK 77 / 0 / 32 / 9

HEX #35E79C

RGB 53 231 156

HSL 154.72, 0.79%, 0.56%

LAB 82.01, -60.53, 24.33

 

CMYK 83 / 0 / 36 / 16

HEX #24D589

RGB 36 213 137

HSL 154.24, 0.71%, 0.49%

LAB 75.93, -59.49, 25.88

 

CMYK 90 / 0 / 39 / 24

HEX #13C376

RGB 19 195 118

HSL 153.75, 0.82%, 0.42%

LAB 69.81, -58.04, 27.57

 

CMYK 99 / 0 / 44 / 31

HEX #02B163

RGB 2 177 99

HSL 153.26, 0.98%, 0.35%

LAB 63.64, -56.14, 29.4

 

CMYK 100 / 0 / 50 / 38

HEX #009F50

RGB 0 159 80

HSL 150.19, 1%, 0.31%

LAB 57.44, -53.46, 31.38

 

CMYK 77 / 0 / 32 / 9

HEX #36E79D

RGB 54 231 157

HSL 154.92, 0.79%, 0.56%

LAB 82.04, -60.21, 23.86

 

CMYK 77 / 0 / 53 / 9

HEX #36E76D

RGB 54 231 109

HSL 138.64, 0.79%, 0.56%

LAB 81.31, -68.54, 46.75

 

CMYK 77 / 0 / 74 / 9

HEX #36E73D

RGB 54 231 61

HSL 122.37, 0.79%, 0.56%

LAB 80.89, -73.68, 66.03

 

CMYK 59 / 0 / 77 / 9

HEX #5FE736

RGB 95 231 54

HSL 106.1, 0.79%, 0.56%

LAB 81.76, -66.57, 69.43

 

CMYK 38 / 0 / 77 / 9

HEX #8FE736

RGB 143 231 54

HSL 89.83, 0.79%, 0.56%

LAB 83.58, -52.75, 71.81

 

CMYK 77 / 0 / 32 / 9

HEX #36E79D

RGB 54 231 157

HSL 154.92, 0.79%, 0.56%

LAB 82.04, -60.21, 23.86

 

CMYK 77 / 0 / 11 / 9

HEX #36E7CD

RGB 54 231 205

HSL 171.19, 0.79%, 0.56%

LAB 83.1, -48.99, 0.22

 

CMYK 77 / 9 / 0 / 9

HEX #36D3E7

RGB 54 211 231

HSL 186.78, 0.79%, 0.56%

LAB 77.96, -32.69, -21.28

 

CMYK 77 / 29 / 0 / 9

HEX #36A3E7

RGB 54 163 231

HSL 203.05, 0.79%, 0.56%

LAB 63.96, -7.87, -42.91

 

CMYK 77 / 50 / 0 / 9

HEX #3673E7

RGB 54 115 231

HSL 219.32, 0.79%, 0.56%

LAB 50.47, 20.84, -64.4

 

CMYK 77 / 0 / 32 / 9

HEX #36E79D

RGB 54 231 157

HSL 154.92, 0.79%, 0.56%

LAB 82.04, -60.21, 23.86

 

CMYK 86 / 0 / 36 / 2

HEX #24FAA0

RGB 36 250 160

HSL 154.77, 0.96%, 0.56%

LAB 87.62, -68.07, 29.86

 

CMYK 77 / 0 / 32 / 9

HEX #36E79D

RGB 54 231 157

HSL 154.92, 0.79%, 0.56%

LAB 82.04, -60.21, 23.86

 

CMYK 66 / 0 / 28 / 16

HEX #48D59A

RGB 72 213 154

HSL 154.89, 0.63%, 0.56%

LAB 76.86, -51.34, 18.35

 

CMYK 54 / 0 / 23 / 24

HEX #5AC397

RGB 90 195 151

HSL 154.86, 0.47%, 0.56%

LAB 71.85, -40.84, 13.02

 

CMYK 38 / 0 / 16 / 31

HEX #6DB194

RGB 109 177 148

HSL 154.41, 0.3%, 0.56%

LAB 67.15, -28.22, 8.1

 

CMYK 20 / 0 / 9 / 38

HEX #7F9F91

RGB 127 159 145

HSL 153.75, 0.14%, 0.56%

LAB 62.8, -14.01, 3.66

 

CMYK 77 / 0 / 74 / 9

HEX #36E73C

RGB 54 231 60

HSL 122.03, 0.79%, 0.56%

LAB 80.88, -73.75, 66.36

 

CMYK 77 / 0 / 54 / 9

HEX #36E76B

RGB 54 231 107

HSL 137.97, 0.79%, 0.56%

LAB 81.29, -68.82, 47.65

 

CMYK 77 / 0 / 33 / 9

HEX #36E79B

RGB 54 231 155

HSL 154.24, 0.79%, 0.56%

LAB 82, -60.62, 24.84

 

CMYK 77 / 0 / 13 / 9

HEX #36E7CA

RGB 54 231 202

HSL 170.17, 0.79%, 0.56%

LAB 83.02, -49.76, 1.69

 

CMYK 77 / 7 / 0 / 9

HEX #36D6E7

RGB 54 214 231

HSL 185.76, 0.79%, 0.56%

LAB 78.84, -34.11, -19.95

 

CMYK 88 / 0 / 37 / 29

HEX #15B672

RGB 21 182 114

HSL 154.66, 0.79%, 0.4%

LAB 65.62, -54.03, 24.1

 

CMYK 88 / 0 / 37 / 14

HEX #1ADB89

RGB 26 219 137

HSL 154.51, 0.79%, 0.48%

LAB 77.69, -62.38, 28.23

 

CMYK 77 / 0 / 32 / 9

HEX #36E79D

RGB 54 231 157

HSL 154.92, 0.79%, 0.56%

LAB 82.04, -60.21, 23.86

 

CMYK 61 / 0 / 26 / 7

HEX #5BECAF

RGB 91 236 175

HSL 154.76, 0.79%, 0.64%

LAB 84.64, -52.83, 18.25

 

CMYK 47 / 0 / 20 / 6

HEX #80F0C1

RGB 128 240 193

HSL 154.82, 0.79%, 0.72%

LAB 87.37, -42.77, 12.91

 

CMYK 77 / 0 / 32 / 9

HEX #35E79C

RGB 53 231 156

HSL 154.72, 0.79%, 0.56%

LAB 82.01, -60.53, 24.33

 

CMYK 77 / 58 / 0 / 9

HEX #3660E7

RGB 54 96 231

HSL 225.76, 0.79%, 0.56%

LAB 45.52, 32.84, -72.43

 

CMYK 0 / 64 / 77 / 9

HEX #E75436

RGB 231 84 54

HSL 10.17, 0.79%, 0.56%

LAB 55.68, 55.42, 47.04

 

CMYK 77 / 0 / 32 / 9

HEX #35E79C

RGB 53 231 156

HSL 154.72, 0.79%, 0.56%

LAB 82.01, -60.53, 24.33

 

CMYK 33 / 77 / 0 / 9

HEX #9B36E7

RGB 155 54 231

HSL 274.24, 0.79%, 0.56%

LAB 46.15, 69.74, -71.06

 

CMYK 0 / 33 / 77 / 9

HEX #E79B36

RGB 231 155 54

HSL 34.24, 0.79%, 0.56%

LAB 69.96, 20.15, 61.24

 

CMYK 77 / 0 / 32 / 9

HEX #35E79C

RGB 53 231 156

HSL 154.72, 0.79%, 0.56%

LAB 82.01, -60.53, 24.33

 

CMYK 77 / 58 / 0 / 9

HEX #3660E7

RGB 54 96 231

HSL 225.76, 0.79%, 0.56%

LAB 45.52, 32.84, -72.43

 

CMYK 0 / 77 / 43 / 9

HEX #E73683

RGB 231 54 131

HSL 333.9, 0.79%, 0.56%

LAB 53.24, 71.09, -0.68

 

CMYK 0 / 18 / 77 / 9

HEX #E7BE36

RGB 231 190 54

HSL 46.1, 0.79%, 0.56%

LAB 78.51, 1.66, 69.28

 

CMYK 77 / 0 / 32 / 9

HEX #35E79C

RGB 53 231 156

HSL 154.72, 0.79%, 0.56%

LAB 82.01, -60.53, 24.33

 

CMYK 71 / 77 / 0 / 9

HEX #4236E7

RGB 66 54 231

HSL 244.07, 0.79%, 0.56%

LAB 37.05, 58.4, -86.33

 

CMYK 0 / 77 / 43 / 9

HEX #E73683

RGB 231 54 131

HSL 333.9, 0.79%, 0.56%

LAB 53.24, 71.09, -0.68

 

CMYK 5 / 0 / 77 / 9

HEX #DCE736

RGB 220 231 54

HSL 63.73, 0.79%, 0.56%

LAB 88.27, -23.52, 77.85

 

Description

Color code: RGB 53 231 156 | qconv.com Color code: RGB 53 231 156 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 231 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 231 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 32 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 32% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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