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Color name
RGB 53 230 88

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 230 88 it is the complementary color RGB 202 25 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 230 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 230 88 shade: RGB 58 230 83, RGB 75 248 102, RGB 92 255 121, RGB 109 255 140 and RGB 126 255 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 230 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 230 88 shade: RGB 53 230 88, RGB 36 212 69, RGB 19 194 50, RGB 2 176 31 and RGB 0 158 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 230 88 shade: RGB 51 230 86, RGB 64 230 51, RGB 112 230 51, RGB 160 230 51 and RGB 208 230 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 230 88 shade: RGB 51 230 86, RGB 51 230 134, RGB 51 230 183, RGB 51 229 230 and RGB 51 180 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 230 88 shade matches the following richer shades: RGB 51 230 86 and RGB 32 248 75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 230 88 shade: RGB 51 230 86, RGB 69 211 97, RGB 88 193 109, RGB 106 174 120 and RGB 125 155 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 230 88 shade: RGB 113 230 51, RGB 66 230 51, RGB 51 230 84, RGB 51 230 131 and RGB 51 230 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 230 88 shade: RGB 22 176 52, RGB 26 213 63, RGB 51 230 86, RGB 87 234 116 and RGB 124 239 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 230 88 shade: RGB 53 230 88, RGB 51 161 230 and RGB 230 51 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 230 88 shade: RGB 53 230 88, RGB 84 51 230 and RGB 230 84 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 230 88 shade: RGB 53 230 88, RGB 51 161 230, RGB 230 51 197 and RGB 230 119 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 230 88 shade: RGB 53 230 88, RGB 51 107 230, RGB 230 51 197 and RGB 230 173 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 62 / 10

HEX #35E658

RGB 53 230 88

HSL 131.86, 0.78%, 0.55%

LAB 80.77, -71, 55.52

 

Complementary color

CMYK 0 / 88 / 17 / 21

HEX #CA19A7

RGB 202 25 167

HSL 311.86, 0.78%, 0.45%

LAB 47.03, 74.99, -32.12

 

CMYK 75 / 0 / 64 / 10

HEX #3AE653

RGB 58 230 83

HSL 128.72, 0.77%, 0.56%

LAB 80.8, -70.87, 57.68

 

CMYK 70 / 0 / 59 / 3

HEX #4BF866

RGB 75 248 102

HSL 129.36, 0.93%, 0.63%

LAB 86.8, -71.96, 56.5

 

CMYK 64 / 0 / 53 / 0

HEX #5CFF79

RGB 92 255 121

HSL 130.67, 1%, 0.68%

LAB 89.48, -68.95, 51.28

 

CMYK 57 / 0 / 45 / 0

HEX #6DFF8C

RGB 109 255 140

HSL 132.74, 1%, 0.71%

LAB 90.17, -62.79, 43.3

 

CMYK 51 / 0 / 38 / 0

HEX #7EFF9F

RGB 126 255 159

HSL 135.35, 1%, 0.75%

LAB 90.99, -55.86, 35.18

 

CMYK 77 / 0 / 62 / 10

HEX #35E658

RGB 53 230 88

HSL 131.86, 0.78%, 0.55%

LAB 80.77, -71, 55.52

 

CMYK 83 / 0 / 67 / 17

HEX #24D445

RGB 36 212 69

HSL 131.25, 0.71%, 0.49%

LAB 74.76, -69.37, 56.65

 

CMYK 90 / 0 / 74 / 24

HEX #13C232

RGB 19 194 50

HSL 130.63, 0.82%, 0.42%

LAB 68.72, -67.09, 57.44

 

CMYK 99 / 0 / 82 / 31

HEX #02B01F

RGB 2 176 31

HSL 130, 0.98%, 0.35%

LAB 62.64, -64.08, 57.51

 

CMYK 100 / 0 / 92 / 38

HEX #009E0C

RGB 0 158 12

HSL 124.56, 1%, 0.31%

LAB 56.57, -59.92, 56.35

 

CMYK 78 / 0 / 63 / 10

HEX #33E656

RGB 51 230 86

HSL 131.73, 0.78%, 0.55%

LAB 80.72, -71.47, 56.31

 

CMYK 72 / 0 / 78 / 10

HEX #40E633

RGB 64 230 51

HSL 115.64, 0.78%, 0.55%

LAB 80.7, -72.59, 69.05

 

CMYK 51 / 0 / 78 / 10

HEX #70E633

RGB 112 230 51

HSL 99.55, 0.78%, 0.55%

LAB 81.99, -62.03, 70.74

 

CMYK 30 / 0 / 78 / 10

HEX #A0E633

RGB 160 230 51

HSL 83.46, 0.78%, 0.55%

LAB 84.12, -46.57, 73.5

 

CMYK 10 / 0 / 78 / 10

HEX #D0E633

RGB 208 230 51

HSL 67.37, 0.78%, 0.55%

LAB 87.12, -28.04, 77.33

 

CMYK 78 / 0 / 63 / 10

HEX #33E656

RGB 51 230 86

HSL 131.73, 0.78%, 0.55%

LAB 80.72, -71.47, 56.31

 

CMYK 78 / 0 / 42 / 10

HEX #33E686

RGB 51 230 134

HSL 147.82, 0.78%, 0.55%

LAB 81.3, -64.59, 34.57

 

CMYK 78 / 0 / 20 / 10

HEX #33E6B7

RGB 51 230 183

HSL 164.25, 0.78%, 0.55%

LAB 82.23, -54.37, 10.55

 

CMYK 78 / 0 / 0 / 10

HEX #33E5E6

RGB 51 229 230

HSL 180.34, 0.78%, 0.55%

LAB 83.16, -41.58, -12.92

 

CMYK 78 / 22 / 0 / 10

HEX #33B4E6

RGB 51 180 230

HSL 196.76, 0.78%, 0.55%

LAB 68.79, -17.77, -34.81

 

CMYK 78 / 0 / 63 / 10

HEX #33E656

RGB 51 230 86

HSL 131.73, 0.78%, 0.55%

LAB 80.72, -71.47, 56.31

 

CMYK 87 / 0 / 70 / 3

HEX #20F84B

RGB 32 248 75

HSL 131.94, 0.94%, 0.55%

LAB 85.98, -79.72, 66.26

 

CMYK 78 / 0 / 63 / 10

HEX #33E656

RGB 51 230 86

HSL 131.73, 0.78%, 0.55%

LAB 80.72, -71.47, 56.31

 

CMYK 67 / 0 / 54 / 17

HEX #45D361

RGB 69 211 97

HSL 131.83, 0.62%, 0.55%

LAB 75.27, -61.11, 45.14

 

CMYK 54 / 0 / 44 / 24

HEX #58C16D

RGB 88 193 109

HSL 132, 0.46%, 0.55%

LAB 70.4, -48.44, 33.26

 

CMYK 39 / 0 / 31 / 32

HEX #6AAE78

RGB 106 174 120

HSL 132.35, 0.3%, 0.55%

LAB 65.51, -33.25, 21.12

 

CMYK 19 / 0 / 15 / 39

HEX #7D9B83

RGB 125 155 131

HSL 132, 0.13%, 0.55%

LAB 61.17, -15.39, 9.17

 

CMYK 51 / 0 / 78 / 10

HEX #71E633

RGB 113 230 51

HSL 99.22, 0.78%, 0.55%

LAB 82.02, -61.75, 70.78

 

CMYK 71 / 0 / 78 / 10

HEX #42E633

RGB 66 230 51

HSL 114.97, 0.78%, 0.55%

LAB 80.73, -72.26, 69.1

 

CMYK 78 / 0 / 63 / 10

HEX #33E654

RGB 51 230 84

HSL 131.06, 0.78%, 0.55%

LAB 80.7, -71.69, 57.12

 

CMYK 78 / 0 / 43 / 10

HEX #33E683

RGB 51 230 131

HSL 146.82, 0.78%, 0.55%

LAB 81.26, -65.11, 36.01

 

CMYK 78 / 0 / 22 / 10

HEX #33E6B3

RGB 51 230 179

HSL 162.91, 0.78%, 0.55%

LAB 82.14, -55.31, 12.53

 

CMYK 88 / 0 / 70 / 31

HEX #16B034

RGB 22 176 52

HSL 131.69, 0.78%, 0.39%

LAB 62.9, -61.31, 50.71

 

CMYK 88 / 0 / 70 / 16

HEX #1AD53F

RGB 26 213 63

HSL 131.87, 0.78%, 0.47%

LAB 74.93, -71.08, 59.12

 

CMYK 78 / 0 / 63 / 10

HEX #33E656

RGB 51 230 86

HSL 131.73, 0.78%, 0.55%

LAB 80.72, -71.47, 56.31

 

CMYK 63 / 0 / 50 / 8

HEX #57EA74

RGB 87 234 116

HSL 131.84, 0.78%, 0.63%

LAB 82.98, -63.21, 45.65

 

CMYK 48 / 0 / 38 / 6

HEX #7CEF93

RGB 124 239 147

HSL 132, 0.78%, 0.71%

LAB 86.07, -51.86, 34.66

 

CMYK 77 / 0 / 62 / 10

HEX #35E658

RGB 53 230 88

HSL 131.86, 0.78%, 0.55%

LAB 80.77, -71, 55.52

 

CMYK 78 / 30 / 0 / 10

HEX #33A1E6

RGB 51 161 230

HSL 203.13, 0.78%, 0.55%

LAB 63.27, -7.42, -43.45

 

CMYK 0 / 78 / 61 / 10

HEX #E6335A

RGB 230 51 90

HSL 346.93, 0.78%, 0.55%

LAB 51.76, 68.57, 21.9

 

CMYK 77 / 0 / 62 / 10

HEX #35E658

RGB 53 230 88

HSL 131.86, 0.78%, 0.55%

LAB 80.77, -71, 55.52

 

CMYK 63 / 78 / 0 / 10

HEX #5433E6

RGB 84 51 230

HSL 251.06, 0.78%, 0.55%

LAB 37.78, 61.17, -84.51

 

CMYK 0 / 63 / 78 / 10

HEX #E65433

RGB 230 84 51

HSL 11.06, 0.78%, 0.55%

LAB 55.48, 54.98, 48.3

 

CMYK 77 / 0 / 62 / 10

HEX #35E658

RGB 53 230 88

HSL 131.86, 0.78%, 0.55%

LAB 80.77, -71, 55.52

 

CMYK 78 / 30 / 0 / 10

HEX #33A1E6

RGB 51 161 230

HSL 203.13, 0.78%, 0.55%

LAB 63.27, -7.42, -43.45

 

CMYK 0 / 78 / 14 / 10

HEX #E633C5

RGB 230 51 197

HSL 311.06, 0.78%, 0.55%

LAB 55.3, 79.15, -36.34

 

CMYK 0 / 48 / 78 / 10

HEX #E67733

RGB 230 119 51

HSL 22.79, 0.78%, 0.55%

LAB 61.87, 38.49, 54.63

 

CMYK 77 / 0 / 62 / 10

HEX #35E658

RGB 53 230 88

HSL 131.86, 0.78%, 0.55%

LAB 80.77, -71, 55.52

 

CMYK 78 / 53 / 0 / 10

HEX #336BE6

RGB 51 107 230

HSL 221.23, 0.78%, 0.55%

LAB 48.17, 25.2, -67.56

 

CMYK 0 / 78 / 14 / 10

HEX #E633C5

RGB 230 51 197

HSL 311.06, 0.78%, 0.55%

LAB 55.3, 79.15, -36.34

 

CMYK 0 / 25 / 78 / 10

HEX #E6AD33

RGB 230 173 51

HSL 40.89, 0.78%, 0.55%

LAB 74.16, 10.04, 66.26

 

Description

Color code: RGB 53 230 88 | qconv.com Color code: RGB 53 230 88 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 230 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 230 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 62 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 62% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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