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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 230 70 it is the complementary color RGB 202 25 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 230 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 230 70 shade: RGB 58 230 65, RGB 75 248 84, RGB 92 255 103, RGB 109 255 122 and RGB 126 255 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 230 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 230 70 shade: RGB 53 230 70, RGB 36 212 51, RGB 19 194 32, RGB 2 176 13 and RGB 0 158 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 230 70 shade: RGB 51 230 68, RGB 82 230 51, RGB 130 230 51, RGB 178 230 51 and RGB 227 230 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 230 70 shade: RGB 51 230 68, RGB 51 230 116, RGB 51 230 164, RGB 51 230 213 and RGB 51 198 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 230 70 shade matches the following richer shades: RGB 51 230 68 and RGB 32 248 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 230 70 shade: RGB 51 230 68, RGB 69 211 83, RGB 88 193 98, RGB 106 174 113 and RGB 125 155 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 230 70 shade: RGB 131 230 51, RGB 84 230 51, RGB 51 230 66, RGB 51 230 113 and RGB 51 230 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 230 70 shade: RGB 22 176 37, RGB 26 213 44, RGB 51 230 68, RGB 87 234 102 and RGB 124 239 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 230 70 shade: RGB 53 230 70, RGB 51 179 230 and RGB 230 51 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 230 70 shade: RGB 53 230 70, RGB 66 51 230 and RGB 230 66 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 230 70 shade: RGB 53 230 70, RGB 51 179 230, RGB 230 51 215 and RGB 230 101 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 230 70 shade: RGB 53 230 70, RGB 51 125 230, RGB 230 51 215 and RGB 230 155 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 70 / 10

HEX #35E646

RGB 53 230 70

HSL 125.76, 0.78%, 0.55%

LAB 80.62, -72.79, 62.56

 

Complementary color

CMYK 0 / 88 / 8 / 21

HEX #CA19B9

RGB 202 25 185

HSL 305.76, 0.78%, 0.45%

LAB 47.95, 77.41, -41.29

 

CMYK 75 / 0 / 72 / 10

HEX #3AE641

RGB 58 230 65

HSL 122.44, 0.77%, 0.56%

LAB 80.67, -72.52, 64.45

 

CMYK 70 / 0 / 66 / 3

HEX #4BF854

RGB 75 248 84

HSL 123.12, 0.93%, 0.63%

LAB 86.64, -73.84, 63.75

 

CMYK 64 / 0 / 60 / 0

HEX #5CFF67

RGB 92 255 103

HSL 124.05, 1%, 0.68%

LAB 89.29, -71.12, 59.03

 

CMYK 57 / 0 / 52 / 0

HEX #6DFF7A

RGB 109 255 122

HSL 125.34, 1%, 0.71%

LAB 89.94, -65.28, 51.49

 

CMYK 51 / 0 / 45 / 0

HEX #7EFF8D

RGB 126 255 141

HSL 126.98, 1%, 0.75%

LAB 90.72, -58.63, 43.64

 

CMYK 77 / 0 / 70 / 10

HEX #35E646

RGB 53 230 70

HSL 125.76, 0.78%, 0.55%

LAB 80.62, -72.79, 62.56

 

CMYK 83 / 0 / 76 / 17

HEX #24D433

RGB 36 212 51

HSL 125.11, 0.71%, 0.49%

LAB 74.64, -70.88, 63.04

 

CMYK 90 / 0 / 84 / 24

HEX #13C220

RGB 19 194 32

HSL 124.46, 0.82%, 0.42%

LAB 68.63, -68.26, 62.79

 

CMYK 99 / 0 / 93 / 31

HEX #02B00D

RGB 2 176 13

HSL 123.79, 0.98%, 0.35%

LAB 62.59, -64.84, 61.3

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 78 / 0 / 70 / 10

HEX #33E644

RGB 51 230 68

HSL 125.7, 0.78%, 0.55%

LAB 80.58, -73.21, 63.25

 

CMYK 64 / 0 / 78 / 10

HEX #52E633

RGB 82 230 51

HSL 109.61, 0.78%, 0.55%

LAB 81.09, -69.29, 69.56

 

CMYK 43 / 0 / 78 / 10

HEX #82E633

RGB 130 230 51

HSL 93.52, 0.78%, 0.55%

LAB 82.69, -56.72, 71.65

 

CMYK 23 / 0 / 78 / 10

HEX #B2E633

RGB 178 230 51

HSL 77.43, 0.78%, 0.55%

LAB 85.15, -39.88, 74.82

 

CMYK 1 / 0 / 78 / 10

HEX #E3E633

RGB 227 230 51

HSL 61.01, 0.78%, 0.55%

LAB 88.53, -20.26, 79.12

 

CMYK 78 / 0 / 70 / 10

HEX #33E644

RGB 51 230 68

HSL 125.7, 0.78%, 0.55%

LAB 80.58, -73.21, 63.25

 

CMYK 78 / 0 / 50 / 10

HEX #33E674

RGB 51 230 116

HSL 141.79, 0.78%, 0.55%

LAB 81.05, -67.55, 43.09

 

CMYK 78 / 0 / 29 / 10

HEX #33E6A4

RGB 51 230 164

HSL 157.88, 0.78%, 0.55%

LAB 81.83, -58.69, 19.93

 

CMYK 78 / 0 / 7 / 10

HEX #33E6D5

RGB 51 230 213

HSL 174.3, 0.78%, 0.55%

LAB 82.97, -46.74, -4.2

 

CMYK 78 / 14 / 0 / 10

HEX #33C6E6

RGB 51 198 230

HSL 190.73, 0.78%, 0.55%

LAB 74.06, -26.98, -26.68

 

CMYK 78 / 0 / 70 / 10

HEX #33E644

RGB 51 230 68

HSL 125.7, 0.78%, 0.55%

LAB 80.58, -73.21, 63.25

 

CMYK 87 / 0 / 79 / 3

HEX #20F835

RGB 32 248 53

HSL 125.83, 0.94%, 0.55%

LAB 85.86, -81.32, 73.24

 

CMYK 78 / 0 / 70 / 10

HEX #33E644

RGB 51 230 68

HSL 125.7, 0.78%, 0.55%

LAB 80.58, -73.21, 63.25

 

CMYK 67 / 0 / 61 / 17

HEX #45D353

RGB 69 211 83

HSL 125.92, 0.62%, 0.55%

LAB 75.13, -62.85, 51.35

 

CMYK 54 / 0 / 49 / 24

HEX #58C162

RGB 88 193 98

HSL 125.71, 0.46%, 0.55%

LAB 70.24, -50.11, 38.62

 

CMYK 39 / 0 / 35 / 32

HEX #6AAE71

RGB 106 174 113

HSL 126.18, 0.3%, 0.55%

LAB 65.38, -34.48, 24.72

 

CMYK 19 / 0 / 17 / 39

HEX #7D9B80

RGB 125 155 128

HSL 126, 0.13%, 0.55%

LAB 61.1, -15.96, 10.76

 

CMYK 43 / 0 / 78 / 10

HEX #83E633

RGB 131 230 51

HSL 93.18, 0.78%, 0.55%

LAB 82.73, -56.4, 71.7

 

CMYK 63 / 0 / 78 / 10

HEX #54E633

RGB 84 230 51

HSL 108.94, 0.78%, 0.55%

LAB 81.14, -68.87, 69.63

 

CMYK 78 / 0 / 71 / 10

HEX #33E642

RGB 51 230 66

HSL 125.03, 0.78%, 0.55%

LAB 80.57, -73.38, 63.95

 

CMYK 78 / 0 / 51 / 10

HEX #33E671

RGB 51 230 113

HSL 140.78, 0.78%, 0.55%

LAB 81.01, -68, 44.48

 

CMYK 78 / 0 / 30 / 10

HEX #33E6A1

RGB 51 230 161

HSL 156.87, 0.78%, 0.55%

LAB 81.77, -59.33, 21.41

 

CMYK 88 / 0 / 79 / 31

HEX #16B025

RGB 22 176 37

HSL 125.84, 0.78%, 0.39%

LAB 62.81, -62.51, 55.95

 

CMYK 88 / 0 / 79 / 16

HEX #1AD52C

RGB 26 213 44

HSL 125.78, 0.78%, 0.47%

LAB 74.82, -72.5, 65.32

 

CMYK 78 / 0 / 70 / 10

HEX #33E644

RGB 51 230 68

HSL 125.7, 0.78%, 0.55%

LAB 80.58, -73.21, 63.25

 

CMYK 63 / 0 / 56 / 8

HEX #57EA66

RGB 87 234 102

HSL 126.12, 0.78%, 0.63%

LAB 82.82, -65.03, 51.93

 

CMYK 48 / 0 / 44 / 6

HEX #7CEF87

RGB 124 239 135

HSL 125.74, 0.78%, 0.71%

LAB 85.89, -53.71, 40.38

 

CMYK 77 / 0 / 70 / 10

HEX #35E646

RGB 53 230 70

HSL 125.76, 0.78%, 0.55%

LAB 80.62, -72.79, 62.56

 

CMYK 78 / 22 / 0 / 10

HEX #33B3E6

RGB 51 179 230

HSL 197.09, 0.78%, 0.55%

LAB 68.5, -17.24, -35.26

 

CMYK 0 / 78 / 53 / 10

HEX #E6336B

RGB 230 51 107

HSL 341.23, 0.78%, 0.55%

LAB 52.12, 69.71, 12.14

 

CMYK 77 / 0 / 70 / 10

HEX #35E646

RGB 53 230 70

HSL 125.76, 0.78%, 0.55%

LAB 80.62, -72.79, 62.56

 

CMYK 71 / 78 / 0 / 10

HEX #4233E6

RGB 66 51 230

HSL 245.03, 0.78%, 0.55%

LAB 36.44, 59.56, -86.77

 

CMYK 0 / 71 / 78 / 10

HEX #E64233

RGB 230 66 51

HSL 5.03, 0.78%, 0.55%

LAB 52.9, 61.99, 45.67

 

CMYK 77 / 0 / 70 / 10

HEX #35E646

RGB 53 230 70

HSL 125.76, 0.78%, 0.55%

LAB 80.62, -72.79, 62.56

 

CMYK 78 / 22 / 0 / 10

HEX #33B3E6

RGB 51 179 230

HSL 197.09, 0.78%, 0.55%

LAB 68.5, -17.24, -35.26

 

CMYK 0 / 78 / 7 / 10

HEX #E633D7

RGB 230 51 215

HSL 305.03, 0.78%, 0.55%

LAB 56.18, 81.66, -45.24

 

CMYK 0 / 56 / 78 / 10

HEX #E66533

RGB 230 101 51

HSL 16.76, 0.78%, 0.55%

LAB 58.39, 47.34, 51.2

 

CMYK 77 / 0 / 70 / 10

HEX #35E646

RGB 53 230 70

HSL 125.76, 0.78%, 0.55%

LAB 80.62, -72.79, 62.56

 

CMYK 78 / 46 / 0 / 10

HEX #337DE6

RGB 51 125 230

HSL 215.2, 0.78%, 0.55%

LAB 53.04, 13.9, -59.7

 

CMYK 0 / 78 / 7 / 10

HEX #E633D7

RGB 230 51 215

HSL 305.03, 0.78%, 0.55%

LAB 56.18, 81.66, -45.24

 

CMYK 0 / 33 / 78 / 10

HEX #E69B33

RGB 230 155 51

HSL 34.86, 0.78%, 0.55%

LAB 69.83, 19.61, 62.23

 

Description

Color code: RGB 53 230 70 | qconv.com Color code: RGB 53 230 70 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 230 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 230 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 70 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 70% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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