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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 22 81 it is the complementary color RGB 202 233 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 22 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 22 81 shade: RGB 58 22 76, RGB 75 40 95, RGB 92 58 114, RGB 109 76 133 and RGB 126 94 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 22 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 22 81 shade: RGB 53 22 81, RGB 36 4 62, RGB 19 0 43, RGB 2 0 24 and RGB 0 0 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 22 81 shade: RGB 52 22 80, RGB 68 22 80, RGB 80 22 76, RGB 80 22 61 and RGB 80 22 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 22 81 shade: RGB 52 22 80, RGB 37 22 80 and RGB 22 22 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 22 81 shade matches the following richer shades: RGB 52 22 80, RGB 53 14 88 and RGB 53 5 97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 22 81 shade: RGB 52 22 80, RGB 52 30 72, RGB 52 38 64, RGB 51 47 55 and RGB 51 55 47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 22 81 shade: RGB 22 23 80, RGB 36 22 80, RGB 52 22 80, RGB 67 22 80 and RGB 80 22 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 22 81 shade: RGB 10 4 15, RGB 31 13 48, RGB 52 22 80, RGB 74 31 112 and RGB 95 40 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 22 81 shade: RGB 53 22 81, RGB 80 22 38 and RGB 22 80 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 22 81 shade: RGB 53 22 81, RGB 80 52 22 and RGB 22 80 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 22 81 shade: RGB 53 22 81, RGB 80 22 38, RGB 50 80 22 and RGB 22 80 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 22 81 shade: RGB 53 22 81, RGB 80 23 22, RGB 50 80 22 and RGB 22 79 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 73 / 0 / 68

HEX #351651

RGB 53 22 81

HSL 271.53, 0.57%, 0.2%

LAB 15.09, 28.13, -30.12

 

Complementary color

CMYK 13 / 0 / 25 / 9

HEX #CAE9AE

RGB 202 233 174

HSL 91.53, 0.57%, 0.8%

LAB 88.87, -20.42, 25.4

 

CMYK 24 / 71 / 0 / 70

HEX #3A164C

RGB 58 22 76

HSL 280, 0.55%, 0.19%

LAB 15.46, 28.1, -26.05

 

CMYK 21 / 58 / 0 / 63

HEX #4B285F

RGB 75 40 95

HSL 278.18, 0.41%, 0.26%

LAB 23.13, 27.33, -26.42

 

CMYK 19 / 49 / 0 / 55

HEX #5C3A72

RGB 92 58 114

HSL 276.43, 0.33%, 0.34%

LAB 30.68, 26.39, -26.59

 

CMYK 18 / 43 / 0 / 48

HEX #6D4C85

RGB 109 76 133

HSL 274.74, 0.27%, 0.41%

LAB 38.05, 25.48, -26.7

 

CMYK 17 / 38 / 0 / 40

HEX #7E5E98

RGB 126 94 152

HSL 273.1, 0.24%, 0.48%

LAB 45.23, 24.65, -26.82

 

CMYK 35 / 73 / 0 / 68

HEX #351651

RGB 53 22 81

HSL 271.53, 0.57%, 0.2%

LAB 15.09, 28.13, -30.12

 

CMYK 42 / 94 / 0 / 76

HEX #24043E

RGB 36 4 62

HSL 273.1, 0.88%, 0.13%

LAB 7.31, 28.72, -29.6

 

CMYK 56 / 100 / 0 / 83

HEX #13002B

RGB 19 0 43

HSL 266.51, 1%, 0.08%

LAB 2.83, 16.68, -22.9

 

CMYK 92 / 100 / 0 / 91

HEX #020018

RGB 2 0 24

HSL 245, 1%, 0.05%

LAB 0.71, 4.71, -11.21

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 35 / 73 / 0 / 69

HEX #341650

RGB 52 22 80

HSL 271.03, 0.57%, 0.2%

LAB 14.86, 27.6, -29.81

 

CMYK 15 / 73 / 0 / 69

HEX #441650

RGB 68 22 80

HSL 287.59, 0.57%, 0.2%

LAB 17.38, 31.76, -25.63

 

CMYK 0 / 73 / 5 / 69

HEX #50164C

RGB 80 22 76

HSL 304.14, 0.57%, 0.2%

LAB 19.23, 34.24, -19.84

 

CMYK 0 / 73 / 24 / 69

HEX #50163D

RGB 80 22 61

HSL 319.66, 0.57%, 0.2%

LAB 18.44, 31.61, -10.72

 

CMYK 0 / 73 / 44 / 69

HEX #50162D

RGB 80 22 45

HSL 336.21, 0.57%, 0.2%

LAB 17.78, 29.32, -0.41

 

CMYK 35 / 73 / 0 / 69

HEX #341650

RGB 52 22 80

HSL 271.03, 0.57%, 0.2%

LAB 14.86, 27.6, -29.81

 

CMYK 54 / 73 / 0 / 69

HEX #251650

RGB 37 22 80

HSL 255.52, 0.57%, 0.2%

LAB 12.9, 24.09, -33.08

 

CMYK 73 / 73 / 0 / 69

HEX #161650

RGB 22 22 80

HSL 240, 0.57%, 0.2%

LAB 11.44, 21.26, -35.53

 

CMYK 35 / 73 / 0 / 69

HEX #341650

RGB 52 22 80

HSL 271.03, 0.57%, 0.2%

LAB 14.86, 27.6, -29.81

 

CMYK 40 / 84 / 0 / 65

HEX #350E58

RGB 53 14 88

HSL 271.62, 0.73%, 0.2%

LAB 14.26, 34.09, -36.21

 

CMYK 45 / 95 / 0 / 62

HEX #350561

RGB 53 5 97

HSL 271.3, 0.9%, 0.2%

LAB 13.99, 39.87, -42.69

 

CMYK 35 / 73 / 0 / 69

HEX #341650

RGB 52 22 80

HSL 271.03, 0.57%, 0.2%

LAB 14.86, 27.6, -29.81

 

CMYK 28 / 58 / 0 / 72

HEX #341E48

RGB 52 30 72

HSL 271.43, 0.41%, 0.2%

LAB 16.14, 20.37, -22.27

 

CMYK 19 / 41 / 0 / 75

HEX #342640

RGB 52 38 64

HSL 272.31, 0.25%, 0.2%

LAB 17.86, 12.69, -14.05

 

CMYK 7 / 15 / 0 / 78

HEX #332F37

RGB 51 47 55

HSL 270, 0.08%, 0.2%

LAB 20.09, 3.68, -4.44

 

CMYK 7 / 0 / 15 / 78

HEX #33372F

RGB 51 55 47

HSL 90, 0.08%, 0.2%

LAB 22.45, -3.53, 4.43

 

CMYK 73 / 71 / 0 / 69

HEX #161750

RGB 22 23 80

HSL 238.97, 0.57%, 0.2%

LAB 11.71, 20.55, -35.09

 

CMYK 55 / 73 / 0 / 69

HEX #241650

RGB 36 22 80

HSL 254.48, 0.57%, 0.2%

LAB 12.79, 23.87, -33.27

 

CMYK 35 / 73 / 0 / 69

HEX #341650

RGB 52 22 80

HSL 271.03, 0.57%, 0.2%

LAB 14.86, 27.6, -29.81

 

CMYK 16 / 73 / 0 / 69

HEX #431650

RGB 67 22 80

HSL 286.55, 0.57%, 0.2%

LAB 17.21, 31.49, -25.91

 

CMYK 0 / 73 / 4 / 69

HEX #50164D

RGB 80 22 77

HSL 303.1, 0.57%, 0.2%

LAB 19.29, 34.43, -20.42

 

CMYK 33 / 73 / 0 / 94

HEX #0A040F

RGB 10 4 15

HSL 272.73, 0.58%, 0.04%

LAB 1.68, 3.2, -3.89

 

CMYK 35 / 73 / 0 / 81

HEX #1F0D30

RGB 31 13 48

HSL 270.86, 0.57%, 0.12%

LAB 7.16, 17.96, -19.69

 

CMYK 35 / 73 / 0 / 69

HEX #341650

RGB 52 22 80

HSL 271.03, 0.57%, 0.2%

LAB 14.86, 27.6, -29.81

 

CMYK 34 / 72 / 0 / 56

HEX #4A1F70

RGB 74 31 112

HSL 271.85, 0.57%, 0.28%

LAB 22.32, 36.51, -38.79

 

CMYK 34 / 72 / 0 / 43

HEX #5F2891

RGB 95 40 145

HSL 271.43, 0.57%, 0.36%

LAB 29.4, 44.9, -47.97

 

CMYK 35 / 73 / 0 / 68

HEX #351651

RGB 53 22 81

HSL 271.53, 0.57%, 0.2%

LAB 15.09, 28.13, -30.12

 

CMYK 0 / 73 / 53 / 69

HEX #501626

RGB 80 22 38

HSL 343.45, 0.57%, 0.2%

LAB 17.55, 28.51, 4.27

 

CMYK 73 / 0 / 64 / 69

HEX #16501D

RGB 22 80 29

HSL 127.24, 0.57%, 0.2%

LAB 29.4, -30.62, 24.31

 

CMYK 35 / 73 / 0 / 68

HEX #351651

RGB 53 22 81

HSL 271.53, 0.57%, 0.2%

LAB 15.09, 28.13, -30.12

 

CMYK 0 / 35 / 73 / 69

HEX #503416

RGB 80 52 22

HSL 31.03, 0.57%, 0.2%

LAB 24.38, 9.21, 23.6

 

CMYK 73 / 0 / 35 / 69

HEX #165034

RGB 22 80 52

HSL 151.03, 0.57%, 0.2%

LAB 29.8, -26.16, 11.2

 

CMYK 35 / 73 / 0 / 68

HEX #351651

RGB 53 22 81

HSL 271.53, 0.57%, 0.2%

LAB 15.09, 28.13, -30.12

 

CMYK 0 / 73 / 53 / 69

HEX #501626

RGB 80 22 38

HSL 343.45, 0.57%, 0.2%

LAB 17.55, 28.51, 4.27

 

CMYK 38 / 0 / 73 / 69

HEX #325016

RGB 50 80 22

HSL 91.03, 0.57%, 0.2%

LAB 30.58, -22.2, 29.54

 

CMYK 73 / 0 / 20 / 69

HEX #165040

RGB 22 80 64

HSL 163.45, 0.57%, 0.2%

LAB 30.1, -23.01, 4.04

 

CMYK 35 / 73 / 0 / 68

HEX #351651

RGB 53 22 81

HSL 271.53, 0.57%, 0.2%

LAB 15.09, 28.13, -30.12

 

CMYK 0 / 71 / 73 / 69

HEX #501716

RGB 80 23 22

HSL 1.03, 0.57%, 0.2%

LAB 17.35, 26.61, 15.34

 

CMYK 38 / 0 / 73 / 69

HEX #325016

RGB 50 80 22

HSL 91.03, 0.57%, 0.2%

LAB 30.58, -22.2, 29.54

 

CMYK 73 / 1 / 0 / 69

HEX #164F50

RGB 22 79 80

HSL 181.03, 0.57%, 0.2%

LAB 30.26, -17.51, -5.96

 

Description

Color code: RGB 53 22 81 | qconv.com Color code: RGB 53 22 81 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 22 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 22 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 73 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 73% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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