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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 229 91 it is the complementary color RGB 202 26 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 229 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 229 91 shade: RGB 58 229 86, RGB 75 247 105, RGB 92 255 124, RGB 109 255 143 and RGB 126 255 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 229 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 229 91 shade: RGB 53 229 91, RGB 36 211 72, RGB 19 193 53, RGB 2 175 34 and RGB 0 157 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 229 91 shade: RGB 52 229 90, RGB 61 229 52, RGB 109 229 52, RGB 157 229 52 and RGB 204 229 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 229 91 shade: RGB 52 229 90, RGB 52 229 138, RGB 52 229 185, RGB 52 224 229 and RGB 52 177 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 229 91 shade matches the following richer shades: RGB 52 229 90 and RGB 33 247 79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 229 91 shade: RGB 52 229 90, RGB 70 210 101, RGB 89 191 111, RGB 108 173 122 and RGB 126 154 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 229 91 shade: RGB 111 229 52, RGB 64 229 52, RGB 52 229 87, RGB 52 229 134 and RGB 52 229 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 229 91 shade: RGB 23 175 56, RGB 28 212 67, RGB 52 229 90, RGB 88 233 120 and RGB 125 238 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 229 91 shade: RGB 53 229 91, RGB 52 158 229 and RGB 229 52 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 229 91 shade: RGB 53 229 91, RGB 87 52 229 and RGB 229 87 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 229 91 shade: RGB 53 229 91, RGB 52 158 229, RGB 229 52 193 and RGB 229 123 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 229 91 shade: RGB 53 229 91, RGB 52 105 229, RGB 229 52 193 and RGB 229 176 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 60 / 10

HEX #35E55B

RGB 53 229 91

HSL 132.95, 0.77%, 0.55%

LAB 80.49, -70.34, 53.91

 

Complementary color

CMYK 0 / 87 / 19 / 21

HEX #CA1AA4

RGB 202 26 164

HSL 312.95, 0.77%, 0.45%

LAB 46.94, 74.44, -30.47

 

CMYK 75 / 0 / 62 / 10

HEX #3AE556

RGB 58 229 86

HSL 129.82, 0.77%, 0.56%

LAB 80.52, -70.23, 56.11

 

CMYK 70 / 0 / 57 / 3

HEX #4BF769

RGB 75 247 105

HSL 130.47, 0.91%, 0.63%

LAB 86.52, -71.28, 54.87

 

CMYK 64 / 0 / 51 / 0

HEX #5CFF7C

RGB 92 255 124

HSL 131.78, 1%, 0.68%

LAB 89.51, -68.55, 49.94

 

CMYK 57 / 0 / 44 / 0

HEX #6DFF8F

RGB 109 255 143

HSL 133.97, 1%, 0.71%

LAB 90.21, -62.34, 41.91

 

CMYK 51 / 0 / 36 / 0

HEX #7EFFA2

RGB 126 255 162

HSL 136.74, 1%, 0.75%

LAB 91.04, -55.37, 33.76

 

CMYK 77 / 0 / 60 / 10

HEX #35E55B

RGB 53 229 91

HSL 132.95, 0.77%, 0.55%

LAB 80.49, -70.34, 53.91

 

CMYK 83 / 0 / 66 / 17

HEX #24D348

RGB 36 211 72

HSL 132.34, 0.71%, 0.48%

LAB 74.46, -68.76, 55.13

 

CMYK 90 / 0 / 73 / 24

HEX #13C135

RGB 19 193 53

HSL 131.72, 0.82%, 0.42%

LAB 68.41, -66.55, 56.05

 

CMYK 99 / 0 / 81 / 31

HEX #02AF22

RGB 2 175 34

HSL 131.1, 0.98%, 0.35%

LAB 62.33, -63.61, 56.36

 

CMYK 100 / 0 / 90 / 38

HEX #009D0F

RGB 0 157 15

HSL 125.73, 1%, 0.31%

LAB 56.24, -59.54, 55.54

 

CMYK 77 / 0 / 61 / 10

HEX #34E55A

RGB 52 229 90

HSL 132.88, 0.77%, 0.55%

LAB 80.46, -70.58, 54.31

 

CMYK 73 / 0 / 77 / 10

HEX #3DE534

RGB 61 229 52

HSL 116.95, 0.77%, 0.55%

LAB 80.34, -72.69, 68.39

 

CMYK 52 / 0 / 77 / 10

HEX #6DE534

RGB 109 229 52

HSL 100.68, 0.77%, 0.55%

LAB 81.59, -62.43, 70.03

 

CMYK 31 / 0 / 77 / 10

HEX #9DE534

RGB 157 229 52

HSL 84.41, 0.77%, 0.55%

LAB 83.68, -47.19, 72.74

 

CMYK 11 / 0 / 77 / 10

HEX #CCE534

RGB 204 229 52

HSL 68.47, 0.77%, 0.55%

LAB 86.57, -29.15, 76.45

 

CMYK 77 / 0 / 61 / 10

HEX #34E55A

RGB 52 229 90

HSL 132.88, 0.77%, 0.55%

LAB 80.46, -70.58, 54.31

 

CMYK 77 / 0 / 40 / 10

HEX #34E58A

RGB 52 229 138

HSL 149.15, 0.77%, 0.55%

LAB 81.07, -63.4, 32.26

 

CMYK 77 / 0 / 19 / 10

HEX #34E5B9

RGB 52 229 185

HSL 165.08, 0.77%, 0.55%

LAB 81.99, -53.39, 9.16

 

CMYK 77 / 2 / 0 / 10

HEX #34E0E5

RGB 52 224 229

HSL 181.69, 0.77%, 0.55%

LAB 81.67, -39.52, -14.61

 

CMYK 77 / 23 / 0 / 10

HEX #34B1E5

RGB 52 177 229

HSL 197.63, 0.77%, 0.55%

LAB 67.9, -16.41, -35.66

 

CMYK 77 / 0 / 61 / 10

HEX #34E55A

RGB 52 229 90

HSL 132.88, 0.77%, 0.55%

LAB 80.46, -70.58, 54.31

 

CMYK 87 / 0 / 68 / 3

HEX #21F74F

RGB 33 247 79

HSL 132.9, 0.93%, 0.55%

LAB 85.71, -79.01, 64.49

 

CMYK 77 / 0 / 61 / 10

HEX #34E55A

RGB 52 229 90

HSL 132.88, 0.77%, 0.55%

LAB 80.46, -70.58, 54.31

 

CMYK 67 / 0 / 52 / 18

HEX #46D265

RGB 70 210 101

HSL 133.29, 0.61%, 0.55%

LAB 75.04, -60.01, 42.95

 

CMYK 53 / 0 / 42 / 25

HEX #59BF6F

RGB 89 191 111

HSL 132.94, 0.44%, 0.55%

LAB 69.85, -47.05, 31.53

 

CMYK 38 / 0 / 29 / 32

HEX #6CAD7A

RGB 108 173 122

HSL 132.92, 0.28%, 0.55%

LAB 65.34, -31.8, 19.82

 

CMYK 18 / 0 / 14 / 40

HEX #7E9A84

RGB 126 154 132

HSL 132.86, 0.12%, 0.55%

LAB 60.97, -14.31, 8.33

 

CMYK 52 / 0 / 77 / 10

HEX #6FE534

RGB 111 229 52

HSL 100, 0.77%, 0.55%

LAB 81.66, -61.89, 70.12

 

CMYK 72 / 0 / 77 / 10

HEX #40E534

RGB 64 229 52

HSL 115.93, 0.77%, 0.55%

LAB 80.39, -72.22, 68.47

 

CMYK 77 / 0 / 62 / 10

HEX #34E557

RGB 52 229 87

HSL 131.86, 0.77%, 0.55%

LAB 80.44, -70.92, 55.57

 

CMYK 77 / 0 / 41 / 10

HEX #34E586

RGB 52 229 134

HSL 147.8, 0.77%, 0.55%

LAB 81.01, -64.12, 34.2

 

CMYK 77 / 0 / 21 / 10

HEX #34E5B5

RGB 52 229 181

HSL 163.73, 0.77%, 0.55%

LAB 81.9, -54.34, 11.14

 

CMYK 87 / 0 / 68 / 31

HEX #17AF38

RGB 23 175 56

HSL 133.03, 0.77%, 0.39%

LAB 62.62, -60.52, 48.79

 

CMYK 87 / 0 / 68 / 17

HEX #1CD443

RGB 28 212 67

HSL 132.72, 0.77%, 0.47%

LAB 74.66, -70.27, 57.31

 

CMYK 77 / 0 / 61 / 10

HEX #34E55A

RGB 52 229 90

HSL 132.88, 0.77%, 0.55%

LAB 80.46, -70.58, 54.31

 

CMYK 62 / 0 / 48 / 9

HEX #58E978

RGB 88 233 120

HSL 133.24, 0.77%, 0.63%

LAB 82.76, -62.07, 43.46

 

CMYK 47 / 0 / 37 / 7

HEX #7DEE95

RGB 125 238 149

HSL 132.74, 0.77%, 0.71%

LAB 85.85, -50.87, 33.37

 

CMYK 77 / 0 / 60 / 10

HEX #35E55B

RGB 53 229 91

HSL 132.95, 0.77%, 0.55%

LAB 80.49, -70.34, 53.91

 

CMYK 77 / 31 / 0 / 10

HEX #349EE5

RGB 52 158 229

HSL 204.07, 0.77%, 0.55%

LAB 62.37, -5.97, -44.3

 

CMYK 0 / 77 / 62 / 10

HEX #E53457

RGB 229 52 87

HSL 348.14, 0.77%, 0.55%

LAB 51.61, 67.84, 23.48

 

CMYK 77 / 0 / 60 / 10

HEX #35E55B

RGB 53 229 91

HSL 132.95, 0.77%, 0.55%

LAB 80.49, -70.34, 53.91

 

CMYK 62 / 77 / 0 / 10

HEX #5734E5

RGB 87 52 229

HSL 251.86, 0.77%, 0.55%

LAB 38.09, 60.74, -83.42

 

CMYK 0 / 62 / 77 / 10

HEX #E55734

RGB 229 87 52

HSL 11.86, 0.77%, 0.55%

LAB 55.81, 53.38, 48.07

 

CMYK 77 / 0 / 60 / 10

HEX #35E55B

RGB 53 229 91

HSL 132.95, 0.77%, 0.55%

LAB 80.49, -70.34, 53.91

 

CMYK 77 / 31 / 0 / 10

HEX #349EE5

RGB 52 158 229

HSL 204.07, 0.77%, 0.55%

LAB 62.37, -5.97, -44.3

 

CMYK 0 / 77 / 16 / 10

HEX #E534C1

RGB 229 52 193

HSL 312.2, 0.77%, 0.55%

LAB 55.04, 78.14, -34.46

 

CMYK 0 / 46 / 77 / 10

HEX #E57B34

RGB 229 123 52

HSL 24.07, 0.77%, 0.55%

LAB 62.57, 36.09, 54.82

 

CMYK 77 / 0 / 60 / 10

HEX #35E55B

RGB 53 229 91

HSL 132.95, 0.77%, 0.55%

LAB 80.49, -70.34, 53.91

 

CMYK 77 / 54 / 0 / 10

HEX #3469E5

RGB 52 105 229

HSL 222.03, 0.77%, 0.55%

LAB 47.61, 26.2, -67.91

 

CMYK 0 / 77 / 16 / 10

HEX #E534C1

RGB 229 52 193

HSL 312.2, 0.77%, 0.55%

LAB 55.04, 78.14, -34.46

 

CMYK 0 / 23 / 77 / 10

HEX #E5B034

RGB 229 176 52

HSL 42.03, 0.77%, 0.55%

LAB 74.8, 8.07, 66.46

 

Description

Color code: RGB 53 229 91 | qconv.com Color code: RGB 53 229 91 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 229 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 229 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 60 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 60% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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