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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 229 90 it is the complementary color RGB 202 26 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 229 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 229 90 shade: RGB 58 229 85, RGB 75 247 104, RGB 92 255 123, RGB 109 255 142 and RGB 126 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 229 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 229 90 shade: RGB 53 229 90, RGB 36 211 71, RGB 19 193 52, RGB 2 175 33 and RGB 0 157 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 229 90 shade: RGB 52 229 89, RGB 62 229 52, RGB 110 229 52, RGB 158 229 52 and RGB 205 229 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 229 90 shade: RGB 52 229 89, RGB 52 229 137, RGB 52 229 184, RGB 52 225 229 and RGB 52 178 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 229 90 shade matches the following richer shades: RGB 52 229 89 and RGB 33 247 78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 229 90 shade: RGB 52 229 89, RGB 70 210 100, RGB 89 191 111, RGB 108 173 121 and RGB 126 154 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 229 90 shade: RGB 111 229 52, RGB 64 229 52, RGB 52 229 87, RGB 52 229 134 and RGB 52 229 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 229 90 shade: RGB 23 175 55, RGB 28 212 66, RGB 52 229 89, RGB 88 233 119 and RGB 125 238 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 229 90 shade: RGB 53 229 90, RGB 52 158 229 and RGB 229 52 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 229 90 shade: RGB 53 229 90, RGB 87 52 229 and RGB 229 87 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 229 90 shade: RGB 53 229 90, RGB 52 158 229, RGB 229 52 193 and RGB 229 123 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 229 90 shade: RGB 53 229 90, RGB 52 105 229, RGB 229 52 193 and RGB 229 176 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 61 / 10

HEX #35E55A

RGB 53 229 90

HSL 132.61, 0.77%, 0.55%

LAB 80.48, -70.46, 54.33

 

Complementary color

CMYK 0 / 87 / 18 / 21

HEX #CA1AA5

RGB 202 26 165

HSL 312.61, 0.77%, 0.45%

LAB 46.99, 74.57, -31

 

CMYK 75 / 0 / 63 / 10

HEX #3AE555

RGB 58 229 85

HSL 129.47, 0.77%, 0.56%

LAB 80.51, -70.34, 56.52

 

CMYK 70 / 0 / 58 / 3

HEX #4BF768

RGB 75 247 104

HSL 130.12, 0.91%, 0.63%

LAB 86.51, -71.4, 55.3

 

CMYK 64 / 0 / 52 / 0

HEX #5CFF7B

RGB 92 255 123

HSL 131.41, 1%, 0.68%

LAB 89.5, -68.68, 50.39

 

CMYK 57 / 0 / 44 / 0

HEX #6DFF8E

RGB 109 255 142

HSL 133.56, 1%, 0.71%

LAB 90.19, -62.49, 42.37

 

CMYK 51 / 0 / 37 / 0

HEX #7EFFA1

RGB 126 255 161

HSL 136.28, 1%, 0.75%

LAB 91.02, -55.53, 34.23

 

CMYK 77 / 0 / 61 / 10

HEX #35E55A

RGB 53 229 90

HSL 132.61, 0.77%, 0.55%

LAB 80.48, -70.46, 54.33

 

CMYK 83 / 0 / 66 / 17

HEX #24D347

RGB 36 211 71

HSL 132, 0.71%, 0.48%

LAB 74.46, -68.86, 55.53

 

CMYK 90 / 0 / 73 / 24

HEX #13C134

RGB 19 193 52

HSL 131.38, 0.82%, 0.42%

LAB 68.41, -66.63, 56.41

 

CMYK 99 / 0 / 81 / 31

HEX #02AF21

RGB 2 175 33

HSL 130.75, 0.98%, 0.35%

LAB 62.32, -63.67, 56.65

 

CMYK 100 / 0 / 91 / 38

HEX #009D0E

RGB 0 157 14

HSL 125.35, 1%, 0.31%

LAB 56.23, -59.57, 55.72

 

CMYK 77 / 0 / 61 / 10

HEX #34E559

RGB 52 229 89

HSL 132.54, 0.77%, 0.55%

LAB 80.45, -70.7, 54.73

 

CMYK 73 / 0 / 77 / 10

HEX #3EE534

RGB 62 229 52

HSL 116.61, 0.77%, 0.55%

LAB 80.35, -72.54, 68.42

 

CMYK 52 / 0 / 77 / 10

HEX #6EE534

RGB 110 229 52

HSL 100.34, 0.77%, 0.55%

LAB 81.62, -62.16, 70.07

 

CMYK 31 / 0 / 77 / 10

HEX #9EE534

RGB 158 229 52

HSL 84.07, 0.77%, 0.55%

LAB 83.73, -46.83, 72.81

 

CMYK 10 / 0 / 77 / 10

HEX #CDE534

RGB 205 229 52

HSL 68.14, 0.77%, 0.55%

LAB 86.64, -28.75, 76.54

 

CMYK 77 / 0 / 61 / 10

HEX #34E559

RGB 52 229 89

HSL 132.54, 0.77%, 0.55%

LAB 80.45, -70.7, 54.73

 

CMYK 77 / 0 / 40 / 10

HEX #34E589

RGB 52 229 137

HSL 148.81, 0.77%, 0.55%

LAB 81.06, -63.59, 32.75

 

CMYK 77 / 0 / 20 / 10

HEX #34E5B8

RGB 52 229 184

HSL 164.75, 0.77%, 0.55%

LAB 81.96, -53.63, 9.65

 

CMYK 77 / 2 / 0 / 10

HEX #34E1E5

RGB 52 225 229

HSL 181.36, 0.77%, 0.55%

LAB 81.97, -39.98, -14.17

 

CMYK 77 / 22 / 0 / 10

HEX #34B2E5

RGB 52 178 229

HSL 197.29, 0.77%, 0.55%

LAB 68.19, -16.94, -35.2

 

CMYK 77 / 0 / 61 / 10

HEX #34E559

RGB 52 229 89

HSL 132.54, 0.77%, 0.55%

LAB 80.45, -70.7, 54.73

 

CMYK 87 / 0 / 68 / 3

HEX #21F74E

RGB 33 247 78

HSL 132.62, 0.93%, 0.55%

LAB 85.7, -79.1, 64.86

 

CMYK 77 / 0 / 61 / 10

HEX #34E559

RGB 52 229 89

HSL 132.54, 0.77%, 0.55%

LAB 80.45, -70.7, 54.73

 

CMYK 67 / 0 / 52 / 18

HEX #46D264

RGB 70 210 100

HSL 132.86, 0.61%, 0.55%

LAB 75.02, -60.15, 43.41

 

CMYK 53 / 0 / 42 / 25

HEX #59BF6F

RGB 89 191 111

HSL 132.94, 0.44%, 0.55%

LAB 69.85, -47.05, 31.53

 

CMYK 38 / 0 / 30 / 32

HEX #6CAD79

RGB 108 173 121

HSL 132, 0.28%, 0.55%

LAB 65.32, -31.98, 20.34

 

CMYK 18 / 0 / 14 / 40

HEX #7E9A84

RGB 126 154 132

HSL 132.86, 0.12%, 0.55%

LAB 60.97, -14.31, 8.33

 

CMYK 52 / 0 / 77 / 10

HEX #6FE534

RGB 111 229 52

HSL 100, 0.77%, 0.55%

LAB 81.66, -61.89, 70.12

 

CMYK 72 / 0 / 77 / 10

HEX #40E534

RGB 64 229 52

HSL 115.93, 0.77%, 0.55%

LAB 80.39, -72.22, 68.47

 

CMYK 77 / 0 / 62 / 10

HEX #34E557

RGB 52 229 87

HSL 131.86, 0.77%, 0.55%

LAB 80.44, -70.92, 55.57

 

CMYK 77 / 0 / 41 / 10

HEX #34E586

RGB 52 229 134

HSL 147.8, 0.77%, 0.55%

LAB 81.01, -64.12, 34.2

 

CMYK 77 / 0 / 21 / 10

HEX #34E5B5

RGB 52 229 181

HSL 163.73, 0.77%, 0.55%

LAB 81.9, -54.34, 11.14

 

CMYK 87 / 0 / 69 / 31

HEX #17AF37

RGB 23 175 55

HSL 132.63, 0.77%, 0.39%

LAB 62.61, -60.62, 49.2

 

CMYK 87 / 0 / 69 / 17

HEX #1CD442

RGB 28 212 66

HSL 132.39, 0.77%, 0.47%

LAB 74.65, -70.36, 57.69

 

CMYK 77 / 0 / 61 / 10

HEX #34E559

RGB 52 229 89

HSL 132.54, 0.77%, 0.55%

LAB 80.45, -70.7, 54.73

 

CMYK 62 / 0 / 49 / 9

HEX #58E977

RGB 88 233 119

HSL 132.83, 0.77%, 0.63%

LAB 82.75, -62.22, 43.93

 

CMYK 47 / 0 / 37 / 7

HEX #7DEE95

RGB 125 238 149

HSL 132.74, 0.77%, 0.71%

LAB 85.85, -50.87, 33.37

 

CMYK 77 / 0 / 61 / 10

HEX #35E55A

RGB 53 229 90

HSL 132.61, 0.77%, 0.55%

LAB 80.48, -70.46, 54.33

 

CMYK 77 / 31 / 0 / 10

HEX #349EE5

RGB 52 158 229

HSL 204.07, 0.77%, 0.55%

LAB 62.37, -5.97, -44.3

 

CMYK 0 / 77 / 62 / 10

HEX #E53457

RGB 229 52 87

HSL 348.14, 0.77%, 0.55%

LAB 51.61, 67.84, 23.48

 

CMYK 77 / 0 / 61 / 10

HEX #35E55A

RGB 53 229 90

HSL 132.61, 0.77%, 0.55%

LAB 80.48, -70.46, 54.33

 

CMYK 62 / 77 / 0 / 10

HEX #5734E5

RGB 87 52 229

HSL 251.86, 0.77%, 0.55%

LAB 38.09, 60.74, -83.42

 

CMYK 0 / 62 / 77 / 10

HEX #E55734

RGB 229 87 52

HSL 11.86, 0.77%, 0.55%

LAB 55.81, 53.38, 48.07

 

CMYK 77 / 0 / 61 / 10

HEX #35E55A

RGB 53 229 90

HSL 132.61, 0.77%, 0.55%

LAB 80.48, -70.46, 54.33

 

CMYK 77 / 31 / 0 / 10

HEX #349EE5

RGB 52 158 229

HSL 204.07, 0.77%, 0.55%

LAB 62.37, -5.97, -44.3

 

CMYK 0 / 77 / 16 / 10

HEX #E534C1

RGB 229 52 193

HSL 312.2, 0.77%, 0.55%

LAB 55.04, 78.14, -34.46

 

CMYK 0 / 46 / 77 / 10

HEX #E57B34

RGB 229 123 52

HSL 24.07, 0.77%, 0.55%

LAB 62.57, 36.09, 54.82

 

CMYK 77 / 0 / 61 / 10

HEX #35E55A

RGB 53 229 90

HSL 132.61, 0.77%, 0.55%

LAB 80.48, -70.46, 54.33

 

CMYK 77 / 54 / 0 / 10

HEX #3469E5

RGB 52 105 229

HSL 222.03, 0.77%, 0.55%

LAB 47.61, 26.2, -67.91

 

CMYK 0 / 77 / 16 / 10

HEX #E534C1

RGB 229 52 193

HSL 312.2, 0.77%, 0.55%

LAB 55.04, 78.14, -34.46

 

CMYK 0 / 23 / 77 / 10

HEX #E5B034

RGB 229 176 52

HSL 42.03, 0.77%, 0.55%

LAB 74.8, 8.07, 66.46

 

Description

Color code: RGB 53 229 90 | qconv.com Color code: RGB 53 229 90 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 229 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 229 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 61 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 61% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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