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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 228 90 it is the complementary color RGB 202 27 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 228 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 228 90 shade: RGB 58 228 85, RGB 75 246 104, RGB 92 255 123, RGB 109 255 142 and RGB 126 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 228 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 228 90 shade: RGB 53 228 90, RGB 36 210 71, RGB 19 192 52, RGB 2 174 33 and RGB 0 156 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 228 90 shade: RGB 53 227 90, RGB 63 227 53, RGB 110 227 53, RGB 157 227 53 and RGB 204 227 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 228 90 shade: RGB 53 227 90, RGB 53 227 137, RGB 53 227 184, RGB 53 224 227 and RGB 53 177 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 228 90 shade matches the following richer shades: RGB 53 227 90 and RGB 34 246 79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 228 90 shade: RGB 53 227 90, RGB 72 209 101, RGB 90 190 111, RGB 109 172 122 and RGB 127 153 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 228 90 shade: RGB 111 227 53, RGB 65 227 53, RGB 53 227 88, RGB 53 227 134 and RGB 53 227 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 228 90 shade: RGB 24 174 56, RGB 29 211 67, RGB 53 227 90, RGB 89 232 120 and RGB 126 237 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 228 90 shade: RGB 53 228 90, RGB 53 158 227 and RGB 227 53 88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 228 90 shade: RGB 53 228 90, RGB 88 53 227 and RGB 227 88 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 228 90 shade: RGB 53 228 90, RGB 53 158 227, RGB 227 53 193 and RGB 227 123 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 228 90 shade: RGB 53 228 90, RGB 53 105 227, RGB 227 53 193 and RGB 227 175 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 61 / 11

HEX #35E45A

RGB 53 228 90

HSL 132.69, 0.76%, 0.55%

LAB 80.17, -70.14, 53.98

 

Complementary color

CMYK 0 / 87 / 18 / 21

HEX #CA1BA5

RGB 202 27 165

HSL 312.69, 0.76%, 0.45%

LAB 47.05, 74.4, -30.9

 

CMYK 75 / 0 / 63 / 11

HEX #3AE455

RGB 58 228 85

HSL 129.53, 0.76%, 0.56%

LAB 80.2, -70.02, 56.18

 

CMYK 70 / 0 / 58 / 4

HEX #4BF668

RGB 75 246 104

HSL 130.18, 0.9%, 0.63%

LAB 86.21, -71.07, 54.94

 

CMYK 64 / 0 / 52 / 0

HEX #5CFF7B

RGB 92 255 123

HSL 131.41, 1%, 0.68%

LAB 89.5, -68.68, 50.39

 

CMYK 57 / 0 / 44 / 0

HEX #6DFF8E

RGB 109 255 142

HSL 133.56, 1%, 0.71%

LAB 90.19, -62.49, 42.37

 

CMYK 51 / 0 / 37 / 0

HEX #7EFFA1

RGB 126 255 161

HSL 136.28, 1%, 0.75%

LAB 91.02, -55.53, 34.23

 

CMYK 77 / 0 / 61 / 11

HEX #35E45A

RGB 53 228 90

HSL 132.69, 0.76%, 0.55%

LAB 80.17, -70.14, 53.98

 

CMYK 83 / 0 / 66 / 18

HEX #24D247

RGB 36 210 71

HSL 132.07, 0.71%, 0.48%

LAB 74.14, -68.56, 55.18

 

CMYK 90 / 0 / 73 / 25

HEX #13C034

RGB 19 192 52

HSL 131.45, 0.82%, 0.41%

LAB 68.08, -66.34, 56.08

 

CMYK 99 / 0 / 81 / 32

HEX #02AE21

RGB 2 174 33

HSL 130.81, 0.98%, 0.35%

LAB 61.99, -63.39, 56.34

 

CMYK 100 / 0 / 91 / 39

HEX #009C0E

RGB 0 156 14

HSL 125.38, 1%, 0.31%

LAB 55.9, -59.29, 55.43

 

CMYK 77 / 0 / 60 / 11

HEX #35E35A

RGB 53 227 90

HSL 132.76, 0.76%, 0.55%

LAB 79.86, -69.82, 53.62

 

CMYK 72 / 0 / 77 / 11

HEX #3FE335

RGB 63 227 53

HSL 116.55, 0.76%, 0.55%

LAB 79.76, -71.7, 67.54

 

CMYK 52 / 0 / 77 / 11

HEX #6EE335

RGB 110 227 53

HSL 100.34, 0.76%, 0.55%

LAB 81.02, -61.38, 69.2

 

CMYK 31 / 0 / 77 / 11

HEX #9DE335

RGB 157 227 53

HSL 84.14, 0.76%, 0.55%

LAB 83.11, -46.29, 71.91

 

CMYK 10 / 0 / 77 / 11

HEX #CCE335

RGB 204 227 53

HSL 67.93, 0.76%, 0.55%

LAB 86.02, -28.17, 75.67

 

CMYK 77 / 0 / 60 / 11

HEX #35E35A

RGB 53 227 90

HSL 132.76, 0.76%, 0.55%

LAB 79.86, -69.82, 53.62

 

CMYK 77 / 0 / 40 / 11

HEX #35E389

RGB 53 227 137

HSL 148.97, 0.76%, 0.55%

LAB 80.46, -62.76, 31.97

 

CMYK 77 / 0 / 19 / 11

HEX #35E3B8

RGB 53 227 184

HSL 165.17, 0.76%, 0.55%

LAB 81.38, -52.72, 8.82

 

CMYK 77 / 1 / 0 / 11

HEX #35E0E3

RGB 53 224 227

HSL 181.03, 0.76%, 0.55%

LAB 81.63, -40.01, -13.61

 

CMYK 77 / 22 / 0 / 11

HEX #35B1E3

RGB 53 177 227

HSL 197.24, 0.76%, 0.55%

LAB 67.83, -16.97, -34.66

 

CMYK 77 / 0 / 60 / 11

HEX #35E35A

RGB 53 227 90

HSL 132.76, 0.76%, 0.55%

LAB 79.86, -69.82, 53.62

 

CMYK 86 / 0 / 68 / 4

HEX #22F64F

RGB 34 246 79

HSL 132.74, 0.92%, 0.55%

LAB 85.41, -78.64, 64.18

 

CMYK 77 / 0 / 60 / 11

HEX #35E35A

RGB 53 227 90

HSL 132.76, 0.76%, 0.55%

LAB 79.86, -69.82, 53.62

 

CMYK 66 / 0 / 52 / 18

HEX #48D165

RGB 72 209 101

HSL 132.7, 0.6%, 0.55%

LAB 74.77, -59.28, 42.64

 

CMYK 53 / 0 / 42 / 25

HEX #5ABE6F

RGB 90 190 111

HSL 132.6, 0.43%, 0.55%

LAB 69.58, -46.38, 31.18

 

CMYK 37 / 0 / 29 / 33

HEX #6DAC7A

RGB 109 172 122

HSL 132.38, 0.28%, 0.55%

LAB 65.09, -31.01, 19.48

 

CMYK 17 / 0 / 13 / 40

HEX #7F9985

RGB 127 153 133

HSL 133.85, 0.11%, 0.55%

LAB 60.77, -13.23, 7.49

 

CMYK 51 / 0 / 77 / 11

HEX #6FE335

RGB 111 227 53

HSL 100, 0.76%, 0.55%

LAB 81.06, -61.11, 69.25

 

CMYK 71 / 0 / 77 / 11

HEX #41E335

RGB 65 227 53

HSL 115.86, 0.76%, 0.55%

LAB 79.8, -71.38, 67.59

 

CMYK 77 / 0 / 61 / 11

HEX #35E358

RGB 53 227 88

HSL 132.07, 0.76%, 0.55%

LAB 79.84, -70.05, 54.47

 

CMYK 77 / 0 / 41 / 11

HEX #35E386

RGB 53 227 134

HSL 147.93, 0.76%, 0.55%

LAB 80.41, -63.3, 33.42

 

CMYK 77 / 0 / 20 / 11

HEX #35E3B5

RGB 53 227 181

HSL 164.14, 0.76%, 0.55%

LAB 81.31, -53.44, 10.3

 

CMYK 86 / 0 / 68 / 32

HEX #18AE38

RGB 24 174 56

HSL 132.8, 0.76%, 0.39%

LAB 62.3, -60.12, 48.45

 

CMYK 86 / 0 / 68 / 17

HEX #1DD343

RGB 29 211 67

HSL 132.53, 0.76%, 0.47%

LAB 74.35, -69.89, 56.99

 

CMYK 77 / 0 / 60 / 11

HEX #35E35A

RGB 53 227 90

HSL 132.76, 0.76%, 0.55%

LAB 79.86, -69.82, 53.62

 

CMYK 62 / 0 / 48 / 9

HEX #59E878

RGB 89 232 120

HSL 133.01, 0.76%, 0.63%

LAB 82.48, -61.51, 43.12

 

CMYK 47 / 0 / 37 / 7

HEX #7EED95

RGB 126 237 149

HSL 132.43, 0.76%, 0.71%

LAB 85.59, -50.19, 33.04

 

CMYK 77 / 0 / 61 / 11

HEX #35E45A

RGB 53 228 90

HSL 132.69, 0.76%, 0.55%

LAB 80.17, -70.14, 53.98

 

CMYK 77 / 30 / 0 / 11

HEX #359EE3

RGB 53 158 227

HSL 203.79, 0.76%, 0.55%

LAB 62.3, -6.57, -43.3

 

CMYK 0 / 77 / 61 / 11

HEX #E33558

RGB 227 53 88

HSL 347.93, 0.76%, 0.55%

LAB 51.36, 67.05, 22.48

 

CMYK 77 / 0 / 61 / 11

HEX #35E45A

RGB 53 228 90

HSL 132.69, 0.76%, 0.55%

LAB 80.17, -70.14, 53.98

 

CMYK 61 / 77 / 0 / 11

HEX #5835E3

RGB 88 53 227

HSL 252.07, 0.76%, 0.55%

LAB 38.14, 59.82, -82.2

 

CMYK 0 / 61 / 77 / 11

HEX #E35835

RGB 227 88 53

HSL 12.07, 0.76%, 0.55%

LAB 55.65, 52.28, 47.31

 

CMYK 77 / 0 / 61 / 11

HEX #35E45A

RGB 53 228 90

HSL 132.69, 0.76%, 0.55%

LAB 80.17, -70.14, 53.98

 

CMYK 77 / 30 / 0 / 11

HEX #359EE3

RGB 53 158 227

HSL 203.79, 0.76%, 0.55%

LAB 62.3, -6.57, -43.3

 

CMYK 0 / 77 / 15 / 11

HEX #E335C1

RGB 227 53 193

HSL 311.72, 0.76%, 0.55%

LAB 54.79, 77.44, -34.87

 

CMYK 0 / 46 / 77 / 11

HEX #E37B35

RGB 227 123 53

HSL 24.14, 0.76%, 0.55%

LAB 62.3, 35.33, 54.02

 

CMYK 77 / 0 / 61 / 11

HEX #35E45A

RGB 53 228 90

HSL 132.69, 0.76%, 0.55%

LAB 80.17, -70.14, 53.98

 

CMYK 77 / 54 / 0 / 11

HEX #3569E3

RGB 53 105 227

HSL 222.07, 0.76%, 0.55%

LAB 47.5, 25.57, -66.96

 

CMYK 0 / 77 / 15 / 11

HEX #E335C1

RGB 227 53 193

HSL 311.72, 0.76%, 0.55%

LAB 54.79, 77.44, -34.87

 

CMYK 0 / 23 / 77 / 11

HEX #E3AF35

RGB 227 175 53

HSL 42.07, 0.76%, 0.55%

LAB 74.35, 7.77, 65.61

 

Description

Color code: RGB 53 228 90 | qconv.com Color code: RGB 53 228 90 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 228 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 228 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 61 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 61% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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