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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 228 149 it is the complementary color RGB 202 27 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 228 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 228 149 shade: RGB 58 228 144, RGB 75 246 163, RGB 92 255 182, RGB 109 255 201 and RGB 126 255 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 228 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 228 149 shade: RGB 53 228 149, RGB 36 210 130, RGB 19 192 111, RGB 2 174 92 and RGB 0 156 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 228 149 shade: RGB 53 227 149, RGB 53 227 102, RGB 53 227 55, RGB 98 227 53 and RGB 146 227 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 228 149 shade: RGB 53 227 149, RGB 53 227 196, RGB 53 212 227, RGB 53 165 227 and RGB 53 118 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 228 149 shade matches the following richer shades: RGB 53 227 149 and RGB 34 246 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 228 149 shade: RGB 53 227 149, RGB 72 209 147, RGB 90 190 145, RGB 109 172 143 and RGB 127 153 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 228 149 shade: RGB 53 227 53, RGB 53 227 100, RGB 53 227 146, RGB 53 227 193 and RGB 53 216 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 228 149 shade: RGB 24 174 106, RGB 29 211 128, RGB 53 227 149, RGB 89 232 168 and RGB 126 237 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 228 149 shade: RGB 53 228 149, RGB 53 100 227 and RGB 227 76 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 228 149 shade: RGB 53 228 149, RGB 146 53 227 and RGB 227 146 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 228 149 shade: RGB 53 228 149, RGB 53 100 227, RGB 227 53 134 and RGB 227 181 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 228 149 shade: RGB 53 228 149, RGB 59 53 227, RGB 227 53 134 and RGB 222 227 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 35 / 11

HEX #35E495

RGB 53 228 149

HSL 152.91, 0.76%, 0.55%

LAB 80.97, -60.83, 26.52

 

Complementary color

CMYK 0 / 87 / 48 / 21

HEX #CA1B6A

RGB 202 27 106

HSL 332.91, 0.76%, 0.45%

LAB 44.77, 68.14, 1.56

 

CMYK 75 / 0 / 37 / 11

HEX #3AE490

RGB 58 228 144

HSL 150.35, 0.76%, 0.56%

LAB 80.96, -61.19, 29.08

 

CMYK 70 / 0 / 34 / 4

HEX #4BF6A3

RGB 75 246 163

HSL 150.88, 0.9%, 0.63%

LAB 87.02, -61.81, 27.63

 

CMYK 64 / 0 / 29 / 0

HEX #5CFFB6

RGB 92 255 182

HSL 153.13, 1%, 0.68%

LAB 90.4, -58.75, 22.65

 

CMYK 57 / 0 / 21 / 0

HEX #6DFFC9

RGB 109 255 201

HSL 157.81, 1%, 0.71%

LAB 91.23, -51.66, 14.15

 

CMYK 51 / 0 / 14 / 0

HEX #7EFFDC

RGB 126 255 220

HSL 163.72, 1%, 0.75%

LAB 92.19, -43.98, 5.8

 

CMYK 77 / 0 / 35 / 11

HEX #35E495

RGB 53 228 149

HSL 152.91, 0.76%, 0.55%

LAB 80.97, -60.83, 26.52

 

CMYK 83 / 0 / 38 / 18

HEX #24D282

RGB 36 210 130

HSL 152.41, 0.71%, 0.48%

LAB 74.88, -59.79, 28.1

 

CMYK 90 / 0 / 42 / 25

HEX #13C06F

RGB 19 192 111

HSL 151.91, 0.82%, 0.41%

LAB 68.74, -58.32, 29.81

 

CMYK 99 / 0 / 47 / 32

HEX #02AE5C

RGB 2 174 92

HSL 151.4, 0.98%, 0.35%

LAB 62.56, -56.38, 31.65

 

CMYK 100 / 0 / 53 / 39

HEX #009C49

RGB 0 156 73

HSL 148.08, 1%, 0.31%

LAB 56.35, -53.62, 33.62

 

CMYK 77 / 0 / 34 / 11

HEX #35E395

RGB 53 227 149

HSL 153.1, 0.76%, 0.55%

LAB 80.66, -60.46, 26.11

 

CMYK 77 / 0 / 55 / 11

HEX #35E366

RGB 53 227 102

HSL 136.9, 0.76%, 0.55%

LAB 79.98, -68.32, 48.39

 

CMYK 77 / 0 / 76 / 11

HEX #35E337

RGB 53 227 55

HSL 120.69, 0.76%, 0.55%

LAB 79.6, -73.04, 66.7

 

CMYK 57 / 0 / 77 / 11

HEX #62E335

RGB 98 227 53

HSL 104.48, 0.76%, 0.55%

LAB 80.62, -64.53, 68.68

 

CMYK 36 / 0 / 77 / 11

HEX #92E335

RGB 146 227 53

HSL 87.93, 0.76%, 0.55%

LAB 82.54, -50.17, 71.18

 

CMYK 77 / 0 / 34 / 11

HEX #35E395

RGB 53 227 149

HSL 153.1, 0.76%, 0.55%

LAB 80.66, -60.46, 26.11

 

CMYK 77 / 0 / 14 / 11

HEX #35E3C4

RGB 53 227 196

HSL 169.31, 0.76%, 0.55%

LAB 81.66, -49.74, 2.89

 

CMYK 77 / 7 / 0 / 11

HEX #35D4E3

RGB 53 212 227

HSL 185.17, 0.76%, 0.55%

LAB 78.1, -34.47, -18.92

 

CMYK 77 / 27 / 0 / 11

HEX #35A5E3

RGB 53 165 227

HSL 201.38, 0.76%, 0.55%

LAB 64.33, -10.48, -40.12

 

CMYK 77 / 48 / 0 / 11

HEX #3576E3

RGB 53 118 227

HSL 217.59, 0.76%, 0.55%

LAB 50.99, 17.37, -61.32

 

CMYK 77 / 0 / 34 / 11

HEX #35E395

RGB 53 227 149

HSL 153.1, 0.76%, 0.55%

LAB 80.66, -60.46, 26.11

 

CMYK 86 / 0 / 39 / 4

HEX #22F697

RGB 34 246 151

HSL 153.11, 0.92%, 0.55%

LAB 86.25, -68.54, 32.54

 

CMYK 77 / 0 / 34 / 11

HEX #35E395

RGB 53 227 149

HSL 153.1, 0.76%, 0.55%

LAB 80.66, -60.46, 26.11

 

CMYK 66 / 0 / 30 / 18

HEX #48D193

RGB 72 209 147

HSL 152.85, 0.6%, 0.55%

LAB 75.5, -51.21, 20.17

 

CMYK 53 / 0 / 24 / 25

HEX #5ABE91

RGB 90 190 145

HSL 153, 0.43%, 0.55%

LAB 70.21, -39.92, 13.95

 

CMYK 37 / 0 / 17 / 33

HEX #6DAC8F

RGB 109 172 143

HSL 152.38, 0.28%, 0.55%

LAB 65.55, -26.84, 8.57

 

CMYK 17 / 0 / 7 / 40

HEX #7F998E

RGB 127 153 142

HSL 154.62, 0.11%, 0.55%

LAB 61, -11.42, 2.74

 

CMYK 77 / 0 / 77 / 11

HEX #35E335

RGB 53 227 53

HSL 120, 0.76%, 0.55%

LAB 79.59, -73.18, 67.32

 

CMYK 77 / 0 / 56 / 11

HEX #35E364

RGB 53 227 100

HSL 136.21, 0.76%, 0.55%

LAB 79.96, -68.58, 49.28

 

CMYK 77 / 0 / 36 / 11

HEX #35E392

RGB 53 227 146

HSL 152.07, 0.76%, 0.55%

LAB 80.61, -61.05, 27.58

 

CMYK 77 / 0 / 15 / 11

HEX #35E3C1

RGB 53 227 193

HSL 168.28, 0.76%, 0.55%

LAB 81.59, -50.5, 4.37

 

CMYK 77 / 5 / 0 / 11

HEX #35D8E3

RGB 53 216 227

HSL 183.79, 0.76%, 0.55%

LAB 79.28, -36.34, -17.14

 

CMYK 86 / 0 / 39 / 32

HEX #18AE6A

RGB 24 174 106

HSL 152.8, 0.76%, 0.39%

LAB 62.93, -52.49, 24.8

 

CMYK 86 / 0 / 39 / 17

HEX #1DD380

RGB 29 211 128

HSL 152.64, 0.76%, 0.47%

LAB 75.08, -61.1, 29.39

 

CMYK 77 / 0 / 34 / 11

HEX #35E395

RGB 53 227 149

HSL 153.1, 0.76%, 0.55%

LAB 80.66, -60.46, 26.11

 

CMYK 62 / 0 / 28 / 9

HEX #59E8A8

RGB 89 232 168

HSL 153.15, 0.76%, 0.63%

LAB 83.27, -53.04, 19.96

 

CMYK 47 / 0 / 21 / 7

HEX #7EEDBB

RGB 126 237 187

HSL 152.97, 0.76%, 0.71%

LAB 86.3, -43.18, 14.51

 

CMYK 77 / 0 / 35 / 11

HEX #35E495

RGB 53 228 149

HSL 152.91, 0.76%, 0.55%

LAB 80.97, -60.83, 26.52

 

CMYK 77 / 56 / 0 / 11

HEX #3564E3

RGB 53 100 227

HSL 223.79, 0.76%, 0.55%

LAB 46.2, 28.75, -69.07

 

CMYK 0 / 67 / 77 / 11

HEX #E34C35

RGB 227 76 53

HSL 7.93, 0.76%, 0.55%

LAB 53.77, 57.34, 45.35

 

CMYK 77 / 0 / 35 / 11

HEX #35E495

RGB 53 228 149

HSL 152.91, 0.76%, 0.55%

LAB 80.97, -60.83, 26.52

 

CMYK 36 / 77 / 0 / 11

HEX #9235E3

RGB 146 53 227

HSL 272.07, 0.76%, 0.55%

LAB 44.52, 67.78, -71.48

 

CMYK 0 / 36 / 77 / 11

HEX #E39235

RGB 227 146 53

HSL 32.07, 0.76%, 0.55%

LAB 67.39, 23.22, 58.99

 

CMYK 77 / 0 / 35 / 11

HEX #35E495

RGB 53 228 149

HSL 152.91, 0.76%, 0.55%

LAB 80.97, -60.83, 26.52

 

CMYK 77 / 56 / 0 / 11

HEX #3564E3

RGB 53 100 227

HSL 223.79, 0.76%, 0.55%

LAB 46.2, 28.75, -69.07

 

CMYK 0 / 77 / 41 / 11

HEX #E33586

RGB 227 53 134

HSL 332.07, 0.76%, 0.55%

LAB 52.51, 70.63, -3.64

 

CMYK 0 / 20 / 77 / 11

HEX #E3B535

RGB 227 181 53

HSL 44.14, 0.76%, 0.55%

LAB 75.85, 4.61, 67.01

 

CMYK 77 / 0 / 35 / 11

HEX #35E495

RGB 53 228 149

HSL 152.91, 0.76%, 0.55%

LAB 80.97, -60.83, 26.52

 

CMYK 74 / 77 / 0 / 11

HEX #3B35E3

RGB 59 53 227

HSL 242.07, 0.76%, 0.55%

LAB 36.03, 57.14, -85.76

 

CMYK 0 / 77 / 41 / 11

HEX #E33586

RGB 227 53 134

HSL 332.07, 0.76%, 0.55%

LAB 52.51, 70.63, -3.64

 

CMYK 2 / 0 / 77 / 11

HEX #DEE335

RGB 222 227 53

HSL 61.72, 0.76%, 0.55%

LAB 87.35, -20.81, 77.37

 

Description

Color code: RGB 53 228 149 | qconv.com Color code: RGB 53 228 149 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 228 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 228 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 35 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 35% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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