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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 228 103 it is the complementary color RGB 202 27 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 228 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 228 103 shade: RGB 58 228 98, RGB 75 246 117, RGB 92 255 136, RGB 109 255 155 and RGB 126 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 228 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 228 103 shade: RGB 53 228 103, RGB 36 210 84, RGB 19 192 65, RGB 2 174 46 and RGB 0 156 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 228 103 shade: RGB 53 227 103, RGB 53 227 56, RGB 97 227 53, RGB 144 227 53 and RGB 191 227 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 228 103 shade: RGB 53 227 103, RGB 53 227 150, RGB 53 227 197, RGB 53 211 227 and RGB 53 164 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 228 103 shade matches the following richer shades: RGB 53 227 103 and RGB 34 246 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 228 103 shade: RGB 53 227 103, RGB 72 209 111, RGB 90 190 119, RGB 109 172 127 and RGB 127 153 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 228 103 shade: RGB 97 227 53, RGB 53 227 56, RGB 53 227 102, RGB 53 227 149 and RGB 53 227 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 228 103 shade: RGB 24 174 67, RGB 29 211 81, RGB 53 227 103, RGB 89 232 130 and RGB 126 237 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 228 103 shade: RGB 53 228 103, RGB 53 143 227 and RGB 227 53 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 228 103 shade: RGB 53 228 103, RGB 102 53 227 and RGB 227 102 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 228 103 shade: RGB 53 228 103, RGB 53 143 227, RGB 227 53 178 and RGB 227 137 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 228 103 shade: RGB 53 228 103, RGB 53 91 227, RGB 227 53 178 and RGB 227 190 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 55 / 11

HEX #35E467

RGB 53 228 103

HSL 137.14, 0.76%, 0.55%

LAB 80.3, -68.51, 48.31

 

Complementary color

CMYK 0 / 87 / 25 / 21

HEX #CA1B98

RGB 202 27 152

HSL 317.14, 0.76%, 0.45%

LAB 46.46, 72.8, -24.05

 

CMYK 75 / 0 / 57 / 11

HEX #3AE462

RGB 58 228 98

HSL 134.12, 0.76%, 0.56%

LAB 80.33, -68.5, 50.65

 

CMYK 70 / 0 / 52 / 4

HEX #4BF675

RGB 75 246 117

HSL 134.74, 0.9%, 0.63%

LAB 86.35, -69.41, 49.24

 

CMYK 64 / 0 / 47 / 0

HEX #5CFF88

RGB 92 255 136

HSL 136.2, 1%, 0.68%

LAB 89.66, -66.84, 44.48

 

CMYK 57 / 0 / 39 / 0

HEX #6DFF9B

RGB 109 255 155

HSL 138.9, 1%, 0.71%

LAB 90.38, -60.43, 36.27

 

CMYK 51 / 0 / 32 / 0

HEX #7EFFAE

RGB 126 255 174

HSL 142.33, 1%, 0.75%

LAB 91.24, -53.29, 28.01

 

CMYK 77 / 0 / 55 / 11

HEX #35E467

RGB 53 228 103

HSL 137.14, 0.76%, 0.55%

LAB 80.3, -68.51, 48.31

 

CMYK 83 / 0 / 60 / 18

HEX #24D254

RGB 36 210 84

HSL 136.55, 0.71%, 0.48%

LAB 74.26, -67.1, 49.77

 

CMYK 90 / 0 / 66 / 25

HEX #13C041

RGB 19 192 65

HSL 135.95, 0.82%, 0.41%

LAB 68.18, -65.1, 51.1

 

CMYK 99 / 0 / 74 / 32

HEX #02AE2E

RGB 2 174 46

HSL 135.35, 0.98%, 0.35%

LAB 62.07, -62.43, 52.1

 

CMYK 100 / 0 / 83 / 39

HEX #009C1B

RGB 0 156 27

HSL 130.38, 1%, 0.31%

LAB 55.94, -58.67, 52.4

 

CMYK 77 / 0 / 55 / 11

HEX #35E367

RGB 53 227 103

HSL 137.24, 0.76%, 0.55%

LAB 80, -68.18, 47.94

 

CMYK 77 / 0 / 75 / 11

HEX #35E338

RGB 53 227 56

HSL 121.03, 0.76%, 0.55%

LAB 79.6, -72.97, 66.39

 

CMYK 57 / 0 / 77 / 11

HEX #61E335

RGB 97 227 53

HSL 104.83, 0.76%, 0.55%

LAB 80.59, -64.78, 68.64

 

CMYK 37 / 0 / 77 / 11

HEX #90E335

RGB 144 227 53

HSL 88.62, 0.76%, 0.55%

LAB 82.45, -50.85, 71.05

 

CMYK 16 / 0 / 77 / 11

HEX #BFE335

RGB 191 227 53

HSL 72.41, 0.76%, 0.55%

LAB 85.13, -33.38, 74.53

 

CMYK 77 / 0 / 55 / 11

HEX #35E367

RGB 53 227 103

HSL 137.24, 0.76%, 0.55%

LAB 80, -68.18, 47.94

 

CMYK 77 / 0 / 34 / 11

HEX #35E396

RGB 53 227 150

HSL 153.45, 0.76%, 0.55%

LAB 80.68, -60.26, 25.62

 

CMYK 77 / 0 / 13 / 11

HEX #35E3C5

RGB 53 227 197

HSL 169.66, 0.76%, 0.55%

LAB 81.69, -49.48, 2.4

 

CMYK 77 / 7 / 0 / 11

HEX #35D3E3

RGB 53 211 227

HSL 185.52, 0.76%, 0.55%

LAB 77.81, -34, -19.36

 

CMYK 77 / 28 / 0 / 11

HEX #35A4E3

RGB 53 164 227

HSL 201.72, 0.76%, 0.55%

LAB 64.04, -9.92, -40.57

 

CMYK 77 / 0 / 55 / 11

HEX #35E367

RGB 53 227 103

HSL 137.24, 0.76%, 0.55%

LAB 80, -68.18, 47.94

 

CMYK 86 / 0 / 61 / 4

HEX #22F65F

RGB 34 246 95

HSL 137.26, 0.92%, 0.55%

LAB 85.54, -76.99, 57.91

 

CMYK 77 / 0 / 55 / 11

HEX #35E367

RGB 53 227 103

HSL 137.24, 0.76%, 0.55%

LAB 80, -68.18, 47.94

 

CMYK 66 / 0 / 47 / 18

HEX #48D16F

RGB 72 209 111

HSL 137.08, 0.6%, 0.55%

LAB 74.9, -57.79, 37.91

 

CMYK 53 / 0 / 37 / 25

HEX #5ABE77

RGB 90 190 119

HSL 137.4, 0.43%, 0.55%

LAB 69.71, -45.01, 27.17

 

CMYK 37 / 0 / 26 / 33

HEX #6DAC7F

RGB 109 172 127

HSL 137.14, 0.28%, 0.55%

LAB 65.19, -30.07, 16.89

 

CMYK 17 / 0 / 12 / 40

HEX #7F9987

RGB 127 153 135

HSL 138.46, 0.11%, 0.55%

LAB 60.82, -12.84, 6.43

 

CMYK 57 / 0 / 77 / 11

HEX #61E335

RGB 97 227 53

HSL 104.83, 0.76%, 0.55%

LAB 80.59, -64.78, 68.64

 

CMYK 77 / 0 / 75 / 11

HEX #35E338

RGB 53 227 56

HSL 121.03, 0.76%, 0.55%

LAB 79.6, -72.97, 66.39

 

CMYK 77 / 0 / 55 / 11

HEX #35E366

RGB 53 227 102

HSL 136.9, 0.76%, 0.55%

LAB 79.98, -68.32, 48.39

 

CMYK 77 / 0 / 34 / 11

HEX #35E395

RGB 53 227 149

HSL 153.1, 0.76%, 0.55%

LAB 80.66, -60.46, 26.11

 

CMYK 77 / 0 / 14 / 11

HEX #35E3C3

RGB 53 227 195

HSL 168.97, 0.76%, 0.55%

LAB 81.64, -49.99, 3.38

 

CMYK 86 / 0 / 61 / 32

HEX #18AE43

RGB 24 174 67

HSL 137.2, 0.76%, 0.39%

LAB 62.4, -58.86, 43.75

 

CMYK 86 / 0 / 62 / 17

HEX #1DD351

RGB 29 211 81

HSL 137.14, 0.76%, 0.47%

LAB 74.47, -68.39, 51.31

 

CMYK 77 / 0 / 55 / 11

HEX #35E367

RGB 53 227 103

HSL 137.24, 0.76%, 0.55%

LAB 80, -68.18, 47.94

 

CMYK 62 / 0 / 44 / 9

HEX #59E882

RGB 89 232 130

HSL 137.2, 0.76%, 0.63%

LAB 82.62, -59.98, 38.42

 

CMYK 47 / 0 / 33 / 7

HEX #7EED9E

RGB 126 237 158

HSL 137.3, 0.76%, 0.71%

LAB 85.74, -48.67, 28.69

 

CMYK 77 / 0 / 55 / 11

HEX #35E467

RGB 53 228 103

HSL 137.14, 0.76%, 0.55%

LAB 80.3, -68.51, 48.31

 

CMYK 77 / 37 / 0 / 11

HEX #358FE3

RGB 53 143 227

HSL 208.97, 0.76%, 0.55%

LAB 57.99, 2.11, -50.12

 

CMYK 0 / 77 / 68 / 11

HEX #E33549

RGB 227 53 73

HSL 353.1, 0.76%, 0.55%

LAB 51.1, 66.23, 31.1

 

CMYK 77 / 0 / 55 / 11

HEX #35E467

RGB 53 228 103

HSL 137.14, 0.76%, 0.55%

LAB 80.3, -68.51, 48.31

 

CMYK 55 / 77 / 0 / 11

HEX #6635E3

RGB 102 53 227

HSL 256.9, 0.76%, 0.55%

LAB 39.44, 61.46, -80.01

 

CMYK 0 / 55 / 77 / 11

HEX #E36635

RGB 227 102 53

HSL 16.9, 0.76%, 0.55%

LAB 58.12, 45.83, 49.83

 

CMYK 77 / 0 / 55 / 11

HEX #35E467

RGB 53 228 103

HSL 137.14, 0.76%, 0.55%

LAB 80.3, -68.51, 48.31

 

CMYK 77 / 37 / 0 / 11

HEX #358FE3

RGB 53 143 227

HSL 208.97, 0.76%, 0.55%

LAB 57.99, 2.11, -50.12

 

CMYK 0 / 77 / 22 / 11

HEX #E335B2

RGB 227 53 178

HSL 316.9, 0.76%, 0.55%

LAB 54.12, 75.49, -27.21

 

CMYK 0 / 40 / 77 / 11

HEX #E38935

RGB 227 137 53

HSL 28.97, 0.76%, 0.55%

LAB 65.34, 28, 57.01

 

CMYK 77 / 0 / 55 / 11

HEX #35E467

RGB 53 228 103

HSL 137.14, 0.76%, 0.55%

LAB 80.3, -68.51, 48.31

 

CMYK 77 / 60 / 0 / 11

HEX #355BE3

RGB 53 91 227

HSL 226.9, 0.76%, 0.55%

LAB 43.92, 34.45, -72.79

 

CMYK 0 / 77 / 22 / 11

HEX #E335B2

RGB 227 53 178

HSL 316.9, 0.76%, 0.55%

LAB 54.12, 75.49, -27.21

 

CMYK 0 / 16 / 77 / 11

HEX #E3BE35

RGB 227 190 53

HSL 47.24, 0.76%, 0.55%

LAB 78.12, -0.09, 69.11

 

Description

Color code: RGB 53 228 103 | qconv.com Color code: RGB 53 228 103 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 228 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 228 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 55 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 55% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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