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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 227 144 it is the complementary color RGB 202 28 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 227 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 227 144 shade: RGB 58 227 139, RGB 75 245 158, RGB 92 255 177, RGB 109 255 196 and RGB 126 255 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 227 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 227 144 shade: RGB 53 227 144, RGB 36 209 125, RGB 19 191 106, RGB 2 173 87 and RGB 0 155 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 227 144 shade: RGB 53 227 144, RGB 53 227 97, RGB 56 227 53, RGB 103 227 53 and RGB 150 227 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 227 144 shade: RGB 53 227 144, RGB 53 227 191, RGB 53 217 227, RGB 53 170 227 and RGB 53 123 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 227 144 shade matches the following richer shades: RGB 53 227 144 and RGB 34 246 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 227 144 shade: RGB 53 227 144, RGB 72 209 143, RGB 90 190 143, RGB 109 172 142 and RGB 127 153 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 227 144 shade: RGB 56 227 53, RGB 53 227 97, RGB 53 227 143, RGB 53 227 190 and RGB 53 219 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 227 144 shade: RGB 24 174 102, RGB 29 211 124, RGB 53 227 144, RGB 89 232 164 and RGB 126 237 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 227 144 shade: RGB 53 227 144, RGB 53 102 227 and RGB 227 73 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 227 144 shade: RGB 53 227 144, RGB 143 53 227 and RGB 227 143 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 227 144 shade: RGB 53 227 144, RGB 53 102 227, RGB 227 53 137 and RGB 227 178 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 227 144 shade: RGB 53 227 144, RGB 56 53 227, RGB 227 53 137 and RGB 225 227 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 37 / 11

HEX #35E390

RGB 53 227 144

HSL 151.38, 0.76%, 0.55%

LAB 80.58, -61.44, 28.56

 

Complementary color

CMYK 0 / 86 / 45 / 21

HEX #CA1C6F

RGB 202 28 111

HSL 331.38, 0.76%, 0.45%

LAB 44.99, 68.38, -1.23

 

CMYK 74 / 0 / 39 / 11

HEX #3AE38B

RGB 58 227 139

HSL 148.76, 0.75%, 0.56%

LAB 80.57, -61.76, 31.11

 

CMYK 69 / 0 / 36 / 4

HEX #4BF59E

RGB 75 245 158

HSL 149.29, 0.89%, 0.63%

LAB 86.64, -62.39, 29.64

 

CMYK 64 / 0 / 31 / 0

HEX #5CFFB1

RGB 92 255 177

HSL 151.29, 1%, 0.68%

LAB 90.31, -59.75, 25.06

 

CMYK 57 / 0 / 23 / 0

HEX #6DFFC4

RGB 109 255 196

HSL 155.75, 1%, 0.71%

LAB 91.12, -52.72, 16.57

 

CMYK 51 / 0 / 16 / 0

HEX #7EFFD7

RGB 126 255 215

HSL 161.4, 1%, 0.75%

LAB 92.07, -45.09, 8.21

 

CMYK 77 / 0 / 37 / 11

HEX #35E390

RGB 53 227 144

HSL 151.38, 0.76%, 0.55%

LAB 80.58, -61.44, 28.56

 

CMYK 83 / 0 / 40 / 18

HEX #24D17D

RGB 36 209 125

HSL 150.87, 0.71%, 0.48%

LAB 74.48, -60.39, 30.15

 

CMYK 90 / 0 / 45 / 25

HEX #13BF6A

RGB 19 191 106

HSL 150.35, 0.82%, 0.41%

LAB 68.34, -58.9, 31.88

 

CMYK 99 / 0 / 50 / 32

HEX #02AD57

RGB 2 173 87

HSL 149.82, 0.98%, 0.34%

LAB 62.16, -56.91, 33.71

 

CMYK 100 / 0 / 56 / 39

HEX #009B44

RGB 0 155 68

HSL 146.32, 1%, 0.3%

LAB 55.95, -54.07, 35.65

 

CMYK 77 / 0 / 37 / 11

HEX #35E390

RGB 53 227 144

HSL 151.38, 0.76%, 0.55%

LAB 80.58, -61.44, 28.56

 

CMYK 77 / 0 / 57 / 11

HEX #35E361

RGB 53 227 97

HSL 135.17, 0.76%, 0.55%

LAB 79.93, -68.97, 50.61

 

CMYK 75 / 0 / 77 / 11

HEX #38E335

RGB 56 227 53

HSL 118.97, 0.76%, 0.55%

LAB 79.63, -72.76, 67.38

 

CMYK 55 / 0 / 77 / 11

HEX #67E335

RGB 103 227 53

HSL 102.76, 0.76%, 0.55%

LAB 80.78, -63.26, 68.89

 

CMYK 34 / 0 / 77 / 11

HEX #96E335

RGB 150 227 53

HSL 86.55, 0.76%, 0.55%

LAB 82.74, -48.78, 71.44

 

CMYK 77 / 0 / 37 / 11

HEX #35E390

RGB 53 227 144

HSL 151.38, 0.76%, 0.55%

LAB 80.58, -61.44, 28.56

 

CMYK 77 / 0 / 16 / 11

HEX #35E3BF

RGB 53 227 191

HSL 167.59, 0.76%, 0.55%

LAB 81.54, -51, 5.36

 

CMYK 77 / 4 / 0 / 11

HEX #35D9E3

RGB 53 217 227

HSL 183.45, 0.76%, 0.55%

LAB 79.57, -36.8, -16.7

 

CMYK 77 / 25 / 0 / 11

HEX #35AAE3

RGB 53 170 227

HSL 199.66, 0.76%, 0.55%

LAB 65.79, -13.22, -37.84

 

CMYK 77 / 46 / 0 / 11

HEX #357BE3

RGB 53 123 227

HSL 215.86, 0.76%, 0.55%

LAB 52.36, 14.25, -59.11

 

CMYK 77 / 0 / 37 / 11

HEX #35E390

RGB 53 227 144

HSL 151.38, 0.76%, 0.55%

LAB 80.58, -61.44, 28.56

 

CMYK 86 / 0 / 41 / 4

HEX #22F691

RGB 34 246 145

HSL 151.42, 0.92%, 0.55%

LAB 86.15, -69.65, 35.4

 

CMYK 77 / 0 / 37 / 11

HEX #35E390

RGB 53 227 144

HSL 151.38, 0.76%, 0.55%

LAB 80.58, -61.44, 28.56

 

CMYK 66 / 0 / 32 / 18

HEX #48D18F

RGB 72 209 143

HSL 151.09, 0.6%, 0.55%

LAB 75.43, -52.03, 22.17

 

CMYK 53 / 0 / 25 / 25

HEX #5ABE8F

RGB 90 190 143

HSL 151.8, 0.43%, 0.55%

LAB 70.16, -40.35, 14.98

 

CMYK 37 / 0 / 17 / 33

HEX #6DAC8E

RGB 109 172 142

HSL 151.43, 0.28%, 0.55%

LAB 65.52, -27.05, 9.09

 

CMYK 17 / 0 / 8 / 40

HEX #7F998D

RGB 127 153 141

HSL 152.31, 0.11%, 0.55%

LAB 60.97, -11.63, 3.26

 

CMYK 75 / 0 / 77 / 11

HEX #38E335

RGB 56 227 53

HSL 118.97, 0.76%, 0.55%

LAB 79.63, -72.76, 67.38

 

CMYK 77 / 0 / 57 / 11

HEX #35E361

RGB 53 227 97

HSL 135.17, 0.76%, 0.55%

LAB 79.93, -68.97, 50.61

 

CMYK 77 / 0 / 37 / 11

HEX #35E38F

RGB 53 227 143

HSL 151.03, 0.76%, 0.55%

LAB 80.56, -61.63, 29.04

 

CMYK 77 / 0 / 16 / 11

HEX #35E3BE

RGB 53 227 190

HSL 167.24, 0.76%, 0.55%

LAB 81.52, -51.25, 5.85

 

CMYK 77 / 4 / 0 / 11

HEX #35DBE3

RGB 53 219 227

HSL 182.76, 0.76%, 0.55%

LAB 80.16, -37.73, -15.82

 

CMYK 86 / 0 / 41 / 32

HEX #18AE66

RGB 24 174 102

HSL 151.2, 0.76%, 0.39%

LAB 62.87, -53.28, 26.84

 

CMYK 86 / 0 / 41 / 17

HEX #1DD37C

RGB 29 211 124

HSL 151.32, 0.76%, 0.47%

LAB 75.02, -61.86, 31.36

 

CMYK 77 / 0 / 37 / 11

HEX #35E390

RGB 53 227 144

HSL 151.38, 0.76%, 0.55%

LAB 80.58, -61.44, 28.56

 

CMYK 62 / 0 / 29 / 9

HEX #59E8A4

RGB 89 232 164

HSL 151.47, 0.76%, 0.63%

LAB 83.19, -53.85, 21.93

 

CMYK 47 / 0 / 22 / 7

HEX #7EEDB8

RGB 126 237 184

HSL 151.35, 0.76%, 0.71%

LAB 86.24, -43.79, 15.98

 

CMYK 77 / 0 / 37 / 11

HEX #35E390

RGB 53 227 144

HSL 151.38, 0.76%, 0.55%

LAB 80.58, -61.44, 28.56

 

CMYK 77 / 55 / 0 / 11

HEX #3566E3

RGB 53 102 227

HSL 223.1, 0.76%, 0.55%

LAB 46.72, 27.48, -68.23

 

CMYK 0 / 68 / 77 / 11

HEX #E34935

RGB 227 73 53

HSL 6.9, 0.76%, 0.55%

LAB 53.33, 58.52, 44.9

 

CMYK 77 / 0 / 37 / 11

HEX #35E390

RGB 53 227 144

HSL 151.38, 0.76%, 0.55%

LAB 80.58, -61.44, 28.56

 

CMYK 37 / 77 / 0 / 11

HEX #8F35E3

RGB 143 53 227

HSL 271.03, 0.76%, 0.55%

LAB 44.14, 67.3, -72.13

 

CMYK 0 / 37 / 77 / 11

HEX #E38F35

RGB 227 143 53

HSL 31.03, 0.76%, 0.55%

LAB 66.7, 24.82, 58.33

 

CMYK 77 / 0 / 37 / 11

HEX #35E390

RGB 53 227 144

HSL 151.38, 0.76%, 0.55%

LAB 80.58, -61.44, 28.56

 

CMYK 77 / 55 / 0 / 11

HEX #3566E3

RGB 53 102 227

HSL 223.1, 0.76%, 0.55%

LAB 46.72, 27.48, -68.23

 

CMYK 0 / 77 / 40 / 11

HEX #E33589

RGB 227 53 137

HSL 331.03, 0.76%, 0.55%

LAB 52.6, 70.92, -5.3

 

CMYK 0 / 22 / 77 / 11

HEX #E3B235

RGB 227 178 53

HSL 43.1, 0.76%, 0.55%

LAB 75.09, 6.19, 66.31

 

CMYK 77 / 0 / 37 / 11

HEX #35E390

RGB 53 227 144

HSL 151.38, 0.76%, 0.55%

LAB 80.58, -61.44, 28.56

 

CMYK 75 / 77 / 0 / 11

HEX #3835E3

RGB 56 53 227

HSL 241.03, 0.76%, 0.55%

LAB 35.85, 56.92, -86.05

 

CMYK 0 / 77 / 40 / 11

HEX #E33589

RGB 227 53 137

HSL 331.03, 0.76%, 0.55%

LAB 52.6, 70.92, -5.3

 

CMYK 1 / 0 / 77 / 11

HEX #E1E335

RGB 225 227 53

HSL 60.69, 0.76%, 0.55%

LAB 87.58, -19.57, 77.66

 

Description

Color code: RGB 53 227 144 | qconv.com Color code: RGB 53 227 144 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 227 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 227 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 37 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 37% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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