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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 225 103 it is the complementary color RGB 202 30 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 225 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 225 103 shade: RGB 58 225 98, RGB 75 243 117, RGB 92 255 136, RGB 109 255 155 and RGB 126 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 225 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 225 103 shade: RGB 53 225 103, RGB 36 207 84, RGB 19 189 65, RGB 2 171 46 and RGB 0 153 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 225 103 shade: RGB 55 225 105, RGB 55 225 59, RGB 98 225 55, RGB 143 225 55 and RGB 189 225 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 225 103 shade: RGB 55 225 105, RGB 55 225 150, RGB 55 225 196, RGB 55 208 225 and RGB 55 162 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 225 103 shade matches the following richer shades: RGB 55 225 105 and RGB 37 244 97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 225 103 shade: RGB 55 225 105, RGB 74 207 112, RGB 92 188 120, RGB 111 169 128 and RGB 130 151 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 225 103 shade: RGB 98 225 55, RGB 55 225 58, RGB 55 225 103, RGB 55 225 149 and RGB 55 225 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 225 103 shade: RGB 26 172 68, RGB 31 208 83, RGB 55 225 105, RGB 91 231 132 and RGB 127 236 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 225 103 shade: RGB 53 225 103, RGB 55 143 225 and RGB 225 55 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 225 103 shade: RGB 53 225 103, RGB 103 55 225 and RGB 225 103 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 225 103 shade: RGB 53 225 103, RGB 55 143 225, RGB 225 55 177 and RGB 225 137 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 225 103 shade: RGB 53 225 103, RGB 55 92 225, RGB 225 55 177 and RGB 225 188 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 54 / 12

HEX #35E167

RGB 53 225 103

HSL 137.44, 0.74%, 0.55%

LAB 79.38, -67.53, 47.2

 

Complementary color

CMYK 0 / 85 / 25 / 21

HEX #CA1E98

RGB 202 30 152

HSL 317.44, 0.74%, 0.45%

LAB 46.65, 72.24, -23.76

 

CMYK 74 / 0 / 56 / 12

HEX #3AE162

RGB 58 225 98

HSL 134.37, 0.74%, 0.55%

LAB 79.4, -67.51, 49.55

 

CMYK 69 / 0 / 52 / 5

HEX #4BF375

RGB 75 243 117

HSL 135, 0.88%, 0.62%

LAB 85.44, -68.39, 48.13

 

CMYK 64 / 0 / 47 / 0

HEX #5CFF88

RGB 92 255 136

HSL 136.2, 1%, 0.68%

LAB 89.66, -66.84, 44.48

 

CMYK 57 / 0 / 39 / 0

HEX #6DFF9B

RGB 109 255 155

HSL 138.9, 1%, 0.71%

LAB 90.38, -60.43, 36.27

 

CMYK 51 / 0 / 32 / 0

HEX #7EFFAE

RGB 126 255 174

HSL 142.33, 1%, 0.75%

LAB 91.24, -53.29, 28.01

 

CMYK 76 / 0 / 54 / 12

HEX #35E167

RGB 53 225 103

HSL 137.44, 0.74%, 0.55%

LAB 79.38, -67.53, 47.2

 

CMYK 83 / 0 / 59 / 19

HEX #24CF54

RGB 36 207 84

HSL 136.84, 0.7%, 0.48%

LAB 73.31, -66.15, 48.67

 

CMYK 90 / 0 / 66 / 26

HEX #13BD41

RGB 19 189 65

HSL 136.24, 0.82%, 0.41%

LAB 67.21, -64.19, 50.03

 

CMYK 99 / 0 / 73 / 33

HEX #02AB2E

RGB 2 171 46

HSL 135.62, 0.98%, 0.34%

LAB 61.08, -61.54, 51.08

 

CMYK 100 / 0 / 82 / 40

HEX #00991B

RGB 0 153 27

HSL 130.59, 1%, 0.3%

LAB 54.93, -57.79, 51.45

 

CMYK 76 / 0 / 53 / 12

HEX #37E169

RGB 55 225 105

HSL 137.65, 0.74%, 0.55%

LAB 79.43, -66.99, 46.34

 

CMYK 76 / 0 / 74 / 12

HEX #37E13B

RGB 55 225 59

HSL 121.41, 0.74%, 0.55%

LAB 79.03, -71.88, 64.84

 

CMYK 56 / 0 / 76 / 12

HEX #62E137

RGB 98 225 55

HSL 104.82, 0.74%, 0.55%

LAB 80.02, -63.71, 67.48

 

CMYK 36 / 0 / 76 / 12

HEX #8FE137

RGB 143 225 55

HSL 88.94, 0.74%, 0.55%

LAB 81.82, -50.27, 69.83

 

CMYK 16 / 0 / 76 / 12

HEX #BDE137

RGB 189 225 55

HSL 72.71, 0.74%, 0.55%

LAB 84.46, -33.17, 73.25

 

CMYK 76 / 0 / 53 / 12

HEX #37E169

RGB 55 225 105

HSL 137.65, 0.74%, 0.55%

LAB 79.43, -66.99, 46.34

 

CMYK 76 / 0 / 33 / 12

HEX #37E196

RGB 55 225 150

HSL 153.53, 0.74%, 0.55%

LAB 80.1, -59.28, 24.84

 

CMYK 76 / 0 / 13 / 12

HEX #37E1C4

RGB 55 225 196

HSL 169.76, 0.74%, 0.55%

LAB 81.1, -48.69, 2.07

 

CMYK 76 / 8 / 0 / 12

HEX #37D0E1

RGB 55 208 225

HSL 186, 0.74%, 0.55%

LAB 76.9, -32.97, -19.67

 

CMYK 76 / 28 / 0 / 12

HEX #37A2E1

RGB 55 162 225

HSL 202.24, 0.74%, 0.55%

LAB 63.42, -9.28, -40.45

 

CMYK 76 / 0 / 53 / 12

HEX #37E169

RGB 55 225 105

HSL 137.65, 0.74%, 0.55%

LAB 79.43, -66.99, 46.34

 

CMYK 85 / 0 / 60 / 4

HEX #25F461

RGB 37 244 97

HSL 137.39, 0.9%, 0.55%

LAB 84.97, -75.93, 56.41

 

CMYK 76 / 0 / 53 / 12

HEX #37E169

RGB 55 225 105

HSL 137.65, 0.74%, 0.55%

LAB 79.43, -66.99, 46.34

 

CMYK 64 / 0 / 46 / 19

HEX #4ACF70

RGB 74 207 112

HSL 137.14, 0.58%, 0.55%

LAB 74.35, -56.5, 36.72

 

CMYK 51 / 0 / 36 / 26

HEX #5CBC78

RGB 92 188 120

HSL 137.5, 0.42%, 0.55%

LAB 69.18, -43.48, 25.96

 

CMYK 34 / 0 / 24 / 34

HEX #6FA980

RGB 111 169 128

HSL 137.59, 0.25%, 0.55%

LAB 64.41, -27.8, 15.28

 

CMYK 14 / 0 / 10 / 41

HEX #829788

RGB 130 151 136

HSL 137.14, 0.09%, 0.55%

LAB 60.48, -10.5, 5.4

 

CMYK 56 / 0 / 76 / 12

HEX #62E137

RGB 98 225 55

HSL 104.82, 0.74%, 0.55%

LAB 80.02, -63.71, 67.48

 

CMYK 76 / 0 / 74 / 12

HEX #37E13A

RGB 55 225 58

HSL 121.06, 0.74%, 0.55%

LAB 79.02, -71.95, 65.17

 

CMYK 76 / 0 / 54 / 12

HEX #37E167

RGB 55 225 103

HSL 136.94, 0.74%, 0.55%

LAB 79.41, -67.26, 47.25

 

CMYK 76 / 0 / 34 / 12

HEX #37E195

RGB 55 225 149

HSL 153.18, 0.74%, 0.55%

LAB 80.09, -59.48, 25.33

 

CMYK 76 / 0 / 14 / 12

HEX #37E1C2

RGB 55 225 194

HSL 169.06, 0.74%, 0.55%

LAB 81.05, -49.2, 3.06

 

CMYK 85 / 0 / 60 / 33

HEX #1AAC44

RGB 26 172 68

HSL 137.26, 0.74%, 0.39%

LAB 61.78, -57.9, 42.58

 

CMYK 85 / 0 / 60 / 18

HEX #1FD053

RGB 31 208 83

HSL 137.63, 0.74%, 0.47%

LAB 73.56, -67.05, 49.39

 

CMYK 76 / 0 / 53 / 12

HEX #37E169

RGB 55 225 105

HSL 137.65, 0.74%, 0.55%

LAB 79.43, -66.99, 46.34

 

CMYK 61 / 0 / 43 / 9

HEX #5BE784

RGB 91 231 132

HSL 137.57, 0.74%, 0.63%

LAB 82.4, -58.88, 37.16

 

CMYK 46 / 0 / 33 / 7

HEX #7FEC9F

RGB 127 236 159

HSL 137.61, 0.74%, 0.71%

LAB 85.51, -47.82, 27.87

 

CMYK 76 / 0 / 54 / 12

HEX #35E167

RGB 53 225 103

HSL 137.44, 0.74%, 0.55%

LAB 79.38, -67.53, 47.2

 

CMYK 76 / 36 / 0 / 12

HEX #378FE1

RGB 55 143 225

HSL 208.94, 0.74%, 0.55%

LAB 57.94, 1.62, -49.09

 

CMYK 0 / 76 / 67 / 12

HEX #E1374B

RGB 225 55 75

HSL 352.94, 0.74%, 0.55%

LAB 50.98, 65.16, 29.68

 

CMYK 76 / 0 / 54 / 12

HEX #35E167

RGB 53 225 103

HSL 137.44, 0.74%, 0.55%

LAB 79.38, -67.53, 47.2

 

CMYK 54 / 76 / 0 / 12

HEX #6737E1

RGB 103 55 225

HSL 256.94, 0.74%, 0.55%

LAB 39.67, 60.15, -78.49

 

CMYK 0 / 54 / 76 / 12

HEX #E16737

RGB 225 103 55

HSL 16.94, 0.74%, 0.55%

LAB 58.02, 44.67, 48.66

 

CMYK 76 / 0 / 54 / 12

HEX #35E167

RGB 53 225 103

HSL 137.44, 0.74%, 0.55%

LAB 79.38, -67.53, 47.2

 

CMYK 76 / 36 / 0 / 12

HEX #378FE1

RGB 55 143 225

HSL 208.94, 0.74%, 0.55%

LAB 57.94, 1.62, -49.09

 

CMYK 0 / 76 / 21 / 12

HEX #E137B1

RGB 225 55 177

HSL 316.94, 0.74%, 0.55%

LAB 53.94, 74.35, -26.95

 

CMYK 0 / 39 / 76 / 12

HEX #E18937

RGB 225 137 55

HSL 28.94, 0.74%, 0.55%

LAB 65.1, 27.25, 55.83

 

CMYK 76 / 0 / 54 / 12

HEX #35E167

RGB 53 225 103

HSL 137.44, 0.74%, 0.55%

LAB 79.38, -67.53, 47.2

 

CMYK 76 / 59 / 0 / 12

HEX #375CE1

RGB 55 92 225

HSL 226.94, 0.74%, 0.55%

LAB 44.09, 33.3, -71.37

 

CMYK 0 / 76 / 21 / 12

HEX #E137B1

RGB 225 55 177

HSL 316.94, 0.74%, 0.55%

LAB 53.94, 74.35, -26.95

 

CMYK 0 / 16 / 76 / 12

HEX #E1BC37

RGB 225 188 55

HSL 46.94, 0.74%, 0.55%

LAB 77.43, 0.17, 67.72

 

Description

Color code: RGB 53 225 103 | qconv.com Color code: RGB 53 225 103 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 225 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 225 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 54 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 54% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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