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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 223 90 it is the complementary color RGB 202 32 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 223 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 53 223 90: RGB 58 223 85, RGB 75 241 104, RGB 92 255 123, RGB 109 255 142 and RGB 126 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 223 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 53 223 90: RGB 53 223 90, RGB 36 205 71, RGB 19 187 52, RGB 2 169 33 and RGB 0 151 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 60 / 13

HEX #35DF5A

RGB 53 223 90

HSL 133.06, 0.73%, 0.54%

LAB 78.62, -68.54, 52.2

 

Complementary color

CMYK 0 / 84 / 18 / 21

HEX #CA20A5

RGB 202 32 165

HSL 313.06, 0.73%, 0.46%

LAB 47.37, 73.46, -30.4

 

CMYK 74 / 0 / 62 / 13

HEX #3ADF55

RGB 58 223 85

HSL 129.82, 0.72%, 0.55%

LAB 78.65, -68.42, 54.43

 

CMYK 69 / 0 / 57 / 5

HEX #4BF168

RGB 75 241 104

HSL 130.48, 0.86%, 0.62%

LAB 84.69, -69.41, 53.17

 

CMYK 64 / 0 / 52 / 0

HEX #5CFF7B

RGB 92 255 123

HSL 131.41, 1%, 0.68%

LAB 89.5, -68.68, 50.39

 

CMYK 57 / 0 / 44 / 0

HEX #6DFF8E

RGB 109 255 142

HSL 133.56, 1%, 0.71%

LAB 90.19, -62.49, 42.37

 

CMYK 51 / 0 / 37 / 0

HEX #7EFFA1

RGB 126 255 161

HSL 136.28, 1%, 0.75%

LAB 91.02, -55.53, 34.23

 

CMYK 76 / 0 / 60 / 13

HEX #35DF5A

RGB 53 223 90

HSL 133.06, 0.73%, 0.54%

LAB 78.62, -68.54, 52.2

 

CMYK 82 / 0 / 65 / 20

HEX #24CD47

RGB 36 205 71

HSL 132.43, 0.7%, 0.47%

LAB 72.56, -67.02, 53.45

 

CMYK 90 / 0 / 72 / 27

HEX #13BB34

RGB 19 187 52

HSL 131.79, 0.82%, 0.4%

LAB 66.46, -64.86, 54.42

 

CMYK 99 / 0 / 80 / 34

HEX #02A921

RGB 2 169 33

HSL 131.14, 0.98%, 0.34%

LAB 60.34, -61.95, 54.77

 

CMYK 100 / 0 / 91 / 41

HEX #00970E

RGB 0 151 14

HSL 125.56, 1%, 0.3%

LAB 54.2, -57.86, 53.97

 

CMYK 76 / 0 / 60 / 13

HEX #35DF5A

RGB 53 223 90

HSL 133.06, 0.73%, 0.54%

LAB 78.62, -68.54, 52.2

 

CMYK 77 / 0 / 48 / 13

HEX #34DF75

RGB 52 223 117

HSL 142.81, 0.73%, 0.54%

LAB 78.92, -64.91, 39.94

 

CMYK 77 / 0 / 35 / 13

HEX #34DF92

RGB 52 223 146

HSL 152.98, 0.73%, 0.54%

LAB 79.37, -59.7, 25.91

 

CMYK 77 / 0 / 22 / 13

HEX #34DFAE

RGB 52 223 174

HSL 162.81, 0.73%, 0.54%

LAB 79.93, -53.61, 12.04

 

CMYK 77 / 0 / 9 / 13

HEX #34DFCB

RGB 52 223 203

HSL 172.98, 0.73%, 0.54%

LAB 80.64, -46.32, -2.33

 

CMYK 76 / 0 / 60 / 13

HEX #35DF5A

RGB 53 223 90

HSL 133.06, 0.73%, 0.54%

LAB 78.62, -68.54, 52.2

 

CMYK 74 / 0 / 58 / 93

HEX #051308

RGB 5 19 8

HSL 132.86, 0.58%, 0.05%

LAB 4.66, -6.17, 3.58

 

CMYK 76 / 0 / 60 / 73

HEX #11461C

RGB 17 70 28

HSL 132.45, 0.61%, 0.17%

LAB 25.51, -27.69, 20.21

 

CMYK 76 / 0 / 60 / 53

HEX #1D7931

RGB 29 121 49

HSL 133.04, 0.61%, 0.29%

LAB 44.46, -42.4, 31.57

 

CMYK 76 / 0 / 60 / 33

HEX #29AC45

RGB 41 172 69

HSL 132.82, 0.62%, 0.42%

LAB 62, -55.94, 42.43

 

CMYK 76 / 0 / 60 / 13

HEX #35DF5A

RGB 53 223 90

HSL 133.06, 0.73%, 0.54%

LAB 78.62, -68.54, 52.2

 

CMYK 77 / 32 / 0 / 13

HEX #3497DF

RGB 52 151 223

HSL 205.26, 0.73%, 0.54%

LAB 60.06, -4.1, -44.62

 

CMYK 0 / 77 / 63 / 13

HEX #DF3453

RGB 223 52 83

HSL 349.12, 0.73%, 0.54%

LAB 50.42, 65.93, 24.11

 

CMYK 76 / 0 / 60 / 13

HEX #35DF5A

RGB 53 223 90

HSL 133.06, 0.73%, 0.54%

LAB 78.62, -68.54, 52.2

 

CMYK 60 / 77 / 0 / 13

HEX #5934DF

RGB 89 52 223

HSL 252.98, 0.73%, 0.54%

LAB 37.68, 59.27, -80.68

 

CMYK 0 / 60 / 77 / 13

HEX #DF5934

RGB 223 89 52

HSL 12.98, 0.73%, 0.54%

LAB 55.16, 50.39, 47.09

 

CMYK 76 / 0 / 60 / 13

HEX #35DF5A

RGB 53 223 90

HSL 133.06, 0.73%, 0.54%

LAB 78.62, -68.54, 52.2

 

CMYK 77 / 32 / 0 / 13

HEX #3497DF

RGB 52 151 223

HSL 205.26, 0.73%, 0.54%

LAB 60.06, -4.1, -44.62

 

CMYK 0 / 77 / 17 / 13

HEX #DF34BA

RGB 223 52 186

HSL 312.98, 0.73%, 0.54%

LAB 53.7, 75.91, -32.58

 

CMYK 0 / 45 / 77 / 13

HEX #DF7B34

RGB 223 123 52

HSL 24.91, 0.73%, 0.54%

LAB 61.74, 33.68, 53.73

 

CMYK 76 / 0 / 60 / 13

HEX #35DF5A

RGB 53 223 90

HSL 133.06, 0.73%, 0.54%

LAB 78.62, -68.54, 52.2

 

CMYK 77 / 55 / 0 / 13

HEX #3464DF

RGB 52 100 223

HSL 223.16, 0.73%, 0.54%

LAB 45.87, 27.17, -67.35

 

CMYK 0 / 77 / 17 / 13

HEX #DF34BA

RGB 223 52 186

HSL 312.98, 0.73%, 0.54%

LAB 53.7, 75.91, -32.58

 

CMYK 0 / 22 / 77 / 13

HEX #DFAE34

RGB 223 174 52

HSL 42.81, 0.73%, 0.54%

LAB 73.68, 6.54, 65.19

 

Description

Color code: RGB 53 223 90 | qconv.com Color code: RGB 53 223 90 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 223 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 223 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 60 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 60% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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