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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 220 89 it is the complementary color RGB 202 35 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 220 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 220 89 shade: RGB 58 220 84, RGB 75 238 103, RGB 92 255 122, RGB 109 255 141 and RGB 126 255 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 220 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 220 89 shade: RGB 53 220 89, RGB 36 202 70, RGB 19 184 51, RGB 2 166 32 and RGB 0 148 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 220 89 shade: RGB 56 220 91, RGB 64 220 56, RGB 109 220 56, RGB 153 220 56 and RGB 197 220 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 220 89 shade: RGB 56 220 91, RGB 56 220 135, RGB 56 220 180, RGB 56 216 220 and RGB 56 172 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 220 89 shade matches the following richer shades: RGB 56 220 91 and RGB 37 239 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 220 89 shade: RGB 56 220 91, RGB 75 201 102, RGB 94 182 113, RGB 113 163 123 and RGB 132 144 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 220 89 shade: RGB 110 220 56, RGB 67 220 56, RGB 56 220 88, RGB 56 220 132 and RGB 56 220 176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 220 89 shade: RGB 29 164 58, RGB 35 199 70, RGB 56 220 91, RGB 91 226 120 and RGB 126 232 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 220 89 shade: RGB 53 220 89, RGB 56 154 220 and RGB 220 56 88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 220 89 shade: RGB 53 220 89, RGB 88 56 220 and RGB 220 88 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 220 89 shade: RGB 53 220 89, RGB 56 154 220, RGB 220 56 187 and RGB 220 121 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 220 89 shade: RGB 53 220 89, RGB 56 105 220, RGB 220 56 187 and RGB 220 171 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 60 / 14

HEX #35DC59

RGB 53 220 89

HSL 132.93, 0.7%, 0.54%

LAB 77.68, -67.7, 51.55

 

Complementary color

CMYK 0 / 83 / 18 / 21

HEX #CA23A6

RGB 202 35 166

HSL 312.93, 0.7%, 0.46%

LAB 47.64, 72.95, -30.58

 

CMYK 74 / 0 / 62 / 14

HEX #3ADC54

RGB 58 220 84

HSL 129.63, 0.7%, 0.55%

LAB 77.71, -67.57, 53.8

 

CMYK 68 / 0 / 57 / 7

HEX #4BEE67

RGB 75 238 103

HSL 130.31, 0.83%, 0.61%

LAB 83.77, -68.53, 52.53

 

CMYK 64 / 0 / 52 / 0

HEX #5CFF7A

RGB 92 255 122

HSL 131.04, 1%, 0.68%

LAB 89.49, -68.82, 50.83

 

CMYK 57 / 0 / 45 / 0

HEX #6DFF8D

RGB 109 255 141

HSL 133.15, 1%, 0.71%

LAB 90.18, -62.64, 42.84

 

CMYK 51 / 0 / 37 / 0

HEX #7EFFA0

RGB 126 255 160

HSL 135.81, 1%, 0.75%

LAB 91, -55.7, 34.71

 

CMYK 76 / 0 / 60 / 14

HEX #35DC59

RGB 53 220 89

HSL 132.93, 0.7%, 0.54%

LAB 77.68, -67.7, 51.55

 

CMYK 82 / 0 / 65 / 21

HEX #24CA46

RGB 36 202 70

HSL 132.29, 0.7%, 0.47%

LAB 71.59, -66.19, 52.81

 

CMYK 90 / 0 / 72 / 28

HEX #13B833

RGB 19 184 51

HSL 131.64, 0.81%, 0.4%

LAB 65.48, -64.05, 53.78

 

CMYK 99 / 0 / 81 / 35

HEX #02A620

RGB 2 166 32

HSL 130.98, 0.98%, 0.33%

LAB 59.33, -61.15, 54.12

 

CMYK 100 / 0 / 91 / 42

HEX #00940D

RGB 0 148 13

HSL 125.27, 1%, 0.29%

LAB 53.18, -57.03, 53.27

 

CMYK 75 / 0 / 59 / 14

HEX #38DC5B

RGB 56 220 91

HSL 132.8, 0.7%, 0.54%

LAB 77.75, -67.04, 50.76

 

CMYK 71 / 0 / 75 / 14

HEX #40DC38

RGB 64 220 56

HSL 117.07, 0.7%, 0.54%

LAB 77.62, -69.16, 64.49

 

CMYK 50 / 0 / 75 / 14

HEX #6DDC38

RGB 109 220 56

HSL 100.61, 0.7%, 0.54%

LAB 78.88, -58.93, 66.17

 

CMYK 30 / 0 / 75 / 14

HEX #99DC38

RGB 153 220 56

HSL 84.51, 0.7%, 0.54%

LAB 80.87, -44.61, 68.78

 

CMYK 10 / 0 / 75 / 14

HEX #C5DC38

RGB 197 220 56

HSL 68.41, 0.7%, 0.54%

LAB 83.62, -27.58, 72.36

 

CMYK 75 / 0 / 59 / 14

HEX #38DC5B

RGB 56 220 91

HSL 132.8, 0.7%, 0.54%

LAB 77.75, -67.04, 50.76

 

CMYK 75 / 0 / 39 / 14

HEX #38DC87

RGB 56 220 135

HSL 148.9, 0.7%, 0.54%

LAB 78.33, -60.23, 30.17

 

CMYK 75 / 0 / 18 / 14

HEX #38DCB4

RGB 56 220 180

HSL 165.37, 0.7%, 0.54%

LAB 79.23, -50.51, 7.86

 

CMYK 75 / 2 / 0 / 14

HEX #38D8DC

RGB 56 216 220

HSL 181.46, 0.7%, 0.54%

LAB 79.11, -38.08, -13.65

 

CMYK 75 / 22 / 0 / 14

HEX #38ACDC

RGB 56 172 220

HSL 197.56, 0.7%, 0.54%

LAB 66.15, -16.31, -33.43

 

CMYK 75 / 0 / 59 / 14

HEX #38DC5B

RGB 56 220 91

HSL 132.8, 0.7%, 0.54%

LAB 77.75, -67.04, 50.76

 

CMYK 85 / 0 / 67 / 6

HEX #25EF50

RGB 37 239 80

HSL 132.77, 0.86%, 0.54%

LAB 83.29, -76.27, 61.52

 

CMYK 75 / 0 / 59 / 14

HEX #38DC5B

RGB 56 220 91

HSL 132.8, 0.7%, 0.54%

LAB 77.75, -67.04, 50.76

 

CMYK 63 / 0 / 49 / 21

HEX #4BC966

RGB 75 201 102

HSL 132.86, 0.54%, 0.54%

LAB 72.38, -55.6, 39.21

 

CMYK 48 / 0 / 38 / 29

HEX #5EB671

RGB 94 182 113

HSL 132.95, 0.38%, 0.54%

LAB 67.3, -41.59, 27.18

 

CMYK 31 / 0 / 25 / 36

HEX #71A37B

RGB 113 163 123

HSL 132, 0.21%, 0.54%

LAB 62.62, -25.15, 15.57

 

CMYK 8 / 0 / 7 / 44

HEX #849086

RGB 132 144 134

HSL 130, 0.05%, 0.54%

LAB 58.58, -6.34, 3.82

 

CMYK 50 / 0 / 75 / 14

HEX #6EDC38

RGB 110 220 56

HSL 100.24, 0.7%, 0.54%

LAB 78.92, -58.64, 66.21

 

CMYK 70 / 0 / 75 / 14

HEX #43DC38

RGB 67 220 56

HSL 115.98, 0.7%, 0.54%

LAB 77.68, -68.64, 64.57

 

CMYK 75 / 0 / 60 / 14

HEX #38DC58

RGB 56 220 88

HSL 131.71, 0.7%, 0.54%

LAB 77.72, -67.4, 52.05

 

CMYK 75 / 0 / 40 / 14

HEX #38DC84

RGB 56 220 132

HSL 147.8, 0.7%, 0.54%

LAB 78.28, -60.78, 31.64

 

CMYK 75 / 0 / 20 / 14

HEX #38DCB0

RGB 56 220 176

HSL 163.9, 0.7%, 0.54%

LAB 79.13, -51.47, 9.85

 

CMYK 82 / 0 / 65 / 36

HEX #1DA43A

RGB 29 164 58

HSL 132.89, 0.7%, 0.38%

LAB 59.08, -56.19, 44.08

 

CMYK 82 / 0 / 65 / 22

HEX #23C746

RGB 35 199 70

HSL 132.8, 0.7%, 0.46%

LAB 70.63, -65.37, 51.74

 

CMYK 75 / 0 / 59 / 14

HEX #38DC5B

RGB 56 220 91

HSL 132.8, 0.7%, 0.54%

LAB 77.75, -67.04, 50.76

 

CMYK 60 / 0 / 47 / 11

HEX #5BE278

RGB 91 226 120

HSL 132.89, 0.7%, 0.62%

LAB 80.72, -58.87, 40.93

 

CMYK 46 / 0 / 36 / 9

HEX #7EE895

RGB 126 232 149

HSL 133.02, 0.7%, 0.7%

LAB 84.13, -48.1, 31.11

 

CMYK 76 / 0 / 60 / 14

HEX #35DC59

RGB 53 220 89

HSL 132.93, 0.7%, 0.54%

LAB 77.68, -67.7, 51.55

 

CMYK 75 / 30 / 0 / 14

HEX #389ADC

RGB 56 154 220

HSL 204.15, 0.7%, 0.54%

LAB 60.89, -6.4, -41.64

 

CMYK 0 / 75 / 60 / 14

HEX #DC3858

RGB 220 56 88

HSL 348.29, 0.7%, 0.54%

LAB 50.39, 64.15, 20.96

 

CMYK 76 / 0 / 60 / 14

HEX #35DC59

RGB 53 220 89

HSL 132.93, 0.7%, 0.54%

LAB 77.68, -67.7, 51.55

 

CMYK 60 / 75 / 0 / 14

HEX #5838DC

RGB 88 56 220

HSL 251.71, 0.7%, 0.54%

LAB 37.97, 56.39, -78.48

 

CMYK 0 / 60 / 75 / 14

HEX #DC5838

RGB 220 88 56

HSL 11.71, 0.7%, 0.54%

LAB 54.53, 49.93, 44.24

 

CMYK 76 / 0 / 60 / 14

HEX #35DC59

RGB 53 220 89

HSL 132.93, 0.7%, 0.54%

LAB 77.68, -67.7, 51.55

 

CMYK 75 / 30 / 0 / 14

HEX #389ADC

RGB 56 154 220

HSL 204.15, 0.7%, 0.54%

LAB 60.89, -6.4, -41.64

 

CMYK 0 / 75 / 15 / 14

HEX #DC38BB

RGB 220 56 187

HSL 312.07, 0.7%, 0.54%

LAB 53.63, 74.23, -33.3

 

CMYK 0 / 45 / 75 / 14

HEX #DC7938

RGB 220 121 56

HSL 23.78, 0.7%, 0.54%

LAB 60.94, 33.68, 50.96

 

CMYK 76 / 0 / 60 / 14

HEX #35DC59

RGB 53 220 89

HSL 132.93, 0.7%, 0.54%

LAB 77.68, -67.7, 51.55

 

CMYK 75 / 52 / 0 / 14

HEX #3869DC

RGB 56 105 220

HSL 222.07, 0.7%, 0.54%

LAB 47.12, 23.33, -63.61

 

CMYK 0 / 75 / 15 / 14

HEX #DC38BB

RGB 220 56 187

HSL 312.07, 0.7%, 0.54%

LAB 53.63, 74.23, -33.3

 

CMYK 0 / 22 / 75 / 14

HEX #DCAB38

RGB 220 171 56

HSL 42.07, 0.7%, 0.54%

LAB 72.65, 7, 62.62

 

Description

Color code: RGB 53 220 89 | qconv.com Color code: RGB 53 220 89 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 220 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 220 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 60 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 60% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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