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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 220 57 it is the complementary color RGB 202 35 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 220 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 220 57 shade: RGB 58 220 52, RGB 75 238 71, RGB 92 255 90, RGB 109 255 109 and RGB 126 255 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 220 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 220 57 shade: RGB 53 220 57, RGB 36 202 38, RGB 19 184 19, RGB 2 166 0 and RGB 0 148 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 220 57 shade: RGB 56 220 60, RGB 96 220 56, RGB 140 220 56, RGB 185 220 56 and RGB 220 211 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 220 57 shade: RGB 56 220 60, RGB 56 220 104, RGB 56 220 148, RGB 56 220 192 and RGB 56 203 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 220 57 shade matches the following richer shades: RGB 56 220 60 and RGB 37 239 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 220 57 shade: RGB 56 220 60, RGB 75 201 78, RGB 94 182 96, RGB 113 163 114 and RGB 132 144 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 220 57 shade: RGB 140 220 56, RGB 97 220 56, RGB 56 220 58, RGB 56 220 102 and RGB 56 220 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 220 57 shade: RGB 29 164 32, RGB 35 199 39, RGB 56 220 60, RGB 91 226 94 and RGB 126 232 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 220 57 shade: RGB 53 220 57, RGB 56 184 220 and RGB 220 56 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 220 57 shade: RGB 53 220 57, RGB 58 56 220 and RGB 220 58 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 220 57 shade: RGB 53 220 57, RGB 56 184 220, RGB 220 56 217 and RGB 220 91 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 220 57 shade: RGB 53 220 57, RGB 56 135 220, RGB 220 56 217 and RGB 220 140 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 74 / 14

HEX #35DC39

RGB 53 220 57

HSL 121.44, 0.7%, 0.54%

LAB 77.42, -70.79, 63.9

 

Complementary color

CMYK 0 / 83 / 2 / 21

HEX #CA23C6

RGB 202 35 198

HSL 301.44, 0.7%, 0.46%

LAB 49.3, 77.45, -46.72

 

CMYK 74 / 0 / 76 / 14

HEX #3ADC34

RGB 58 220 52

HSL 117.86, 0.71%, 0.53%

LAB 77.48, -70.41, 65.61

 

CMYK 68 / 0 / 70 / 7

HEX #4BEE47

RGB 75 238 71

HSL 118.56, 0.83%, 0.61%

LAB 83.49, -71.8, 65.31

 

CMYK 64 / 0 / 65 / 0

HEX #5CFF5A

RGB 92 255 90

HSL 119.27, 1%, 0.68%

LAB 89.17, -72.44, 64.25

 

CMYK 57 / 0 / 57 / 0

HEX #6DFF6D

RGB 109 255 109

HSL 120, 1%, 0.71%

LAB 89.8, -66.84, 57.15

 

CMYK 51 / 0 / 50 / 0

HEX #7EFF80

RGB 126 255 128

HSL 120.93, 1%, 0.75%

LAB 90.56, -60.41, 49.59

 

CMYK 76 / 0 / 74 / 14

HEX #35DC39

RGB 53 220 57

HSL 121.44, 0.7%, 0.54%

LAB 77.42, -70.79, 63.9

 

CMYK 82 / 0 / 81 / 21

HEX #24CA26

RGB 36 202 38

HSL 120.72, 0.7%, 0.47%

LAB 71.39, -68.76, 63.82

 

CMYK 90 / 0 / 90 / 28

HEX #13B813

RGB 19 184 19

HSL 120, 0.81%, 0.4%

LAB 65.33, -65.97, 62.69

 

CMYK 99 / 0 / 100 / 35

HEX #02A600

RGB 2 166 0

HSL 119.28, 1%, 0.33%

LAB 59.24, -62.39, 60.33

 

CMYK 100 / 0 / 100 / 42

HEX #009400

RGB 0 148 0

HSL 120, 1%, 0.29%

LAB 53.15, -57.45, 55.44

 

CMYK 75 / 0 / 73 / 14

HEX #38DC3C

RGB 56 220 60

HSL 121.46, 0.7%, 0.54%

LAB 77.49, -70.13, 62.96

 

CMYK 56 / 0 / 75 / 14

HEX #60DC38

RGB 96 220 56

HSL 105.37, 0.7%, 0.54%

LAB 78.44, -62.4, 65.58

 

CMYK 36 / 0 / 75 / 14

HEX #8CDC38

RGB 140 220 56

HSL 89.27, 0.7%, 0.54%

LAB 80.21, -49.2, 67.91

 

CMYK 16 / 0 / 75 / 14

HEX #B9DC38

RGB 185 220 56

HSL 72.8, 0.7%, 0.54%

LAB 82.8, -32.4, 71.29

 

CMYK 0 / 4 / 75 / 14

HEX #DCD338

RGB 220 211 56

HSL 56.71, 0.7%, 0.54%

LAB 82.96, -13.66, 72.38

 

CMYK 75 / 0 / 73 / 14

HEX #38DC3C

RGB 56 220 60

HSL 121.46, 0.7%, 0.54%

LAB 77.49, -70.13, 62.96

 

CMYK 75 / 0 / 53 / 14

HEX #38DC68

RGB 56 220 104

HSL 137.56, 0.7%, 0.54%

LAB 77.89, -65.32, 44.94

 

CMYK 75 / 0 / 33 / 14

HEX #38DC94

RGB 56 220 148

HSL 153.66, 0.7%, 0.54%

LAB 78.56, -57.69, 23.77

 

CMYK 75 / 0 / 13 / 14

HEX #38DCC0

RGB 56 220 192

HSL 169.76, 0.7%, 0.54%

LAB 79.52, -47.5, 1.9

 

CMYK 75 / 8 / 0 / 14

HEX #38CBDC

RGB 56 203 220

HSL 186.22, 0.7%, 0.54%

LAB 75.28, -31.99, -19.43

 

CMYK 75 / 0 / 73 / 14

HEX #38DC3C

RGB 56 220 60

HSL 121.46, 0.7%, 0.54%

LAB 77.49, -70.13, 62.96

 

CMYK 85 / 0 / 83 / 6

HEX #25EF29

RGB 37 239 41

HSL 121.19, 0.86%, 0.54%

LAB 83.07, -79.06, 73.78

 

CMYK 75 / 0 / 73 / 14

HEX #38DC3C

RGB 56 220 60

HSL 121.46, 0.7%, 0.54%

LAB 77.49, -70.13, 62.96

 

CMYK 63 / 0 / 61 / 21

HEX #4BC94E

RGB 75 201 78

HSL 121.43, 0.54%, 0.54%

LAB 72.11, -58.72, 50.15

 

CMYK 48 / 0 / 47 / 29

HEX #5EB660

RGB 94 182 96

HSL 121.36, 0.38%, 0.54%

LAB 67.04, -44.29, 35.66

 

CMYK 31 / 0 / 30 / 36

HEX #71A372

RGB 113 163 114

HSL 121.2, 0.21%, 0.54%

LAB 62.44, -26.78, 20.28

 

CMYK 8 / 0 / 8 / 44

HEX #849084

RGB 132 144 132

HSL 120, 0.05%, 0.54%

LAB 58.53, -6.73, 4.89

 

CMYK 36 / 0 / 75 / 14

HEX #8CDC38

RGB 140 220 56

HSL 89.27, 0.7%, 0.54%

LAB 80.21, -49.2, 67.91

 

CMYK 56 / 0 / 75 / 14

HEX #61DC38

RGB 97 220 56

HSL 105, 0.7%, 0.54%

LAB 78.47, -62.15, 65.62

 

CMYK 75 / 0 / 74 / 14

HEX #38DC3A

RGB 56 220 58

HSL 120.73, 0.7%, 0.54%

LAB 77.48, -70.28, 63.63

 

CMYK 75 / 0 / 54 / 14

HEX #38DC66

RGB 56 220 102

HSL 136.83, 0.7%, 0.54%

LAB 77.87, -65.6, 45.85

 

CMYK 75 / 0 / 34 / 14

HEX #38DC92

RGB 56 220 146

HSL 152.93, 0.7%, 0.54%

LAB 78.52, -58.1, 24.76

 

CMYK 82 / 0 / 80 / 36

HEX #1DA420

RGB 29 164 32

HSL 121.33, 0.7%, 0.38%

LAB 58.9, -58.5, 53.79

 

CMYK 82 / 0 / 80 / 22

HEX #23C727

RGB 35 199 39

HSL 121.46, 0.7%, 0.46%

LAB 70.42, -67.93, 62.63

 

CMYK 75 / 0 / 73 / 14

HEX #38DC3C

RGB 56 220 60

HSL 121.46, 0.7%, 0.54%

LAB 77.49, -70.13, 62.96

 

CMYK 60 / 0 / 58 / 11

HEX #5BE25E

RGB 91 226 94

HSL 121.33, 0.7%, 0.62%

LAB 80.42, -62.3, 52.73

 

CMYK 46 / 0 / 45 / 9

HEX #7EE880

RGB 126 232 128

HSL 121.13, 0.7%, 0.7%

LAB 83.81, -51.34, 41.17

 

CMYK 76 / 0 / 74 / 14

HEX #35DC39

RGB 53 220 57

HSL 121.44, 0.7%, 0.54%

LAB 77.42, -70.79, 63.9

 

CMYK 75 / 16 / 0 / 14

HEX #38B8DC

RGB 56 184 220

HSL 193.17, 0.7%, 0.54%

LAB 69.67, -22.58, -27.98

 

CMYK 0 / 75 / 46 / 14

HEX #DC3877

RGB 220 56 119

HSL 336.95, 0.7%, 0.54%

LAB 51.12, 66.51, 3.22

 

CMYK 76 / 0 / 74 / 14

HEX #35DC39

RGB 53 220 57

HSL 121.44, 0.7%, 0.54%

LAB 77.42, -70.79, 63.9

 

CMYK 74 / 75 / 0 / 14

HEX #3A38DC

RGB 58 56 220

HSL 240.73, 0.7%, 0.54%

LAB 35.78, 53.32, -82.16

 

CMYK 0 / 74 / 75 / 14

HEX #DC3A38

RGB 220 58 56

HSL 0.73, 0.7%, 0.54%

LAB 50.13, 61.86, 39.44

 

CMYK 76 / 0 / 74 / 14

HEX #35DC39

RGB 53 220 57

HSL 121.44, 0.7%, 0.54%

LAB 77.42, -70.79, 63.9

 

CMYK 75 / 16 / 0 / 14

HEX #38B8DC

RGB 56 184 220

HSL 193.17, 0.7%, 0.54%

LAB 69.67, -22.58, -27.98

 

CMYK 0 / 75 / 1 / 14

HEX #DC38D9

RGB 220 56 217

HSL 301.1, 0.7%, 0.54%

LAB 55.13, 78.6, -48.16

 

CMYK 0 / 59 / 75 / 14

HEX #DC5B38

RGB 220 91 56

HSL 12.8, 0.7%, 0.54%

LAB 55.06, 48.56, 44.8

 

CMYK 76 / 0 / 74 / 14

HEX #35DC39

RGB 53 220 57

HSL 121.44, 0.7%, 0.54%

LAB 77.42, -70.79, 63.9

 

CMYK 75 / 39 / 0 / 14

HEX #3887DC

RGB 56 135 220

HSL 211.1, 0.7%, 0.54%

LAB 55.42, 4.71, -50.29

 

CMYK 0 / 75 / 1 / 14

HEX #DC38D9

RGB 220 56 217

HSL 301.1, 0.7%, 0.54%

LAB 55.13, 78.6, -48.16

 

CMYK 0 / 36 / 75 / 14

HEX #DC8C38

RGB 220 140 56

HSL 30.73, 0.7%, 0.54%

LAB 65.17, 23.61, 55.26

 

Description

Color code: RGB 53 220 57 | qconv.com Color code: RGB 53 220 57 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 220 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 220 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 74 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 74% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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