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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 220 2 it is the complementary color RGB 202 35 253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 220 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 220 2 shade: RGB 58 220 0, RGB 75 238 16, RGB 92 255 35, RGB 109 255 54 and RGB 126 255 73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 220 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 220 2 shade: RGB 53 220 2, RGB 36 202 0, RGB 19 184 0, RGB 2 166 0 and RGB 0 148 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 220 2 shade: RGB 54 222 2, RGB 113 222 2, RGB 172 222 2, RGB 222 213 2 and RGB 222 153 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 220 2 shade: RGB 54 222 2, RGB 2 222 10, RGB 2 222 69, RGB 2 222 129 and RGB 2 222 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 220 2 shade matches the following richer shades: RGB 54 222 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 220 2 shade: RGB 54 222 2, RGB 63 204 20, RGB 73 186 39, RGB 83 168 57 and RGB 92 150 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 220 2 shade: RGB 175 222 2, RGB 116 222 2, RGB 57 222 2, RGB 2 222 6 and RGB 2 222 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 220 2 shade: RGB 34 140 1, RGB 44 181 2, RGB 54 222 2, RGB 69 253 13 and RGB 101 253 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 220 2 shade: RGB 53 220 2, RGB 2 222 211 and RGB 222 2 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 220 2 shade: RGB 53 220 2, RGB 2 57 222 and RGB 222 2 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 220 2 shade: RGB 53 220 2, RGB 2 222 211, RGB 167 2 222 and RGB 222 2 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 220 2 shade: RGB 53 220 2, RGB 2 167 222, RGB 167 2 222 and RGB 222 57 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 99 / 14

HEX #35DC02

RGB 53 220 2

HSL 105.96, 0.98%, 0.44%

LAB 77.25, -72.96, 74.77

 

Complementary color

CMYK 20 / 86 / 0 / 1

HEX #CA23FD

RGB 202 35 253

HSL 285.96, 0.98%, 0.56%

LAB 52.79, 86.42, -72.32

 

CMYK 74 / 0 / 100 / 14

HEX #3ADC00

RGB 58 220 0

HSL 104.18, 1%, 0.43%

LAB 77.33, -72.24, 75.06

 

CMYK 68 / 0 / 93 / 7

HEX #4BEE10

RGB 75 238 16

HSL 104.05, 0.87%, 0.5%

LAB 83.27, -74.48, 78.53

 

CMYK 64 / 0 / 86 / 0

HEX #5CFF23

RGB 92 255 35

HSL 104.45, 1%, 0.57%

LAB 88.88, -75.9, 80.56

 

CMYK 57 / 0 / 79 / 0

HEX #6DFF36

RGB 109 255 54

HSL 103.58, 1%, 0.61%

LAB 89.41, -71.32, 76.82

 

CMYK 51 / 0 / 71 / 0

HEX #7EFF49

RGB 126 255 73

HSL 102.53, 1%, 0.64%

LAB 90.06, -65.84, 71.78

 

CMYK 76 / 0 / 99 / 14

HEX #35DC02

RGB 53 220 2

HSL 105.96, 0.98%, 0.44%

LAB 77.25, -72.96, 74.77

 

CMYK 82 / 0 / 100 / 21

HEX #24CA00

RGB 36 202 0

HSL 109.31, 1%, 0.4%

LAB 71.29, -69.98, 70.1

 

CMYK 90 / 0 / 100 / 28

HEX #13B800

RGB 19 184 0

HSL 113.8, 1%, 0.36%

LAB 65.29, -66.45, 65.23

 

CMYK 99 / 0 / 100 / 35

HEX #02A600

RGB 2 166 0

HSL 119.28, 1%, 0.33%

LAB 59.24, -62.39, 60.33

 

CMYK 100 / 0 / 100 / 42

HEX #009400

RGB 0 148 0

HSL 120, 1%, 0.29%

LAB 53.15, -57.45, 55.44

 

CMYK 76 / 0 / 99 / 13

HEX #36DE02

RGB 54 222 2

HSL 105.82, 0.98%, 0.44%

LAB 77.89, -73.4, 75.3

 

CMYK 49 / 0 / 99 / 13

HEX #71DE02

RGB 113 222 2

HSL 89.73, 0.98%, 0.44%

LAB 79.48, -60.32, 77.22

 

CMYK 23 / 0 / 99 / 13

HEX #ACDE02

RGB 172 222 2

HSL 73.64, 0.98%, 0.44%

LAB 82.39, -39.82, 80.74

 

CMYK 0 / 4 / 99 / 13

HEX #DED502

RGB 222 213 2

HSL 57.55, 0.98%, 0.44%

LAB 83.51, -14.97, 83.17

 

CMYK 0 / 31 / 99 / 13

HEX #DE9902

RGB 222 153 2

HSL 41.18, 0.98%, 0.44%

LAB 68.25, 16.24, 72.4

 

CMYK 76 / 0 / 99 / 13

HEX #36DE02

RGB 54 222 2

HSL 105.82, 0.98%, 0.44%

LAB 77.89, -73.4, 75.3

 

CMYK 99 / 0 / 95 / 13

HEX #02DE0A

RGB 2 222 10

HSL 122.18, 0.98%, 0.44%

LAB 77.45, -77.38, 74

 

CMYK 99 / 0 / 69 / 13

HEX #02DE45

RGB 2 222 69

HSL 138.27, 0.98%, 0.44%

LAB 77.69, -74.25, 59.72

 

CMYK 99 / 0 / 42 / 13

HEX #02DE81

RGB 2 222 129

HSL 154.64, 0.98%, 0.44%

LAB 78.37, -65.92, 33.18

 

CMYK 99 / 0 / 15 / 13

HEX #02DEBC

RGB 2 222 188

HSL 170.73, 0.98%, 0.44%

LAB 79.55, -52.71, 4.02

 

CMYK 76 / 0 / 99 / 13

HEX #36DE02

RGB 54 222 2

HSL 105.82, 0.98%, 0.44%

LAB 77.89, -73.4, 75.3

 

CMYK 76 / 0 / 99 / 13

HEX #36DE02

RGB 54 222 2

HSL 105.82, 0.98%, 0.44%

LAB 77.89, -73.4, 75.3

 

CMYK 69 / 0 / 90 / 20

HEX #3FCC14

RGB 63 204 20

HSL 105.98, 0.82%, 0.44%

LAB 72.42, -66.13, 68.83

 

CMYK 61 / 0 / 79 / 27

HEX #49BA27

RGB 73 186 39

HSL 106.12, 0.65%, 0.44%

LAB 67.04, -57.22, 59.72

 

CMYK 51 / 0 / 66 / 34

HEX #53A839

RGB 83 168 57

HSL 105.95, 0.49%, 0.44%

LAB 61.77, -46.47, 47.87

 

CMYK 39 / 0 / 50 / 41

HEX #5C964B

RGB 92 150 75

HSL 106.4, 0.33%, 0.44%

LAB 56.68, -33.84, 33.51

 

CMYK 21 / 0 / 99 / 13

HEX #AFDE02

RGB 175 222 2

HSL 72.82, 0.98%, 0.44%

LAB 82.57, -38.64, 80.96

 

CMYK 48 / 0 / 99 / 13

HEX #74DE02

RGB 116 222 2

HSL 88.91, 0.98%, 0.44%

LAB 79.59, -59.42, 77.36

 

CMYK 74 / 0 / 99 / 13

HEX #39DE02

RGB 57 222 2

HSL 105, 0.98%, 0.44%

LAB 77.94, -72.95, 75.36

 

CMYK 99 / 0 / 97 / 13

HEX #02DE06

RGB 2 222 6

HSL 121.09, 0.98%, 0.44%

LAB 77.44, -77.44, 74.37

 

CMYK 99 / 0 / 71 / 13

HEX #02DE41

RGB 2 222 65

HSL 137.18, 0.98%, 0.44%

LAB 77.66, -74.62, 61.18

 

CMYK 76 / 0 / 99 / 45

HEX #228C01

RGB 34 140 1

HSL 105.76, 0.99%, 0.28%

LAB 50.8, -51.56, 53.55

 

CMYK 76 / 0 / 99 / 29

HEX #2CB502

RGB 44 181 2

HSL 105.92, 0.98%, 0.36%

LAB 64.63, -62.71, 64.58

 

CMYK 76 / 0 / 99 / 13

HEX #36DE02

RGB 54 222 2

HSL 105.82, 0.98%, 0.44%

LAB 77.89, -73.4, 75.3

 

CMYK 73 / 0 / 95 / 1

HEX #45FD0D

RGB 69 253 13

HSL 106, 0.98%, 0.52%

LAB 87.75, -79.98, 82.44

 

CMYK 60 / 0 / 79 / 1

HEX #65FD36

RGB 101 253 54

HSL 105.83, 0.98%, 0.6%

LAB 88.58, -72.51, 75.96

 

CMYK 76 / 0 / 99 / 14

HEX #35DC02

RGB 53 220 2

HSL 105.96, 0.98%, 0.44%

LAB 77.25, -72.96, 74.77

 

CMYK 99 / 0 / 5 / 13

HEX #02DED3

RGB 2 222 211

HSL 177, 0.98%, 0.44%

LAB 80.16, -46.43, -7.34

 

CMYK 0 / 99 / 35 / 13

HEX #DE0291

RGB 222 2 145

HSL 321, 0.98%, 0.44%

LAB 49.03, 78.96, -15.56

 

CMYK 76 / 0 / 99 / 14

HEX #35DC02

RGB 53 220 2

HSL 105.96, 0.98%, 0.44%

LAB 77.25, -72.96, 74.77

 

CMYK 99 / 74 / 0 / 13

HEX #0239DE

RGB 2 57 222

HSL 225, 0.98%, 0.44%

LAB 34.42, 50.88, -85.61

 

CMYK 0 / 99 / 74 / 13

HEX #DE0239

RGB 222 2 57

HSL 345, 0.98%, 0.44%

LAB 46.8, 73.05, 35.23

 

CMYK 76 / 0 / 99 / 14

HEX #35DC02

RGB 53 220 2

HSL 105.96, 0.98%, 0.44%

LAB 77.25, -72.96, 74.77

 

CMYK 99 / 0 / 5 / 13

HEX #02DED3

RGB 2 222 211

HSL 177, 0.98%, 0.44%

LAB 80.16, -46.43, -7.34

 

CMYK 25 / 99 / 0 / 13

HEX #A702DE

RGB 167 2 222

HSL 285, 0.98%, 0.44%

LAB 43.56, 80.45, -70.08

 

CMYK 0 / 99 / 94 / 13

HEX #DE020D

RGB 222 2 13

HSL 357, 0.98%, 0.44%

LAB 46.45, 72.08, 56.72

 

CMYK 76 / 0 / 99 / 14

HEX #35DC02

RGB 53 220 2

HSL 105.96, 0.98%, 0.44%

LAB 77.25, -72.96, 74.77

 

CMYK 99 / 25 / 0 / 13

HEX #02A7DE

RGB 2 167 222

HSL 195, 0.98%, 0.44%

LAB 64.1, -16.46, -37.77

 

CMYK 25 / 99 / 0 / 13

HEX #A702DE

RGB 167 2 222

HSL 285, 0.98%, 0.44%

LAB 43.56, 80.45, -70.08

 

CMYK 0 / 74 / 99 / 13

HEX #DE3902

RGB 222 57 2

HSL 15, 0.98%, 0.44%

LAB 50.05, 61.68, 61.51

 

Description

Color code: RGB 53 220 2 | qconv.com Color code: RGB 53 220 2 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 220 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 220 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 99 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 99% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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