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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 220 106 it is the complementary color RGB 202 35 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 220 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 220 106 shade: RGB 58 220 101, RGB 75 238 120, RGB 92 255 139, RGB 109 255 158 and RGB 126 255 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 220 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 220 106 shade: RGB 53 220 106, RGB 36 202 87, RGB 19 184 68, RGB 2 166 49 and RGB 0 148 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 220 106 shade: RGB 56 220 108, RGB 56 220 63, RGB 92 220 56, RGB 136 220 56 and RGB 181 220 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 220 106 shade: RGB 56 220 108, RGB 56 220 152, RGB 56 220 196, RGB 56 199 220 and RGB 56 155 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 220 106 shade matches the following richer shades: RGB 56 220 108 and RGB 37 239 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 220 106 shade: RGB 56 220 108, RGB 75 201 115, RGB 94 182 122, RGB 113 163 129 and RGB 132 144 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 220 106 shade: RGB 91 220 56, RGB 56 220 64, RGB 56 220 108, RGB 56 220 151 and RGB 56 220 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 220 106 shade: RGB 29 164 72, RGB 35 199 87, RGB 56 220 108, RGB 91 226 134 and RGB 126 232 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 220 106 shade: RGB 53 220 106, RGB 56 135 220 and RGB 220 56 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 220 106 shade: RGB 53 220 106, RGB 108 56 220 and RGB 220 108 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 220 106 shade: RGB 53 220 106, RGB 56 135 220, RGB 220 56 168 and RGB 220 140 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 220 106 shade: RGB 53 220 106, RGB 56 86 220, RGB 220 56 168 and RGB 220 190 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 52 / 14

HEX #35DC6A

RGB 53 220 106

HSL 139.04, 0.7%, 0.54%

LAB 77.87, -65.44, 43.95

 

Complementary color

CMYK 0 / 83 / 26 / 21

HEX #CA2395

RGB 202 35 149

HSL 319.04, 0.7%, 0.46%

LAB 46.88, 70.84, -21.59

 

CMYK 74 / 0 / 54 / 14

HEX #3ADC65

RGB 58 220 101

HSL 135.93, 0.7%, 0.55%

LAB 77.89, -65.45, 46.36

 

CMYK 68 / 0 / 50 / 7

HEX #4BEE78

RGB 75 238 120

HSL 136.56, 0.83%, 0.61%

LAB 83.97, -66.25, 44.9

 

CMYK 64 / 0 / 45 / 0

HEX #5CFF8B

RGB 92 255 139

HSL 137.3, 1%, 0.68%

LAB 89.7, -66.39, 43.1

 

CMYK 57 / 0 / 38 / 0

HEX #6DFF9E

RGB 109 255 158

HSL 140.14, 1%, 0.71%

LAB 90.43, -59.93, 34.84

 

CMYK 51 / 0 / 31 / 0

HEX #7EFFB1

RGB 126 255 177

HSL 143.72, 1%, 0.75%

LAB 91.29, -52.75, 26.57

 

CMYK 76 / 0 / 52 / 14

HEX #35DC6A

RGB 53 220 106

HSL 139.04, 0.7%, 0.54%

LAB 77.87, -65.44, 43.95

 

CMYK 82 / 0 / 57 / 21

HEX #24CA57

RGB 36 202 87

HSL 138.43, 0.7%, 0.47%

LAB 71.76, -64.16, 45.48

 

CMYK 90 / 0 / 63 / 28

HEX #13B844

RGB 19 184 68

HSL 137.82, 0.81%, 0.4%

LAB 65.62, -62.3, 46.96

 

CMYK 99 / 0 / 70 / 35

HEX #02A631

RGB 2 166 49

HSL 137.2, 0.98%, 0.33%

LAB 59.44, -59.77, 48.21

 

CMYK 100 / 0 / 80 / 42

HEX #00941E

RGB 0 148 30

HSL 132.16, 1%, 0.29%

LAB 53.25, -56.12, 48.92

 

CMYK 75 / 0 / 51 / 14

HEX #38DC6C

RGB 56 220 108

HSL 139.02, 0.7%, 0.54%

LAB 77.94, -64.74, 43.09

 

CMYK 75 / 0 / 71 / 14

HEX #38DC3F

RGB 56 220 63

HSL 122.56, 0.7%, 0.54%

LAB 77.51, -69.89, 61.91

 

CMYK 58 / 0 / 75 / 14

HEX #5CDC38

RGB 92 220 56

HSL 106.83, 0.7%, 0.54%

LAB 78.31, -63.39, 65.42

 

CMYK 38 / 0 / 75 / 14

HEX #88DC38

RGB 136 220 56

HSL 90.73, 0.7%, 0.54%

LAB 80.01, -50.55, 67.66

 

CMYK 18 / 0 / 75 / 14

HEX #B5DC38

RGB 181 220 56

HSL 74.27, 0.7%, 0.54%

LAB 82.54, -33.99, 70.95

 

CMYK 75 / 0 / 51 / 14

HEX #38DC6C

RGB 56 220 108

HSL 139.02, 0.7%, 0.54%

LAB 77.94, -64.74, 43.09

 

CMYK 75 / 0 / 31 / 14

HEX #38DC98

RGB 56 220 152

HSL 155.12, 0.7%, 0.54%

LAB 78.63, -56.86, 21.79

 

CMYK 75 / 0 / 11 / 14

HEX #38DCC4

RGB 56 220 196

HSL 171.22, 0.7%, 0.54%

LAB 79.62, -46.46, -0.08

 

CMYK 75 / 10 / 0 / 14

HEX #38C7DC

RGB 56 199 220

HSL 187.68, 0.7%, 0.54%

LAB 74.1, -30.06, -21.22

 

CMYK 75 / 30 / 0 / 14

HEX #389BDC

RGB 56 155 220

HSL 203.78, 0.7%, 0.54%

LAB 61.18, -6.96, -41.19

 

CMYK 75 / 0 / 51 / 14

HEX #38DC6C

RGB 56 220 108

HSL 139.02, 0.7%, 0.54%

LAB 77.94, -64.74, 43.09

 

CMYK 85 / 0 / 58 / 6

HEX #25EF65

RGB 37 239 101

HSL 139.01, 0.86%, 0.54%

LAB 83.48, -73.92, 52.93

 

CMYK 75 / 0 / 51 / 14

HEX #38DC6C

RGB 56 220 108

HSL 139.02, 0.7%, 0.54%

LAB 77.94, -64.74, 43.09

 

CMYK 63 / 0 / 43 / 21

HEX #4BC973

RGB 75 201 115

HSL 139.05, 0.54%, 0.54%

LAB 72.57, -53.54, 32.91

 

CMYK 48 / 0 / 33 / 29

HEX #5EB67A

RGB 94 182 122

HSL 139.09, 0.38%, 0.54%

LAB 67.46, -39.98, 22.59

 

CMYK 31 / 0 / 21 / 36

HEX #71A381

RGB 113 163 129

HSL 139.2, 0.21%, 0.54%

LAB 62.75, -23.99, 12.42

 

CMYK 8 / 0 / 6 / 44

HEX #849087

RGB 132 144 135

HSL 135, 0.05%, 0.54%

LAB 58.6, -6.14, 3.29

 

CMYK 59 / 0 / 75 / 14

HEX #5BDC38

RGB 91 220 56

HSL 107.2, 0.7%, 0.54%

LAB 78.28, -63.63, 65.38

 

CMYK 75 / 0 / 71 / 14

HEX #38DC40

RGB 56 220 64

HSL 122.93, 0.7%, 0.54%

LAB 77.52, -69.81, 61.56

 

CMYK 75 / 0 / 51 / 14

HEX #38DC6C

RGB 56 220 108

HSL 139.02, 0.7%, 0.54%

LAB 77.94, -64.74, 43.09

 

CMYK 75 / 0 / 31 / 14

HEX #38DC97

RGB 56 220 151

HSL 154.76, 0.7%, 0.54%

LAB 78.61, -57.07, 22.29

 

CMYK 75 / 0 / 11 / 14

HEX #38DCC3

RGB 56 220 195

HSL 170.85, 0.7%, 0.54%

LAB 79.6, -46.72, 0.42

 

CMYK 82 / 0 / 56 / 36

HEX #1DA448

RGB 29 164 72

HSL 139.11, 0.7%, 0.38%

LAB 59.23, -54.37, 37.68

 

CMYK 82 / 0 / 56 / 22

HEX #23C757

RGB 35 199 87

HSL 139.02, 0.7%, 0.46%

LAB 70.8, -63.28, 44.33

 

CMYK 75 / 0 / 51 / 14

HEX #38DC6C

RGB 56 220 108

HSL 139.02, 0.7%, 0.54%

LAB 77.94, -64.74, 43.09

 

CMYK 60 / 0 / 41 / 11

HEX #5BE286

RGB 91 226 134

HSL 139.11, 0.7%, 0.62%

LAB 80.93, -56.65, 34.24

 

CMYK 46 / 0 / 31 / 9

HEX #7EE8A0

RGB 126 232 160

HSL 139.25, 0.7%, 0.7%

LAB 84.32, -46.2, 25.74

 

CMYK 76 / 0 / 52 / 14

HEX #35DC6A

RGB 53 220 106

HSL 139.04, 0.7%, 0.54%

LAB 77.87, -65.44, 43.95

 

CMYK 75 / 39 / 0 / 14

HEX #3887DC

RGB 56 135 220

HSL 211.1, 0.7%, 0.54%

LAB 55.42, 4.71, -50.29

 

CMYK 0 / 75 / 69 / 14

HEX #DC3845

RGB 220 56 69

HSL 355.24, 0.7%, 0.54%

LAB 50.07, 63.08, 31.89

 

CMYK 76 / 0 / 52 / 14

HEX #35DC6A

RGB 53 220 106

HSL 139.04, 0.7%, 0.54%

LAB 77.87, -65.44, 43.95

 

CMYK 51 / 75 / 0 / 14

HEX #6C38DC

RGB 108 56 220

HSL 259.02, 0.7%, 0.54%

LAB 39.89, 59.04, -75.25

 

CMYK 0 / 51 / 75 / 14

HEX #DC6C38

RGB 220 108 56

HSL 19.02, 0.7%, 0.54%

LAB 58.25, 40.34, 48.18

 

CMYK 76 / 0 / 52 / 14

HEX #35DC6A

RGB 53 220 106

HSL 139.04, 0.7%, 0.54%

LAB 77.87, -65.44, 43.95

 

CMYK 75 / 39 / 0 / 14

HEX #3887DC

RGB 56 135 220

HSL 211.1, 0.7%, 0.54%

LAB 55.42, 4.71, -50.29

 

CMYK 0 / 75 / 24 / 14

HEX #DC38A8

RGB 220 56 168

HSL 319.02, 0.7%, 0.54%

LAB 52.81, 71.75, -23.49

 

CMYK 0 / 36 / 75 / 14

HEX #DC8C38

RGB 220 140 56

HSL 30.73, 0.7%, 0.54%

LAB 65.17, 23.61, 55.26

 

CMYK 76 / 0 / 52 / 14

HEX #35DC6A

RGB 53 220 106

HSL 139.04, 0.7%, 0.54%

LAB 77.87, -65.44, 43.95

 

CMYK 75 / 61 / 0 / 14

HEX #3856DC

RGB 56 86 220

HSL 229.02, 0.7%, 0.54%

LAB 42.25, 35.39, -71.53

 

CMYK 0 / 75 / 24 / 14

HEX #DC38A8

RGB 220 56 168

HSL 319.02, 0.7%, 0.54%

LAB 52.81, 71.75, -23.49

 

CMYK 0 / 14 / 75 / 14

HEX #DCBE38

RGB 220 190 56

HSL 49.02, 0.7%, 0.54%

LAB 77.48, -2.98, 67.24

 

Description

Color code: RGB 53 220 106 | qconv.com Color code: RGB 53 220 106 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 220 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 220 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 52 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 52% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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