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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 218 88 it is the complementary color RGB 202 37 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 218 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 218 88 shade: RGB 58 218 83, RGB 75 236 102, RGB 92 254 121, RGB 109 255 140 and RGB 126 255 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 218 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 218 88 shade: RGB 53 218 88, RGB 36 200 69, RGB 19 182 50, RGB 2 164 31 and RGB 0 146 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 218 88 shade: RGB 52 218 88, RGB 62 218 52, RGB 107 218 52, RGB 151 218 52 and RGB 196 218 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 218 88 shade: RGB 52 218 88, RGB 52 218 132, RGB 52 218 177, RGB 52 214 218 and RGB 52 170 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 218 88 shade matches the following richer shades: RGB 52 218 88 and RGB 33 237 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 218 88 shade: RGB 52 218 88, RGB 72 198 99, RGB 91 179 110, RGB 111 160 121 and RGB 130 140 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 218 88 shade: RGB 108 218 52, RGB 63 218 52, RGB 52 218 86, RGB 52 218 130 and RGB 52 218 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 218 88 shade: RGB 29 159 57, RGB 36 194 69, RGB 52 218 88, RGB 87 224 116 and RGB 122 231 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 218 88 shade: RGB 53 218 88, RGB 52 152 218 and RGB 218 52 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 218 88 shade: RGB 53 218 88, RGB 86 52 218 and RGB 218 86 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 218 88 shade: RGB 53 218 88, RGB 52 152 218, RGB 218 52 185 and RGB 218 119 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 218 88 shade: RGB 53 218 88, RGB 52 102 218, RGB 218 52 185 and RGB 218 168 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 60 / 15

HEX #35DA58

RGB 53 218 88

HSL 132.73, 0.69%, 0.53%

LAB 77.04, -67.17, 51.26

 

Complementary color

CMYK 0 / 82 / 17 / 21

HEX #CA25A7

RGB 202 37 167

HSL 312.73, 0.69%, 0.47%

LAB 47.84, 72.64, -30.85

 

CMYK 73 / 0 / 62 / 15

HEX #3ADA53

RGB 58 218 83

HSL 129.38, 0.68%, 0.54%

LAB 77.08, -67.03, 53.51

 

CMYK 68 / 0 / 57 / 7

HEX #4BEC66

RGB 75 236 102

HSL 130.06, 0.81%, 0.61%

LAB 83.15, -67.98, 52.25

 

CMYK 64 / 0 / 52 / 0

HEX #5CFE79

RGB 92 254 121

HSL 130.74, 0.99%, 0.68%

LAB 89.18, -68.6, 50.92

 

CMYK 57 / 0 / 45 / 0

HEX #6DFF8C

RGB 109 255 140

HSL 132.74, 1%, 0.71%

LAB 90.17, -62.79, 43.3

 

CMYK 51 / 0 / 38 / 0

HEX #7EFF9F

RGB 126 255 159

HSL 135.35, 1%, 0.75%

LAB 90.99, -55.86, 35.18

 

CMYK 76 / 0 / 60 / 15

HEX #35DA58

RGB 53 218 88

HSL 132.73, 0.69%, 0.53%

LAB 77.04, -67.17, 51.26

 

CMYK 82 / 0 / 66 / 22

HEX #24C845

RGB 36 200 69

HSL 132.07, 0.69%, 0.46%

LAB 70.95, -65.68, 52.51

 

CMYK 90 / 0 / 73 / 29

HEX #13B632

RGB 19 182 50

HSL 131.41, 0.81%, 0.39%

LAB 64.82, -63.54, 53.47

 

CMYK 99 / 0 / 81 / 36

HEX #02A41F

RGB 2 164 31

HSL 130.74, 0.98%, 0.33%

LAB 58.66, -60.63, 53.78

 

CMYK 100 / 0 / 92 / 43

HEX #00920C

RGB 0 146 12

HSL 124.93, 1%, 0.29%

LAB 52.49, -56.49, 52.87

 

CMYK 76 / 0 / 60 / 15

HEX #34DA58

RGB 52 218 88

HSL 133.01, 0.69%, 0.53%

LAB 77.03, -67.3, 51.24

 

CMYK 72 / 0 / 76 / 15

HEX #3EDA34

RGB 62 218 52

HSL 116.39, 0.69%, 0.53%

LAB 76.93, -69.15, 65.1

 

CMYK 51 / 0 / 76 / 15

HEX #6BDA34

RGB 107 218 52

HSL 100.12, 0.69%, 0.53%

LAB 78.18, -59, 66.74

 

CMYK 31 / 0 / 76 / 15

HEX #97DA34

RGB 151 218 52

HSL 84.22, 0.69%, 0.53%

LAB 80.16, -44.69, 69.33

 

CMYK 10 / 0 / 76 / 15

HEX #C4DA34

RGB 196 218 52

HSL 67.95, 0.69%, 0.53%

LAB 82.98, -27.21, 72.97

 

CMYK 76 / 0 / 60 / 15

HEX #34DA58

RGB 52 218 88

HSL 133.01, 0.69%, 0.53%

LAB 77.03, -67.3, 51.24

 

CMYK 76 / 0 / 39 / 15

HEX #34DA84

RGB 52 218 132

HSL 148.92, 0.69%, 0.53%

LAB 77.6, -60.57, 30.73

 

CMYK 76 / 0 / 19 / 15

HEX #34DAB1

RGB 52 218 177

HSL 165.18, 0.69%, 0.53%

LAB 78.49, -50.88, 8.39

 

CMYK 76 / 2 / 0 / 15

HEX #34D6DA

RGB 52 214 218

HSL 181.45, 0.69%, 0.53%

LAB 78.39, -38.15, -13.66

 

CMYK 76 / 22 / 0 / 15

HEX #34AADA

RGB 52 170 218

HSL 197.35, 0.69%, 0.53%

LAB 65.39, -16.37, -33.51

 

CMYK 76 / 0 / 60 / 15

HEX #34DA58

RGB 52 218 88

HSL 133.01, 0.69%, 0.53%

LAB 77.03, -67.3, 51.24

 

CMYK 86 / 0 / 68 / 7

HEX #21ED4C

RGB 33 237 76

HSL 132.65, 0.85%, 0.53%

LAB 82.6, -76.39, 62.32

 

CMYK 76 / 0 / 60 / 15

HEX #34DA58

RGB 52 218 88

HSL 133.01, 0.69%, 0.53%

LAB 77.03, -67.3, 51.24

 

CMYK 64 / 0 / 50 / 22

HEX #48C663

RGB 72 198 99

HSL 132.86, 0.53%, 0.53%

LAB 71.33, -55.55, 39.36

 

CMYK 49 / 0 / 39 / 30

HEX #5BB36E

RGB 91 179 110

HSL 132.95, 0.37%, 0.53%

LAB 66.21, -41.64, 27.3

 

CMYK 31 / 0 / 24 / 37

HEX #6FA079

RGB 111 160 121

HSL 132.24, 0.21%, 0.53%

LAB 61.57, -24.69, 15.2

 

CMYK 7 / 0 / 6 / 45

HEX #828C84

RGB 130 140 132

HSL 132, 0.04%, 0.53%

LAB 57.24, -5.24, 3.01

 

CMYK 50 / 0 / 76 / 15

HEX #6CDA34

RGB 108 218 52

HSL 99.76, 0.69%, 0.53%

LAB 78.22, -58.72, 66.79

 

CMYK 71 / 0 / 76 / 15

HEX #3FDA34

RGB 63 218 52

HSL 116.02, 0.69%, 0.53%

LAB 76.95, -68.98, 65.13

 

CMYK 76 / 0 / 61 / 15

HEX #34DA56

RGB 52 218 86

HSL 132.29, 0.69%, 0.53%

LAB 77.01, -67.54, 52.1

 

CMYK 76 / 0 / 40 / 15

HEX #34DA82

RGB 52 218 130

HSL 148.19, 0.69%, 0.53%

LAB 77.57, -60.94, 31.71

 

CMYK 76 / 0 / 20 / 15

HEX #34DAAE

RGB 52 218 174

HSL 164.1, 0.69%, 0.53%

LAB 78.42, -51.6, 9.89

 

CMYK 82 / 0 / 64 / 38

HEX #1D9F39

RGB 29 159 57

HSL 132.92, 0.69%, 0.37%

LAB 57.42, -54.66, 42.66

 

CMYK 81 / 0 / 64 / 24

HEX #24C245

RGB 36 194 69

HSL 132.53, 0.69%, 0.45%

LAB 69.03, -63.8, 50.4

 

CMYK 76 / 0 / 60 / 15

HEX #34DA58

RGB 52 218 88

HSL 133.01, 0.69%, 0.53%

LAB 77.03, -67.3, 51.24

 

CMYK 61 / 0 / 48 / 12

HEX #57E074

RGB 87 224 116

HSL 132.7, 0.69%, 0.61%

LAB 79.95, -59.57, 41.88

 

CMYK 47 / 0 / 37 / 9

HEX #7AE791

RGB 122 231 145

HSL 132.66, 0.69%, 0.69%

LAB 83.62, -49.42, 32.42

 

CMYK 76 / 0 / 60 / 15

HEX #35DA58

RGB 53 218 88

HSL 132.73, 0.69%, 0.53%

LAB 77.04, -67.17, 51.26

 

CMYK 76 / 30 / 0 / 15

HEX #3498DA

RGB 52 152 218

HSL 203.86, 0.69%, 0.53%

LAB 60.11, -6.44, -41.75

 

CMYK 0 / 76 / 61 / 15

HEX #DA3456

RGB 218 52 86

HSL 347.71, 0.69%, 0.53%

LAB 49.54, 64.7, 20.97

 

CMYK 76 / 0 / 60 / 15

HEX #35DA58

RGB 53 218 88

HSL 132.73, 0.69%, 0.53%

LAB 77.04, -67.17, 51.26

 

CMYK 61 / 76 / 0 / 15

HEX #5634DA

RGB 86 52 218

HSL 252.29, 0.69%, 0.53%

LAB 36.92, 57.52, -79.06

 

CMYK 0 / 61 / 76 / 15

HEX #DA5634

RGB 218 86 52

HSL 12.29, 0.69%, 0.53%

LAB 53.82, 49.96, 45.45

 

CMYK 76 / 0 / 60 / 15

HEX #35DA58

RGB 53 218 88

HSL 132.73, 0.69%, 0.53%

LAB 77.04, -67.17, 51.26

 

CMYK 76 / 30 / 0 / 15

HEX #3498DA

RGB 52 152 218

HSL 203.86, 0.69%, 0.53%

LAB 60.11, -6.44, -41.75

 

CMYK 0 / 76 / 15 / 15

HEX #DA34B9

RGB 218 52 185

HSL 311.93, 0.69%, 0.53%

LAB 52.8, 74.67, -33.46

 

CMYK 0 / 45 / 76 / 15

HEX #DA7734

RGB 218 119 52

HSL 24.22, 0.69%, 0.53%

LAB 60.2, 33.75, 51.97

 

CMYK 76 / 0 / 60 / 15

HEX #35DA58

RGB 53 218 88

HSL 132.73, 0.69%, 0.53%

LAB 77.04, -67.17, 51.26

 

CMYK 76 / 53 / 0 / 15

HEX #3466DA

RGB 52 102 218

HSL 221.93, 0.69%, 0.53%

LAB 46.04, 24.05, -64.24

 

CMYK 0 / 76 / 15 / 15

HEX #DA34B9

RGB 218 52 185

HSL 311.93, 0.69%, 0.53%

LAB 52.8, 74.67, -33.46

 

CMYK 0 / 23 / 76 / 15

HEX #DAA834

RGB 218 168 52

HSL 41.93, 0.69%, 0.53%

LAB 71.66, 7.57, 63.11

 

Description

Color code: RGB 53 218 88 | qconv.com Color code: RGB 53 218 88 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 218 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 218 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 60 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 60% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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