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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 215 95 it is the complementary color RGB 202 40 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 215 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 215 95 shade: RGB 58 215 90, RGB 75 233 109, RGB 92 251 128, RGB 109 255 147 and RGB 126 255 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 215 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 215 95 shade: RGB 53 215 95, RGB 36 197 76, RGB 19 179 57, RGB 2 161 38 and RGB 0 143 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 215 95 shade: RGB 55 215 96, RGB 57 215 55, RGB 100 215 55, RGB 143 215 55 and RGB 186 215 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 215 95 shade: RGB 55 215 96, RGB 55 215 140, RGB 55 215 183, RGB 55 204 215 and RGB 55 161 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 215 95 shade matches the following richer shades: RGB 55 215 96, RGB 35 235 87 and RGB 16 254 78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 215 95 shade: RGB 55 215 96, RGB 74 196 106, RGB 94 177 115, RGB 113 157 125 and RGB 132 138 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 215 95 shade: RGB 100 215 55, RGB 58 215 55, RGB 55 215 95, RGB 55 215 138 and RGB 55 215 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 215 95 shade: RGB 31 157 64, RGB 38 191 78, RGB 55 215 96, RGB 89 222 124 and RGB 124 229 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 215 95 shade: RGB 53 215 95, RGB 55 143 215 and RGB 215 55 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 215 95 shade: RGB 53 215 95, RGB 95 55 215 and RGB 215 95 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 215 95 shade: RGB 53 215 95, RGB 55 143 215, RGB 215 55 175 and RGB 215 127 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 215 95 shade: RGB 53 215 95, RGB 55 95 215, RGB 215 55 175 and RGB 215 175 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 56 / 16

HEX #35D75F

RGB 53 215 95

HSL 135.56, 0.67%, 0.53%

LAB 76.18, -65.3, 47.08

 

Complementary color

CMYK 0 / 80 / 21 / 21

HEX #CA28A0

RGB 202 40 160

HSL 315.56, 0.67%, 0.47%

LAB 47.77, 71.01, -26.81

 

CMYK 73 / 0 / 58 / 16

HEX #3AD75A

RGB 58 215 90

HSL 132.23, 0.66%, 0.54%

LAB 76.22, -65.22, 49.43

 

CMYK 68 / 0 / 53 / 9

HEX #4BE96D

RGB 75 233 109

HSL 132.91, 0.78%, 0.6%

LAB 82.31, -66.06, 48.05

 

CMYK 63 / 0 / 49 / 2

HEX #5CFB80

RGB 92 251 128

HSL 133.58, 0.95%, 0.67%

LAB 88.37, -66.59, 46.66

 

CMYK 57 / 0 / 42 / 0

HEX #6DFF93

RGB 109 255 147

HSL 135.62, 1%, 0.71%

LAB 90.27, -61.72, 40.04

 

CMYK 51 / 0 / 35 / 0

HEX #7EFFA6

RGB 126 255 166

HSL 138.6, 1%, 0.75%

LAB 91.1, -54.69, 31.85

 

CMYK 75 / 0 / 56 / 16

HEX #35D75F

RGB 53 215 95

HSL 135.56, 0.67%, 0.53%

LAB 76.18, -65.3, 47.08

 

CMYK 82 / 0 / 61 / 23

HEX #24C54C

RGB 36 197 76

HSL 134.91, 0.69%, 0.46%

LAB 70.06, -63.94, 48.5

 

CMYK 89 / 0 / 68 / 30

HEX #13B339

RGB 19 179 57

HSL 134.25, 0.81%, 0.39%

LAB 63.9, -61.97, 49.75

 

CMYK 99 / 0 / 76 / 37

HEX #02A126

RGB 2 161 38

HSL 133.58, 0.98%, 0.32%

LAB 57.7, -59.25, 50.57

 

CMYK 100 / 0 / 87 / 44

HEX #008F13

RGB 0 143 19

HSL 127.97, 1%, 0.28%

LAB 51.49, -55.32, 50.47

 

CMYK 74 / 0 / 55 / 16

HEX #37D760

RGB 55 215 96

HSL 135.38, 0.67%, 0.53%

LAB 76.23, -64.89, 46.68

 

CMYK 73 / 0 / 74 / 16

HEX #39D737

RGB 57 215 55

HSL 119.25, 0.67%, 0.53%

LAB 75.91, -68.81, 63.09

 

CMYK 53 / 0 / 74 / 16

HEX #64D737

RGB 100 215 55

HSL 103.13, 0.67%, 0.53%

LAB 77.03, -59.64, 64.57

 

CMYK 33 / 0 / 74 / 16

HEX #8FD737

RGB 143 215 55

HSL 87, 0.67%, 0.53%

LAB 78.88, -46.13, 67

 

CMYK 13 / 0 / 74 / 16

HEX #BAD737

RGB 186 215 55

HSL 70.88, 0.67%, 0.53%

LAB 81.46, -29.72, 70.38

 

CMYK 74 / 0 / 55 / 16

HEX #37D760

RGB 55 215 96

HSL 135.38, 0.67%, 0.53%

LAB 76.23, -64.89, 46.68

 

CMYK 74 / 0 / 35 / 16

HEX #37D78C

RGB 55 215 140

HSL 151.88, 0.67%, 0.53%

LAB 76.86, -57.55, 25.63

 

CMYK 74 / 0 / 15 / 16

HEX #37D7B7

RGB 55 215 183

HSL 168, 0.67%, 0.53%

LAB 77.78, -47.8, 4.17

 

CMYK 74 / 5 / 0 / 16

HEX #37CCD7

RGB 55 204 215

HSL 184.13, 0.67%, 0.53%

LAB 75.39, -34.07, -16.56

 

CMYK 74 / 25 / 0 / 16

HEX #37A1D7

RGB 55 161 215

HSL 200.25, 0.67%, 0.53%

LAB 62.68, -12.16, -36.06

 

CMYK 74 / 0 / 55 / 16

HEX #37D760

RGB 55 215 96

HSL 135.38, 0.67%, 0.53%

LAB 76.23, -64.89, 46.68

 

CMYK 85 / 0 / 63 / 8

HEX #23EB57

RGB 35 235 87

HSL 135.6, 0.83%, 0.53%

LAB 82.09, -74.52, 57.37

 

CMYK 94 / 0 / 69 / 0

HEX #10FE4E

RGB 16 254 78

HSL 135.63, 0.99%, 0.53%

LAB 87.75, -82.01, 66.99

 

CMYK 74 / 0 / 55 / 16

HEX #37D760

RGB 55 215 96

HSL 135.38, 0.67%, 0.53%

LAB 76.23, -64.89, 46.68

 

CMYK 62 / 0 / 46 / 23

HEX #4AC46A

RGB 74 196 106

HSL 135.74, 0.51%, 0.53%

LAB 70.85, -53.31, 35.29

 

CMYK 47 / 0 / 35 / 31

HEX #5EB173

RGB 94 177 115

HSL 135.18, 0.35%, 0.53%

LAB 65.8, -39.05, 24.11

 

CMYK 28 / 0 / 20 / 38

HEX #719D7D

RGB 113 157 125

HSL 136.36, 0.18%, 0.53%

LAB 60.87, -21.74, 12.01

 

CMYK 4 / 0 / 3 / 46

HEX #848A86

RGB 132 138 134

HSL 140, 0.02%, 0.53%

LAB 56.88, -3, 1.37

 

CMYK 53 / 0 / 74 / 16

HEX #64D737

RGB 100 215 55

HSL 103.13, 0.67%, 0.53%

LAB 77.03, -59.64, 64.57

 

CMYK 73 / 0 / 74 / 16

HEX #3AD737

RGB 58 215 55

HSL 118.88, 0.67%, 0.53%

LAB 75.93, -68.65, 63.11

 

CMYK 74 / 0 / 56 / 16

HEX #37D75F

RGB 55 215 95

HSL 135, 0.67%, 0.53%

LAB 76.22, -65.02, 47.13

 

CMYK 74 / 0 / 36 / 16

HEX #37D78A

RGB 55 215 138

HSL 151.13, 0.67%, 0.53%

LAB 76.83, -57.95, 26.62

 

CMYK 74 / 0 / 16 / 16

HEX #37D7B5

RGB 55 215 181

HSL 167.25, 0.67%, 0.53%

LAB 77.73, -48.31, 5.17

 

CMYK 80 / 0 / 59 / 38

HEX #1F9D40

RGB 31 157 64

HSL 135.71, 0.67%, 0.37%

LAB 56.86, -52.85, 38.76

 

CMYK 80 / 0 / 59 / 25

HEX #26BF4E

RGB 38 191 78

HSL 135.69, 0.67%, 0.45%

LAB 68.19, -61.53, 45.44

 

CMYK 74 / 0 / 55 / 16

HEX #37D760

RGB 55 215 96

HSL 135.38, 0.67%, 0.53%

LAB 76.23, -64.89, 46.68

 

CMYK 60 / 0 / 44 / 13

HEX #59DE7C

RGB 89 222 124

HSL 135.79, 0.67%, 0.61%

LAB 79.51, -57.18, 37.41

 

CMYK 46 / 0 / 34 / 10

HEX #7CE597

RGB 124 229 151

HSL 135.43, 0.67%, 0.69%

LAB 83.21, -47.04, 28.84

 

CMYK 75 / 0 / 56 / 16

HEX #35D75F

RGB 53 215 95

HSL 135.56, 0.67%, 0.53%

LAB 76.18, -65.3, 47.08

 

CMYK 74 / 33 / 0 / 16

HEX #378FD7

RGB 55 143 215

HSL 207, 0.67%, 0.53%

LAB 57.43, -1.95, -44.3

 

CMYK 0 / 74 / 63 / 16

HEX #D7374F

RGB 215 55 79

HSL 351, 0.67%, 0.53%

LAB 49.18, 62.47, 24.63

 

CMYK 75 / 0 / 56 / 16

HEX #35D75F

RGB 53 215 95

HSL 135.56, 0.67%, 0.53%

LAB 76.18, -65.3, 47.08

 

CMYK 56 / 74 / 0 / 16

HEX #5F37D7

RGB 95 55 215

HSL 255, 0.67%, 0.53%

LAB 37.97, 56.36, -75.58

 

CMYK 0 / 56 / 74 / 16

HEX #D75F37

RGB 215 95 55

HSL 15, 0.67%, 0.53%

LAB 54.98, 44.8, 44.99

 

CMYK 75 / 0 / 56 / 16

HEX #35D75F

RGB 53 215 95

HSL 135.56, 0.67%, 0.53%

LAB 76.18, -65.3, 47.08

 

CMYK 74 / 33 / 0 / 16

HEX #378FD7

RGB 55 143 215

HSL 207, 0.67%, 0.53%

LAB 57.43, -1.95, -44.3

 

CMYK 0 / 74 / 19 / 16

HEX #D737AF

RGB 215 55 175

HSL 315, 0.67%, 0.53%

LAB 52.15, 71.77, -28.69

 

CMYK 0 / 41 / 74 / 16

HEX #D77F37

RGB 215 127 55

HSL 27, 0.67%, 0.53%

LAB 61.57, 28.43, 51.86

 

CMYK 75 / 0 / 56 / 16

HEX #35D75F

RGB 53 215 95

HSL 135.56, 0.67%, 0.53%

LAB 76.18, -65.3, 47.08

 

CMYK 74 / 56 / 0 / 16

HEX #375FD7

RGB 55 95 215

HSL 225, 0.67%, 0.53%

LAB 44.09, 27.75, -65.68

 

CMYK 0 / 74 / 19 / 16

HEX #D737AF

RGB 215 55 175

HSL 315, 0.67%, 0.53%

LAB 52.15, 71.77, -28.69

 

CMYK 0 / 19 / 74 / 16

HEX #D7AF37

RGB 215 175 55

HSL 45, 0.67%, 0.53%

LAB 73.14, 2.68, 63.3

 

Description

Color code: RGB 53 215 95 | qconv.com Color code: RGB 53 215 95 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 215 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 215 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 56 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 56% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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