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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 215 133 it is the complementary color RGB 202 40 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 215 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 215 133 shade: RGB 58 215 128, RGB 75 233 147, RGB 92 251 166, RGB 109 255 185 and RGB 126 255 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 215 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 215 133 shade: RGB 53 215 133, RGB 36 197 114, RGB 19 179 95, RGB 2 161 76 and RGB 0 143 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 215 133 shade: RGB 55 215 134, RGB 55 215 91, RGB 62 215 55, RGB 105 215 55 and RGB 149 215 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 215 133 shade: RGB 55 215 134, RGB 55 215 177, RGB 55 210 215, RGB 55 167 215 and RGB 55 124 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 215 133 shade matches the following richer shades: RGB 55 215 134, RGB 35 235 134 and RGB 16 254 134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 215 133 shade: RGB 55 215 134, RGB 74 196 134, RGB 94 177 135, RGB 113 157 135 and RGB 132 138 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 215 133 shade: RGB 63 215 55, RGB 55 215 90, RGB 55 215 132, RGB 55 215 175 and RGB 55 213 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 215 133 shade: RGB 31 157 93, RGB 38 191 114, RGB 55 215 134, RGB 89 222 155 and RGB 124 229 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 215 133 shade: RGB 53 215 133, RGB 55 106 215 and RGB 215 68 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 215 133 shade: RGB 53 215 133, RGB 132 55 215 and RGB 215 132 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 215 133 shade: RGB 53 215 133, RGB 55 106 215, RGB 215 55 138 and RGB 215 165 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 215 133 shade: RGB 53 215 133, RGB 55 58 215, RGB 215 55 138 and RGB 215 213 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 38 / 16

HEX #35D785

RGB 53 215 133

HSL 149.63, 0.67%, 0.53%

LAB 76.71, -59.17, 29.04

 

Complementary color

CMYK 0 / 80 / 40 / 21

HEX #CA287A

RGB 202 40 122

HSL 329.63, 0.67%, 0.47%

LAB 46.28, 66.7, -6.1

 

CMYK 73 / 0 / 40 / 16

HEX #3AD780

RGB 58 215 128

HSL 146.75, 0.66%, 0.54%

LAB 76.71, -59.42, 31.62

 

CMYK 68 / 0 / 37 / 9

HEX #4BE993

RGB 75 233 147

HSL 147.34, 0.78%, 0.6%

LAB 82.85, -59.99, 30.14

 

CMYK 63 / 0 / 34 / 2

HEX #5CFBA6

RGB 92 251 166

HSL 147.92, 0.95%, 0.67%

LAB 88.93, -60.32, 28.76

 

CMYK 57 / 0 / 27 / 0

HEX #6DFFB9

RGB 109 255 185

HSL 151.23, 1%, 0.71%

LAB 90.9, -54.96, 21.89

 

CMYK 51 / 0 / 20 / 0

HEX #7EFFCC

RGB 126 255 204

HSL 156.28, 1%, 0.75%

LAB 91.83, -47.45, 13.53

 

CMYK 75 / 0 / 38 / 16

HEX #35D785

RGB 53 215 133

HSL 149.63, 0.67%, 0.53%

LAB 76.71, -59.17, 29.04

 

CMYK 82 / 0 / 42 / 23

HEX #24C572

RGB 36 197 114

HSL 149.07, 0.69%, 0.46%

LAB 70.54, -58.17, 30.65

 

CMYK 89 / 0 / 47 / 30

HEX #13B35F

RGB 19 179 95

HSL 148.5, 0.81%, 0.39%

LAB 64.33, -56.71, 32.38

 

CMYK 99 / 0 / 53 / 37

HEX #02A14C

RGB 2 161 76

HSL 147.92, 0.98%, 0.32%

LAB 58.06, -54.7, 34.21

 

CMYK 100 / 0 / 60 / 44

HEX #008F39

RGB 0 143 57

HSL 143.92, 1%, 0.28%

LAB 51.77, -51.73, 36.11

 

CMYK 74 / 0 / 38 / 16

HEX #37D786

RGB 55 215 134

HSL 149.63, 0.67%, 0.53%

LAB 76.76, -58.72, 28.6

 

CMYK 74 / 0 / 58 / 16

HEX #37D75B

RGB 55 215 91

HSL 133.5, 0.67%, 0.53%

LAB 76.17, -65.54, 48.91

 

CMYK 71 / 0 / 74 / 16

HEX #3ED737

RGB 62 215 55

HSL 117.38, 0.67%, 0.53%

LAB 76.01, -68, 63.22

 

CMYK 51 / 0 / 74 / 16

HEX #69D737

RGB 105 215 55

HSL 101.25, 0.67%, 0.53%

LAB 77.21, -58.27, 64.8

 

CMYK 31 / 0 / 74 / 16

HEX #95D737

RGB 149 215 55

HSL 84.75, 0.67%, 0.53%

LAB 79.19, -43.98, 67.42

 

CMYK 74 / 0 / 38 / 16

HEX #37D786

RGB 55 215 134

HSL 149.63, 0.67%, 0.53%

LAB 76.76, -58.72, 28.6

 

CMYK 74 / 0 / 18 / 16

HEX #37D7B1

RGB 55 215 177

HSL 165.75, 0.67%, 0.53%

LAB 77.63, -49.3, 7.17

 

CMYK 74 / 2 / 0 / 16

HEX #37D2D7

RGB 55 210 215

HSL 181.88, 0.67%, 0.53%

LAB 77.17, -36.87, -13.89

 

CMYK 74 / 22 / 0 / 16

HEX #37A7D7

RGB 55 167 215

HSL 198, 0.67%, 0.53%

LAB 64.45, -15.42, -33.31

 

CMYK 74 / 42 / 0 / 16

HEX #377CD7

RGB 55 124 215

HSL 214.13, 0.67%, 0.53%

LAB 51.99, 9.45, -52.95

 

CMYK 74 / 0 / 38 / 16

HEX #37D786

RGB 55 215 134

HSL 149.63, 0.67%, 0.53%

LAB 76.76, -58.72, 28.6

 

CMYK 85 / 0 / 43 / 8

HEX #23EB86

RGB 35 235 134

HSL 149.7, 0.83%, 0.53%

LAB 82.64, -67.82, 36.29

 

CMYK 94 / 0 / 47 / 0

HEX #10FE86

RGB 16 254 134

HSL 149.75, 0.99%, 0.53%

LAB 88.31, -75.05, 43.52

 

CMYK 74 / 0 / 38 / 16

HEX #37D786

RGB 55 215 134

HSL 149.63, 0.67%, 0.53%

LAB 76.76, -58.72, 28.6

 

CMYK 62 / 0 / 32 / 23

HEX #4AC486

RGB 74 196 134

HSL 149.51, 0.51%, 0.53%

LAB 71.32, -48.24, 21.33

 

CMYK 47 / 0 / 24 / 31

HEX #5EB187

RGB 94 177 135

HSL 149.64, 0.35%, 0.53%

LAB 66.19, -35.16, 13.8

 

CMYK 28 / 0 / 14 / 38

HEX #719D87

RGB 113 157 135

HSL 150, 0.18%, 0.53%

LAB 61.11, -19.71, 6.73

 

CMYK 4 / 0 / 2 / 46

HEX #848A87

RGB 132 138 135

HSL 150, 0.02%, 0.53%

LAB 56.91, -2.8, 0.83

 

CMYK 71 / 0 / 74 / 16

HEX #3FD737

RGB 63 215 55

HSL 117, 0.67%, 0.53%

LAB 76.03, -67.83, 63.24

 

CMYK 74 / 0 / 58 / 16

HEX #37D75A

RGB 55 215 90

HSL 133.13, 0.67%, 0.53%

LAB 76.16, -65.66, 49.35

 

CMYK 74 / 0 / 39 / 16

HEX #37D784

RGB 55 215 132

HSL 148.88, 0.67%, 0.53%

LAB 76.73, -59.1, 29.58

 

CMYK 74 / 0 / 19 / 16

HEX #37D7AF

RGB 55 215 175

HSL 165, 0.67%, 0.53%

LAB 77.58, -49.79, 8.17

 

CMYK 74 / 1 / 0 / 16

HEX #37D5D7

RGB 55 213 215

HSL 180.75, 0.67%, 0.53%

LAB 78.06, -38.25, -12.56

 

CMYK 80 / 0 / 41 / 38

HEX #1F9D5D

RGB 31 157 93

HSL 149.52, 0.67%, 0.37%

LAB 57.27, -48.03, 24.3

 

CMYK 80 / 0 / 40 / 25

HEX #26BF72

RGB 38 191 114

HSL 149.8, 0.67%, 0.45%

LAB 68.67, -55.81, 28.2

 

CMYK 74 / 0 / 38 / 16

HEX #37D786

RGB 55 215 134

HSL 149.63, 0.67%, 0.53%

LAB 76.76, -58.72, 28.6

 

CMYK 60 / 0 / 30 / 13

HEX #59DE9B

RGB 89 222 155

HSL 149.77, 0.67%, 0.61%

LAB 80.03, -51.63, 22.26

 

CMYK 46 / 0 / 23 / 10

HEX #7CE5B0

RGB 124 229 176

HSL 149.71, 0.67%, 0.69%

LAB 83.68, -42.39, 16.55

 

CMYK 75 / 0 / 38 / 16

HEX #35D785

RGB 53 215 133

HSL 149.63, 0.67%, 0.53%

LAB 76.71, -59.17, 29.04

 

CMYK 74 / 51 / 0 / 16

HEX #376AD7

RGB 55 106 215

HSL 220.88, 0.67%, 0.53%

LAB 47.01, 20.74, -60.95

 

CMYK 0 / 68 / 74 / 16

HEX #D74437

RGB 215 68 55

HSL 4.88, 0.67%, 0.53%

LAB 50.52, 56.64, 40.17

 

CMYK 75 / 0 / 38 / 16

HEX #35D785

RGB 53 215 133

HSL 149.63, 0.67%, 0.53%

LAB 76.71, -59.17, 29.04

 

CMYK 39 / 74 / 0 / 16

HEX #8437D7

RGB 132 55 215

HSL 268.88, 0.67%, 0.53%

LAB 42.07, 61.95, -68.71

 

CMYK 0 / 39 / 74 / 16

HEX #D78437

RGB 215 132 55

HSL 28.88, 0.67%, 0.53%

LAB 62.7, 25.75, 53

 

CMYK 75 / 0 / 38 / 16

HEX #35D785

RGB 53 215 133

HSL 149.63, 0.67%, 0.53%

LAB 76.71, -59.17, 29.04

 

CMYK 74 / 51 / 0 / 16

HEX #376AD7

RGB 55 106 215

HSL 220.88, 0.67%, 0.53%

LAB 47.01, 20.74, -60.95

 

CMYK 0 / 74 / 36 / 16

HEX #D7378A

RGB 215 55 138

HSL 328.88, 0.67%, 0.53%

LAB 50.7, 67.34, -8.95

 

CMYK 0 / 23 / 74 / 16

HEX #D7A537

RGB 215 165 55

HSL 41.25, 0.67%, 0.53%

LAB 70.62, 8, 60.86

 

CMYK 75 / 0 / 38 / 16

HEX #35D785

RGB 53 215 133

HSL 149.63, 0.67%, 0.53%

LAB 76.71, -59.17, 29.04

 

CMYK 74 / 73 / 0 / 16

HEX #373AD7

RGB 55 58 215

HSL 238.88, 0.67%, 0.53%

LAB 35.49, 50.38, -79.78

 

CMYK 0 / 74 / 36 / 16

HEX #D7378A

RGB 215 55 138

HSL 328.88, 0.67%, 0.53%

LAB 50.7, 67.34, -8.95

 

CMYK 0 / 1 / 74 / 16

HEX #D7D537

RGB 215 213 55

HSL 59.25, 0.67%, 0.53%

LAB 83.08, -16.8, 72.66

 

Description

Color code: RGB 53 215 133 | qconv.com Color code: RGB 53 215 133 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 215 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 215 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 38 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 38% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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