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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 215 103 it is the complementary color RGB 202 40 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 215 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 215 103 shade: RGB 58 215 98, RGB 75 233 117, RGB 92 251 136, RGB 109 255 155 and RGB 126 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 215 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 215 103 shade: RGB 53 215 103, RGB 36 197 84, RGB 19 179 65, RGB 2 161 46 and RGB 0 143 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 215 103 shade: RGB 55 215 104, RGB 55 215 61, RGB 92 215 55, RGB 135 215 55 and RGB 179 215 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 215 103 shade: RGB 55 215 104, RGB 55 215 148, RGB 55 215 191, RGB 55 197 215 and RGB 55 153 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 215 103 shade matches the following richer shades: RGB 55 215 104, RGB 35 235 97 and RGB 16 254 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 215 103 shade: RGB 55 215 104, RGB 74 196 112, RGB 94 177 119, RGB 113 157 127 and RGB 132 138 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 215 103 shade: RGB 92 215 55, RGB 55 215 60, RGB 55 215 103, RGB 55 215 146 and RGB 55 215 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 215 103 shade: RGB 31 157 70, RGB 38 191 85, RGB 55 215 104, RGB 89 222 130 and RGB 124 229 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 215 103 shade: RGB 53 215 103, RGB 55 135 215 and RGB 215 55 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 215 103 shade: RGB 53 215 103, RGB 103 55 215 and RGB 215 103 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 215 103 shade: RGB 53 215 103, RGB 55 135 215, RGB 215 55 167 and RGB 215 135 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 215 103 shade: RGB 53 215 103, RGB 55 87 215, RGB 215 55 167 and RGB 215 183 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 52 / 16

HEX #35D767

RGB 53 215 103

HSL 138.52, 0.67%, 0.53%

LAB 76.28, -64.19, 43.43

 

Complementary color

CMYK 0 / 80 / 25 / 21

HEX #CA2898

RGB 202 40 152

HSL 318.52, 0.67%, 0.47%

LAB 47.42, 70.01, -22.56

 

CMYK 73 / 0 / 54 / 16

HEX #3AD762

RGB 58 215 98

HSL 135.29, 0.66%, 0.54%

LAB 76.3, -64.18, 45.85

 

CMYK 68 / 0 / 50 / 9

HEX #4BE975

RGB 75 233 117

HSL 135.95, 0.78%, 0.6%

LAB 82.41, -64.94, 44.4

 

CMYK 63 / 0 / 46 / 2

HEX #5CFB88

RGB 92 251 136

HSL 136.6, 0.95%, 0.67%

LAB 88.47, -65.41, 42.98

 

CMYK 57 / 0 / 39 / 0

HEX #6DFF9B

RGB 109 255 155

HSL 138.9, 1%, 0.71%

LAB 90.38, -60.43, 36.27

 

CMYK 51 / 0 / 32 / 0

HEX #7EFFAE

RGB 126 255 174

HSL 142.33, 1%, 0.75%

LAB 91.24, -53.29, 28.01

 

CMYK 75 / 0 / 52 / 16

HEX #35D767

RGB 53 215 103

HSL 138.52, 0.67%, 0.53%

LAB 76.28, -64.19, 43.43

 

CMYK 82 / 0 / 57 / 23

HEX #24C554

RGB 36 197 84

HSL 137.89, 0.69%, 0.46%

LAB 70.14, -62.93, 44.96

 

CMYK 89 / 0 / 64 / 30

HEX #13B341

RGB 19 179 65

HSL 137.25, 0.81%, 0.39%

LAB 63.97, -61.09, 46.42

 

CMYK 99 / 0 / 71 / 37

HEX #02A12E

RGB 2 161 46

HSL 136.6, 0.98%, 0.32%

LAB 57.75, -58.55, 47.63

 

CMYK 100 / 0 / 81 / 44

HEX #008F1B

RGB 0 143 27

HSL 131.33, 1%, 0.28%

LAB 51.52, -54.85, 48.23

 

CMYK 74 / 0 / 52 / 16

HEX #37D768

RGB 55 215 104

HSL 138.38, 0.67%, 0.53%

LAB 76.32, -63.77, 43.02

 

CMYK 74 / 0 / 72 / 16

HEX #37D73D

RGB 55 215 61

HSL 122.25, 0.67%, 0.53%

LAB 75.92, -68.65, 60.99

 

CMYK 57 / 0 / 74 / 16

HEX #5CD737

RGB 92 215 55

HSL 106.13, 0.67%, 0.53%

LAB 76.77, -61.71, 64.23

 

CMYK 37 / 0 / 74 / 16

HEX #87D737

RGB 135 215 55

HSL 90, 0.67%, 0.53%

LAB 78.48, -48.91, 66.48

 

CMYK 17 / 0 / 74 / 16

HEX #B3D737

RGB 179 215 55

HSL 73.5, 0.67%, 0.53%

LAB 80.99, -32.52, 69.77

 

CMYK 74 / 0 / 52 / 16

HEX #37D768

RGB 55 215 104

HSL 138.38, 0.67%, 0.53%

LAB 76.32, -63.77, 43.02

 

CMYK 74 / 0 / 31 / 16

HEX #37D794

RGB 55 215 148

HSL 154.88, 0.67%, 0.53%

LAB 77.01, -55.92, 21.66

 

CMYK 74 / 0 / 11 / 16

HEX #37D7BF

RGB 55 215 191

HSL 171, 0.67%, 0.53%

LAB 77.98, -45.74, 0.19

 

CMYK 74 / 8 / 0 / 16

HEX #37C5D7

RGB 55 197 215

HSL 186.75, 0.67%, 0.53%

LAB 73.32, -30.73, -19.69

 

CMYK 74 / 29 / 0 / 16

HEX #3799D7

RGB 55 153 215

HSL 203.25, 0.67%, 0.53%

LAB 60.34, -7.7, -39.72

 

CMYK 74 / 0 / 52 / 16

HEX #37D768

RGB 55 215 104

HSL 138.38, 0.67%, 0.53%

LAB 76.32, -63.77, 43.02

 

CMYK 85 / 0 / 59 / 8

HEX #23EB61

RGB 35 235 97

HSL 138.6, 0.83%, 0.53%

LAB 82.18, -73.35, 53.19

 

CMYK 94 / 0 / 65 / 0

HEX #10FE5A

RGB 16 254 90

HSL 138.66, 0.99%, 0.53%

LAB 87.84, -80.86, 62.49

 

CMYK 74 / 0 / 52 / 16

HEX #37D768

RGB 55 215 104

HSL 138.38, 0.67%, 0.53%

LAB 76.32, -63.77, 43.02

 

CMYK 62 / 0 / 43 / 23

HEX #4AC470

RGB 74 196 112

HSL 138.69, 0.51%, 0.53%

LAB 70.94, -52.32, 32.34

 

CMYK 47 / 0 / 33 / 31

HEX #5EB177

RGB 94 177 119

HSL 138.07, 0.35%, 0.53%

LAB 65.87, -38.32, 22.06

 

CMYK 28 / 0 / 19 / 38

HEX #719D7F

RGB 113 157 127

HSL 139.09, 0.18%, 0.53%

LAB 60.92, -21.34, 10.96

 

CMYK 4 / 0 / 3 / 46

HEX #848A86

RGB 132 138 134

HSL 140, 0.02%, 0.53%

LAB 56.88, -3, 1.37

 

CMYK 57 / 0 / 74 / 16

HEX #5CD737

RGB 92 215 55

HSL 106.13, 0.67%, 0.53%

LAB 76.77, -61.71, 64.23

 

CMYK 74 / 0 / 72 / 16

HEX #37D73C

RGB 55 215 60

HSL 121.88, 0.67%, 0.53%

LAB 75.91, -68.73, 61.34

 

CMYK 74 / 0 / 52 / 16

HEX #37D767

RGB 55 215 103

HSL 138, 0.67%, 0.53%

LAB 76.31, -63.91, 43.48

 

CMYK 74 / 0 / 32 / 16

HEX #37D792

RGB 55 215 146

HSL 154.13, 0.67%, 0.53%

LAB 76.97, -56.34, 22.65

 

CMYK 74 / 0 / 12 / 16

HEX #37D7BD

RGB 55 215 189

HSL 170.25, 0.67%, 0.53%

LAB 77.93, -46.26, 1.19

 

CMYK 80 / 0 / 55 / 38

HEX #1F9D46

RGB 31 157 70

HSL 138.57, 0.67%, 0.37%

LAB 56.93, -52, 35.9

 

CMYK 80 / 0 / 55 / 25

HEX #26BF55

RGB 38 191 85

HSL 138.43, 0.67%, 0.45%

LAB 68.26, -60.6, 42.26

 

CMYK 74 / 0 / 52 / 16

HEX #37D768

RGB 55 215 104

HSL 138.38, 0.67%, 0.53%

LAB 76.32, -63.77, 43.02

 

CMYK 60 / 0 / 41 / 13

HEX #59DE82

RGB 89 222 130

HSL 138.5, 0.67%, 0.61%

LAB 79.6, -56.2, 34.52

 

CMYK 46 / 0 / 32 / 10

HEX #7CE59C

RGB 124 229 156

HSL 138.29, 0.67%, 0.69%

LAB 83.3, -46.16, 26.39

 

CMYK 75 / 0 / 52 / 16

HEX #35D767

RGB 53 215 103

HSL 138.52, 0.67%, 0.53%

LAB 76.28, -64.19, 43.43

 

CMYK 74 / 37 / 0 / 16

HEX #3787D7

RGB 55 135 215

HSL 210, 0.67%, 0.53%

LAB 55.12, 2.78, -47.96

 

CMYK 0 / 74 / 67 / 16

HEX #D73747

RGB 215 55 71

HSL 354, 0.67%, 0.53%

LAB 49.05, 62.03, 29.25

 

CMYK 75 / 0 / 52 / 16

HEX #35D767

RGB 53 215 103

HSL 138.52, 0.67%, 0.53%

LAB 76.28, -64.19, 43.43

 

CMYK 52 / 74 / 0 / 16

HEX #6737D7

RGB 103 55 215

HSL 258, 0.67%, 0.53%

LAB 38.76, 57.45, -74.25

 

CMYK 0 / 52 / 74 / 16

HEX #D76737

RGB 215 103 55

HSL 18, 0.67%, 0.53%

LAB 56.51, 40.87, 46.61

 

CMYK 75 / 0 / 52 / 16

HEX #35D767

RGB 53 215 103

HSL 138.52, 0.67%, 0.53%

LAB 76.28, -64.19, 43.43

 

CMYK 74 / 37 / 0 / 16

HEX #3787D7

RGB 55 135 215

HSL 210, 0.67%, 0.53%

LAB 55.12, 2.78, -47.96

 

CMYK 0 / 74 / 22 / 16

HEX #D737A7

RGB 215 55 167

HSL 318, 0.67%, 0.53%

LAB 51.8, 70.73, -24.52

 

CMYK 0 / 37 / 74 / 16

HEX #D78737

RGB 215 135 55

HSL 30, 0.67%, 0.53%

LAB 63.38, 24.15, 53.7

 

CMYK 75 / 0 / 52 / 16

HEX #35D767

RGB 53 215 103

HSL 138.52, 0.67%, 0.53%

LAB 76.28, -64.19, 43.43

 

CMYK 74 / 60 / 0 / 16

HEX #3757D7

RGB 55 87 215

HSL 228, 0.67%, 0.53%

LAB 42.05, 32.85, -69

 

CMYK 0 / 74 / 22 / 16

HEX #D737A7

RGB 215 55 167

HSL 318, 0.67%, 0.53%

LAB 51.8, 70.73, -24.52

 

CMYK 0 / 15 / 74 / 16

HEX #D7B737

RGB 215 183 55

HSL 48, 0.67%, 0.53%

LAB 75.2, -1.53, 65.27

 

Description

Color code: RGB 53 215 103 | qconv.com Color code: RGB 53 215 103 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 215 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 215 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 52 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 52% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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