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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 214 99 it is the complementary color RGB 202 41 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 214 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 214 99 shade: RGB 58 214 94, RGB 75 232 113, RGB 92 250 132, RGB 109 255 151 and RGB 126 255 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 214 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 214 99 shade: RGB 53 214 99, RGB 36 196 80, RGB 19 178 61, RGB 2 160 42 and RGB 0 142 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 214 99 shade: RGB 52 213 98, RGB 52 213 54, RGB 93 213 52, RGB 136 213 52 and RGB 180 213 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 214 99 shade: RGB 52 213 98, RGB 52 213 142, RGB 52 213 185, RGB 52 198 213 and RGB 52 155 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 214 99 shade matches the following richer shades: RGB 52 213 98, RGB 32 233 89 and RGB 12 253 81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 214 99 shade: RGB 52 213 98, RGB 72 194 106, RGB 91 174 115, RGB 111 154 123 and RGB 131 134 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 214 99 shade: RGB 92 213 52, RGB 52 213 55, RGB 52 213 98, RGB 52 213 141 and RGB 52 213 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 214 99 shade: RGB 31 152 65, RGB 38 186 80, RGB 52 213 98, RGB 86 220 124 and RGB 120 227 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 214 99 shade: RGB 53 214 99, RGB 52 135 213 and RGB 213 52 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 214 99 shade: RGB 53 214 99, RGB 98 52 213 and RGB 213 98 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 214 99 shade: RGB 53 214 99, RGB 52 135 213, RGB 213 52 168 and RGB 213 130 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 214 99 shade: RGB 53 214 99, RGB 52 87 213, RGB 213 52 168 and RGB 213 178 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 54 / 16

HEX #35D663

RGB 53 214 99

HSL 137.14, 0.66%, 0.52%

LAB 75.92, -64.42, 44.89

 

Complementary color

CMYK 0 / 80 / 23 / 21

HEX #CA299C

RGB 202 41 156

HSL 317.14, 0.66%, 0.48%

LAB 47.68, 70.25, -24.56

 

CMYK 73 / 0 / 56 / 16

HEX #3AD65E

RGB 58 214 94

HSL 133.85, 0.66%, 0.53%

LAB 75.95, -64.38, 47.29

 

CMYK 68 / 0 / 51 / 9

HEX #4BE871

RGB 75 232 113

HSL 134.52, 0.77%, 0.6%

LAB 82.06, -65.17, 45.86

 

CMYK 63 / 0 / 47 / 2

HEX #5CFA84

RGB 92 250 132

HSL 135.19, 0.94%, 0.67%

LAB 88.12, -65.65, 44.45

 

CMYK 57 / 0 / 41 / 0

HEX #6DFF97

RGB 109 255 151

HSL 137.26, 1%, 0.71%

LAB 90.32, -61.08, 38.16

 

CMYK 51 / 0 / 33 / 0

HEX #7EFFAA

RGB 126 255 170

HSL 140.47, 1%, 0.75%

LAB 91.17, -54, 29.93

 

CMYK 75 / 0 / 54 / 16

HEX #35D663

RGB 53 214 99

HSL 137.14, 0.66%, 0.52%

LAB 75.92, -64.42, 44.89

 

CMYK 82 / 0 / 59 / 23

HEX #24C450

RGB 36 196 80

HSL 136.5, 0.69%, 0.45%

LAB 69.78, -63.13, 46.38

 

CMYK 89 / 0 / 66 / 30

HEX #13B23D

RGB 19 178 61

HSL 135.85, 0.81%, 0.39%

LAB 63.6, -61.23, 47.76

 

CMYK 99 / 0 / 74 / 37

HEX #02A02A

RGB 2 160 42

HSL 135.19, 0.98%, 0.32%

LAB 57.39, -58.62, 48.8

 

CMYK 100 / 0 / 84 / 44

HEX #008E17

RGB 0 142 23

HSL 129.72, 1%, 0.28%

LAB 51.16, -54.81, 49.09

 

CMYK 76 / 0 / 54 / 16

HEX #34D562

RGB 52 213 98

HSL 137.14, 0.66%, 0.52%

LAB 75.58, -64.36, 44.95

 

CMYK 76 / 0 / 75 / 16

HEX #34D536

RGB 52 213 54

HSL 120.75, 0.66%, 0.52%

LAB 75.19, -69.01, 62.68

 

CMYK 56 / 0 / 76 / 16

HEX #5DD534

RGB 93 213 52

HSL 104.72, 0.66%, 0.52%

LAB 76.17, -60.95, 64.63

 

CMYK 36 / 0 / 76 / 16

HEX #88D534

RGB 136 213 52

HSL 88.7, 0.66%, 0.52%

LAB 77.92, -47.91, 66.92

 

CMYK 15 / 0 / 76 / 16

HEX #B4D534

RGB 180 213 52

HSL 72.3, 0.66%, 0.52%

LAB 80.48, -31.33, 70.26

 

CMYK 76 / 0 / 54 / 16

HEX #34D562

RGB 52 213 98

HSL 137.14, 0.66%, 0.52%

LAB 75.58, -64.36, 44.95

 

CMYK 76 / 0 / 33 / 16

HEX #34D58E

RGB 52 213 142

HSL 153.54, 0.66%, 0.52%

LAB 76.24, -56.78, 23.73

 

CMYK 76 / 0 / 13 / 16

HEX #34D5B9

RGB 52 213 185

HSL 169.57, 0.66%, 0.52%

LAB 77.17, -46.79, 2.23

 

CMYK 76 / 7 / 0 / 16

HEX #34C6D5

RGB 52 198 213

HSL 185.59, 0.66%, 0.52%

LAB 73.5, -32.14, -18.35

 

CMYK 76 / 27 / 0 / 16

HEX #349BD5

RGB 52 155 213

HSL 201.61, 0.66%, 0.52%

LAB 60.76, -9.88, -37.95

 

CMYK 76 / 0 / 54 / 16

HEX #34D562

RGB 52 213 98

HSL 137.14, 0.66%, 0.52%

LAB 75.58, -64.36, 44.95

 

CMYK 86 / 0 / 62 / 9

HEX #20E959

RGB 32 233 89

HSL 137.01, 0.82%, 0.52%

LAB 81.46, -73.93, 55.81

 

CMYK 95 / 0 / 68 / 1

HEX #0CFD51

RGB 12 253 81

HSL 137.18, 0.98%, 0.52%

LAB 87.45, -81.6, 65.55

 

CMYK 76 / 0 / 54 / 16

HEX #34D562

RGB 52 213 98

HSL 137.14, 0.66%, 0.52%

LAB 75.58, -64.36, 44.95

 

CMYK 63 / 0 / 45 / 24

HEX #48C26A

RGB 72 194 106

HSL 136.72, 0.5%, 0.52%

LAB 70.18, -52.96, 34.41

 

CMYK 48 / 0 / 34 / 32

HEX #5BAE73

RGB 91 174 115

HSL 137.35, 0.34%, 0.52%

LAB 64.75, -38.56, 22.69

 

CMYK 28 / 0 / 20 / 40

HEX #6F9A7B

RGB 111 154 123

HSL 136.74, 0.18%, 0.52%

LAB 59.82, -21.27, 11.63

 

CMYK 2 / 0 / 1 / 47

HEX #838684

RGB 131 134 132

HSL 140, 0.01%, 0.52%

LAB 55.63, -1.5, 0.68

 

CMYK 57 / 0 / 76 / 16

HEX #5CD534

RGB 92 213 52

HSL 105.09, 0.66%, 0.52%

LAB 76.14, -61.21, 64.59

 

CMYK 76 / 0 / 74 / 16

HEX #34D537

RGB 52 213 55

HSL 121.12, 0.66%, 0.52%

LAB 75.2, -68.94, 62.35

 

CMYK 76 / 0 / 54 / 16

HEX #34D562

RGB 52 213 98

HSL 137.14, 0.66%, 0.52%

LAB 75.58, -64.36, 44.95

 

CMYK 76 / 0 / 34 / 16

HEX #34D58D

RGB 52 213 141

HSL 153.17, 0.66%, 0.52%

LAB 76.22, -56.99, 24.23

 

CMYK 76 / 0 / 14 / 16

HEX #34D5B8

RGB 52 213 184

HSL 169.19, 0.66%, 0.52%

LAB 77.15, -47.05, 2.73

 

CMYK 80 / 0 / 57 / 40

HEX #1F9841

RGB 31 152 65

HSL 136.86, 0.66%, 0.36%

LAB 55.21, -50.98, 36.32

 

CMYK 80 / 0 / 57 / 27

HEX #26BA50

RGB 38 186 80

HSL 137.03, 0.66%, 0.44%

LAB 66.6, -59.62, 42.65

 

CMYK 76 / 0 / 54 / 16

HEX #34D562

RGB 52 213 98

HSL 137.14, 0.66%, 0.52%

LAB 75.58, -64.36, 44.95

 

CMYK 61 / 0 / 44 / 14

HEX #56DC7C

RGB 86 220 124

HSL 137.01, 0.66%, 0.6%

LAB 78.82, -57.05, 36.5

 

CMYK 47 / 0 / 33 / 11

HEX #78E397

RGB 120 227 151

HSL 137.38, 0.66%, 0.68%

LAB 82.47, -47.25, 27.82

 

CMYK 75 / 0 / 54 / 16

HEX #35D663

RGB 53 214 99

HSL 137.14, 0.66%, 0.52%

LAB 75.92, -64.42, 44.89

 

CMYK 76 / 37 / 0 / 16

HEX #3487D5

RGB 52 135 213

HSL 209.07, 0.66%, 0.52%

LAB 54.93, 1.68, -47.14

 

CMYK 0 / 76 / 67 / 16

HEX #D53447

RGB 213 52 71

HSL 352.92, 0.66%, 0.52%

LAB 48.33, 62.4, 28.27

 

CMYK 75 / 0 / 54 / 16

HEX #35D663

RGB 53 214 99

HSL 137.14, 0.66%, 0.52%

LAB 75.92, -64.42, 44.89

 

CMYK 54 / 76 / 0 / 16

HEX #6234D5

RGB 98 52 213

HSL 257.14, 0.66%, 0.52%

LAB 37.58, 57.62, -75.05

 

CMYK 0 / 54 / 76 / 16

HEX #D56234

RGB 213 98 52

HSL 17.14, 0.66%, 0.52%

LAB 55.21, 42.46, 46.64

 

CMYK 75 / 0 / 54 / 16

HEX #35D663

RGB 53 214 99

HSL 137.14, 0.66%, 0.52%

LAB 75.92, -64.42, 44.89

 

CMYK 76 / 37 / 0 / 16

HEX #3487D5

RGB 52 135 213

HSL 209.07, 0.66%, 0.52%

LAB 54.93, 1.68, -47.14

 

CMYK 0 / 76 / 21 / 16

HEX #D534A8

RGB 213 52 168

HSL 316.77, 0.66%, 0.52%

LAB 51.19, 71.28, -26.09

 

CMYK 0 / 39 / 76 / 16

HEX #D58234

RGB 213 130 52

HSL 29.07, 0.66%, 0.52%

LAB 61.96, 25.86, 53.51

 

CMYK 75 / 0 / 54 / 16

HEX #35D663

RGB 53 214 99

HSL 137.14, 0.66%, 0.52%

LAB 75.92, -64.42, 44.89

 

CMYK 76 / 59 / 0 / 16

HEX #3457D5

RGB 52 87 213

HSL 226.96, 0.66%, 0.52%

LAB 41.77, 31.8, -68.32

 

CMYK 0 / 76 / 21 / 16

HEX #D534A8

RGB 213 52 168

HSL 316.77, 0.66%, 0.52%

LAB 51.19, 71.28, -26.09

 

CMYK 0 / 16 / 76 / 16

HEX #D5B234

RGB 213 178 52

HSL 46.96, 0.66%, 0.52%

LAB 73.7, 0.11, 64.85

 

Description

Color code: RGB 53 214 99 | qconv.com Color code: RGB 53 214 99 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 214 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 214 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 54 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 54% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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