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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 214 64 it is the complementary color RGB 202 41 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 214 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 214 64 shade: RGB 58 214 59, RGB 75 232 78, RGB 92 250 97, RGB 109 255 116 and RGB 126 255 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 214 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 214 64 shade: RGB 53 214 64, RGB 36 196 45, RGB 19 178 26, RGB 2 160 7 and RGB 0 142 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 214 64 shade: RGB 52 213 63, RGB 84 213 52, RGB 128 213 52, RGB 171 213 52 and RGB 213 212 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 214 64 shade: RGB 52 213 63, RGB 52 213 106, RGB 52 213 150, RGB 52 213 194 and RGB 52 190 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 214 64 shade matches the following richer shades: RGB 52 213 63, RGB 32 233 46 and RGB 12 253 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 214 64 shade: RGB 52 213 63, RGB 72 194 80, RGB 91 174 97, RGB 111 154 114 and RGB 131 134 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 214 64 shade: RGB 127 213 52, RGB 84 213 52, RGB 52 213 63, RGB 52 213 106 and RGB 52 213 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 214 64 shade: RGB 31 152 39, RGB 38 186 48, RGB 52 213 63, RGB 86 220 95 and RGB 120 227 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 214 64 shade: RGB 53 214 64, RGB 52 170 213 and RGB 213 52 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 214 64 shade: RGB 53 214 64, RGB 63 52 213 and RGB 213 63 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 214 64 shade: RGB 53 214 64, RGB 52 170 213, RGB 213 52 203 and RGB 213 95 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 214 64 shade: RGB 53 214 64, RGB 52 122 213, RGB 213 52 203 and RGB 213 143 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 70 / 16

HEX #35D640

RGB 53 214 64

HSL 124.1, 0.66%, 0.52%

LAB 75.59, -68.38, 59.54

 

Complementary color

CMYK 0 / 80 / 5 / 21

HEX #CA29BF

RGB 202 41 191

HSL 304.1, 0.66%, 0.48%

LAB 49.38, 75.05, -42.52

 

CMYK 73 / 0 / 72 / 16

HEX #3AD63B

RGB 58 214 59

HSL 120.38, 0.66%, 0.53%

LAB 75.64, -68.04, 61.44

 

CMYK 68 / 0 / 66 / 9

HEX #4BE84E

RGB 75 232 78

HSL 121.15, 0.77%, 0.6%

LAB 81.71, -69.26, 60.77

 

CMYK 63 / 0 / 61 / 2

HEX #5CFA61

RGB 92 250 97

HSL 121.9, 0.94%, 0.67%

LAB 87.73, -70.08, 59.8

 

CMYK 57 / 0 / 55 / 0

HEX #6DFF74

RGB 109 255 116

HSL 122.88, 1%, 0.71%

LAB 89.87, -66.03, 54.14

 

CMYK 51 / 0 / 47 / 0

HEX #7EFF87

RGB 126 255 135

HSL 124.19, 1%, 0.75%

LAB 90.65, -59.48, 46.41

 

CMYK 75 / 0 / 70 / 16

HEX #35D640

RGB 53 214 64

HSL 124.1, 0.66%, 0.52%

LAB 75.59, -68.38, 59.54

 

CMYK 82 / 0 / 77 / 23

HEX #24C42D

RGB 36 196 45

HSL 123.38, 0.69%, 0.45%

LAB 69.5, -66.55, 59.95

 

CMYK 89 / 0 / 85 / 30

HEX #13B21A

RGB 19 178 26

HSL 122.64, 0.81%, 0.39%

LAB 63.39, -63.97, 59.51

 

CMYK 99 / 0 / 96 / 37

HEX #02A007

RGB 2 160 7

HSL 121.9, 0.98%, 0.32%

LAB 57.24, -60.52, 57.68

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 76 / 0 / 70 / 16

HEX #34D53F

RGB 52 213 63

HSL 124.1, 0.66%, 0.52%

LAB 75.25, -68.3, 59.55

 

CMYK 61 / 0 / 76 / 16

HEX #54D534

RGB 84 213 52

HSL 108.07, 0.66%, 0.52%

LAB 75.9, -63.14, 64.27

 

CMYK 40 / 0 / 76 / 16

HEX #80D534

RGB 128 213 52

HSL 91.68, 0.66%, 0.52%

LAB 77.53, -50.63, 66.42

 

CMYK 20 / 0 / 76 / 16

HEX #ABD534

RGB 171 213 52

HSL 75.65, 0.66%, 0.52%

LAB 79.89, -34.91, 69.5

 

CMYK 0 / 0 / 76 / 16

HEX #D5D434

RGB 213 212 52

HSL 59.63, 0.66%, 0.52%

LAB 82.64, -17.26, 73.13

 

CMYK 76 / 0 / 70 / 16

HEX #34D53F

RGB 52 213 63

HSL 124.1, 0.66%, 0.52%

LAB 75.25, -68.3, 59.55

 

CMYK 76 / 0 / 50 / 16

HEX #34D56A

RGB 52 213 106

HSL 140.12, 0.66%, 0.52%

LAB 75.67, -63.2, 41.24

 

CMYK 76 / 0 / 30 / 16

HEX #34D596

RGB 52 213 150

HSL 156.52, 0.66%, 0.52%

LAB 76.39, -55.11, 19.74

 

CMYK 76 / 0 / 9 / 16

HEX #34D5C2

RGB 52 213 194

HSL 172.92, 0.66%, 0.52%

LAB 77.41, -44.42, -2.26

 

CMYK 76 / 11 / 0 / 16

HEX #34BED5

RGB 52 190 213

HSL 188.57, 0.66%, 0.52%

LAB 71.12, -28.26, -21.95

 

CMYK 76 / 0 / 70 / 16

HEX #34D53F

RGB 52 213 63

HSL 124.1, 0.66%, 0.52%

LAB 75.25, -68.3, 59.55

 

CMYK 86 / 0 / 80 / 9

HEX #20E92E

RGB 32 233 46

HSL 124.18, 0.82%, 0.52%

LAB 81.17, -77.55, 70.76

 

CMYK 95 / 0 / 89 / 1

HEX #0CFD1D

RGB 12 253 29

HSL 124.23, 0.98%, 0.52%

LAB 87.2, -84.76, 79.75

 

CMYK 76 / 0 / 70 / 16

HEX #34D53F

RGB 52 213 63

HSL 124.1, 0.66%, 0.52%

LAB 75.25, -68.3, 59.55

 

CMYK 63 / 0 / 59 / 24

HEX #48C250

RGB 72 194 80

HSL 123.93, 0.5%, 0.52%

LAB 69.85, -56.63, 46.64

 

CMYK 48 / 0 / 44 / 32

HEX #5BAE61

RGB 91 174 97

HSL 124.34, 0.34%, 0.52%

LAB 64.45, -41.61, 31.85

 

CMYK 28 / 0 / 26 / 40

HEX #6F9A72

RGB 111 154 114

HSL 124.19, 0.18%, 0.52%

LAB 59.62, -22.97, 16.4

 

CMYK 2 / 0 / 2 / 47

HEX #838683

RGB 131 134 131

HSL 120, 0.01%, 0.52%

LAB 55.6, -1.7, 1.22

 

CMYK 40 / 0 / 76 / 16

HEX #7FD534

RGB 127 213 52

HSL 92.05, 0.66%, 0.52%

LAB 77.49, -50.96, 66.36

 

CMYK 61 / 0 / 76 / 16

HEX #54D534

RGB 84 213 52

HSL 108.07, 0.66%, 0.52%

LAB 75.9, -63.14, 64.27

 

CMYK 76 / 0 / 70 / 16

HEX #34D53F

RGB 52 213 63

HSL 124.1, 0.66%, 0.52%

LAB 75.25, -68.3, 59.55

 

CMYK 76 / 0 / 50 / 16

HEX #34D56A

RGB 52 213 106

HSL 140.12, 0.66%, 0.52%

LAB 75.67, -63.2, 41.24

 

CMYK 76 / 0 / 30 / 16

HEX #34D595

RGB 52 213 149

HSL 156.15, 0.66%, 0.52%

LAB 76.37, -55.32, 20.24

 

CMYK 80 / 0 / 74 / 40

HEX #1F9827

RGB 31 152 39

HSL 123.97, 0.66%, 0.36%

LAB 54.96, -53.94, 47.54

 

CMYK 80 / 0 / 74 / 27

HEX #26BA30

RGB 38 186 48

HSL 124.05, 0.66%, 0.44%

LAB 66.32, -63.04, 55.8

 

CMYK 76 / 0 / 70 / 16

HEX #34D53F

RGB 52 213 63

HSL 124.1, 0.66%, 0.52%

LAB 75.25, -68.3, 59.55

 

CMYK 61 / 0 / 57 / 14

HEX #56DC5F

RGB 86 220 95

HSL 124.03, 0.66%, 0.6%

LAB 78.46, -61.14, 49.95

 

CMYK 47 / 0 / 44 / 11

HEX #78E380

RGB 120 227 128

HSL 124.49, 0.66%, 0.68%

LAB 82.1, -50.96, 38.95

 

CMYK 75 / 0 / 70 / 16

HEX #35D640

RGB 53 214 64

HSL 124.1, 0.66%, 0.52%

LAB 75.59, -68.38, 59.54

 

CMYK 76 / 20 / 0 / 16

HEX #34AAD5

RGB 52 170 213

HSL 196.02, 0.66%, 0.52%

LAB 65.19, -18.04, -31.06

 

CMYK 0 / 76 / 50 / 16

HEX #D5346A

RGB 213 52 106

HSL 339.88, 0.66%, 0.52%

LAB 49.06, 64.74, 7.98

 

CMYK 75 / 0 / 70 / 16

HEX #35D640

RGB 53 214 64

HSL 124.1, 0.66%, 0.52%

LAB 75.59, -68.38, 59.54

 

CMYK 70 / 76 / 0 / 16

HEX #3F34D5

RGB 63 52 213

HSL 244.1, 0.66%, 0.52%

LAB 34.63, 53.67, -80.02

 

CMYK 0 / 70 / 76 / 16

HEX #D53F34

RGB 213 63 52

HSL 4.1, 0.66%, 0.52%

LAB 49.43, 57.77, 40.53

 

CMYK 75 / 0 / 70 / 16

HEX #35D640

RGB 53 214 64

HSL 124.1, 0.66%, 0.52%

LAB 75.59, -68.38, 59.54

 

CMYK 76 / 20 / 0 / 16

HEX #34AAD5

RGB 52 170 213

HSL 196.02, 0.66%, 0.52%

LAB 65.19, -18.04, -31.06

 

CMYK 0 / 76 / 5 / 16

HEX #D534CB

RGB 213 52 203

HSL 303.73, 0.66%, 0.52%

LAB 52.86, 76.17, -43.84

 

CMYK 0 / 55 / 76 / 16

HEX #D55F34

RGB 213 95 52

HSL 16.02, 0.66%, 0.52%

LAB 54.64, 43.92, 46.05

 

CMYK 75 / 0 / 70 / 16

HEX #35D640

RGB 53 214 64

HSL 124.1, 0.66%, 0.52%

LAB 75.59, -68.38, 59.54

 

CMYK 76 / 43 / 0 / 16

HEX #347AD5

RGB 52 122 213

HSL 213.91, 0.66%, 0.52%

LAB 51.21, 9.58, -53.06

 

CMYK 0 / 76 / 5 / 16

HEX #D534CB

RGB 213 52 203

HSL 303.73, 0.66%, 0.52%

LAB 52.86, 76.17, -43.84

 

CMYK 0 / 33 / 76 / 16

HEX #D58F34

RGB 213 143 52

HSL 33.91, 0.66%, 0.52%

LAB 64.99, 18.85, 56.5

 

Description

Color code: RGB 53 214 64 | qconv.com Color code: RGB 53 214 64 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 214 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 214 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 70 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 70% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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