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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 211 89 it is the complementary color RGB 202 44 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 211 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 211 89 shade: RGB 58 211 84, RGB 75 229 103, RGB 92 247 122, RGB 109 255 141 and RGB 126 255 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 211 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 211 89 shade: RGB 53 211 89, RGB 36 193 70, RGB 19 175 51, RGB 2 157 32 and RGB 0 139 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 211 89 shade: RGB 54 211 90, RGB 61 211 54, RGB 103 211 54, RGB 145 211 54 and RGB 188 211 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 211 89 shade: RGB 54 211 90, RGB 54 211 132, RGB 54 211 174, RGB 54 205 211 and RGB 54 163 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 211 89 shade matches the following richer shades: RGB 54 211 90, RGB 34 231 79 and RGB 15 251 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 211 89 shade: RGB 54 211 90, RGB 74 191 101, RGB 94 171 112, RGB 114 152 122 and RGB 133 132 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 211 89 shade: RGB 104 211 54, RGB 62 211 54, RGB 54 211 88, RGB 54 211 130 and RGB 54 211 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 211 89 shade: RGB 33 150 60, RGB 40 184 73, RGB 54 211 90, RGB 88 218 118 and RGB 122 226 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 211 89 shade: RGB 53 211 89, RGB 54 146 211 and RGB 211 54 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 211 89 shade: RGB 53 211 89, RGB 88 54 211 and RGB 211 88 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 211 89 shade: RGB 53 211 89, RGB 54 146 211, RGB 211 54 177 and RGB 211 120 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 211 89 shade: RGB 53 211 89, RGB 54 99 211, RGB 211 54 177 and RGB 211 167 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 58 / 17

HEX #35D359

RGB 53 211 89

HSL 133.67, 0.64%, 0.52%

LAB 74.87, -64.76, 48.28

 

Complementary color

CMYK 0 / 78 / 18 / 21

HEX #CA2CA6

RGB 202 44 166

HSL 313.67, 0.64%, 0.48%

LAB 48.4, 70.76, -29.39

 

CMYK 73 / 0 / 60 / 17

HEX #3AD354

RGB 58 211 84

HSL 130.2, 0.63%, 0.53%

LAB 74.91, -64.62, 50.6

 

CMYK 67 / 0 / 55 / 10

HEX #4BE567

RGB 75 229 103

HSL 130.91, 0.75%, 0.6%

LAB 81.02, -65.48, 49.27

 

CMYK 63 / 0 / 51 / 3

HEX #5CF77A

RGB 92 247 122

HSL 131.61, 0.91%, 0.66%

LAB 87.1, -66.01, 47.91

 

CMYK 57 / 0 / 45 / 0

HEX #6DFF8D

RGB 109 255 141

HSL 133.15, 1%, 0.71%

LAB 90.18, -62.64, 42.84

 

CMYK 51 / 0 / 37 / 0

HEX #7EFFA0

RGB 126 255 160

HSL 135.81, 1%, 0.75%

LAB 91, -55.7, 34.71

 

CMYK 75 / 0 / 58 / 17

HEX #35D359

RGB 53 211 89

HSL 133.67, 0.64%, 0.52%

LAB 74.87, -64.76, 48.28

 

CMYK 81 / 0 / 64 / 24

HEX #24C146

RGB 36 193 70

HSL 132.99, 0.69%, 0.45%

LAB 68.72, -63.37, 49.62

 

CMYK 89 / 0 / 71 / 31

HEX #13AF33

RGB 19 175 51

HSL 132.31, 0.8%, 0.38%

LAB 62.54, -61.33, 50.72

 

CMYK 99 / 0 / 80 / 38

HEX #029D20

RGB 2 157 32

HSL 131.61, 0.97%, 0.31%

LAB 56.32, -58.52, 51.24

 

CMYK 100 / 0 / 91 / 45

HEX #008B0D

RGB 0 139 13

HSL 125.61, 1%, 0.27%

LAB 50.09, -54.43, 50.6

 

CMYK 74 / 0 / 57 / 17

HEX #36D35A

RGB 54 211 90

HSL 133.76, 0.64%, 0.52%

LAB 74.89, -64.49, 47.86

 

CMYK 71 / 0 / 74 / 17

HEX #3DD336

RGB 61 211 54

HSL 117.32, 0.64%, 0.52%

LAB 74.73, -66.98, 62.27

 

CMYK 51 / 0 / 74 / 17

HEX #67D336

RGB 103 211 54

HSL 101.27, 0.64%, 0.52%

LAB 75.91, -57.42, 63.83

 

CMYK 31 / 0 / 74 / 17

HEX #91D336

RGB 145 211 54

HSL 85.22, 0.64%, 0.52%

LAB 77.8, -43.77, 66.32

 

CMYK 11 / 0 / 74 / 17

HEX #BCD336

RGB 188 211 54

HSL 68.79, 0.64%, 0.52%

LAB 80.49, -27.06, 69.83

 

CMYK 74 / 0 / 57 / 17

HEX #36D35A

RGB 54 211 90

HSL 133.76, 0.64%, 0.52%

LAB 74.89, -64.49, 47.86

 

CMYK 74 / 0 / 37 / 17

HEX #36D384

RGB 54 211 132

HSL 149.81, 0.64%, 0.52%

LAB 75.48, -57.76, 27.91

 

CMYK 74 / 0 / 18 / 17

HEX #36D3AE

RGB 54 211 174

HSL 165.86, 0.64%, 0.52%

LAB 76.33, -48.5, 6.91

 

CMYK 74 / 3 / 0 / 17

HEX #36CDD3

RGB 54 205 211

HSL 182.29, 0.64%, 0.52%

LAB 75.54, -35.83, -14.17

 

CMYK 74 / 23 / 0 / 17

HEX #36A3D3

RGB 54 163 211

HSL 198.34, 0.64%, 0.52%

LAB 63.08, -14.72, -33.22

 

CMYK 74 / 0 / 57 / 17

HEX #36D35A

RGB 54 211 90

HSL 133.76, 0.64%, 0.52%

LAB 74.89, -64.49, 47.86

 

CMYK 85 / 0 / 66 / 9

HEX #22E74F

RGB 34 231 79

HSL 133.71, 0.8%, 0.52%

LAB 80.77, -74.25, 59.18

 

CMYK 94 / 0 / 73 / 2

HEX #0FFB44

RGB 15 251 68

HSL 133.47, 0.97%, 0.52%

LAB 86.76, -82.04, 69.47

 

CMYK 74 / 0 / 57 / 17

HEX #36D35A

RGB 54 211 90

HSL 133.76, 0.64%, 0.52%

LAB 74.89, -64.49, 47.86

 

CMYK 61 / 0 / 47 / 25

HEX #4ABF65

RGB 74 191 101

HSL 133.85, 0.48%, 0.52%

LAB 69.22, -52.18, 35.74

 

CMYK 45 / 0 / 35 / 33

HEX #5EAB70

RGB 94 171 112

HSL 134.03, 0.31%, 0.52%

LAB 63.9, -36.91, 23.18

 

CMYK 25 / 0 / 20 / 40

HEX #72987A

RGB 114 152 122

HSL 132.63, 0.16%, 0.52%

LAB 59.38, -19.41, 11.61

 

CMYK 0 / 1 / 0 / 48

HEX #858485

RGB 133 132 133

HSL 300, 0%, 0.52%

LAB 55.26, 0.57, -0.41

 

CMYK 51 / 0 / 74 / 17

HEX #68D336

RGB 104 211 54

HSL 100.89, 0.64%, 0.52%

LAB 75.95, -57.14, 63.88

 

CMYK 71 / 0 / 74 / 17

HEX #3ED336

RGB 62 211 54

HSL 116.94, 0.64%, 0.52%

LAB 74.75, -66.8, 62.3

 

CMYK 74 / 0 / 58 / 17

HEX #36D358

RGB 54 211 88

HSL 132.99, 0.64%, 0.52%

LAB 74.87, -64.74, 48.75

 

CMYK 74 / 0 / 38 / 17

HEX #36D382

RGB 54 211 130

HSL 149.04, 0.64%, 0.52%

LAB 75.44, -58.14, 28.9

 

CMYK 74 / 0 / 18 / 17

HEX #36D3AC

RGB 54 211 172

HSL 165.1, 0.64%, 0.52%

LAB 76.28, -49, 7.91

 

CMYK 78 / 0 / 60 / 41

HEX #21963C

RGB 33 150 60

HSL 133.85, 0.64%, 0.36%

LAB 54.51, -50.7, 37.95

 

CMYK 78 / 0 / 60 / 28

HEX #28B849

RGB 40 184 73

HSL 133.75, 0.64%, 0.44%

LAB 65.91, -59.61, 45.11

 

CMYK 74 / 0 / 57 / 17

HEX #36D35A

RGB 54 211 90

HSL 133.76, 0.64%, 0.52%

LAB 74.89, -64.49, 47.86

 

CMYK 60 / 0 / 46 / 15

HEX #58DA76

RGB 88 218 118

HSL 133.85, 0.64%, 0.6%

LAB 78.18, -56.81, 38.68

 

CMYK 46 / 0 / 35 / 11

HEX #7AE292

RGB 122 226 146

HSL 133.85, 0.64%, 0.68%

LAB 82.17, -47.16, 29.99

 

CMYK 75 / 0 / 58 / 17

HEX #35D359

RGB 53 211 89

HSL 133.67, 0.64%, 0.52%

LAB 74.87, -64.76, 48.28

 

CMYK 74 / 31 / 0 / 17

HEX #3692D3

RGB 54 146 211

HSL 204.84, 0.64%, 0.52%

LAB 58.08, -5.23, -41.03

 

CMYK 0 / 74 / 61 / 17

HEX #D33653

RGB 211 54 83

HSL 348.92, 0.64%, 0.52%

LAB 48.4, 61.87, 21.04

 

CMYK 75 / 0 / 58 / 17

HEX #35D359

RGB 53 211 89

HSL 133.67, 0.64%, 0.52%

LAB 74.87, -64.76, 48.28

 

CMYK 58 / 74 / 0 / 17

HEX #5836D3

RGB 88 54 211

HSL 252.99, 0.64%, 0.52%

LAB 36.77, 54.8, -75.27

 

CMYK 0 / 58 / 74 / 17

HEX #D35836

RGB 211 88 54

HSL 12.99, 0.64%, 0.52%

LAB 53.05, 46.6, 43.26

 

CMYK 75 / 0 / 58 / 17

HEX #35D359

RGB 53 211 89

HSL 133.67, 0.64%, 0.52%

LAB 74.87, -64.76, 48.28

 

CMYK 74 / 31 / 0 / 17

HEX #3692D3

RGB 54 146 211

HSL 204.84, 0.64%, 0.52%

LAB 58.08, -5.23, -41.03

 

CMYK 0 / 74 / 16 / 17

HEX #D336B1

RGB 211 54 177

HSL 312.99, 0.64%, 0.52%

LAB 51.45, 71.42, -30.99

 

CMYK 0 / 43 / 74 / 17

HEX #D37836

RGB 211 120 54

HSL 25.22, 0.64%, 0.52%

LAB 59.48, 30.45, 50.01

 

CMYK 75 / 0 / 58 / 17

HEX #35D359

RGB 53 211 89

HSL 133.67, 0.64%, 0.52%

LAB 74.87, -64.76, 48.28

 

CMYK 74 / 53 / 0 / 17

HEX #3663D3

RGB 54 99 211

HSL 222.8, 0.64%, 0.52%

LAB 44.82, 23.61, -62.22

 

CMYK 0 / 74 / 16 / 17

HEX #D336B1

RGB 211 54 177

HSL 312.99, 0.64%, 0.52%

LAB 51.45, 71.42, -30.99

 

CMYK 0 / 21 / 74 / 17

HEX #D3A736

RGB 211 167 54

HSL 43.18, 0.64%, 0.52%

LAB 70.7, 5.15, 61.18

 

Description

Color code: RGB 53 211 89 | qconv.com Color code: RGB 53 211 89 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 211 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 211 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 58 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 58% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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