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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 211 79 it is the complementary color RGB 202 44 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 211 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 211 79 shade: RGB 58 211 74, RGB 75 229 93, RGB 92 247 112, RGB 109 255 131 and RGB 126 255 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 211 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 211 79 shade: RGB 53 211 79, RGB 36 193 60, RGB 19 175 41, RGB 2 157 22 and RGB 0 139 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 211 79 shade: RGB 54 211 80, RGB 71 211 54, RGB 113 211 54, RGB 155 211 54 and RGB 197 211 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 211 79 shade: RGB 54 211 80, RGB 54 211 122, RGB 54 211 165, RGB 54 211 207 and RGB 54 173 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 211 79 shade matches the following richer shades: RGB 54 211 80, RGB 34 231 67 and RGB 15 251 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 211 79 shade: RGB 54 211 80, RGB 74 191 93, RGB 94 171 107, RGB 114 152 120 and RGB 133 132 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 211 79 shade: RGB 114 211 54, RGB 73 211 54, RGB 54 211 78, RGB 54 211 120 and RGB 54 211 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 211 79 shade: RGB 33 150 52, RGB 40 184 64, RGB 54 211 80, RGB 88 218 110 and RGB 122 226 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 211 79 shade: RGB 53 211 79, RGB 54 156 211 and RGB 211 54 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 211 79 shade: RGB 53 211 79, RGB 78 54 211 and RGB 211 78 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 211 79 shade: RGB 53 211 79, RGB 54 156 211, RGB 211 54 187 and RGB 211 109 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 211 79 shade: RGB 53 211 79, RGB 54 109 211, RGB 211 54 187 and RGB 211 156 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 63 / 17

HEX #35D34F

RGB 53 211 79

HSL 129.87, 0.64%, 0.52%

LAB 74.77, -65.95, 52.6

 

Complementary color

CMYK 0 / 78 / 13 / 21

HEX #CA2CB0

RGB 202 44 176

HSL 309.87, 0.64%, 0.48%

LAB 48.87, 72.12, -34.55

 

CMYK 73 / 0 / 65 / 17

HEX #3AD34A

RGB 58 211 74

HSL 126.27, 0.63%, 0.53%

LAB 74.81, -65.72, 54.78

 

CMYK 67 / 0 / 59 / 10

HEX #4BE55D

RGB 75 229 93

HSL 127.01, 0.75%, 0.6%

LAB 80.92, -66.7, 53.64

 

CMYK 63 / 0 / 55 / 3

HEX #5CF770

RGB 92 247 112

HSL 127.74, 0.91%, 0.66%

LAB 86.98, -67.33, 52.38

 

CMYK 57 / 0 / 49 / 0

HEX #6DFF83

RGB 109 255 131

HSL 129.04, 1%, 0.71%

LAB 90.05, -64.08, 47.44

 

CMYK 51 / 0 / 41 / 0

HEX #7EFF96

RGB 126 255 150

HSL 131.16, 1%, 0.75%

LAB 90.85, -57.29, 39.44

 

CMYK 75 / 0 / 63 / 17

HEX #35D34F

RGB 53 211 79

HSL 129.87, 0.64%, 0.52%

LAB 74.77, -65.95, 52.6

 

CMYK 81 / 0 / 69 / 24

HEX #24C13C

RGB 36 193 60

HSL 129.17, 0.69%, 0.45%

LAB 68.64, -64.41, 53.67

 

CMYK 89 / 0 / 77 / 31

HEX #13AF29

RGB 19 175 41

HSL 128.46, 0.8%, 0.38%

LAB 62.47, -62.17, 54.31

 

CMYK 99 / 0 / 86 / 38

HEX #029D16

RGB 2 157 22

HSL 127.74, 0.97%, 0.31%

LAB 56.27, -59.12, 54.04

 

CMYK 100 / 0 / 98 / 45

HEX #008B03

RGB 0 139 3

HSL 121.29, 1%, 0.27%

LAB 50.06, -54.78, 52.41

 

CMYK 74 / 0 / 62 / 17

HEX #36D350

RGB 54 211 80

HSL 129.94, 0.64%, 0.52%

LAB 74.79, -65.69, 52.2

 

CMYK 66 / 0 / 74 / 17

HEX #47D336

RGB 71 211 54

HSL 113.5, 0.64%, 0.52%

LAB 74.95, -65.13, 62.56

 

CMYK 46 / 0 / 74 / 17

HEX #71D336

RGB 113 211 54

HSL 97.45, 0.64%, 0.52%

LAB 76.29, -54.49, 64.34

 

CMYK 27 / 0 / 74 / 17

HEX #9BD336

RGB 155 211 54

HSL 81.4, 0.64%, 0.52%

LAB 78.36, -40.07, 67.06

 

CMYK 7 / 0 / 74 / 17

HEX #C5D336

RGB 197 211 54

HSL 65.35, 0.64%, 0.52%

LAB 81.14, -23.36, 70.67

 

CMYK 74 / 0 / 62 / 17

HEX #36D350

RGB 54 211 80

HSL 129.94, 0.64%, 0.52%

LAB 74.79, -65.69, 52.2

 

CMYK 74 / 0 / 42 / 17

HEX #36D37A

RGB 54 211 122

HSL 145.99, 0.64%, 0.52%

LAB 75.31, -59.6, 32.83

 

CMYK 74 / 0 / 22 / 17

HEX #36D3A5

RGB 54 211 165

HSL 162.42, 0.64%, 0.52%

LAB 76.12, -50.68, 11.42

 

CMYK 74 / 0 / 2 / 17

HEX #36D3CF

RGB 54 211 207

HSL 178.47, 0.64%, 0.52%

LAB 77.21, -39.73, -9.53

 

CMYK 74 / 18 / 0 / 17

HEX #36ADD3

RGB 54 173 211

HSL 194.52, 0.64%, 0.52%

LAB 66.04, -20.04, -28.64

 

CMYK 74 / 0 / 62 / 17

HEX #36D350

RGB 54 211 80

HSL 129.94, 0.64%, 0.52%

LAB 74.79, -65.69, 52.2

 

CMYK 85 / 0 / 71 / 9

HEX #22E743

RGB 34 231 67

HSL 130.05, 0.8%, 0.52%

LAB 80.68, -75.36, 63.65

 

CMYK 94 / 0 / 79 / 2

HEX #0FFB35

RGB 15 251 53

HSL 129.66, 0.97%, 0.52%

LAB 86.68, -83.05, 73.99

 

CMYK 74 / 0 / 62 / 17

HEX #36D350

RGB 54 211 80

HSL 129.94, 0.64%, 0.52%

LAB 74.79, -65.69, 52.2

 

CMYK 61 / 0 / 51 / 25

HEX #4ABF5D

RGB 74 191 93

HSL 129.74, 0.48%, 0.52%

LAB 69.12, -53.38, 39.6

 

CMYK 45 / 0 / 37 / 33

HEX #5EAB6B

RGB 94 171 107

HSL 130.13, 0.31%, 0.52%

LAB 63.81, -37.79, 25.75

 

CMYK 25 / 0 / 21 / 40

HEX #729878

RGB 114 152 120

HSL 129.47, 0.16%, 0.52%

LAB 59.33, -19.79, 12.67

 

CMYK 0 / 1 / 0 / 48

HEX #858485

RGB 133 132 133

HSL 300, 0%, 0.52%

LAB 55.26, 0.57, -0.41

 

CMYK 46 / 0 / 74 / 17

HEX #72D336

RGB 114 211 54

HSL 97.07, 0.64%, 0.52%

LAB 76.33, -54.19, 64.4

 

CMYK 65 / 0 / 74 / 17

HEX #49D336

RGB 73 211 54

HSL 112.74, 0.64%, 0.52%

LAB 75, -64.73, 62.63

 

CMYK 74 / 0 / 63 / 17

HEX #36D34E

RGB 54 211 78

HSL 129.17, 0.64%, 0.52%

LAB 74.78, -65.91, 53.04

 

CMYK 74 / 0 / 43 / 17

HEX #36D378

RGB 54 211 120

HSL 145.22, 0.64%, 0.52%

LAB 75.28, -59.95, 33.8

 

CMYK 74 / 0 / 24 / 17

HEX #36D3A1

RGB 54 211 161

HSL 160.89, 0.64%, 0.52%

LAB 76.04, -51.62, 13.43

 

CMYK 78 / 0 / 65 / 41

HEX #219634

RGB 33 150 52

HSL 129.74, 0.64%, 0.36%

LAB 54.43, -51.69, 41.59

 

CMYK 78 / 0 / 65 / 28

HEX #28B840

RGB 40 184 64

HSL 130, 0.64%, 0.44%

LAB 65.83, -60.66, 49

 

CMYK 74 / 0 / 62 / 17

HEX #36D350

RGB 54 211 80

HSL 129.94, 0.64%, 0.52%

LAB 74.79, -65.69, 52.2

 

CMYK 60 / 0 / 50 / 15

HEX #58DA6E

RGB 88 218 110

HSL 130.15, 0.64%, 0.6%

LAB 78.08, -57.99, 42.46

 

CMYK 46 / 0 / 38 / 11

HEX #7AE28B

RGB 122 226 139

HSL 129.81, 0.64%, 0.68%

LAB 82.05, -48.31, 33.39

 

CMYK 75 / 0 / 63 / 17

HEX #35D34F

RGB 53 211 79

HSL 129.87, 0.64%, 0.52%

LAB 74.77, -65.95, 52.6

 

CMYK 74 / 26 / 0 / 17

HEX #369CD3

RGB 54 156 211

HSL 201.02, 0.64%, 0.52%

LAB 61.01, -10.88, -36.44

 

CMYK 0 / 74 / 56 / 17

HEX #D3365D

RGB 211 54 93

HSL 345.1, 0.64%, 0.52%

LAB 48.61, 62.55, 15.23

 

CMYK 75 / 0 / 63 / 17

HEX #35D34F

RGB 53 211 79

HSL 129.87, 0.64%, 0.52%

LAB 74.77, -65.95, 52.6

 

CMYK 63 / 74 / 0 / 17

HEX #4E36D3

RGB 78 54 211

HSL 249.17, 0.64%, 0.52%

LAB 35.91, 53.58, -76.72

 

CMYK 0 / 63 / 74 / 17

HEX #D34E36

RGB 211 78 54

HSL 9.17, 0.64%, 0.52%

LAB 51.34, 51.13, 41.41

 

CMYK 75 / 0 / 63 / 17

HEX #35D34F

RGB 53 211 79

HSL 129.87, 0.64%, 0.52%

LAB 74.77, -65.95, 52.6

 

CMYK 74 / 26 / 0 / 17

HEX #369CD3

RGB 54 156 211

HSL 201.02, 0.64%, 0.52%

LAB 61.01, -10.88, -36.44

 

CMYK 0 / 74 / 11 / 17

HEX #D336BB

RGB 211 54 187

HSL 309.17, 0.64%, 0.52%

LAB 51.92, 72.82, -36.09

 

CMYK 0 / 48 / 74 / 17

HEX #D36D36

RGB 211 109 54

HSL 21.02, 0.64%, 0.52%

LAB 57.13, 36.22, 47.57

 

CMYK 75 / 0 / 63 / 17

HEX #35D34F

RGB 53 211 79

HSL 129.87, 0.64%, 0.52%

LAB 74.77, -65.95, 52.6

 

CMYK 74 / 48 / 0 / 17

HEX #366DD3

RGB 54 109 211

HSL 218.98, 0.64%, 0.52%

LAB 47.53, 17.23, -57.84

 

CMYK 0 / 74 / 11 / 17

HEX #D336BB

RGB 211 54 187

HSL 309.17, 0.64%, 0.52%

LAB 51.92, 72.82, -36.09

 

CMYK 0 / 26 / 74 / 17

HEX #D39C36

RGB 211 156 54

HSL 38.98, 0.64%, 0.52%

LAB 67.94, 11.05, 58.5

 

Description

Color code: RGB 53 211 79 | qconv.com Color code: RGB 53 211 79 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 211 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 211 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 63 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 63% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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