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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 210 42 it is the complementary color RGB 202 45 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 210 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 210 42 shade: RGB 58 210 37, RGB 75 228 56, RGB 92 246 75, RGB 109 255 94 and RGB 126 255 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 210 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 210 42 shade: RGB 53 210 42, RGB 36 192 23, RGB 19 174 4, RGB 2 156 0 and RGB 0 138 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 210 42 shade: RGB 52 209 41, RGB 97 209 41, RGB 143 209 41, RGB 188 209 41 and RGB 209 185 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 210 42 shade: RGB 52 209 41, RGB 41 209 75, RGB 41 209 121, RGB 41 209 166 and RGB 41 206 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 210 42 shade matches the following richer shades: RGB 52 209 41, RGB 35 229 21 and RGB 17 249 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 210 42 shade: RGB 52 209 41, RGB 70 188 61, RGB 87 168 82, RGB 105 148 102 and RGB 122 128 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 210 42 shade: RGB 142 209 41, RGB 97 209 41, RGB 52 209 41, RGB 41 209 75 and RGB 41 209 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 210 42 shade: RGB 35 140 28, RGB 44 174 34, RGB 52 209 41, RGB 82 219 72 and RGB 115 226 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 210 42 shade: RGB 53 210 42, RGB 41 186 209 and RGB 209 41 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 210 42 shade: RGB 53 210 42, RGB 41 52 209 and RGB 209 41 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 210 42 shade: RGB 53 210 42, RGB 41 186 209, RGB 198 41 209 and RGB 209 64 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 210 42 shade: RGB 53 210 42, RGB 41 136 209, RGB 198 41 209 and RGB 209 114 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 80 / 18

HEX #35D22A

RGB 53 210 42

HSL 116.07, 0.67%, 0.49%

LAB 74.2, -68.73, 65.43

 

Complementary color

CMYK 5 / 79 / 0 / 16

HEX #CA2DD5

RGB 202 45 213

HSL 296.07, 0.67%, 0.51%

LAB 50.96, 77.45, -52.69

 

CMYK 72 / 0 / 82 / 18

HEX #3AD225

RGB 58 210 37

HSL 112.72, 0.7%, 0.48%

LAB 74.27, -68.2, 66.86

 

CMYK 67 / 0 / 75 / 11

HEX #4BE438

RGB 75 228 56

HSL 113.37, 0.76%, 0.56%

LAB 80.33, -69.72, 67.25

 

CMYK 63 / 0 / 70 / 4

HEX #5CF64B

RGB 92 246 75

HSL 114.04, 0.9%, 0.63%

LAB 86.35, -70.78, 66.95

 

CMYK 57 / 0 / 63 / 0

HEX #6DFF5E

RGB 109 255 94

HSL 114.41, 1%, 0.68%

LAB 89.66, -68.4, 63.32

 

CMYK 51 / 0 / 56 / 0

HEX #7EFF71

RGB 126 255 113

HSL 114.51, 1%, 0.72%

LAB 90.39, -62.22, 56.22

 

CMYK 75 / 0 / 80 / 18

HEX #35D22A

RGB 53 210 42

HSL 116.07, 0.67%, 0.49%

LAB 74.2, -68.73, 65.43

 

CMYK 81 / 0 / 88 / 25

HEX #24C017

RGB 36 192 23

HSL 115.38, 0.79%, 0.42%

LAB 68.12, -66.53, 64.42

 

CMYK 89 / 0 / 98 / 32

HEX #13AE04

RGB 19 174 4

HSL 114.71, 0.96%, 0.35%

LAB 62.01, -63.53, 62.07

 

CMYK 99 / 0 / 100 / 39

HEX #029C00

RGB 2 156 0

HSL 119.23, 1%, 0.31%

LAB 55.88, -59.58, 57.64

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 75 / 0 / 80 / 18

HEX #34D129

RGB 52 209 41

HSL 116.07, 0.67%, 0.49%

LAB 73.86, -68.63, 65.39

 

CMYK 54 / 0 / 80 / 18

HEX #61D129

RGB 97 209 41

HSL 100, 0.67%, 0.49%

LAB 75.02, -59.1, 66.87

 

CMYK 32 / 0 / 80 / 18

HEX #8FD129

RGB 143 209 41

HSL 83.57, 0.67%, 0.49%

LAB 77.04, -44.28, 69.47

 

CMYK 10 / 0 / 80 / 18

HEX #BCD129

RGB 188 209 41

HSL 67.5, 0.67%, 0.49%

LAB 79.87, -26.62, 73.06

 

CMYK 0 / 11 / 80 / 18

HEX #D1B929

RGB 209 185 41

HSL 51.43, 0.67%, 0.49%

LAB 75.08, -5.69, 69.53

 

CMYK 75 / 0 / 80 / 18

HEX #34D129

RGB 52 209 41

HSL 116.07, 0.67%, 0.49%

LAB 73.86, -68.63, 65.39

 

CMYK 80 / 0 / 64 / 18

HEX #29D14B

RGB 41 209 75

HSL 132.14, 0.67%, 0.49%

LAB 73.92, -67.29, 53.3

 

CMYK 80 / 0 / 42 / 18

HEX #29D179

RGB 41 209 121

HSL 148.57, 0.67%, 0.49%

LAB 74.48, -60.64, 32.21

 

CMYK 80 / 0 / 21 / 18

HEX #29D1A6

RGB 41 209 166

HSL 164.64, 0.67%, 0.49%

LAB 75.34, -51.04, 9.75

 

CMYK 80 / 1 / 0 / 18

HEX #29CED1

RGB 41 206 209

HSL 181.07, 0.67%, 0.49%

LAB 75.59, -38.12, -13.05

 

CMYK 75 / 0 / 80 / 18

HEX #34D129

RGB 52 209 41

HSL 116.07, 0.67%, 0.49%

LAB 73.86, -68.63, 65.39

 

CMYK 85 / 0 / 91 / 10

HEX #23E515

RGB 35 229 21

HSL 115.96, 0.83%, 0.49%

LAB 79.87, -77.21, 74.8

 

CMYK 93 / 0 / 100 / 2

HEX #11F901

RGB 17 249 1

HSL 116.13, 0.99%, 0.49%

LAB 85.94, -84.08, 81.69

 

CMYK 75 / 0 / 80 / 18

HEX #34D129

RGB 52 209 41

HSL 116.07, 0.67%, 0.49%

LAB 73.86, -68.63, 65.39

 

CMYK 63 / 0 / 68 / 26

HEX #46BC3D

RGB 70 188 61

HSL 115.75, 0.51%, 0.49%

LAB 67.73, -56.95, 52.51

 

CMYK 48 / 0 / 51 / 34

HEX #57A852

RGB 87 168 82

HSL 116.51, 0.34%, 0.49%

LAB 62.2, -42.41, 36.68

 

CMYK 29 / 0 / 31 / 42

HEX #699466

RGB 105 148 102

HSL 116.09, 0.18%, 0.49%

LAB 57.21, -24.18, 19.75

 

CMYK 5 / 0 / 5 / 50

HEX #7A807A

RGB 122 128 122

HSL 120, 0.02%, 0.49%

LAB 52.93, -3.44, 2.47

 

CMYK 32 / 0 / 80 / 18

HEX #8ED129

RGB 142 209 41

HSL 83.93, 0.67%, 0.49%

LAB 76.99, -44.64, 69.4

 

CMYK 54 / 0 / 80 / 18

HEX #61D129

RGB 97 209 41

HSL 100, 0.67%, 0.49%

LAB 75.02, -59.1, 66.87

 

CMYK 75 / 0 / 80 / 18

HEX #34D129

RGB 52 209 41

HSL 116.07, 0.67%, 0.49%

LAB 73.86, -68.63, 65.39

 

CMYK 80 / 0 / 64 / 18

HEX #29D14B

RGB 41 209 75

HSL 132.14, 0.67%, 0.49%

LAB 73.92, -67.29, 53.3

 

CMYK 80 / 0 / 43 / 18

HEX #29D177

RGB 41 209 119

HSL 147.86, 0.67%, 0.49%

LAB 74.45, -61, 33.19

 

CMYK 75 / 0 / 80 / 45

HEX #238C1C

RGB 35 140 28

HSL 116.25, 0.67%, 0.33%

LAB 50.92, -50.2, 47.47

 

CMYK 75 / 0 / 80 / 32

HEX #2CAE22

RGB 44 174 34

HSL 115.71, 0.67%, 0.41%

LAB 62.44, -59.4, 56.62

 

CMYK 75 / 0 / 80 / 18

HEX #34D129

RGB 52 209 41

HSL 116.07, 0.67%, 0.49%

LAB 73.86, -68.63, 65.39

 

CMYK 63 / 0 / 67 / 14

HEX #52DB48

RGB 82 219 72

HSL 115.92, 0.67%, 0.57%

LAB 77.83, -64.08, 59.02

 

CMYK 49 / 0 / 53 / 11

HEX #73E26B

RGB 115 226 107

HSL 115.97, 0.67%, 0.65%

LAB 81.35, -54.77, 48.09

 

CMYK 75 / 0 / 80 / 18

HEX #35D22A

RGB 53 210 42

HSL 116.07, 0.67%, 0.49%

LAB 74.2, -68.73, 65.43

 

CMYK 80 / 11 / 0 / 18

HEX #29BAD1

RGB 41 186 209

HSL 188.21, 0.67%, 0.49%

LAB 69.61, -28.63, -22.09

 

CMYK 0 / 80 / 43 / 18

HEX #D12977

RGB 209 41 119

HSL 332.14, 0.67%, 0.49%

LAB 47.59, 67.91, -2.18

 

CMYK 75 / 0 / 80 / 18

HEX #35D22A

RGB 53 210 42

HSL 116.07, 0.67%, 0.49%

LAB 74.2, -68.73, 65.43

 

CMYK 80 / 75 / 0 / 18

HEX #2934D1

RGB 41 52 209

HSL 236.07, 0.67%, 0.49%

LAB 32.99, 50.7, -80.47

 

CMYK 0 / 80 / 75 / 18

HEX #D12934

RGB 209 41 52

HSL 356.07, 0.67%, 0.49%

LAB 46.16, 63.59, 36.73

 

CMYK 75 / 0 / 80 / 18

HEX #35D22A

RGB 53 210 42

HSL 116.07, 0.67%, 0.49%

LAB 74.2, -68.73, 65.43

 

CMYK 80 / 11 / 0 / 18

HEX #29BAD1

RGB 41 186 209

HSL 188.21, 0.67%, 0.49%

LAB 69.61, -28.63, -22.09

 

CMYK 5 / 80 / 0 / 18

HEX #C629D1

RGB 198 41 209

HSL 296.07, 0.67%, 0.49%

LAB 49.73, 77.06, -52.4

 

CMYK 0 / 69 / 80 / 18

HEX #D14029

RGB 209 64 41

HSL 8.21, 0.67%, 0.49%

LAB 48.74, 55.73, 45.41

 

CMYK 75 / 0 / 80 / 18

HEX #35D22A

RGB 53 210 42

HSL 116.07, 0.67%, 0.49%

LAB 74.2, -68.73, 65.43

 

CMYK 80 / 35 / 0 / 18

HEX #2988D1

RGB 41 136 209

HSL 206.07, 0.67%, 0.49%

LAB 54.74, -1.58, -45.19

 

CMYK 5 / 80 / 0 / 18

HEX #C629D1

RGB 198 41 209

HSL 296.07, 0.67%, 0.49%

LAB 49.73, 77.06, -52.4

 

CMYK 0 / 45 / 80 / 18

HEX #D17229

RGB 209 114 41

HSL 26.07, 0.67%, 0.49%

LAB 57.8, 32.3, 54.01

 

Description

Color code: RGB 53 210 42 | qconv.com Color code: RGB 53 210 42 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 210 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 210 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 80 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 80% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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