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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 210 188 it is the complementary color RGB 202 45 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 210 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 210 188 shade: RGB 58 210 183, RGB 75 228 202, RGB 92 246 221, RGB 109 255 240 and RGB 126 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 210 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 210 188 shade: RGB 53 210 188, RGB 36 192 169, RGB 19 174 150, RGB 2 156 131 and RGB 0 138 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 210 188 shade: RGB 54 211 189, RGB 54 211 147, RGB 54 211 104, RGB 54 211 62 and RGB 89 211 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 210 188 shade: RGB 54 211 189, RGB 54 191 211, RGB 54 148 211, RGB 54 106 211 and RGB 54 64 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 210 188 shade matches the following richer shades: RGB 54 211 189, RGB 34 231 203 and RGB 15 251 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 210 188 shade: RGB 54 211 189, RGB 74 191 175, RGB 94 171 160, RGB 114 152 146 and RGB 133 132 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 210 188 shade: RGB 54 211 104, RGB 54 211 146, RGB 54 211 187, RGB 54 193 211 and RGB 54 151 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 210 188 shade: RGB 33 150 133, RGB 40 184 164, RGB 54 211 189, RGB 88 218 200 and RGB 122 226 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 210 188 shade: RGB 53 210 188, RGB 62 54 211 and RGB 211 125 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 210 188 shade: RGB 53 210 188, RGB 187 54 211 and RGB 211 187 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 210 188 shade: RGB 53 210 188, RGB 62 54 211, RGB 211 54 78 and RGB 203 211 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 210 188 shade: RGB 53 210 188, RGB 109 54 211, RGB 211 54 78 and RGB 156 211 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 10 / 18

HEX #35D2BC

RGB 53 210 188

HSL 171.59, 0.64%, 0.52%

LAB 76.36, -44.61, -0.56

 

Complementary color

CMYK 0 / 78 / 67 / 21

HEX #CA2D43

RGB 202 45 67

HSL 351.59, 0.64%, 0.48%

LAB 45.41, 61.15, 26.58

 

CMYK 72 / 0 / 13 / 18

HEX #3AD2B7

RGB 58 210 183

HSL 169.34, 0.63%, 0.53%

LAB 76.32, -45.32, 2.07

 

CMYK 67 / 0 / 11 / 11

HEX #4BE4CA

RGB 75 228 202

HSL 169.8, 0.74%, 0.59%

LAB 82.51, -45.89, 1

 

CMYK 63 / 0 / 10 / 4

HEX #5CF6DD

RGB 92 246 221

HSL 170.26, 0.9%, 0.66%

LAB 88.64, -46.29, 0.01

 

CMYK 57 / 0 / 6 / 0

HEX #6DFFF0

RGB 109 255 240

HSL 173.84, 1%, 0.71%

LAB 92.16, -42.61, -4.65

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 75 / 0 / 10 / 18

HEX #35D2BC

RGB 53 210 188

HSL 171.59, 0.64%, 0.52%

LAB 76.36, -44.61, -0.56

 

CMYK 81 / 0 / 12 / 25

HEX #24C0A9

RGB 36 192 169

HSL 171.15, 0.68%, 0.45%

LAB 70.13, -43.64, 0.61

 

CMYK 89 / 0 / 14 / 32

HEX #13AE96

RGB 19 174 150

HSL 170.71, 0.8%, 0.38%

LAB 63.85, -42.33, 1.92

 

CMYK 99 / 0 / 16 / 39

HEX #029C83

RGB 2 156 131

HSL 170.26, 0.97%, 0.31%

LAB 57.49, -40.63, 3.37

 

CMYK 100 / 0 / 19 / 46

HEX #008A70

RGB 0 138 112

HSL 168.7, 1%, 0.27%

LAB 51.09, -38.26, 5.04

 

CMYK 74 / 0 / 10 / 17

HEX #36D3BD

RGB 54 211 189

HSL 171.59, 0.64%, 0.52%

LAB 76.71, -44.66, -0.6

 

CMYK 74 / 0 / 30 / 17

HEX #36D393

RGB 54 211 147

HSL 155.54, 0.64%, 0.52%

LAB 75.75, -54.73, 20.45

 

CMYK 74 / 0 / 51 / 17

HEX #36D368

RGB 54 211 104

HSL 139.11, 0.64%, 0.52%

LAB 75.06, -62.54, 41.46

 

CMYK 74 / 0 / 71 / 17

HEX #36D33E

RGB 54 211 62

HSL 123.06, 0.64%, 0.52%

LAB 74.65, -67.47, 59.31

 

CMYK 58 / 0 / 74 / 17

HEX #59D336

RGB 89 211 54

HSL 106.62, 0.64%, 0.52%

LAB 75.44, -61.12, 63.21

 

CMYK 74 / 0 / 10 / 17

HEX #36D3BD

RGB 54 211 189

HSL 171.59, 0.64%, 0.52%

LAB 76.71, -44.66, -0.6

 

CMYK 74 / 9 / 0 / 17

HEX #36BFD3

RGB 54 191 211

HSL 187.64, 0.64%, 0.52%

LAB 71.38, -29.15, -20.46

 

CMYK 74 / 30 / 0 / 17

HEX #3694D3

RGB 54 148 211

HSL 204.08, 0.64%, 0.52%

LAB 58.67, -6.38, -40.11

 

CMYK 74 / 50 / 0 / 17

HEX #366AD3

RGB 54 106 211

HSL 220.13, 0.64%, 0.52%

LAB 46.71, 19.14, -59.16

 

CMYK 74 / 70 / 0 / 17

HEX #3640D3

RGB 54 64 211

HSL 236.18, 0.64%, 0.52%

LAB 36.28, 45.53, -76.17

 

CMYK 74 / 0 / 10 / 17

HEX #36D3BD

RGB 54 211 189

HSL 171.59, 0.64%, 0.52%

LAB 76.71, -44.66, -0.6

 

CMYK 85 / 0 / 12 / 9

HEX #22E7CB

RGB 34 231 203

HSL 171.47, 0.8%, 0.52%

LAB 82.81, -51.16, 0.83

 

CMYK 94 / 0 / 14 / 2

HEX #0FFBD9

RGB 15 251 217

HSL 171.36, 0.97%, 0.52%

LAB 88.97, -56.47, 2.45

 

CMYK 74 / 0 / 10 / 17

HEX #36D3BD

RGB 54 211 189

HSL 171.59, 0.64%, 0.52%

LAB 76.71, -44.66, -0.6

 

CMYK 61 / 0 / 8 / 25

HEX #4ABFAF

RGB 74 191 175

HSL 171.79, 0.48%, 0.52%

LAB 70.74, -36.53, -1.69

 

CMYK 45 / 0 / 6 / 33

HEX #5EABA0

RGB 94 171 160

HSL 171.43, 0.31%, 0.52%

LAB 65, -26.54, -1.76

 

CMYK 25 / 0 / 4 / 40

HEX #729892

RGB 114 152 146

HSL 170.53, 0.16%, 0.52%

LAB 59.99, -14.35, -1.11

 

CMYK 0 / 1 / 1 / 48

HEX #858484

RGB 133 132 132

HSL 0, 0%, 0.52%

LAB 55.23, 0.38, 0.13

 

CMYK 74 / 0 / 51 / 17

HEX #36D368

RGB 54 211 104

HSL 139.11, 0.64%, 0.52%

LAB 75.06, -62.54, 41.46

 

CMYK 74 / 0 / 31 / 17

HEX #36D392

RGB 54 211 146

HSL 155.16, 0.64%, 0.52%

LAB 75.73, -54.94, 20.95

 

CMYK 74 / 0 / 11 / 17

HEX #36D3BB

RGB 54 211 187

HSL 170.83, 0.64%, 0.52%

LAB 76.66, -45.19, 0.4

 

CMYK 74 / 9 / 0 / 17

HEX #36C1D3

RGB 54 193 211

HSL 186.88, 0.64%, 0.52%

LAB 71.98, -30.12, -19.55

 

CMYK 74 / 28 / 0 / 17

HEX #3697D3

RGB 54 151 211

HSL 202.93, 0.64%, 0.52%

LAB 59.54, -8.08, -38.74

 

CMYK 78 / 0 / 11 / 41

HEX #219685

RGB 33 150 133

HSL 171.28, 0.64%, 0.36%

LAB 55.92, -35.25, -0.02

 

CMYK 78 / 0 / 11 / 28

HEX #28B8A4

RGB 40 184 164

HSL 171.67, 0.64%, 0.44%

LAB 67.59, -41.14, -0.36

 

CMYK 74 / 0 / 10 / 17

HEX #36D3BD

RGB 54 211 189

HSL 171.59, 0.64%, 0.52%

LAB 76.71, -44.66, -0.6

 

CMYK 60 / 0 / 8 / 15

HEX #58DAC8

RGB 88 218 200

HSL 171.69, 0.64%, 0.6%

LAB 79.83, -39.88, -1.82

 

CMYK 46 / 0 / 7 / 11

HEX #7AE2D3

RGB 122 226 211

HSL 171.35, 0.64%, 0.68%

LAB 83.57, -33.83, -2.06

 

CMYK 75 / 0 / 10 / 18

HEX #35D2BC

RGB 53 210 188

HSL 171.59, 0.64%, 0.52%

LAB 76.36, -44.61, -0.56

 

CMYK 71 / 74 / 0 / 17

HEX #3E36D3

RGB 62 54 211

HSL 243.06, 0.64%, 0.52%

LAB 34.73, 51.91, -78.7

 

CMYK 0 / 41 / 74 / 17

HEX #D37D36

RGB 211 125 54

HSL 27.13, 0.64%, 0.52%

LAB 60.59, 27.79, 51.14

 

CMYK 75 / 0 / 10 / 18

HEX #35D2BC

RGB 53 210 188

HSL 171.59, 0.64%, 0.52%

LAB 76.36, -44.61, -0.56

 

CMYK 11 / 74 / 0 / 17

HEX #BB36D3

RGB 187 54 211

HSL 290.83, 0.64%, 0.52%

LAB 49.38, 71.62, -54.21

 

CMYK 0 / 11 / 74 / 17

HEX #D3BB36

RGB 211 187 54

HSL 50.83, 0.64%, 0.52%

LAB 75.86, -5.38, 66.12

 

CMYK 75 / 0 / 10 / 18

HEX #35D2BC

RGB 53 210 188

HSL 171.59, 0.64%, 0.52%

LAB 76.36, -44.61, -0.56

 

CMYK 71 / 74 / 0 / 17

HEX #3E36D3

RGB 62 54 211

HSL 243.06, 0.64%, 0.52%

LAB 34.73, 51.91, -78.7

 

CMYK 0 / 74 / 63 / 17

HEX #D3364E

RGB 211 54 78

HSL 350.83, 0.64%, 0.52%

LAB 48.31, 61.57, 23.95

 

CMYK 4 / 0 / 74 / 17

HEX #CBD336

RGB 203 211 54

HSL 63.06, 0.64%, 0.52%

LAB 81.59, -20.87, 71.26

 

CMYK 75 / 0 / 10 / 18

HEX #35D2BC

RGB 53 210 188

HSL 171.59, 0.64%, 0.52%

LAB 76.36, -44.61, -0.56

 

CMYK 48 / 74 / 0 / 17

HEX #6D36D3

RGB 109 54 211

HSL 261.02, 0.64%, 0.52%

LAB 38.89, 57.73, -71.72

 

CMYK 0 / 74 / 63 / 17

HEX #D3364E

RGB 211 54 78

HSL 350.83, 0.64%, 0.52%

LAB 48.31, 61.57, 23.95

 

CMYK 26 / 0 / 74 / 17

HEX #9CD336

RGB 156 211 54

HSL 81.02, 0.64%, 0.52%

LAB 78.42, -39.69, 67.13

 

Description

Color code: RGB 53 210 188 | qconv.com Color code: RGB 53 210 188 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 210 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 210 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 10 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 10% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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