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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 210 142 it is the complementary color RGB 202 45 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 210 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 210 142 shade: RGB 58 210 137, RGB 75 228 156, RGB 92 246 175, RGB 109 255 194 and RGB 126 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 210 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 210 142 shade: RGB 53 210 142, RGB 36 192 123, RGB 19 174 104, RGB 2 156 85 and RGB 0 138 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 210 142 shade: RGB 54 211 143, RGB 54 211 101, RGB 54 211 59, RGB 92 211 54 and RGB 134 211 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 210 142 shade: RGB 54 211 143, RGB 54 211 185, RGB 54 194 211, RGB 54 152 211 and RGB 54 110 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 210 142 shade matches the following richer shades: RGB 54 211 143, RGB 34 231 146 and RGB 15 251 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 210 142 shade: RGB 54 211 143, RGB 74 191 140, RGB 94 171 138, RGB 114 152 135 and RGB 133 132 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 210 142 shade: RGB 54 211 59, RGB 54 211 101, RGB 54 211 143, RGB 54 211 185 and RGB 54 195 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 210 142 shade: RGB 33 150 99, RGB 40 184 122, RGB 54 211 143, RGB 88 218 162 and RGB 122 226 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 210 142 shade: RGB 53 210 142, RGB 54 91 211 and RGB 211 80 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 210 142 shade: RGB 53 210 142, RGB 143 54 211 and RGB 211 143 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 210 142 shade: RGB 53 210 142, RGB 54 91 211, RGB 211 54 122 and RGB 211 174 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 210 142 shade: RGB 53 210 142, RGB 65 54 211, RGB 211 54 122 and RGB 200 211 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 32 / 18

HEX #35D28E

RGB 53 210 142

HSL 154.01, 0.64%, 0.52%

LAB 75.33, -55.52, 22.5

 

Complementary color

CMYK 0 / 78 / 44 / 21

HEX #CA2D71

RGB 202 45 113

HSL 334.01, 0.64%, 0.48%

LAB 46.48, 64.48, -0.28

 

CMYK 72 / 0 / 35 / 18

HEX #3AD289

RGB 58 210 137

HSL 151.18, 0.63%, 0.53%

LAB 75.33, -55.86, 25.13

 

CMYK 67 / 0 / 32 / 11

HEX #4BE49C

RGB 75 228 156

HSL 151.76, 0.74%, 0.59%

LAB 81.5, -56.35, 23.7

 

CMYK 63 / 0 / 29 / 4

HEX #5CF6AF

RGB 92 246 175

HSL 152.34, 0.9%, 0.66%

LAB 87.62, -56.64, 22.39

 

CMYK 57 / 0 / 24 / 0

HEX #6DFFC2

RGB 109 255 194

HSL 154.93, 1%, 0.71%

LAB 91.08, -53.14, 17.54

 

CMYK 51 / 0 / 16 / 0

HEX #7EFFD5

RGB 126 255 213

HSL 160.47, 1%, 0.75%

LAB 92.02, -45.52, 9.18

 

CMYK 75 / 0 / 32 / 18

HEX #35D28E

RGB 53 210 142

HSL 154.01, 0.64%, 0.52%

LAB 75.33, -55.52, 22.5

 

CMYK 81 / 0 / 36 / 25

HEX #24C07B

RGB 36 192 123

HSL 153.46, 0.68%, 0.45%

LAB 69.12, -54.61, 24.05

 

CMYK 89 / 0 / 40 / 32

HEX #13AE68

RGB 19 174 104

HSL 152.9, 0.8%, 0.38%

LAB 62.85, -53.26, 25.75

 

CMYK 99 / 0 / 46 / 39

HEX #029C55

RGB 2 156 85

HSL 152.34, 0.97%, 0.31%

LAB 56.53, -51.42, 27.6

 

CMYK 100 / 0 / 52 / 46

HEX #008A42

RGB 0 138 66

HSL 148.7, 1%, 0.27%

LAB 50.18, -48.65, 29.62

 

CMYK 74 / 0 / 32 / 17

HEX #36D38F

RGB 54 211 143

HSL 154.01, 0.64%, 0.52%

LAB 75.67, -55.57, 22.44

 

CMYK 74 / 0 / 52 / 17

HEX #36D365

RGB 54 211 101

HSL 137.96, 0.64%, 0.52%

LAB 75.02, -62.98, 42.86

 

CMYK 74 / 0 / 72 / 17

HEX #36D33B

RGB 54 211 59

HSL 121.91, 0.64%, 0.52%

LAB 74.63, -67.72, 60.38

 

CMYK 56 / 0 / 74 / 17

HEX #5CD336

RGB 92 211 54

HSL 105.48, 0.64%, 0.52%

LAB 75.53, -60.37, 63.34

 

CMYK 36 / 0 / 74 / 17

HEX #86D336

RGB 134 211 54

HSL 89.43, 0.64%, 0.52%

LAB 77.23, -47.66, 65.58

 

CMYK 74 / 0 / 32 / 17

HEX #36D38F

RGB 54 211 143

HSL 154.01, 0.64%, 0.52%

LAB 75.67, -55.57, 22.44

 

CMYK 74 / 0 / 12 / 17

HEX #36D3B9

RGB 54 211 185

HSL 170.06, 0.64%, 0.52%

LAB 76.6, -45.71, 1.4

 

CMYK 74 / 8 / 0 / 17

HEX #36C2D3

RGB 54 194 211

HSL 186.5, 0.64%, 0.52%

LAB 72.28, -30.61, -19.1

 

CMYK 74 / 28 / 0 / 17

HEX #3698D3

RGB 54 152 211

HSL 202.55, 0.64%, 0.52%

LAB 59.84, -8.65, -38.28

 

CMYK 74 / 48 / 0 / 17

HEX #366ED3

RGB 54 110 211

HSL 218.6, 0.64%, 0.52%

LAB 47.8, 16.6, -57.4

 

CMYK 74 / 0 / 32 / 17

HEX #36D38F

RGB 54 211 143

HSL 154.01, 0.64%, 0.52%

LAB 75.67, -55.57, 22.44

 

CMYK 85 / 0 / 37 / 9

HEX #22E792

RGB 34 231 146

HSL 154.11, 0.8%, 0.52%

LAB 81.6, -64.29, 28.87

 

CMYK 94 / 0 / 41 / 2

HEX #0FFB94

RGB 15 251 148

HSL 153.81, 0.97%, 0.52%

LAB 87.6, -71.73, 35.79

 

CMYK 74 / 0 / 32 / 17

HEX #36D38F

RGB 54 211 143

HSL 154.01, 0.64%, 0.52%

LAB 75.67, -55.57, 22.44

 

CMYK 61 / 0 / 27 / 25

HEX #4ABF8C

RGB 74 191 140

HSL 153.85, 0.48%, 0.52%

LAB 69.9, -44.91, 16.16

 

CMYK 45 / 0 / 19 / 33

HEX #5EAB8A

RGB 94 171 138

HSL 154.29, 0.31%, 0.52%

LAB 64.44, -31.7, 9.67

 

CMYK 25 / 0 / 11 / 40

HEX #729887

RGB 114 152 135

HSL 153.16, 0.16%, 0.52%

LAB 59.69, -16.77, 4.7

 

CMYK 0 / 1 / 1 / 48

HEX #858484

RGB 133 132 132

HSL 0, 0%, 0.52%

LAB 55.23, 0.38, 0.13

 

CMYK 74 / 0 / 72 / 17

HEX #36D33B

RGB 54 211 59

HSL 121.91, 0.64%, 0.52%

LAB 74.63, -67.72, 60.38

 

CMYK 74 / 0 / 52 / 17

HEX #36D365

RGB 54 211 101

HSL 137.96, 0.64%, 0.52%

LAB 75.02, -62.98, 42.86

 

CMYK 74 / 0 / 32 / 17

HEX #36D38F

RGB 54 211 143

HSL 154.01, 0.64%, 0.52%

LAB 75.67, -55.57, 22.44

 

CMYK 74 / 0 / 12 / 17

HEX #36D3B9

RGB 54 211 185

HSL 170.06, 0.64%, 0.52%

LAB 76.6, -45.71, 1.4

 

CMYK 74 / 8 / 0 / 17

HEX #36C3D3

RGB 54 195 211

HSL 186.11, 0.64%, 0.52%

LAB 72.57, -31.09, -18.65

 

CMYK 78 / 0 / 34 / 41

HEX #219663

RGB 33 150 99

HSL 153.85, 0.64%, 0.36%

LAB 55.11, -43.81, 18.12

 

CMYK 78 / 0 / 34 / 28

HEX #28B87A

RGB 40 184 122

HSL 154.17, 0.64%, 0.44%

LAB 66.62, -51.36, 21.22

 

CMYK 74 / 0 / 32 / 17

HEX #36D38F

RGB 54 211 143

HSL 154.01, 0.64%, 0.52%

LAB 75.67, -55.57, 22.44

 

CMYK 60 / 0 / 26 / 15

HEX #58DAA2

RGB 88 218 162

HSL 154.15, 0.64%, 0.6%

LAB 78.94, -48.75, 17.08

 

CMYK 46 / 0 / 20 / 11

HEX #7AE2B5

RGB 122 226 181

HSL 154.04, 0.64%, 0.68%

LAB 82.84, -40.54, 12.73

 

CMYK 75 / 0 / 32 / 18

HEX #35D28E

RGB 53 210 142

HSL 154.01, 0.64%, 0.52%

LAB 75.33, -55.52, 22.5

 

CMYK 74 / 57 / 0 / 17

HEX #365BD3

RGB 54 91 211

HSL 225.86, 0.64%, 0.52%

LAB 42.72, 28.73, -65.63

 

CMYK 0 / 62 / 74 / 17

HEX #D35036

RGB 211 80 54

HSL 9.94, 0.64%, 0.52%

LAB 51.67, 50.25, 41.77

 

CMYK 75 / 0 / 32 / 18

HEX #35D28E

RGB 53 210 142

HSL 154.01, 0.64%, 0.52%

LAB 75.33, -55.52, 22.5

 

CMYK 32 / 74 / 0 / 17

HEX #8F36D3

RGB 143 54 211

HSL 274.01, 0.64%, 0.52%

LAB 43.03, 63.34, -64.77

 

CMYK 0 / 32 / 74 / 17

HEX #D38F36

RGB 211 143 54

HSL 34.01, 0.64%, 0.52%

LAB 64.77, 18.08, 55.36

 

CMYK 75 / 0 / 32 / 18

HEX #35D28E

RGB 53 210 142

HSL 154.01, 0.64%, 0.52%

LAB 75.33, -55.52, 22.5

 

CMYK 74 / 57 / 0 / 17

HEX #365BD3

RGB 54 91 211

HSL 225.86, 0.64%, 0.52%

LAB 42.72, 28.73, -65.63

 

CMYK 0 / 74 / 42 / 17

HEX #D3367A

RGB 211 54 122

HSL 334.01, 0.64%, 0.52%

LAB 49.37, 64.98, -1.36

 

CMYK 0 / 18 / 74 / 17

HEX #D3AE36

RGB 211 174 54

HSL 45.86, 0.64%, 0.52%

LAB 72.49, 1.43, 62.91

 

CMYK 75 / 0 / 32 / 18

HEX #35D28E

RGB 53 210 142

HSL 154.01, 0.64%, 0.52%

LAB 75.33, -55.52, 22.5

 

CMYK 69 / 74 / 0 / 17

HEX #4136D3

RGB 65 54 211

HSL 244.2, 0.64%, 0.52%

LAB 34.93, 52.19, -78.36

 

CMYK 0 / 74 / 42 / 17

HEX #D3367A

RGB 211 54 122

HSL 334.01, 0.64%, 0.52%

LAB 49.37, 64.98, -1.36

 

CMYK 5 / 0 / 74 / 17

HEX #C8D336

RGB 200 211 54

HSL 64.2, 0.64%, 0.52%

LAB 81.37, -22.12, 70.97

 

Description

Color code: RGB 53 210 142 | qconv.com Color code: RGB 53 210 142 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 210 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 210 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 32 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 32% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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