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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 210 113 it is the complementary color RGB 202 45 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 210 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 210 113 shade: RGB 58 210 108, RGB 75 228 127, RGB 92 246 146, RGB 109 255 165 and RGB 126 255 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 210 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 210 113 shade: RGB 53 210 113, RGB 36 192 94, RGB 19 174 75, RGB 2 156 56 and RGB 0 138 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 210 113 shade: RGB 54 211 114, RGB 54 211 72, RGB 79 211 54, RGB 121 211 54 and RGB 163 211 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 210 113 shade: RGB 54 211 114, RGB 54 211 156, RGB 54 211 199, RGB 54 181 211 and RGB 54 139 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 210 113 shade matches the following richer shades: RGB 54 211 114, RGB 34 231 109 and RGB 15 251 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 210 113 shade: RGB 54 211 114, RGB 74 191 119, RGB 94 171 123, RGB 114 152 128 and RGB 133 132 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 210 113 shade: RGB 80 211 54, RGB 54 211 70, RGB 54 211 112, RGB 54 211 153 and RGB 54 211 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 210 113 shade: RGB 33 150 78, RGB 40 184 95, RGB 54 211 114, RGB 88 218 138 and RGB 122 226 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 210 113 shade: RGB 53 210 113, RGB 54 122 211 and RGB 211 54 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 210 113 shade: RGB 53 210 113, RGB 112 54 211 and RGB 211 112 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 210 113 shade: RGB 53 210 113, RGB 54 122 211, RGB 211 54 153 and RGB 211 143 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 210 113 shade: RGB 53 210 113, RGB 54 75 211, RGB 211 54 153 and RGB 211 190 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 46 / 18

HEX #35D271

RGB 53 210 113

HSL 142.93, 0.64%, 0.52%

LAB 74.85, -60.92, 36.76

 

Complementary color

CMYK 0 / 78 / 30 / 21

HEX #CA2D8E

RGB 202 45 142

HSL 322.93, 0.64%, 0.48%

LAB 47.48, 67.5, -16.46

 

CMYK 72 / 0 / 49 / 18

HEX #3AD26C

RGB 58 210 108

HSL 139.74, 0.63%, 0.53%

LAB 74.87, -61, 39.29

 

CMYK 67 / 0 / 44 / 11

HEX #4BE47F

RGB 75 228 127

HSL 140.39, 0.74%, 0.59%

LAB 81.02, -61.62, 37.79

 

CMYK 63 / 0 / 41 / 4

HEX #5CF692

RGB 92 246 146

HSL 141.04, 0.9%, 0.66%

LAB 87.13, -61.99, 36.36

 

CMYK 57 / 0 / 35 / 0

HEX #6DFFA5

RGB 109 255 165

HSL 143.01, 1%, 0.71%

LAB 90.55, -58.72, 31.51

 

CMYK 51 / 0 / 28 / 0

HEX #7EFFB8

RGB 126 255 184

HSL 146.98, 1%, 0.75%

LAB 91.42, -51.44, 23.19

 

CMYK 75 / 0 / 46 / 18

HEX #35D271

RGB 53 210 113

HSL 142.93, 0.64%, 0.52%

LAB 74.85, -60.92, 36.76

 

CMYK 81 / 0 / 51 / 25

HEX #24C05E

RGB 36 192 94

HSL 142.31, 0.68%, 0.45%

LAB 68.67, -59.83, 38.37

 

CMYK 89 / 0 / 57 / 32

HEX #13AE4B

RGB 19 174 75

HSL 141.68, 0.8%, 0.38%

LAB 62.44, -58.19, 40.03

 

CMYK 99 / 0 / 64 / 39

HEX #029C38

RGB 2 156 56

HSL 141.04, 0.97%, 0.31%

LAB 56.16, -55.92, 41.63

 

CMYK 100 / 0 / 73 / 46

HEX #008A25

RGB 0 138 37

HSL 136.09, 1%, 0.27%

LAB 49.87, -52.52, 42.98

 

CMYK 74 / 0 / 46 / 17

HEX #36D372

RGB 54 211 114

HSL 142.93, 0.64%, 0.52%

LAB 75.19, -60.97, 36.7

 

CMYK 74 / 0 / 66 / 17

HEX #36D348

RGB 54 211 72

HSL 126.88, 0.64%, 0.52%

LAB 74.72, -66.54, 55.49

 

CMYK 63 / 0 / 74 / 17

HEX #4FD336

RGB 79 211 54

HSL 110.45, 0.64%, 0.52%

LAB 75.15, -63.46, 62.83

 

CMYK 43 / 0 / 74 / 17

HEX #79D336

RGB 121 211 54

HSL 94.39, 0.64%, 0.52%

LAB 76.63, -52, 64.79

 

CMYK 23 / 0 / 74 / 17

HEX #A3D336

RGB 163 211 54

HSL 78.34, 0.64%, 0.52%

LAB 78.83, -37.02, 67.68

 

CMYK 74 / 0 / 46 / 17

HEX #36D372

RGB 54 211 114

HSL 142.93, 0.64%, 0.52%

LAB 75.19, -60.97, 36.7

 

CMYK 74 / 0 / 26 / 17

HEX #36D39C

RGB 54 211 156

HSL 158.98, 0.64%, 0.52%

LAB 75.93, -52.76, 15.94

 

CMYK 74 / 0 / 6 / 17

HEX #36D3C7

RGB 54 211 199

HSL 175.41, 0.64%, 0.52%

LAB 76.98, -41.96, -5.57

 

CMYK 74 / 14 / 0 / 17

HEX #36B5D3

RGB 54 181 211

HSL 191.46, 0.64%, 0.52%

LAB 68.41, -24.16, -24.99

 

CMYK 74 / 34 / 0 / 17

HEX #368BD3

RGB 54 139 211

HSL 207.52, 0.64%, 0.52%

LAB 56.04, -1.16, -44.25

 

CMYK 74 / 0 / 46 / 17

HEX #36D372

RGB 54 211 114

HSL 142.93, 0.64%, 0.52%

LAB 75.19, -60.97, 36.7

 

CMYK 85 / 0 / 53 / 9

HEX #22E76D

RGB 34 231 109

HSL 142.84, 0.8%, 0.52%

LAB 81.07, -70.58, 46.39

 

CMYK 94 / 0 / 58 / 2

HEX #0FFB69

RGB 15 251 105

HSL 142.88, 0.97%, 0.52%

LAB 87.05, -78.31, 55.32

 

CMYK 74 / 0 / 46 / 17

HEX #36D372

RGB 54 211 114

HSL 142.93, 0.64%, 0.52%

LAB 75.19, -60.97, 36.7

 

CMYK 61 / 0 / 38 / 25

HEX #4ABF77

RGB 74 191 119

HSL 143.08, 0.48%, 0.52%

LAB 69.5, -49.12, 26.82

 

CMYK 45 / 0 / 28 / 33

HEX #5EAB7B

RGB 94 171 123

HSL 142.6, 0.31%, 0.52%

LAB 64.11, -34.83, 17.48

 

CMYK 25 / 0 / 16 / 40

HEX #729880

RGB 114 152 128

HSL 142.11, 0.16%, 0.52%

LAB 59.52, -18.22, 8.42

 

CMYK 0 / 1 / 0 / 48

HEX #858485

RGB 133 132 133

HSL 300, 0%, 0.52%

LAB 55.26, 0.57, -0.41

 

CMYK 62 / 0 / 74 / 17

HEX #50D336

RGB 80 211 54

HSL 110.06, 0.64%, 0.52%

LAB 75.18, -63.23, 62.87

 

CMYK 74 / 0 / 67 / 17

HEX #36D346

RGB 54 211 70

HSL 126.11, 0.64%, 0.52%

LAB 74.71, -66.74, 56.28

 

CMYK 74 / 0 / 47 / 17

HEX #36D370

RGB 54 211 112

HSL 142.17, 0.64%, 0.52%

LAB 75.17, -61.3, 37.66

 

CMYK 74 / 0 / 27 / 17

HEX #36D399

RGB 54 211 153

HSL 157.83, 0.64%, 0.52%

LAB 75.87, -53.42, 17.44

 

CMYK 74 / 0 / 8 / 17

HEX #36D3C3

RGB 54 211 195

HSL 173.89, 0.64%, 0.52%

LAB 76.87, -43.06, -3.58

 

CMYK 78 / 0 / 48 / 41

HEX #21964E

RGB 33 150 78

HSL 143.08, 0.64%, 0.36%

LAB 54.75, -47.94, 29.1

 

CMYK 78 / 0 / 48 / 28

HEX #28B85F

RGB 40 184 95

HSL 142.92, 0.64%, 0.44%

LAB 66.18, -56.43, 34.78

 

CMYK 74 / 0 / 46 / 17

HEX #36D372

RGB 54 211 114

HSL 142.93, 0.64%, 0.52%

LAB 75.19, -60.97, 36.7

 

CMYK 60 / 0 / 37 / 15

HEX #58DA8A

RGB 88 218 138

HSL 143.08, 0.64%, 0.6%

LAB 78.49, -53.46, 28.98

 

CMYK 46 / 0 / 28 / 11

HEX #7AE2A2

RGB 122 226 162

HSL 143.08, 0.64%, 0.68%

LAB 82.45, -44.31, 22.13

 

CMYK 75 / 0 / 46 / 18

HEX #35D271

RGB 53 210 113

HSL 142.93, 0.64%, 0.52%

LAB 74.85, -60.92, 36.76

 

CMYK 74 / 42 / 0 / 17

HEX #367AD3

RGB 54 122 211

HSL 214.01, 0.64%, 0.52%

LAB 51.16, 9.09, -52.01

 

CMYK 0 / 74 / 72 / 17

HEX #D3363B

RGB 211 54 59

HSL 358.09, 0.64%, 0.52%

LAB 48.01, 60.59, 34.88

 

CMYK 75 / 0 / 46 / 18

HEX #35D271

RGB 53 210 113

HSL 142.93, 0.64%, 0.52%

LAB 74.85, -60.92, 36.76

 

CMYK 47 / 74 / 0 / 17

HEX #7036D3

RGB 112 54 211

HSL 262.17, 0.64%, 0.52%

LAB 39.22, 58.19, -71.16

 

CMYK 0 / 47 / 74 / 17

HEX #D37036

RGB 211 112 54

HSL 22.17, 0.64%, 0.52%

LAB 57.75, 34.66, 48.22

 

CMYK 75 / 0 / 46 / 18

HEX #35D271

RGB 53 210 113

HSL 142.93, 0.64%, 0.52%

LAB 74.85, -60.92, 36.76

 

CMYK 74 / 42 / 0 / 17

HEX #367AD3

RGB 54 122 211

HSL 214.01, 0.64%, 0.52%

LAB 51.16, 9.09, -52.01

 

CMYK 0 / 74 / 27 / 17

HEX #D33699

RGB 211 54 153

HSL 322.17, 0.64%, 0.52%

LAB 50.44, 68.34, -18.39

 

CMYK 0 / 32 / 74 / 17

HEX #D38F36

RGB 211 143 54

HSL 34.01, 0.64%, 0.52%

LAB 64.77, 18.08, 55.36

 

CMYK 75 / 0 / 46 / 18

HEX #35D271

RGB 53 210 113

HSL 142.93, 0.64%, 0.52%

LAB 74.85, -60.92, 36.76

 

CMYK 74 / 64 / 0 / 17

HEX #364BD3

RGB 54 75 211

HSL 231.97, 0.64%, 0.52%

LAB 38.76, 38.86, -72.09

 

CMYK 0 / 74 / 27 / 17

HEX #D33699

RGB 211 54 153

HSL 322.17, 0.64%, 0.52%

LAB 50.44, 68.34, -18.39

 

CMYK 0 / 10 / 74 / 17

HEX #D3BE36

RGB 211 190 54

HSL 51.97, 0.64%, 0.52%

LAB 76.64, -6.93, 66.86

 

Description

Color code: RGB 53 210 113 | qconv.com Color code: RGB 53 210 113 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 210 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 210 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 46 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 46% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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