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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 20 53 it is the complementary color RGB 202 235 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 20 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 20 53 shade: RGB 58 20 48, RGB 75 38 67, RGB 92 56 86, RGB 109 74 105 and RGB 126 92 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 20 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 20 53 shade: RGB 53 20 53, RGB 36 2 34, RGB 19 0 15, RGB 2 0 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 20 53 shade: RGB 52 20 52, RGB 52 20 43, RGB 52 20 34, RGB 52 20 26 and RGB 52 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 20 53 shade: RGB 52 20 52, RGB 43 20 52, RGB 34 20 52, RGB 26 20 52 and RGB 20 20 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 20 53 shade matches the following richer shades: RGB 52 20 52, RGB 58 14 58, RGB 63 8 63 and RGB 69 2 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 20 53 shade: RGB 52 20 52, RGB 46 25 46, RGB 40 31 40, RGB 34 37 34 and RGB 29 43 29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 20 53 shade: RGB 35 20 52, RGB 43 20 52, RGB 52 20 52, RGB 52 20 43 and RGB 52 20 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 20 53 shade: RGB 0 0 0, RGB 22 8 22, RGB 52 20 52, RGB 82 31 82 and RGB 112 42 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 20 53 shade: RGB 53 20 53, RGB 52 26 20 and RGB 20 52 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 20 53 shade: RGB 53 20 53, RGB 52 52 20 and RGB 20 52 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 20 53 shade: RGB 53 20 53, RGB 52 26 20, RGB 20 52 20 and RGB 20 45 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 20 53 shade: RGB 53 20 53, RGB 52 36 20, RGB 20 52 20 and RGB 20 36 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 0 / 79

HEX #351435

RGB 53 20 53

HSL 300, 0.45%, 0.14%

LAB 12.7, 22.19, -14.33

 

Complementary color

CMYK 14 / 0 / 14 / 8

HEX #CAEBCA

RGB 202 235 202

HSL 120, 0.45%, 0.86%

LAB 89.97, -16.87, 12.44

 

CMYK 0 / 66 / 17 / 77

HEX #3A1430

RGB 58 20 48

HSL 315.79, 0.49%, 0.15%

LAB 13.31, 22.92, -9.7

 

CMYK 0 / 49 / 11 / 71

HEX #4B2643

RGB 75 38 67

HSL 312.97, 0.33%, 0.22%

LAB 21.16, 22.14, -10.76

 

CMYK 0 / 39 / 7 / 64

HEX #5C3856

RGB 92 56 86

HSL 310, 0.24%, 0.29%

LAB 28.84, 21.26, -11.47

 

CMYK 0 / 32 / 4 / 57

HEX #6D4A69

RGB 109 74 105

HSL 306.86, 0.19%, 0.36%

LAB 36.31, 20.43, -12.04

 

CMYK 0 / 27 / 2 / 51

HEX #7E5C7C

RGB 126 92 124

HSL 303.53, 0.16%, 0.43%

LAB 43.57, 19.69, -12.54

 

CMYK 0 / 62 / 0 / 79

HEX #351435

RGB 53 20 53

HSL 300, 0.45%, 0.14%

LAB 12.7, 22.19, -14.33

 

CMYK 0 / 94 / 6 / 86

HEX #240222

RGB 36 2 34

HSL 303.53, 0.89%, 0.07%

LAB 4.82, 21.18, -12.69

 

CMYK 0 / 100 / 21 / 93

HEX #13000F

RGB 19 0 15

HSL 312.63, 1%, 0.04%

LAB 1.56, 7.8, -3.98

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 62 / 0 / 80

HEX #341434

RGB 52 20 52

HSL 300, 0.44%, 0.14%

LAB 12.47, 21.62, -13.98

 

CMYK 0 / 62 / 17 / 80

HEX #34142B

RGB 52 20 43

HSL 316.88, 0.44%, 0.14%

LAB 11.99, 19.71, -8.17

 

CMYK 0 / 62 / 35 / 80

HEX #341422

RGB 52 20 34

HSL 333.75, 0.44%, 0.14%

LAB 11.59, 18.06, -2.12

 

CMYK 0 / 62 / 50 / 80

HEX #34141A

RGB 52 20 26

HSL 348.75, 0.44%, 0.14%

LAB 11.31, 16.85, 3.44

 

CMYK 0 / 62 / 62 / 80

HEX #341414

RGB 52 20 20

HSL 0, 0.44%, 0.14%

LAB 11.14, 16.1, 7.56

 

CMYK 0 / 62 / 0 / 80

HEX #341434

RGB 52 20 52

HSL 300, 0.44%, 0.14%

LAB 12.47, 21.62, -13.98

 

CMYK 17 / 62 / 0 / 80

HEX #2B1434

RGB 43 20 52

HSL 283.13, 0.44%, 0.14%

LAB 11.01, 18.49, -16.38

 

CMYK 35 / 62 / 0 / 80

HEX #221434

RGB 34 20 52

HSL 266.25, 0.44%, 0.14%

LAB 9.71, 15.43, -18.52

 

CMYK 50 / 62 / 0 / 80

HEX #1A1434

RGB 26 20 52

HSL 251.25, 0.44%, 0.14%

LAB 8.72, 12.9, -20.16

 

CMYK 62 / 62 / 0 / 80

HEX #141434

RGB 20 20 52

HSL 240, 0.44%, 0.14%

LAB 8.1, 11.18, -21.18

 

CMYK 0 / 62 / 0 / 80

HEX #341434

RGB 52 20 52

HSL 300, 0.44%, 0.14%

LAB 12.47, 21.62, -13.98

 

CMYK 0 / 76 / 0 / 77

HEX #3A0E3A

RGB 58 14 58

HSL 300, 0.61%, 0.14%

LAB 12.73, 28.08, -17.8

 

CMYK 0 / 87 / 0 / 75

HEX #3F083F

RGB 63 8 63

HSL 300, 0.77%, 0.14%

LAB 13.16, 32.9, -20.61

 

CMYK 0 / 97 / 0 / 73

HEX #450245

RGB 69 2 69

HSL 300, 0.94%, 0.14%

LAB 14.05, 37.61, -23.35

 

CMYK 0 / 62 / 0 / 80

HEX #341434

RGB 52 20 52

HSL 300, 0.44%, 0.14%

LAB 12.47, 21.62, -13.98

 

CMYK 0 / 46 / 0 / 82

HEX #2E192E

RGB 46 25 46

HSL 300, 0.3%, 0.14%

LAB 12.44, 14.71, -9.76

 

CMYK 0 / 23 / 0 / 84

HEX #281F28

RGB 40 31 40

HSL 300, 0.13%, 0.14%

LAB 13.13, 6.4, -4.42

 

CMYK 8 / 0 / 8 / 85

HEX #222522

RGB 34 37 34

HSL 120, 0.04%, 0.14%

LAB 14.28, -2.11, 1.53

 

CMYK 33 / 0 / 33 / 83

HEX #1D2B1D

RGB 29 43 29

HSL 120, 0.19%, 0.14%

LAB 15.89, -9.52, 7.26

 

CMYK 33 / 62 / 0 / 80

HEX #231434

RGB 35 20 52

HSL 268.13, 0.44%, 0.14%

LAB 9.84, 15.77, -18.3

 

CMYK 17 / 62 / 0 / 80

HEX #2B1434

RGB 43 20 52

HSL 283.13, 0.44%, 0.14%

LAB 11.01, 18.49, -16.38

 

CMYK 0 / 62 / 0 / 80

HEX #341434

RGB 52 20 52

HSL 300, 0.44%, 0.14%

LAB 12.47, 21.62, -13.98

 

CMYK 0 / 62 / 17 / 80

HEX #34142B

RGB 52 20 43

HSL 316.88, 0.44%, 0.14%

LAB 11.99, 19.71, -8.17

 

CMYK 0 / 62 / 33 / 80

HEX #341423

RGB 52 20 35

HSL 331.88, 0.44%, 0.14%

LAB 11.63, 18.23, -2.8

 

CMYK 0 / 64 / 0 / 91

HEX #160816

RGB 22 8 22

HSL 300, 0.47%, 0.06%

LAB 3.63, 7.39, -5.28

 

CMYK 0 / 62 / 0 / 80

HEX #341434

RGB 52 20 52

HSL 300, 0.44%, 0.14%

LAB 12.47, 21.62, -13.98

 

CMYK 0 / 62 / 0 / 68

HEX #521F52

RGB 82 31 82

HSL 300, 0.45%, 0.22%

LAB 21.52, 31.6, -20.27

 

CMYK 0 / 63 / 0 / 56

HEX #702A70

RGB 112 42 112

HSL 300, 0.45%, 0.3%

LAB 30.08, 40.77, -26.06

 

CMYK 0 / 62 / 0 / 79

HEX #351435

RGB 53 20 53

HSL 300, 0.45%, 0.14%

LAB 12.7, 22.19, -14.33

 

CMYK 0 / 50 / 62 / 80

HEX #341A14

RGB 52 26 20

HSL 11.25, 0.44%, 0.14%

LAB 12.73, 12.14, 9.73

 

CMYK 62 / 0 / 25 / 80

HEX #143427

RGB 20 52 39

HSL 155.63, 0.44%, 0.14%

LAB 19.02, -15.66, 4.68

 

CMYK 0 / 62 / 0 / 79

HEX #351435

RGB 53 20 53

HSL 300, 0.45%, 0.14%

LAB 12.7, 22.19, -14.33

 

CMYK 0 / 0 / 62 / 80

HEX #343414

RGB 52 52 20

HSL 60, 0.44%, 0.14%

LAB 20.97, -5.47, 19.98

 

CMYK 62 / 0 / 0 / 80

HEX #143434

RGB 20 52 52

HSL 180, 0.44%, 0.14%

LAB 19.44, -11.67, -3.59

 

CMYK 0 / 62 / 0 / 79

HEX #351435

RGB 53 20 53

HSL 300, 0.45%, 0.14%

LAB 12.7, 22.19, -14.33

 

CMYK 0 / 50 / 62 / 80

HEX #341A14

RGB 52 26 20

HSL 11.25, 0.44%, 0.14%

LAB 12.73, 12.14, 9.73

 

CMYK 62 / 0 / 62 / 80

HEX #143414

RGB 20 52 20

HSL 120, 0.44%, 0.14%

LAB 18.61, -19.89, 16.59

 

CMYK 62 / 13 / 0 / 80

HEX #142D34

RGB 20 45 52

HSL 193.13, 0.44%, 0.14%

LAB 16.86, -7.23, -7.48

 

CMYK 0 / 62 / 0 / 79

HEX #351435

RGB 53 20 53

HSL 300, 0.45%, 0.14%

LAB 12.7, 22.19, -14.33

 

CMYK 0 / 31 / 62 / 80

HEX #342414

RGB 52 36 20

HSL 30, 0.44%, 0.14%

LAB 15.71, 5.24, 13.62

 

CMYK 62 / 0 / 62 / 80

HEX #143414

RGB 20 52 20

HSL 120, 0.44%, 0.14%

LAB 18.61, -19.89, 16.59

 

CMYK 62 / 31 / 0 / 80

HEX #142434

RGB 20 36 52

HSL 210, 0.44%, 0.14%

LAB 13.58, -1.01, -12.51

 

Description

Color code: RGB 53 20 53 | qconv.com Color code: RGB 53 20 53 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 20 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 20 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, none yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 0% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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