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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 20 205 it is the complementary color RGB 202 235 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 20 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 20 205 shade: RGB 58 20 200, RGB 75 38 219, RGB 92 56 238, RGB 109 74 255 and RGB 126 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 20 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 20 205 shade: RGB 53 20 205, RGB 36 2 186, RGB 19 0 167, RGB 2 0 148 and RGB 0 0 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 20 205 shade: RGB 53 20 204, RGB 103 20 204, RGB 152 20 204, RGB 202 20 204 and RGB 204 20 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 20 205 shade: RGB 53 20 204 and RGB 20 20 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 20 205 shade matches the following richer shades: RGB 53 20 204 and RGB 41 2 222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 20 205 shade: RGB 53 20 204, RGB 65 38 186, RGB 76 57 168, RGB 88 75 150 and RGB 100 93 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 20 205 shade: RGB 20 88 204, RGB 20 39 204, RGB 51 20 204, RGB 100 20 204 and RGB 149 20 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 20 205 shade: RGB 34 13 129, RGB 43 16 167, RGB 53 20 204, RGB 68 33 233 and RGB 100 70 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 20 205 shade: RGB 53 20 205, RGB 204 20 137 and RGB 63 204 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 20 205 shade: RGB 53 20 205, RGB 204 51 20 and RGB 20 204 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 20 205 shade: RGB 53 20 205, RGB 204 20 137, RGB 174 204 20 and RGB 20 204 88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 20 205 shade: RGB 53 20 205, RGB 204 20 82, RGB 174 204 20 and RGB 20 204 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 90 / 0 / 20

HEX #3514CD

RGB 53 20 205

HSL 250.7, 0.82%, 0.44%

LAB 28.55, 63.84, -85.48

 

Complementary color

CMYK 14 / 0 / 79 / 8

HEX #CAEB32

RGB 202 235 50

HSL 70.7, 0.82%, 0.56%

LAB 88.07, -32.81, 78.3

 

CMYK 71 / 90 / 0 / 22

HEX #3A14C8

RGB 58 20 200

HSL 252.67, 0.82%, 0.43%

LAB 28.3, 62.78, -82.96

 

CMYK 66 / 83 / 0 / 14

HEX #4B26DB

RGB 75 38 219

HSL 252.27, 0.72%, 0.5%

LAB 33.98, 62.84, -84.54

 

CMYK 61 / 76 / 0 / 7

HEX #5C38EE

RGB 92 56 238

HSL 251.87, 0.84%, 0.58%

LAB 40.04, 61.95, -85.3

 

CMYK 57 / 71 / 0 / 0

HEX #6D4AFF

RGB 109 74 255

HSL 251.6, 1%, 0.65%

LAB 46.14, 60.07, -84.76

 

CMYK 51 / 64 / 0 / 0

HEX #7E5CFF

RGB 126 92 255

HSL 252.52, 1%, 0.68%

LAB 51.05, 53.24, -76.66

 

CMYK 74 / 90 / 0 / 20

HEX #3514CD

RGB 53 20 205

HSL 250.7, 0.82%, 0.44%

LAB 28.55, 63.84, -85.48

 

CMYK 81 / 99 / 0 / 27

HEX #2402BA

RGB 36 2 186

HSL 251.09, 0.98%, 0.37%

LAB 23.55, 62.47, -82.65

 

CMYK 89 / 100 / 0 / 35

HEX #1300A7

RGB 19 0 167

HSL 246.83, 1%, 0.33%

LAB 19.76, 57.87, -77.59

 

CMYK 99 / 100 / 0 / 42

HEX #020094

RGB 2 0 148

HSL 240.81, 1%, 0.29%

LAB 16.26, 52.81, -71.79

 

CMYK 100 / 100 / 0 / 49

HEX #000081

RGB 0 0 129

HSL 240, 1%, 0.25%

LAB 13.14, 47.78, -65.07

 

CMYK 74 / 90 / 0 / 20

HEX #3514CC

RGB 53 20 204

HSL 250.76, 0.82%, 0.44%

LAB 28.42, 63.58, -85.11

 

CMYK 50 / 90 / 0 / 20

HEX #6714CC

RGB 103 20 204

HSL 267.07, 0.82%, 0.44%

LAB 33.44, 67.17, -76.64

 

CMYK 25 / 90 / 0 / 20

HEX #9814CC

RGB 152 20 204

HSL 283.04, 0.82%, 0.44%

LAB 40.47, 73.06, -64.85

 

CMYK 1 / 90 / 0 / 20

HEX #CA14CC

RGB 202 20 204

HSL 299.35, 0.82%, 0.44%

LAB 48.78, 80.88, -51.01

 

CMYK 0 / 90 / 23 / 20

HEX #CC149D

RGB 204 20 157

HSL 315.33, 0.82%, 0.44%

LAB 46.67, 74.91, -26.69

 

CMYK 74 / 90 / 0 / 20

HEX #3514CC

RGB 53 20 204

HSL 250.76, 0.82%, 0.44%

LAB 28.42, 63.58, -85.11

 

CMYK 90 / 90 / 0 / 20

HEX #1414CC

RGB 20 20 204

HSL 240, 0.82%, 0.44%

LAB 26.76, 62.54, -87.93

 

CMYK 74 / 90 / 0 / 20

HEX #3514CC

RGB 53 20 204

HSL 250.76, 0.82%, 0.44%

LAB 28.42, 63.58, -85.11

 

CMYK 82 / 99 / 0 / 13

HEX #2902DE

RGB 41 2 222

HSL 250.64, 0.98%, 0.44%

LAB 28.87, 71.4, -94.82

 

CMYK 74 / 90 / 0 / 20

HEX #3514CC

RGB 53 20 204

HSL 250.76, 0.82%, 0.44%

LAB 28.42, 63.58, -85.11

 

CMYK 65 / 80 / 0 / 27

HEX #4126BA

RGB 65 38 186

HSL 250.95, 0.66%, 0.44%

LAB 29.55, 52.64, -72.62

 

CMYK 55 / 66 / 0 / 34

HEX #4C39A8

RGB 76 57 168

HSL 250.27, 0.49%, 0.44%

LAB 32.46, 38.51, -57.07

 

CMYK 41 / 50 / 0 / 41

HEX #584B96

RGB 88 75 150

HSL 250.4, 0.33%, 0.44%

LAB 36.57, 24.55, -39.52

 

CMYK 24 / 30 / 0 / 48

HEX #645D84

RGB 100 93 132

HSL 250.77, 0.17%, 0.44%

LAB 41.54, 11.8, -20.73

 

CMYK 90 / 57 / 0 / 20

HEX #1458CC

RGB 20 88 204

HSL 217.83, 0.82%, 0.44%

LAB 40.39, 25.19, -65.43

 

CMYK 90 / 81 / 0 / 20

HEX #1427CC

RGB 20 39 204

HSL 233.8, 0.82%, 0.44%

LAB 29.31, 54.92, -83.68

 

CMYK 75 / 90 / 0 / 20

HEX #3314CC

RGB 51 20 204

HSL 250.11, 0.82%, 0.44%

LAB 28.28, 63.49, -85.35

 

CMYK 51 / 90 / 0 / 20

HEX #6414CC

RGB 100 20 204

HSL 266.09, 0.82%, 0.44%

LAB 33.07, 66.88, -77.27

 

CMYK 27 / 90 / 0 / 20

HEX #9514CC

RGB 149 20 204

HSL 282.07, 0.82%, 0.44%

LAB 40, 72.64, -65.63

 

CMYK 74 / 90 / 0 / 49

HEX #220D81

RGB 34 13 129

HSL 250.86, 0.82%, 0.28%

LAB 16.57, 44, -59.3

 

CMYK 74 / 90 / 0 / 35

HEX #2B10A7

RGB 43 16 167

HSL 250.73, 0.83%, 0.36%

LAB 22.56, 54.32, -72.87

 

CMYK 74 / 90 / 0 / 20

HEX #3514CC

RGB 53 20 204

HSL 250.76, 0.82%, 0.44%

LAB 28.42, 63.58, -85.11

 

CMYK 71 / 86 / 0 / 9

HEX #4421E9

RGB 68 33 233

HSL 250.5, 0.82%, 0.52%

LAB 34.4, 67.96, -91.87

 

CMYK 58 / 70 / 0 / 7

HEX #6446ED

RGB 100 70 237

HSL 250.78, 0.82%, 0.6%

LAB 43.07, 55.75, -79.73

 

CMYK 74 / 90 / 0 / 20

HEX #3514CD

RGB 53 20 205

HSL 250.7, 0.82%, 0.44%

LAB 28.55, 63.84, -85.48

 

CMYK 0 / 90 / 33 / 20

HEX #CC1489

RGB 204 20 137

HSL 321.85, 0.82%, 0.44%

LAB 45.83, 72.66, -15.91

 

CMYK 69 / 0 / 90 / 20

HEX #3FCC14

RGB 63 204 20

HSL 105.98, 0.82%, 0.44%

LAB 72.42, -66.13, 68.83

 

CMYK 74 / 90 / 0 / 20

HEX #3514CD

RGB 53 20 205

HSL 250.7, 0.82%, 0.44%

LAB 28.55, 63.84, -85.48

 

CMYK 0 / 75 / 90 / 20

HEX #CC3314

RGB 204 51 20

HSL 10.11, 0.82%, 0.44%

LAB 45.98, 58.29, 52.19

 

CMYK 90 / 0 / 75 / 20

HEX #14CC33

RGB 20 204 51

HSL 130.11, 0.82%, 0.44%

LAB 71.94, -69.86, 60.33

 

CMYK 74 / 90 / 0 / 20

HEX #3514CD

RGB 53 20 205

HSL 250.7, 0.82%, 0.44%

LAB 28.55, 63.84, -85.48

 

CMYK 0 / 90 / 33 / 20

HEX #CC1489

RGB 204 20 137

HSL 321.85, 0.82%, 0.44%

LAB 45.83, 72.66, -15.91

 

CMYK 15 / 0 / 90 / 20

HEX #AECC14

RGB 174 204 20

HSL 69.78, 0.82%, 0.44%

LAB 77.42, -30.58, 75

 

CMYK 90 / 0 / 57 / 20

HEX #14CC58

RGB 20 204 88

HSL 142.17, 0.82%, 0.44%

LAB 72.25, -65.95, 45.56

 

CMYK 74 / 90 / 0 / 20

HEX #3514CD

RGB 53 20 205

HSL 250.7, 0.82%, 0.44%

LAB 28.55, 63.84, -85.48

 

CMYK 0 / 90 / 60 / 20

HEX #CC1452

RGB 204 20 82

HSL 339.78, 0.82%, 0.44%

LAB 44.16, 68.06, 15.74

 

CMYK 15 / 0 / 90 / 20

HEX #AECC14

RGB 174 204 20

HSL 69.78, 0.82%, 0.44%

LAB 77.42, -30.58, 75

 

CMYK 90 / 0 / 30 / 20

HEX #14CC8F

RGB 20 204 143

HSL 160.11, 0.82%, 0.44%

LAB 73.1, -56.02, 18.85

 

Description

Color code: RGB 53 20 205 | qconv.com Color code: RGB 53 20 205 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 20 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 20 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 90 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 90% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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