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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 20 112 it is the complementary color RGB 202 235 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 20 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 20 112 shade: RGB 58 20 107, RGB 75 38 126, RGB 92 56 145, RGB 109 74 164 and RGB 126 92 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 20 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 20 112 shade: RGB 53 20 112, RGB 36 2 93, RGB 19 0 74, RGB 2 0 55 and RGB 0 0 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 20 112 shade: RGB 53 20 113, RGB 78 20 113, RGB 103 20 113, RGB 113 20 97 and RGB 113 20 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 20 112 shade: RGB 53 20 113, RGB 28 20 113 and RGB 20 20 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 20 112 shade matches the following richer shades: RGB 53 20 113 and RGB 50 9 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 20 112 shade: RGB 53 20 113, RGB 56 31 102, RGB 59 41 91, RGB 62 52 81 and RGB 65 63 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 20 112 shade: RGB 20 37 113, RGB 28 20 113, RGB 52 20 113, RGB 77 20 113 and RGB 102 20 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 20 112 shade: RGB 20 8 43, RGB 37 14 78, RGB 53 20 113, RGB 70 26 148 and RGB 86 32 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 20 112 shade: RGB 53 20 112, RGB 113 20 62 and RGB 25 113 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 20 112 shade: RGB 53 20 112, RGB 113 52 20 and RGB 20 113 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 20 112 shade: RGB 53 20 112, RGB 113 20 62, RGB 80 113 20 and RGB 20 113 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 20 112 shade: RGB 53 20 112, RGB 113 20 34, RGB 80 113 20 and RGB 20 113 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 82 / 0 / 56

HEX #351470

RGB 53 20 112

HSL 261.52, 0.7%, 0.26%

LAB 17.59, 38.01, -46.64

 

Complementary color

CMYK 14 / 0 / 39 / 8

HEX #CAEB8F

RGB 202 235 143

HSL 81.52, 0.7%, 0.74%

LAB 88.9, -25.59, 41.11

 

CMYK 46 / 81 / 0 / 58

HEX #3A146B

RGB 58 20 107

HSL 266.21, 0.69%, 0.25%

LAB 17.74, 37.41, -43.1

 

CMYK 40 / 70 / 0 / 51

HEX #4B267E

RGB 75 38 126

HSL 265.23, 0.54%, 0.32%

LAB 24.92, 36.76, -43.52

 

CMYK 37 / 61 / 0 / 43

HEX #5C3891

RGB 92 56 145

HSL 264.27, 0.44%, 0.39%

LAB 32.14, 35.7, -43.56

 

CMYK 34 / 55 / 0 / 36

HEX #6D4AA4

RGB 109 74 164

HSL 263.33, 0.38%, 0.47%

LAB 39.29, 34.59, -43.47

 

CMYK 31 / 50 / 0 / 28

HEX #7E5CB7

RGB 126 92 183

HSL 262.42, 0.39%, 0.54%

LAB 46.32, 33.53, -43.36

 

CMYK 53 / 82 / 0 / 56

HEX #351470

RGB 53 20 112

HSL 261.52, 0.7%, 0.26%

LAB 17.59, 38.01, -46.64

 

CMYK 61 / 98 / 0 / 64

HEX #24025D

RGB 36 2 93

HSL 262.42, 0.96%, 0.19%

LAB 10.62, 38.28, -45.66

 

CMYK 74 / 100 / 0 / 71

HEX #13004A

RGB 19 0 74

HSL 255.41, 1%, 0.15%

LAB 5.72, 31.94, -40.81

 

CMYK 96 / 100 / 0 / 78

HEX #020037

RGB 2 0 55

HSL 242.18, 1%, 0.11%

LAB 2.61, 18.03, -32.3

 

CMYK 100 / 100 / 0 / 86

HEX #000024

RGB 0 0 36

HSL 240, 1%, 0.07%

LAB 1.15, 8.09, -20.19

 

CMYK 53 / 82 / 0 / 56

HEX #351471

RGB 53 20 113

HSL 261.29, 0.7%, 0.26%

LAB 17.69, 38.3, -47.12

 

CMYK 31 / 82 / 0 / 56

HEX #4E1471

RGB 78 20 113

HSL 277.42, 0.7%, 0.26%

LAB 21.25, 42.55, -41.15

 

CMYK 9 / 82 / 0 / 56

HEX #671471

RGB 103 20 113

HSL 293.55, 0.7%, 0.26%

LAB 25.49, 47.56, -34.09

 

CMYK 0 / 82 / 14 / 56

HEX #711461

RGB 113 20 97

HSL 310.32, 0.7%, 0.26%

LAB 26.37, 47.08, -22.2

 

CMYK 0 / 82 / 36 / 56

HEX #711448

RGB 113 20 72

HSL 326.45, 0.7%, 0.26%

LAB 25.2, 43.64, -7.39

 

CMYK 53 / 82 / 0 / 56

HEX #351471

RGB 53 20 113

HSL 261.29, 0.7%, 0.26%

LAB 17.69, 38.3, -47.12

 

CMYK 75 / 82 / 0 / 56

HEX #1C1471

RGB 28 20 113

HSL 245.16, 0.7%, 0.26%

LAB 15.17, 35.27, -51.37

 

CMYK 82 / 82 / 0 / 56

HEX #141471

RGB 20 20 113

HSL 240, 0.7%, 0.26%

LAB 14.63, 34.62, -52.27

 

CMYK 53 / 82 / 0 / 56

HEX #351471

RGB 53 20 113

HSL 261.29, 0.7%, 0.26%

LAB 17.69, 38.3, -47.12

 

CMYK 59 / 93 / 0 / 52

HEX #32097B

RGB 50 9 123

HSL 261.58, 0.86%, 0.26%

LAB 17.01, 44.93, -54.7

 

CMYK 53 / 82 / 0 / 56

HEX #351471

RGB 53 20 113

HSL 261.29, 0.7%, 0.26%

LAB 17.69, 38.3, -47.12

 

CMYK 45 / 70 / 0 / 60

HEX #381F66

RGB 56 31 102

HSL 261.13, 0.53%, 0.26%

LAB 19.14, 29.67, -37.56

 

CMYK 35 / 55 / 0 / 64

HEX #3B295B

RGB 59 41 91

HSL 261.6, 0.38%, 0.26%

LAB 21.1, 20.77, -27.14

 

CMYK 23 / 36 / 0 / 68

HEX #3E3451

RGB 62 52 81

HSL 260.69, 0.22%, 0.26%

LAB 23.92, 11.47, -16.06

 

CMYK 7 / 10 / 0 / 73

HEX #413F46

RGB 65 63 70

HSL 257.14, 0.05%, 0.26%

LAB 27.08, 2.45, -3.96

 

CMYK 82 / 67 / 0 / 56

HEX #142571

RGB 20 37 113

HSL 229.03, 0.7%, 0.26%

LAB 18.65, 23.57, -45.65

 

CMYK 75 / 82 / 0 / 56

HEX #1C1471

RGB 28 20 113

HSL 245.16, 0.7%, 0.26%

LAB 15.17, 35.27, -51.37

 

CMYK 54 / 82 / 0 / 56

HEX #341471

RGB 52 20 113

HSL 260.65, 0.7%, 0.26%

LAB 17.57, 38.15, -47.33

 

CMYK 32 / 82 / 0 / 56

HEX #4D1471

RGB 77 20 113

HSL 276.77, 0.7%, 0.26%

LAB 21.1, 42.36, -41.41

 

CMYK 10 / 82 / 0 / 56

HEX #661471

RGB 102 20 113

HSL 292.9, 0.7%, 0.26%

LAB 25.31, 47.35, -34.39

 

CMYK 53 / 81 / 0 / 83

HEX #14082B

RGB 20 8 43

HSL 260.57, 0.69%, 0.1%

LAB 4.49, 13.89, -20.27

 

CMYK 53 / 82 / 0 / 69

HEX #250E4E

RGB 37 14 78

HSL 261.56, 0.7%, 0.18%

LAB 10.97, 28.25, -34.85

 

CMYK 53 / 82 / 0 / 56

HEX #351471

RGB 53 20 113

HSL 261.29, 0.7%, 0.26%

LAB 17.69, 38.3, -47.12

 

CMYK 53 / 82 / 0 / 42

HEX #461A94

RGB 70 26 148

HSL 261.64, 0.7%, 0.34%

LAB 24.25, 47.79, -58.37

 

CMYK 53 / 83 / 0 / 28

HEX #5620B7

RGB 86 32 183

HSL 261.46, 0.7%, 0.42%

LAB 30.47, 56.65, -69.25

 

CMYK 53 / 82 / 0 / 56

HEX #351470

RGB 53 20 112

HSL 261.52, 0.7%, 0.26%

LAB 17.59, 38.01, -46.64

 

CMYK 0 / 82 / 45 / 56

HEX #71143E

RGB 113 20 62

HSL 332.9, 0.7%, 0.26%

LAB 24.82, 42.51, -1.14

 

CMYK 78 / 0 / 82 / 56

HEX #197114

RGB 25 113 20

HSL 116.77, 0.7%, 0.26%

LAB 41.32, -43.33, 40.86

 

CMYK 53 / 82 / 0 / 56

HEX #351470

RGB 53 20 112

HSL 261.52, 0.7%, 0.26%

LAB 17.59, 38.01, -46.64

 

CMYK 0 / 54 / 82 / 56

HEX #713414

RGB 113 52 20

HSL 20.65, 0.7%, 0.26%

LAB 29.46, 24.68, 31.6

 

CMYK 82 / 0 / 54 / 56

HEX #147134

RGB 20 113 52

HSL 140.65, 0.7%, 0.26%

LAB 41.54, -40.33, 26.44

 

CMYK 53 / 82 / 0 / 56

HEX #351470

RGB 53 20 112

HSL 261.52, 0.7%, 0.26%

LAB 17.59, 38.01, -46.64

 

CMYK 0 / 82 / 45 / 56

HEX #71143E

RGB 113 20 62

HSL 332.9, 0.7%, 0.26%

LAB 24.82, 42.51, -1.14

 

CMYK 29 / 0 / 82 / 56

HEX #507114

RGB 80 113 20

HSL 81.29, 0.7%, 0.26%

LAB 43.6, -26.19, 43.82

 

CMYK 82 / 0 / 37 / 56

HEX #147147

RGB 20 113 71

HSL 152.9, 0.7%, 0.26%

LAB 41.87, -36.59, 16.1

 

CMYK 53 / 82 / 0 / 56

HEX #351470

RGB 53 20 112

HSL 261.52, 0.7%, 0.26%

LAB 17.59, 38.01, -46.64

 

CMYK 0 / 82 / 70 / 56

HEX #711422

RGB 113 20 34

HSL 350.97, 0.7%, 0.26%

LAB 24.09, 40.23, 17.03

 

CMYK 29 / 0 / 82 / 56

HEX #507114

RGB 80 113 20

HSL 81.29, 0.7%, 0.26%

LAB 43.6, -26.19, 43.82

 

CMYK 82 / 0 / 12 / 56

HEX #147163

RGB 20 113 99

HSL 170.97, 0.7%, 0.26%

LAB 42.55, -29.26, 0.39

 

Description

Color code: RGB 53 20 112 | qconv.com Color code: RGB 53 20 112 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 20 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 20 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 82 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 82% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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