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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 209 75 it is the complementary color RGB 202 46 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 209 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 209 75 shade: RGB 58 209 70, RGB 75 227 89, RGB 92 245 108, RGB 109 255 127 and RGB 126 255 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 209 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 209 75 shade: RGB 53 209 75, RGB 36 191 56, RGB 19 173 37, RGB 2 155 18 and RGB 0 137 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 209 75 shade: RGB 51 209 74, RGB 72 209 51, RGB 114 209 51, RGB 156 209 51 and RGB 199 209 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 209 75 shade: RGB 51 209 74, RGB 51 209 116, RGB 51 209 158, RGB 51 209 201 and RGB 51 174 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 209 75 shade matches the following richer shades: RGB 51 209 74, RGB 31 229 59 and RGB 11 249 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 209 75 shade: RGB 51 209 74, RGB 72 189 88, RGB 92 168 103, RGB 112 148 117 and RGB 132 128 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 209 75 shade: RGB 114 209 51, RGB 72 209 51, RGB 51 209 72, RGB 51 209 114 and RGB 51 209 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 209 75 shade: RGB 33 145 49, RGB 40 178 60, RGB 51 209 74, RGB 85 216 103 and RGB 119 224 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 209 75 shade: RGB 53 209 75, RGB 51 156 209 and RGB 209 51 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 209 75 shade: RGB 53 209 75, RGB 72 51 209 and RGB 209 72 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 209 75 shade: RGB 53 209 75, RGB 51 156 209, RGB 209 51 188 and RGB 209 104 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 209 75 shade: RGB 53 209 75, RGB 51 109 209, RGB 209 51 188 and RGB 209 151 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 64 / 18

HEX #35D14B

RGB 53 209 75

HSL 128.46, 0.63%, 0.51%

LAB 74.1, -65.73, 53.56

 

Complementary color

CMYK 0 / 77 / 11 / 21

HEX #CA2EB4

RGB 202 46 180

HSL 308.46, 0.63%, 0.49%

LAB 49.26, 72.15, -36.29

 

CMYK 72 / 0 / 67 / 18

HEX #3AD146

RGB 58 209 70

HSL 124.77, 0.62%, 0.52%

LAB 74.15, -65.48, 55.7

 

CMYK 67 / 0 / 61 / 11

HEX #4BE359

RGB 75 227 89

HSL 125.53, 0.73%, 0.59%

LAB 80.27, -66.48, 54.63

 

CMYK 62 / 0 / 56 / 4

HEX #5CF56C

RGB 92 245 108

HSL 126.27, 0.88%, 0.66%

LAB 86.34, -67.12, 53.41

 

CMYK 57 / 0 / 50 / 0

HEX #6DFF7F

RGB 109 255 127

HSL 127.4, 1%, 0.71%

LAB 90, -64.63, 49.25

 

CMYK 51 / 0 / 43 / 0

HEX #7EFF92

RGB 126 255 146

HSL 129.3, 1%, 0.75%

LAB 90.79, -57.9, 41.31

 

CMYK 75 / 0 / 64 / 18

HEX #35D14B

RGB 53 209 75

HSL 128.46, 0.63%, 0.51%

LAB 74.1, -65.73, 53.56

 

CMYK 81 / 0 / 71 / 25

HEX #24BF38

RGB 36 191 56

HSL 127.74, 0.68%, 0.45%

LAB 67.96, -64.16, 54.52

 

CMYK 89 / 0 / 79 / 32

HEX #13AD25

RGB 19 173 37

HSL 127.01, 0.8%, 0.38%

LAB 61.79, -61.87, 54.96

 

CMYK 99 / 0 / 88 / 39

HEX #029B12

RGB 2 155 18

HSL 126.27, 0.97%, 0.31%

LAB 55.58, -58.72, 54.36

 

CMYK 100 / 0 / 100 / 46

HEX #008900

RGB 0 137 0

HSL 120, 1%, 0.27%

LAB 49.36, -54.3, 52.41

 

CMYK 76 / 0 / 65 / 18

HEX #33D14A

RGB 51 209 74

HSL 128.73, 0.63%, 0.51%

LAB 74.06, -66.13, 53.92

 

CMYK 66 / 0 / 76 / 18

HEX #48D133

RGB 72 209 51

HSL 112.03, 0.63%, 0.51%

LAB 74.33, -64.48, 62.95

 

CMYK 45 / 0 / 76 / 18

HEX #72D133

RGB 114 209 51

HSL 96.08, 0.63%, 0.51%

LAB 75.71, -53.6, 64.77

 

CMYK 25 / 0 / 76 / 18

HEX #9CD133

RGB 156 209 51

HSL 80.13, 0.63%, 0.51%

LAB 77.82, -38.96, 67.53

 

CMYK 5 / 0 / 76 / 18

HEX #C7D133

RGB 199 209 51

HSL 63.8, 0.63%, 0.51%

LAB 80.73, -21.68, 71.29

 

CMYK 76 / 0 / 65 / 18

HEX #33D14A

RGB 51 209 74

HSL 128.73, 0.63%, 0.51%

LAB 74.06, -66.13, 53.92

 

CMYK 76 / 0 / 44 / 18

HEX #33D174

RGB 51 209 116

HSL 144.68, 0.63%, 0.51%

LAB 74.55, -60.33, 34.87

 

CMYK 76 / 0 / 24 / 18

HEX #33D19E

RGB 51 209 158

HSL 160.63, 0.63%, 0.51%

LAB 75.31, -51.87, 14

 

CMYK 76 / 0 / 4 / 18

HEX #33D1C9

RGB 51 209 201

HSL 176.96, 0.63%, 0.51%

LAB 76.39, -40.84, -7.53

 

CMYK 76 / 17 / 0 / 18

HEX #33AED1

RGB 51 174 209

HSL 193.29, 0.63%, 0.51%

LAB 66.2, -21.57, -27.3

 

CMYK 76 / 0 / 65 / 18

HEX #33D14A

RGB 51 209 74

HSL 128.73, 0.63%, 0.51%

LAB 74.06, -66.13, 53.92

 

CMYK 86 / 0 / 74 / 10

HEX #1FE53B

RGB 31 229 59

HSL 128.48, 0.79%, 0.51%

LAB 79.98, -75.66, 65.7

 

CMYK 96 / 0 / 82 / 2

HEX #0BF92C

RGB 11 249 44

HSL 128.32, 0.95%, 0.51%

LAB 86.01, -83.13, 75.68

 

CMYK 76 / 0 / 65 / 18

HEX #33D14A

RGB 51 209 74

HSL 128.73, 0.63%, 0.51%

LAB 74.06, -66.13, 53.92

 

CMYK 62 / 0 / 53 / 26

HEX #48BD58

RGB 72 189 88

HSL 128.21, 0.47%, 0.51%

LAB 68.37, -53.76, 41.11

 

CMYK 45 / 0 / 39 / 34

HEX #5CA867

RGB 92 168 103

HSL 128.68, 0.3%, 0.51%

LAB 62.73, -37.72, 26.45

 

CMYK 24 / 0 / 21 / 42

HEX #709475

RGB 112 148 117

HSL 128.33, 0.14%, 0.51%

LAB 57.95, -18.98, 12.41

 

CMYK 0 / 3 / 0 / 48

HEX #848084

RGB 132 128 132

HSL 300, 0.02%, 0.51%

LAB 54.04, 2.29, -1.63

 

CMYK 45 / 0 / 76 / 18

HEX #72D133

RGB 114 209 51

HSL 96.08, 0.63%, 0.51%

LAB 75.71, -53.6, 64.77

 

CMYK 66 / 0 / 76 / 18

HEX #48D133

RGB 72 209 51

HSL 112.03, 0.63%, 0.51%

LAB 74.33, -64.48, 62.95

 

CMYK 76 / 0 / 66 / 18

HEX #33D148

RGB 51 209 72

HSL 127.97, 0.63%, 0.51%

LAB 74.04, -66.34, 54.73

 

CMYK 76 / 0 / 45 / 18

HEX #33D172

RGB 51 209 114

HSL 143.92, 0.63%, 0.51%

LAB 74.52, -60.67, 35.83

 

CMYK 76 / 0 / 25 / 18

HEX #33D19C

RGB 51 209 156

HSL 159.87, 0.63%, 0.51%

LAB 75.27, -52.33, 15

 

CMYK 77 / 0 / 66 / 43

HEX #219131

RGB 33 145 49

HSL 128.57, 0.63%, 0.35%

LAB 52.73, -50.32, 41.04

 

CMYK 78 / 0 / 66 / 30

HEX #28B23C

RGB 40 178 60

HSL 128.7, 0.63%, 0.43%

LAB 63.85, -59.13, 48.53

 

CMYK 76 / 0 / 65 / 18

HEX #33D14A

RGB 51 209 74

HSL 128.73, 0.63%, 0.51%

LAB 74.06, -66.13, 53.92

 

CMYK 61 / 0 / 52 / 15

HEX #55D867

RGB 85 216 103

HSL 128.24, 0.63%, 0.59%

LAB 77.29, -58.88, 44.84

 

CMYK 47 / 0 / 41 / 12

HEX #77E085

RGB 119 224 133

HSL 128, 0.63%, 0.67%

LAB 81.25, -49.25, 35.35

 

CMYK 75 / 0 / 64 / 18

HEX #35D14B

RGB 53 209 75

HSL 128.46, 0.63%, 0.51%

LAB 74.1, -65.73, 53.56

 

CMYK 76 / 25 / 0 / 18

HEX #339CD1

RGB 51 156 209

HSL 200.13, 0.63%, 0.51%

LAB 60.86, -11.93, -35.57

 

CMYK 0 / 76 / 56 / 18

HEX #D1335D

RGB 209 51 93

HSL 344.05, 0.63%, 0.51%

LAB 47.9, 62.94, 14.2

 

CMYK 75 / 0 / 64 / 18

HEX #35D14B

RGB 53 209 75

HSL 128.46, 0.63%, 0.51%

LAB 74.1, -65.73, 53.56

 

CMYK 66 / 76 / 0 / 18

HEX #4833D1

RGB 72 51 209

HSL 247.97, 0.63%, 0.51%

LAB 34.7, 53.84, -77.57

 

CMYK 0 / 66 / 76 / 18

HEX #D14833

RGB 209 72 51

HSL 7.97, 0.63%, 0.51%

LAB 50.01, 52.88, 41.49

 

CMYK 75 / 0 / 64 / 18

HEX #35D14B

RGB 53 209 75

HSL 128.46, 0.63%, 0.51%

LAB 74.1, -65.73, 53.56

 

CMYK 76 / 25 / 0 / 18

HEX #339CD1

RGB 51 156 209

HSL 200.13, 0.63%, 0.51%

LAB 60.86, -11.93, -35.57

 

CMYK 0 / 76 / 10 / 18

HEX #D133BC

RGB 209 51 188

HSL 307.97, 0.63%, 0.51%

LAB 51.33, 73.4, -37.62

 

CMYK 0 / 50 / 76 / 18

HEX #D16833

RGB 209 104 51

HSL 20.13, 0.63%, 0.51%

LAB 55.78, 37.86, 47.54

 

CMYK 75 / 0 / 64 / 18

HEX #35D14B

RGB 53 209 75

HSL 128.46, 0.63%, 0.51%

LAB 74.1, -65.73, 53.56

 

CMYK 76 / 48 / 0 / 18

HEX #336DD1

RGB 51 109 209

HSL 217.97, 0.63%, 0.51%

LAB 47.29, 16.12, -57.08

 

CMYK 0 / 76 / 10 / 18

HEX #D133BC

RGB 209 51 188

HSL 307.97, 0.63%, 0.51%

LAB 51.33, 73.4, -37.62

 

CMYK 0 / 28 / 76 / 18

HEX #D19733

RGB 209 151 51

HSL 37.97, 0.63%, 0.51%

LAB 66.46, 12.76, 58.18

 

Description

Color code: RGB 53 209 75 | qconv.com Color code: RGB 53 209 75 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 209 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 209 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 64 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 64% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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