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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 207 177 it is the complementary color RGB 202 48 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 207 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 207 177 shade: RGB 58 207 172, RGB 75 225 191, RGB 92 243 210, RGB 109 255 229 and RGB 126 255 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 207 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 207 177 shade: RGB 53 207 177, RGB 36 189 158, RGB 19 171 139, RGB 2 153 120 and RGB 0 135 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 207 177 shade: RGB 53 208 177, RGB 53 208 136, RGB 53 208 94, RGB 53 208 53 and RGB 95 208 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 207 177 shade: RGB 53 208 177, RGB 53 196 208, RGB 53 154 208, RGB 53 112 208 and RGB 53 71 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 207 177 shade matches the following richer shades: RGB 53 208 177, RGB 32 228 190 and RGB 12 248 202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 207 177 shade: RGB 53 208 177, RGB 73 187 165, RGB 93 167 153, RGB 113 147 140 and RGB 133 127 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 207 177 shade: RGB 53 208 94, RGB 53 208 135, RGB 53 208 177, RGB 53 197 208 and RGB 53 156 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 207 177 shade: RGB 34 144 122, RGB 42 177 151, RGB 53 208 177, RGB 86 215 190 and RGB 119 223 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 207 177 shade: RGB 53 207 177, RGB 53 53 208 and RGB 208 115 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 207 177 shade: RGB 53 207 177, RGB 177 53 208 and RGB 208 177 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 207 177 shade: RGB 53 207 177, RGB 53 53 208, RGB 208 53 84 and RGB 208 208 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 207 177 shade: RGB 53 207 177, RGB 99 53 208, RGB 208 53 84 and RGB 161 208 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 14 / 19

HEX #35CFB1

RGB 53 207 177

HSL 168.31, 0.62%, 0.51%

LAB 75.17, -46.19, 3.63

 

Complementary color

CMYK 0 / 76 / 61 / 21

HEX #CA304E

RGB 202 48 78

HSL 348.31, 0.62%, 0.49%

LAB 45.93, 60.87, 20.53

 

CMYK 72 / 0 / 17 / 19

HEX #3ACFAC

RGB 58 207 172

HSL 165.91, 0.61%, 0.52%

LAB 75.14, -46.82, 6.28

 

CMYK 67 / 0 / 15 / 12

HEX #4BE1BF

RGB 75 225 191

HSL 166.4, 0.71%, 0.59%

LAB 81.35, -47.34, 5.13

 

CMYK 62 / 0 / 14 / 5

HEX #5CF3D2

RGB 92 243 210

HSL 166.89, 0.86%, 0.66%

LAB 87.5, -47.68, 4.09

 

CMYK 57 / 0 / 10 / 0

HEX #6DFFE5

RGB 109 255 229

HSL 169.32, 1%, 0.71%

LAB 91.88, -45.3, 0.63

 

CMYK 51 / 0 / 3 / 0

HEX #7EFFF8

RGB 126 255 248

HSL 176.74, 1%, 0.75%

LAB 92.9, -37.37, -7.65

 

CMYK 74 / 0 / 14 / 19

HEX #35CFB1

RGB 53 207 177

HSL 168.31, 0.62%, 0.51%

LAB 75.17, -46.19, 3.63

 

CMYK 81 / 0 / 16 / 26

HEX #24BD9E

RGB 36 189 158

HSL 167.84, 0.68%, 0.44%

LAB 68.92, -45.28, 4.87

 

CMYK 89 / 0 / 19 / 33

HEX #13AB8B

RGB 19 171 139

HSL 167.37, 0.8%, 0.37%

LAB 62.62, -44.01, 6.27

 

CMYK 99 / 0 / 22 / 40

HEX #029978

RGB 2 153 120

HSL 166.89, 0.97%, 0.3%

LAB 56.24, -42.34, 7.82

 

CMYK 100 / 0 / 25 / 47

HEX #008765

RGB 0 135 101

HSL 164.89, 1%, 0.26%

LAB 49.82, -39.94, 9.6

 

CMYK 75 / 0 / 15 / 18

HEX #35D0B1

RGB 53 208 177

HSL 168, 0.62%, 0.51%

LAB 75.48, -46.61, 4.06

 

CMYK 75 / 0 / 35 / 18

HEX #35D088

RGB 53 208 136

HSL 152.13, 0.62%, 0.51%

LAB 74.6, -55.99, 24.65

 

CMYK 75 / 0 / 55 / 18

HEX #35D05E

RGB 53 208 94

HSL 135.87, 0.62%, 0.51%

LAB 73.98, -63.1, 44.92

 

CMYK 75 / 0 / 75 / 18

HEX #35D035

RGB 53 208 53

HSL 120, 0.62%, 0.51%

LAB 73.63, -67.39, 61.46

 

CMYK 54 / 0 / 75 / 18

HEX #5FD035

RGB 95 208 53

HSL 103.74, 0.62%, 0.51%

LAB 74.7, -58.58, 62.88

 

CMYK 75 / 0 / 15 / 18

HEX #35D0B1

RGB 53 208 177

HSL 168, 0.62%, 0.51%

LAB 75.48, -46.61, 4.06

 

CMYK 75 / 6 / 0 / 18

HEX #35C4D0

RGB 53 196 208

HSL 184.65, 0.62%, 0.51%

LAB 72.75, -32.59, -16.75

 

CMYK 75 / 26 / 0 / 18

HEX #359AD0

RGB 53 154 208

HSL 200.9, 0.62%, 0.51%

LAB 60.27, -10.93, -35.93

 

CMYK 75 / 46 / 0 / 18

HEX #3570D0

RGB 53 112 208

HSL 217.16, 0.62%, 0.51%

LAB 48.13, 14.1, -55.16

 

CMYK 75 / 66 / 0 / 18

HEX #3547D0

RGB 53 71 208

HSL 233.03, 0.62%, 0.51%

LAB 37.51, 40.18, -72.41

 

CMYK 75 / 0 / 15 / 18

HEX #35D0B1

RGB 53 208 177

HSL 168, 0.62%, 0.51%

LAB 75.48, -46.61, 4.06

 

CMYK 86 / 0 / 17 / 11

HEX #20E4BE

RGB 32 228 190

HSL 168.37, 0.78%, 0.51%

LAB 81.57, -53.42, 5.9

 

CMYK 95 / 0 / 19 / 3

HEX #0CF8CA

RGB 12 248 202

HSL 168.31, 0.94%, 0.51%

LAB 87.72, -59.15, 8.43

 

CMYK 75 / 0 / 15 / 18

HEX #35D0B1

RGB 53 208 177

HSL 168, 0.62%, 0.51%

LAB 75.48, -46.61, 4.06

 

CMYK 61 / 0 / 12 / 27

HEX #49BBA5

RGB 73 187 165

HSL 168.42, 0.46%, 0.51%

LAB 69.24, -37.46, 1.58

 

CMYK 44 / 0 / 8 / 35

HEX #5DA799

RGB 93 167 153

HSL 168.65, 0.3%, 0.51%

LAB 63.56, -26.54, 0.05

 

CMYK 23 / 0 / 5 / 42

HEX #71938C

RGB 113 147 140

HSL 167.65, 0.14%, 0.51%

LAB 58.29, -13.34, -0.18

 

CMYK 0 / 5 / 4 / 48

HEX #857F80

RGB 133 127 128

HSL 350, 0.02%, 0.51%

LAB 53.73, 2.46, 0.26

 

CMYK 75 / 0 / 55 / 18

HEX #35D05E

RGB 53 208 94

HSL 135.87, 0.62%, 0.51%

LAB 73.98, -63.1, 44.92

 

CMYK 75 / 0 / 35 / 18

HEX #35D087

RGB 53 208 135

HSL 151.74, 0.62%, 0.51%

LAB 74.58, -56.19, 25.15

 

CMYK 75 / 0 / 15 / 18

HEX #35D0B1

RGB 53 208 177

HSL 168, 0.62%, 0.51%

LAB 75.48, -46.61, 4.06

 

CMYK 75 / 5 / 0 / 18

HEX #35C5D0

RGB 53 197 208

HSL 184.26, 0.62%, 0.51%

LAB 73.05, -33.06, -16.3

 

CMYK 75 / 25 / 0 / 18

HEX #359CD0

RGB 53 156 208

HSL 200.13, 0.62%, 0.51%

LAB 60.86, -12.04, -35.01

 

CMYK 76 / 0 / 15 / 44

HEX #22907A

RGB 34 144 122

HSL 168, 0.62%, 0.35%

LAB 53.7, -35.45, 3.07

 

CMYK 76 / 0 / 15 / 31

HEX #2AB197

RGB 42 177 151

HSL 168.44, 0.62%, 0.43%

LAB 65.1, -41.35, 3.21

 

CMYK 75 / 0 / 15 / 18

HEX #35D0B1

RGB 53 208 177

HSL 168, 0.62%, 0.51%

LAB 75.48, -46.61, 4.06

 

CMYK 60 / 0 / 12 / 16

HEX #56D7BE

RGB 86 215 190

HSL 168.37, 0.62%, 0.59%

LAB 78.63, -41.41, 1.76

 

CMYK 47 / 0 / 9 / 13

HEX #77DFCB

RGB 119 223 203

HSL 168.46, 0.62%, 0.67%

LAB 82.38, -35.02, 0.44

 

CMYK 74 / 0 / 14 / 19

HEX #35CFB1

RGB 53 207 177

HSL 168.31, 0.62%, 0.51%

LAB 75.17, -46.19, 3.63

 

CMYK 75 / 75 / 0 / 18

HEX #3535D0

RGB 53 53 208

HSL 240, 0.62%, 0.51%

LAB 33.68, 50.7, -78.71

 

CMYK 0 / 45 / 75 / 18

HEX #D07335

RGB 208 115 53

HSL 24, 0.62%, 0.51%

LAB 57.97, 31.83, 48.79

 

CMYK 74 / 0 / 14 / 19

HEX #35CFB1

RGB 53 207 177

HSL 168.31, 0.62%, 0.51%

LAB 75.17, -46.19, 3.63

 

CMYK 15 / 75 / 0 / 18

HEX #B135D0

RGB 177 53 208

HSL 288, 0.62%, 0.51%

LAB 47.56, 69.45, -55.5

 

CMYK 0 / 15 / 75 / 18

HEX #D0B135

RGB 208 177 53

HSL 48, 0.62%, 0.51%

LAB 72.97, -1.5, 63.63

 

CMYK 74 / 0 / 14 / 19

HEX #35CFB1

RGB 53 207 177

HSL 168.31, 0.62%, 0.51%

LAB 75.17, -46.19, 3.63

 

CMYK 75 / 75 / 0 / 18

HEX #3535D0

RGB 53 53 208

HSL 240, 0.62%, 0.51%

LAB 33.68, 50.7, -78.71

 

CMYK 0 / 75 / 60 / 18

HEX #D03554

RGB 208 53 84

HSL 348, 0.62%, 0.51%

LAB 47.75, 61.39, 19.47

 

CMYK 0 / 0 / 75 / 18

HEX #D0D035

RGB 208 208 53

HSL 60, 0.62%, 0.51%

LAB 81.17, -17.34, 71.33

 

CMYK 74 / 0 / 14 / 19

HEX #35CFB1

RGB 53 207 177

HSL 168.31, 0.62%, 0.51%

LAB 75.17, -46.19, 3.63

 

CMYK 52 / 75 / 0 / 18

HEX #6335D0

RGB 99 53 208

HSL 257.81, 0.62%, 0.51%

LAB 37.4, 55.93, -72.47

 

CMYK 0 / 75 / 60 / 18

HEX #D03554

RGB 208 53 84

HSL 348, 0.62%, 0.51%

LAB 47.75, 61.39, 19.47

 

CMYK 23 / 0 / 75 / 18

HEX #A1D035

RGB 161 208 53

HSL 78.19, 0.62%, 0.51%

LAB 77.84, -36.49, 67.01

 

Description

Color code: RGB 53 207 177 | qconv.com Color code: RGB 53 207 177 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 207 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 207 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 14 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 14% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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