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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 206 38 it is the complementary color RGB 202 49 217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 206 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 206 38 shade: RGB 58 206 33, RGB 75 224 52, RGB 92 242 71, RGB 109 255 90 and RGB 126 255 109

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 206 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 206 38 shade: RGB 53 206 38, RGB 36 188 19, RGB 19 170 0, RGB 2 152 0 and RGB 0 134 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 206 38 shade: RGB 53 207 38, RGB 99 207 38, RGB 144 207 38, RGB 190 207 38 and RGB 207 178 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 206 38 shade: RGB 53 207 38, RGB 38 207 68, RGB 38 207 114, RGB 38 207 160 and RGB 38 207 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 206 38 shade matches the following richer shades: RGB 53 207 38 and RGB 37 227 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 206 38 shade: RGB 53 207 38, RGB 69 187 58, RGB 86 167 78, RGB 102 147 97 and RGB 118 128 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 206 38 shade: RGB 145 207 38, RGB 100 207 38, RGB 55 207 38, RGB 38 207 66 and RGB 38 207 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 206 38 shade: RGB 35 137 25, RGB 44 172 32, RGB 53 207 38, RGB 80 220 66 and RGB 112 227 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 206 38 shade: RGB 53 206 38, RGB 38 190 207 and RGB 207 38 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 206 38 shade: RGB 53 206 38, RGB 38 55 207 and RGB 207 38 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 206 38 shade: RGB 53 206 38, RGB 38 190 207, RGB 190 38 207 and RGB 207 55 38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 206 38 shade: RGB 53 206 38, RGB 38 139 207, RGB 190 38 207 and RGB 207 106 38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 82 / 19

HEX #35CE26

RGB 53 206 38

HSL 114.64, 0.69%, 0.48%

LAB 72.92, -67.72, 65.33

 

Complementary color

CMYK 7 / 77 / 0 / 15

HEX #CA31D9

RGB 202 49 217

HSL 294.64, 0.69%, 0.52%

LAB 51.57, 77.04, -54

 

CMYK 72 / 0 / 84 / 19

HEX #3ACE21

RGB 58 206 33

HSL 111.33, 0.72%, 0.47%

LAB 72.99, -67.16, 66.69

 

CMYK 67 / 0 / 77 / 12

HEX #4BE034

RGB 75 224 52

HSL 111.98, 0.74%, 0.54%

LAB 79.07, -68.7, 67.28

 

CMYK 62 / 0 / 71 / 5

HEX #5CF247

RGB 92 242 71

HSL 112.63, 0.87%, 0.61%

LAB 85.12, -69.77, 67.11

 

CMYK 57 / 0 / 65 / 0

HEX #6DFF5A

RGB 109 255 90

HSL 113.09, 1%, 0.68%

LAB 89.63, -68.77, 64.88

 

CMYK 51 / 0 / 57 / 0

HEX #7EFF6D

RGB 126 255 109

HSL 113.01, 1%, 0.71%

LAB 90.35, -62.66, 57.93

 

CMYK 74 / 0 / 82 / 19

HEX #35CE26

RGB 53 206 38

HSL 114.64, 0.69%, 0.48%

LAB 72.92, -67.72, 65.33

 

CMYK 81 / 0 / 90 / 26

HEX #24BC13

RGB 36 188 19

HSL 113.96, 0.82%, 0.41%

LAB 66.82, -65.49, 64.03

 

CMYK 89 / 0 / 100 / 33

HEX #13AA00

RGB 19 170 0

HSL 113.29, 1%, 0.33%

LAB 60.68, -62.49, 61.54

 

CMYK 99 / 0 / 100 / 40

HEX #029800

RGB 2 152 0

HSL 119.21, 1%, 0.3%

LAB 54.52, -58.45, 56.55

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 74 / 0 / 82 / 19

HEX #35CF26

RGB 53 207 38

HSL 114.67, 0.69%, 0.48%

LAB 73.23, -68.03, 65.62

 

CMYK 52 / 0 / 82 / 19

HEX #63CF26

RGB 99 207 38

HSL 98.34, 0.69%, 0.48%

LAB 74.46, -57.97, 67.19

 

CMYK 30 / 0 / 82 / 19

HEX #90CF26

RGB 144 207 38

HSL 82.37, 0.69%, 0.48%

LAB 76.49, -43.17, 69.79

 

CMYK 8 / 0 / 82 / 19

HEX #BECF26

RGB 190 207 38

HSL 66.04, 0.69%, 0.48%

LAB 79.45, -24.93, 73.52

 

CMYK 0 / 14 / 82 / 19

HEX #CFB226

RGB 207 178 38

HSL 49.7, 0.69%, 0.48%

LAB 73.05, -3.01, 68.56

 

CMYK 74 / 0 / 82 / 19

HEX #35CF26

RGB 53 207 38

HSL 114.67, 0.69%, 0.48%

LAB 73.23, -68.03, 65.62

 

CMYK 82 / 0 / 67 / 19

HEX #26CF44

RGB 38 207 68

HSL 130.65, 0.69%, 0.48%

LAB 73.19, -67.73, 55.37

 

CMYK 82 / 0 / 45 / 19

HEX #26CF72

RGB 38 207 114

HSL 146.98, 0.69%, 0.48%

LAB 73.71, -61.48, 34.76

 

CMYK 82 / 0 / 23 / 19

HEX #26CFA0

RGB 38 207 160

HSL 163.31, 0.69%, 0.48%

LAB 74.56, -51.96, 11.84

 

CMYK 82 / 0 / 1 / 19

HEX #26CFCD

RGB 38 207 205

HSL 179.29, 0.69%, 0.48%

LAB 75.73, -39.98, -10.68

 

CMYK 74 / 0 / 82 / 19

HEX #35CF26

RGB 53 207 38

HSL 114.67, 0.69%, 0.48%

LAB 73.23, -68.03, 65.62

 

CMYK 84 / 0 / 92 / 11

HEX #25E312

RGB 37 227 18

HSL 114.55, 0.85%, 0.48%

LAB 79.26, -76.55, 74.71

 

CMYK 74 / 0 / 82 / 19

HEX #35CF26

RGB 53 207 38

HSL 114.67, 0.69%, 0.48%

LAB 73.23, -68.03, 65.62

 

CMYK 63 / 0 / 69 / 27

HEX #45BB3A

RGB 69 187 58

HSL 114.88, 0.53%, 0.48%

LAB 67.36, -57.1, 53.31

 

CMYK 49 / 0 / 53 / 35

HEX #56A74E

RGB 86 167 78

HSL 114.61, 0.36%, 0.48%

LAB 61.8, -42.82, 38.17

 

CMYK 31 / 0 / 34 / 42

HEX #669361

RGB 102 147 97

HSL 114, 0.2%, 0.48%

LAB 56.64, -25.59, 21.73

 

CMYK 8 / 0 / 9 / 50

HEX #768075

RGB 118 128 117

HSL 114.55, 0.04%, 0.48%

LAB 52.48, -5.92, 4.7

 

CMYK 30 / 0 / 82 / 19

HEX #91CF26

RGB 145 207 38

HSL 82.01, 0.69%, 0.48%

LAB 76.55, -42.8, 69.86

 

CMYK 52 / 0 / 82 / 19

HEX #64CF26

RGB 100 207 38

HSL 97.99, 0.69%, 0.48%

LAB 74.49, -57.69, 67.24

 

CMYK 73 / 0 / 82 / 19

HEX #37CF26

RGB 55 207 38

HSL 113.96, 0.69%, 0.48%

LAB 73.27, -67.72, 65.67

 

CMYK 82 / 0 / 68 / 19

HEX #26CF42

RGB 38 207 66

HSL 129.94, 0.69%, 0.48%

LAB 73.17, -67.93, 56.15

 

CMYK 82 / 0 / 46 / 19

HEX #26CF6F

RGB 38 207 111

HSL 145.92, 0.69%, 0.48%

LAB 73.67, -61.99, 36.21

 

CMYK 74 / 0 / 82 / 46

HEX #238919

RGB 35 137 25

HSL 114.64, 0.69%, 0.32%

LAB 49.88, -49.4, 47.44

 

CMYK 74 / 0 / 81 / 33

HEX #2CAC20

RGB 44 172 32

HSL 114.86, 0.69%, 0.4%

LAB 61.78, -58.88, 56.59

 

CMYK 74 / 0 / 82 / 19

HEX #35CF26

RGB 53 207 38

HSL 114.67, 0.69%, 0.48%

LAB 73.23, -68.03, 65.62

 

CMYK 64 / 0 / 70 / 14

HEX #50DC42

RGB 80 220 66

HSL 114.55, 0.69%, 0.56%

LAB 78.04, -65.36, 61.53

 

CMYK 51 / 0 / 56 / 11

HEX #70E365

RGB 112 227 101

HSL 114.76, 0.69%, 0.64%

LAB 81.47, -56.69, 50.98

 

CMYK 74 / 0 / 82 / 19

HEX #35CE26

RGB 53 206 38

HSL 114.64, 0.69%, 0.48%

LAB 72.92, -67.72, 65.33

 

CMYK 82 / 8 / 0 / 19

HEX #26BECF

RGB 38 190 207

HSL 186.04, 0.69%, 0.48%

LAB 70.69, -31.46, -19.35

 

CMYK 0 / 82 / 41 / 19

HEX #CF267A

RGB 207 38 122

HSL 330.18, 0.69%, 0.48%

LAB 47.05, 68.44, -4.86

 

CMYK 74 / 0 / 82 / 19

HEX #35CE26

RGB 53 206 38

HSL 114.64, 0.69%, 0.48%

LAB 72.92, -67.72, 65.33

 

CMYK 82 / 73 / 0 / 19

HEX #2637CF

RGB 38 55 207

HSL 233.96, 0.69%, 0.48%

LAB 33.24, 48.16, -78.89

 

CMYK 0 / 82 / 73 / 19

HEX #CF2637

RGB 207 38 55

HSL 353.96, 0.69%, 0.48%

LAB 45.53, 63.91, 34.16

 

CMYK 74 / 0 / 82 / 19

HEX #35CE26

RGB 53 206 38

HSL 114.64, 0.69%, 0.48%

LAB 72.92, -67.72, 65.33

 

CMYK 82 / 8 / 0 / 19

HEX #26BECF

RGB 38 190 207

HSL 186.04, 0.69%, 0.48%

LAB 70.69, -31.46, -19.35

 

CMYK 8 / 82 / 0 / 19

HEX #BE26CF

RGB 190 38 207

HSL 293.96, 0.69%, 0.48%

LAB 48.06, 76, -54.01

 

CMYK 0 / 73 / 82 / 19

HEX #CF3726

RGB 207 55 38

HSL 6.04, 0.69%, 0.48%

LAB 47.15, 58.27, 45.28

 

CMYK 74 / 0 / 82 / 19

HEX #35CE26

RGB 53 206 38

HSL 114.64, 0.69%, 0.48%

LAB 72.92, -67.72, 65.33

 

CMYK 82 / 33 / 0 / 19

HEX #268BCF

RGB 38 139 207

HSL 204.14, 0.69%, 0.48%

LAB 55.46, -4.36, -42.93

 

CMYK 8 / 82 / 0 / 19

HEX #BE26CF

RGB 190 38 207

HSL 293.96, 0.69%, 0.48%

LAB 48.06, 76, -54.01

 

CMYK 0 / 49 / 82 / 19

HEX #CF6A26

RGB 207 106 38

HSL 24.14, 0.69%, 0.48%

LAB 55.8, 35.56, 53.32

 

Description

Color code: RGB 53 206 38 | qconv.com Color code: RGB 53 206 38 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 206 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 206 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 82 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 82% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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