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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 206 24 it is the complementary color RGB 202 49 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 206 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 206 24 shade: RGB 58 206 19, RGB 75 224 38, RGB 92 242 57, RGB 109 255 76 and RGB 126 255 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 206 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 206 24 shade: RGB 53 206 24, RGB 36 188 5, RGB 19 170 0, RGB 2 152 0 and RGB 0 134 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 206 24 shade: RGB 53 205 24, RGB 102 205 24, RGB 151 205 24, RGB 200 205 24 and RGB 205 162 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 206 24 shade: RGB 53 205 24, RGB 24 205 44, RGB 24 205 93, RGB 24 205 142 and RGB 24 205 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 206 24 shade matches the following richer shades: RGB 53 205 24 and RGB 40 224 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 206 24 shade: RGB 53 205 24, RGB 66 187 43, RGB 78 168 61, RGB 91 150 80 and RGB 104 131 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 206 24 shade: RGB 151 205 24, RGB 103 205 24, RGB 54 205 24, RGB 24 205 42 and RGB 24 205 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 206 24 shade: RGB 34 132 15, RGB 43 168 20, RGB 53 205 24, RGB 71 230 41 and RGB 103 234 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 206 24 shade: RGB 53 206 24, RGB 24 199 205 and RGB 205 24 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 206 24 shade: RGB 53 206 24, RGB 24 54 205 and RGB 205 24 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 206 24 shade: RGB 53 206 24, RGB 24 199 205, RGB 175 24 205 and RGB 205 30 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 206 24 shade: RGB 53 206 24, RGB 24 145 205, RGB 175 24 205 and RGB 205 85 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 88 / 19

HEX #35CE18

RGB 53 206 24

HSL 110.44, 0.79%, 0.45%

LAB 72.87, -68.33, 68.44

 

Complementary color

CMYK 13 / 79 / 0 / 9

HEX #CA31E7

RGB 202 49 231

HSL 290.44, 0.79%, 0.55%

LAB 52.42, 79.39, -60.57

 

CMYK 72 / 0 / 91 / 19

HEX #3ACE13

RGB 58 206 19

HSL 107.49, 0.83%, 0.44%

LAB 72.95, -67.67, 69.39

 

CMYK 67 / 0 / 83 / 12

HEX #4BE026

RGB 75 224 38

HSL 108.06, 0.75%, 0.51%

LAB 79.01, -69.45, 71.05

 

CMYK 62 / 0 / 76 / 5

HEX #5CF239

RGB 92 242 57

HSL 108.65, 0.88%, 0.59%

LAB 85.03, -70.73, 71.64

 

CMYK 57 / 0 / 70 / 0

HEX #6DFF4C

RGB 109 255 76

HSL 108.94, 1%, 0.65%

LAB 89.53, -69.93, 70.02

 

CMYK 51 / 0 / 63 / 0

HEX #7EFF5F

RGB 126 255 95

HSL 108.38, 1%, 0.69%

LAB 90.22, -64.07, 63.68

 

CMYK 74 / 0 / 88 / 19

HEX #35CE18

RGB 53 206 24

HSL 110.44, 0.79%, 0.45%

LAB 72.87, -68.33, 68.44

 

CMYK 81 / 0 / 97 / 26

HEX #24BC05

RGB 36 188 5

HSL 109.84, 0.95%, 0.38%

LAB 66.79, -65.84, 65.91

 

CMYK 89 / 0 / 100 / 33

HEX #13AA00

RGB 19 170 0

HSL 113.29, 1%, 0.33%

LAB 60.68, -62.49, 61.54

 

CMYK 99 / 0 / 100 / 40

HEX #029800

RGB 2 152 0

HSL 119.21, 1%, 0.3%

LAB 54.52, -58.45, 56.55

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 74 / 0 / 88 / 20

HEX #35CD18

RGB 53 205 24

HSL 110.39, 0.79%, 0.45%

LAB 72.55, -68.03, 68.17

 

CMYK 50 / 0 / 88 / 20

HEX #66CD18

RGB 102 205 24

HSL 94.14, 0.79%, 0.45%

LAB 73.9, -56.91, 69.86

 

CMYK 26 / 0 / 88 / 20

HEX #97CD18

RGB 151 205 24

HSL 77.9, 0.79%, 0.45%

LAB 76.26, -40.11, 72.78

 

CMYK 2 / 0 / 88 / 20

HEX #C8CD18

RGB 200 205 24

HSL 61.66, 0.79%, 0.45%

LAB 79.62, -20.11, 76.91

 

CMYK 0 / 21 / 88 / 20

HEX #CDA218

RGB 205 162 24

HSL 45.75, 0.79%, 0.45%

LAB 68.67, 4.24, 68.41

 

CMYK 74 / 0 / 88 / 20

HEX #35CD18

RGB 53 205 24

HSL 110.39, 0.79%, 0.45%

LAB 72.55, -68.03, 68.17

 

CMYK 88 / 0 / 79 / 20

HEX #18CD2C

RGB 24 205 44

HSL 126.63, 0.79%, 0.45%

LAB 72.25, -70.36, 62.87

 

CMYK 88 / 0 / 55 / 20

HEX #18CD5D

RGB 24 205 93

HSL 142.87, 0.79%, 0.45%

LAB 72.66, -65.32, 43.71

 

CMYK 88 / 0 / 31 / 20

HEX #18CD8E

RGB 24 205 142

HSL 159.12, 0.79%, 0.45%

LAB 73.42, -56.39, 19.83

 

CMYK 88 / 0 / 7 / 20

HEX #18CDBF

RGB 24 205 191

HSL 175.36, 0.79%, 0.45%

LAB 74.58, -44.02, -4.84

 

CMYK 74 / 0 / 88 / 20

HEX #35CD18

RGB 53 205 24

HSL 110.39, 0.79%, 0.45%

LAB 72.55, -68.03, 68.17

 

CMYK 82 / 0 / 97 / 12

HEX #28E006

RGB 40 224 6

HSL 110.64, 0.95%, 0.45%

LAB 78.33, -75.64, 75.2

 

CMYK 74 / 0 / 88 / 20

HEX #35CD18

RGB 53 205 24

HSL 110.39, 0.79%, 0.45%

LAB 72.55, -68.03, 68.17

 

CMYK 65 / 0 / 77 / 27

HEX #42BB2B

RGB 66 187 43

HSL 110.42, 0.63%, 0.45%

LAB 67.18, -58.92, 58.53

 

CMYK 54 / 0 / 64 / 34

HEX #4EA83D

RGB 78 168 61

HSL 110.47, 0.47%, 0.45%

LAB 61.62, -47.51, 45.91

 

CMYK 39 / 0 / 47 / 41

HEX #5B9650

RGB 91 150 80

HSL 110.57, 0.3%, 0.45%

LAB 56.7, -33.49, 30.91

 

CMYK 21 / 0 / 25 / 49

HEX #688362

RGB 104 131 98

HSL 109.09, 0.14%, 0.45%

LAB 51.9, -16.43, 14.75

 

CMYK 26 / 0 / 88 / 20

HEX #97CD18

RGB 151 205 24

HSL 77.9, 0.79%, 0.45%

LAB 76.26, -40.11, 72.78

 

CMYK 50 / 0 / 88 / 20

HEX #67CD18

RGB 103 205 24

HSL 93.81, 0.79%, 0.45%

LAB 73.94, -56.62, 69.91

 

CMYK 74 / 0 / 88 / 20

HEX #36CD18

RGB 54 205 24

HSL 110.06, 0.79%, 0.45%

LAB 72.57, -67.87, 68.19

 

CMYK 88 / 0 / 80 / 20

HEX #18CD2A

RGB 24 205 42

HSL 125.97, 0.79%, 0.45%

LAB 72.24, -70.49, 63.45

 

CMYK 88 / 0 / 56 / 20

HEX #18CD5B

RGB 24 205 91

HSL 142.21, 0.79%, 0.45%

LAB 72.64, -65.6, 44.62

 

CMYK 74 / 0 / 89 / 48

HEX #22840F

RGB 34 132 15

HSL 110.26, 0.8%, 0.29%

LAB 48.1, -48.44, 48.58

 

CMYK 74 / 0 / 88 / 34

HEX #2BA814

RGB 43 168 20

HSL 110.68, 0.79%, 0.37%

LAB 60.4, -58.36, 58.34

 

CMYK 74 / 0 / 88 / 20

HEX #35CD18

RGB 53 205 24

HSL 110.39, 0.79%, 0.45%

LAB 72.55, -68.03, 68.17

 

CMYK 69 / 0 / 82 / 10

HEX #47E629

RGB 71 230 41

HSL 110.48, 0.79%, 0.53%

LAB 80.79, -71.94, 71.9

 

CMYK 56 / 0 / 67 / 8

HEX #67EA4E

RGB 103 234 78

HSL 110.38, 0.79%, 0.61%

LAB 83.06, -63.92, 62.45

 

CMYK 74 / 0 / 88 / 19

HEX #35CE18

RGB 53 206 24

HSL 110.44, 0.79%, 0.45%

LAB 72.87, -68.33, 68.44

 

CMYK 88 / 3 / 0 / 20

HEX #18C7CD

RGB 24 199 205

HSL 181.99, 0.79%, 0.45%

LAB 73.19, -37.24, -14.51

 

CMYK 0 / 88 / 38 / 20

HEX #CD187F

RGB 205 24 127

HSL 325.86, 0.79%, 0.45%

LAB 45.86, 71.26, -9.74

 

CMYK 74 / 0 / 88 / 19

HEX #35CE18

RGB 53 206 24

HSL 110.44, 0.79%, 0.45%

LAB 72.87, -68.33, 68.44

 

CMYK 88 / 74 / 0 / 20

HEX #1836CD

RGB 24 54 205

HSL 230.06, 0.79%, 0.45%

LAB 32.35, 47.33, -79.22

 

CMYK 0 / 88 / 74 / 20

HEX #CD1836

RGB 205 24 54

HSL 350.06, 0.79%, 0.45%

LAB 44.09, 66.28, 32.98

 

CMYK 74 / 0 / 88 / 19

HEX #35CE18

RGB 53 206 24

HSL 110.44, 0.79%, 0.45%

LAB 72.87, -68.33, 68.44

 

CMYK 88 / 3 / 0 / 20

HEX #18C7CD

RGB 24 199 205

HSL 181.99, 0.79%, 0.45%

LAB 73.19, -37.24, -14.51

 

CMYK 15 / 88 / 0 / 20

HEX #AF18CD

RGB 175 24 205

HSL 290.06, 0.79%, 0.45%

LAB 44.48, 76, -58.74

 

CMYK 0 / 85 / 88 / 20

HEX #CD1E18

RGB 205 30 24

HSL 1.99, 0.79%, 0.45%

LAB 44.2, 64.3, 49.3

 

CMYK 74 / 0 / 88 / 19

HEX #35CE18

RGB 53 206 24

HSL 110.44, 0.79%, 0.45%

LAB 72.87, -68.33, 68.44

 

CMYK 88 / 29 / 0 / 20

HEX #1891CD

RGB 24 145 205

HSL 199.89, 0.79%, 0.45%

LAB 56.93, -9.61, -39.51

 

CMYK 15 / 88 / 0 / 20

HEX #AF18CD

RGB 175 24 205

HSL 290.06, 0.79%, 0.45%

LAB 44.48, 76, -58.74

 

CMYK 0 / 59 / 88 / 20

HEX #CD5518

RGB 205 85 24

HSL 20.22, 0.79%, 0.45%

LAB 51.32, 44.86, 54.8

 

Description

Color code: RGB 53 206 24 | qconv.com Color code: RGB 53 206 24 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 206 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 206 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 88 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 88% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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